Collection Summary
Rose Marie and Harold Spivacke Fund Collection
1615-1994
(1880-1978)
1615-1994
(1880-1978)
ML30.S65
Library of Congress. Spivacke Fund (Rose Marie and Harold Spivacke)
approximately 305 items
9 containers
4 linear feet
English
Latin
Collection material mostly in English, with some items in Latin
Music Division, Library of Congress
Washington, D.C.
The Rose Marie and Harold Spivacke Fund
Collection consists of materials purchased through an endowment that Rose Marie Spivacke
established in 1982 at the behest of her husband, Harold Spivacke, who was chief of the
Music Division at the Library of Congress from 1937 to 1972. The collection includes
music manuscripts, printed scores, correspondence, clippings, and
iconography.
Provenance
Purchases through the endowment fund established by Rose Marie Spivacke in 1982
Custodial History
In 1998, the Rose Marie and Harold Spivacke Fund purchased a collection of letters and
papers from Lion Heart Autographs, Inc. in New York City. These materials were
previously in the possession of Hans Heinsheimer, who was a prominent American music
publisher and writer.
Accruals
Further accruals expected.
Processing History
Wilda Heiss processed the Rose Marie and Harold Spivacke Fund Collection in 1997. Jane
Cross and Rachel McNellis coded the finding aid in 2020.
Other Repositories
The Rose Marie Grentzer Papers are located at the University of Maryland's Special
Collections in Performing Arts.
Related Material
The [Charles Mingus Collection]
was partially purchased through the Spivacke Fund from 1992 to 1995. This collection is
housed and described separately from other purchases made through the fund.
The Rose Marie and Harold Spivacke Fund Collection is also separate and distinct from
the personal papers of Harold Spivacke, which are housed in the [Harold
Spivacke Collection] in the Music Division.
More correspondence of Hans Heinsheimer can be found in the [Hans Heinsheimer Papers].
Copyright Status
Materials from the Rose Marie and Harold Spivacke Fund Collection are governed by the
Copyright Law of the United States (Title 17, U.S.C.) and other applicable international
copyright laws.
Preferred Citation
Researchers wishing to cite this collection should include the following information:
[item, date, container number or call number], Rose Marie and Harold Spivacke Fund
Collection, Music Division, Library of Congress, Washington, D.C.
Historical Note
Rose Marie Grentzer Spivacke (1914-1985) was a music educator who helped raise awareness
about and fostered scholarship on audio-visual aids, international music education, and
American music. After leading and enhancing music education programs at Juilliard, the
University of Michigan, and Oberlin, she developed the graduate program in music
education at the University of Maryland. In 1982, she established the Rose Marie and
Harold Spivacke Fund Collection in the Music Division at the Library of Congress in
honor of her husband, Harold Spivacke (July 18, 1904 - May 19, 1977), who was a
musicologist, music librarian, and head of the Music Division from 1937 to 1972. The
fund's purpose is to assist the Library in expanding the Music Division collections
through the acquisition of music manuscripts, books, papers, and other related
materials.
Scope and Content Note
Materials in the Rose Marie and Harold Spivacke Fund Collection span the years 1615
through 1994, with the majority of the items dating between 1880 and 1978. The [Music Manuscripts ](SF01)and [Printed Music](SF02) series consist
of both popular and classical works, including holograph and copyist manuscripts for the
works of Irving Berlin, Samuel Barber, Hugo Felix, Franz Liszt, Richard Rodgers, Victor
Herbert, and Fats Waller. The [Papers](SF03) series is comprised of correspondence, clippings, and programs related
to composers and other musicians represented in other Music Division collections. Alban
Berg, Leonard Bernstein, Johannes Brahms, George and Ira Gershwin, Oscar Hammerstein,
Victor Herbert, Franz Liszt, Cole Porter, Arnold Schoenberg, and Igor Stravinsky are
some of the prominent figures represented in this series. The [Iconography](SF04) series includes portraits and
photographs of Alban Berg, Billie Burke, Victor Herbert, and Mary Martin.
Arrangement
The Rose Marie and Harold Spivacke Fund Collection is organized in four series:
-
[Music Manuscripts,
1880-1943](SF01)
-
[Printed Music, 1615-1954](SF02)
-
[Papers, 1874-1994](SF03)
-
[Iconography, circa 1900-circa
1960](SF04)
Selected Search Terms
The following terms have been used to index the description of this collection in the LC Catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically.
People
Barber, Samuel, 1910-1981.
Berg, Alban, 1885-1935--Correspondence.
Berlin, Irving, 1888-1989.
Bernstein, Leonard, 1918-1990--Correspondence.
Brahms, Johannes, 1833-1897--Correspondence.
Felix, Hugo, 1866-1934.
Gershwin, George, 1898-1937--Correspondence.
Gershwin, Ira, 1896-1983--Correspondence.
Grentzer, Rose Marie.
Grentzer, Rose Marie.
Hammerstein, Oscar, II, 1895-1960--Correspondence.
Heinsheimer, Hans W., 1900-1993.
Herbert, Victor, 1859-1924--Correspondence.
Herbert, Victor, 1859-1924.
Liszt, Franz, 1811-1886--Correspondence.
Liszt, Franz, 1811-1886.
Mingus, Charles, 1922-1979.
Porter, Cole, 1891-1964--Correspondence.
Rodgers, Richard, 1902-1979.
Schoenberg, Arnold, 1874-1951--Correspondence.
Spivacke, Harold, 1904-1977.
Stravinsky, Igor, 1882-1971--Correspondence.
Waller, Fats, 1904-1943.
Subjects
Composers--Correspondence.
Music--History and criticism.
Popular music--United States--History and criticism.
Titles
Rose Marie and Harold Spivacke Fund collection
Spivacke fund (Rose Marie and Harold Spivacke) collection
Form/Genre
Art music.
Autographs (Manuscripts)
Business correspondence.
Clippings (Information artifacts)
Personal correspondence.
Popular music.
Programs (Publications)
Scores.
Container List
A1, C1
Music Manuscripts, 1880-1943
(bulk 1880-1920)
1880-1943
(bulk 1880-1920)
This series consists of holograph and copyist manuscripts, the majority of which
is music for Fats Waller's musical Early to Bed
(1943), piano works, libretti, and numerous unidentified sketches and lead sheets. The
series also contains music from other musicals, including Victor Herbert’s My Golden Girl (1920) and Oui
Madame (1920), as well as Hugo Felix’s Sweetheart
Shop (1920). In addition, there are scores for early versions of Samuel
Barber's Canzone, Op. 38a, manuscript scores for Franz Liszt's "Zum Grabe and Von
der Wiege bis zum Grabe," and a holograph transcription of Samuel Francis Smith's
hymn "America." Irving Berlin, Ferde Grofé, and Andy Razaf are among the other
composers whose works are represented in this series.
Arranged alphabetically by composer and title therein.
Barber, Samuel
OVS 1
Antony and Cleopatra
Photocopy of copyist score with holograph
annotations; 3 volumes
[2016561844]
C1/2
Antony and Cleopatra. Act 2
Typescript libretto with autograph amendations
Includes: Andrew Chiappe's "Notes on libretto of Antony and Cleopatra"
[2016561843]
OVS 1
For Manfredi
Holograph manuscript score for solo flute
[2016561842]
C1/1
Vanessa
Libretto by Gian Carlo Menotti
Typescript libretto with autograph annotations; printed libretto
[2016561841]
Beethoven, Ludwig von
Arranged by Franz Liszt
[2008561483]
Archduke Trio, op. 97. Andante
cantabile
Arranger's holograph manuscript score for
piano
Berlin, Irving
A1/9
My House Was on
Fire
Manuscript song fragment in an unidentified
hand
[00528031]
German, Edward
Arranged by Victor Herbert
A1/8
Who’ll Buy My
Lavender?
Holograph manuscript orchestral parts
[99479530]
Grofé, Ferde
[2004560078]
Hollywood Suite
Holograph manuscript score for piano
Herbert, Victor
A1/11
The Century Girl
[2005561476]
A2/6
The Love Boat
Note: From Ziegfeld
Follies of 1920
[2008560916]
My Golden Girl
[2013570262]
Entr'acte
A2/10
Fifty-Fifty
[2008561645]
A2/8
Finale, 1st Scene
[2008561644]
A2/9
I Want You
Saxophone solo
[2008561643]
A2/2
Just a Hobby, That's All
[2008561678]
A2/5
That Matrimonial Glide
[2008561684]
A2/7
New Opening Chorus, 1st Act
[2008560917]
A2/12
Opening, 2nd Scene
[2008561610]
A2/13
Think it Over
[2008561611]
A2/11
Variety (Mr. and Mrs.
Mitchell)
[2008560918]
A2/14
What Shall We Do if the Moon Goes
Out
[2008561612]
Oui Madame
A2/15
Every Hour Away from You Is Sixty Minutes
Lost
[2008561613]
A2/16
If That's Not Love What Do You Call
It
[2008561630]
A2/17
Over the Garden Wall
Note: Signed by Herbert
Note: Includes miscellaneous sketches on
page 4
[2008561631]
A2/18
When You Know Me
Better
[2008561632]
A1/7
Sunset
Holograph manuscript orchestral parts
[99479529]
Hugo, Felix
Sweetheart Shop
A2/21
Didn't You? no.
12
[2008561634]
A2/26
I'd Like to Teach You the
A.B.C., no. 14
[2008561639]
A2/22
Is There Any Little Thing? No. 3
[2008561635]
A2/4
I Want to Be a
Bride
Manuscript piano-vocal score
[2008561640]
A2/1
I Want to Be a
Bride
Note: For celeste
[2008561683]
A2/3
I Want to Be a Bride,
no.6
Manuscript piano-vocal score
[2008561641]
A2/20
The Long Lane of Love, no.
6
[2008561642]
A2/19
My Caravan, no. 12
Note: Duet
[2008561633]
A2/23
Plum Blossom
[2008561636]
A2/25
Ring those June
Bells
[2008561638]
A2/24
The World Is a Caroussel
[sic]
[2008561637]
Liszt, Franz
[2018570866]
Cantico del sol di San
Francisco d’Assisi
Holograph sketches; copyist manuscript full
score with holograph annotations
[967049168]
Von der Wiege bis zum
Grabe
Copyist manuscript score for piano with
holograph annotations
[96704848]
Von der Wiege bis zum
Grabe. Kampf um's Dasein
Sketch; trumpet part
[96704910]
Der Kampf ums Leben
Manuscript piano score with holograph
annotations
[96704916]
Zum Grabe
Holograph manuscript piano score
Rachmaninoff, Sergei
[2017564001]
Symphonic Dances, op.
45
Holograph score for two pianos
Razaf, Andy and Fats Waller
A3/3
I'm About to Fall
[2017569448]
Rodgers, Richard
A1/1
Oklahoma! Selections
Piano-vocal score in the hand of Albert Sirmay;
8 volumes
[96704820]
Smith, Samuel Francis
[2013563252]
America: An Autographic Transcript of Our National
Hymn
Published volume with holograph transcription
and photographs
Waller, Fats
A3/3
Baby
Lead sheet in F major; 32 measures
[2017569444]
A3/3
Baby
Lead sheet in F major; 32 measures
Note: "I was told" in parentheses appears
between staves 10 and 11
[2017569445]
A3/1
Do it All Over Again
Holograph score for piano
(incomplete)
Note: No title on score; title ascertained by
researcher
[2017569454]
Early to Bed
[2017569472]
A4/7
At the hi-de-ho-high; Where--
A4/11
Early to Bed
A4/9
Get Away, Young Man, Get Away
A4/10
Long Time No Song; That Does It
A4/2
Martinique
A4/4
Me and My Old World Charm
A4/8
New Latin Song; There's Yes in the Air in Martinique
A4/5
Slightly Less than Wonderful; Horse in Blue
A4/3
There's a Man in My Life
A4/6
This is So Nice it Must Be Illegal
A4/12
When the Nylons Bloom Again
A3/2
Flowers-Water
Sketch in D major; 28 measures
[2017569435]
A3/4
Gem no. 1, Fine
[2017569450]
A3/4
Gem no. 1A, Fine
[201756951]
A3/4
Gem no. 2
[2017569452]
A4/13
Give it Everything You Got
Copyist's manuscript vocal and trumpet
parts
[2017569468]
A3/3
I'm Dreaming
Lead sheet
[2017569436]
A3/4
I'm Dreaming 1-1A
2-2A
Full score
[2017569453]
A3/3
Jessica Torch -
Edit
Lead sheet
[2017569438]
A4/13
Jingle Bells
Copyist's manuscript part for clarinet doubling
alto saxophone
[2017569465]
A4/14
Jitterbug Waltz
Parts for 3rd alto saxophone, 1st and 2nd tenor
saxophone, 1st, 2nd, and 3rd trumpet, 1st and 2nd trombone, and
bass
[2017569470]
A3/3
Jump No. 1
Lead sheet
[2017569442]
A3/6
Melody fragments
[2017569456]
A3/9
Melody sketch
E-flat major; 12 measures
[2017569459]
A3/10
Melody sketch
E-flat major; 16 measures
[2017569460]
A4/1
Miscellaneous lead sheets,
drafts, and sketches
Contents: 1st one-two; 3rd one-two; I'm getting
nowhere; Make a little bet with me; That does it ("Nylons bloom" crossed
out); Unititled ("That does it"); Take it from here; Long time no song
("Twilight" crossed out); Twilight
[2017569471]
A3/3
No. 2 Torch - Jessica/Dreaming
Lead sheet
[2017569437]
A3/3
Onion Time - Jump No.
1
Lead sheet
[2017569443]
A3/5
P 4-40
Holograph sketch in pencil
[2017569455]
A4/13
Russian Rhythm
Copyist's manuscript alto saxophone
part
[2017569466]
A3/3
Short Time
Lead sheet
[2017569446]
A3/8
Sketch fragments
[2017569458]
A3/7
Three sketches
[2017569457]
A3/13
Untitled melody
drafts
[2017569463]
A3/11
Untitled melody
drafts
Lead sheets without lyrics
[2017569461]
A3/12
Untitled melody
drafts
Lead sheets without lyrics
[2017569462]
A3/3
Walk-a-Thon
Lead sheet
[2017569449]
A3/3
Where
Lead sheet
[2017569447]
A4/13
Where Has My Mother Gone
Copyist's manuscript for piano
[2017569469]
B1-B2
Printed Music, 1615-1954
1615-1954
The printed music series contains compositions by Bach, Blitzstein, Severi, and
Stravinsky, most of which are annotated.
Arranged alphabetically by composer.
Bach, Johann Sebastian
B2/3
Concerto in D minor,
undated
undated
Printed score for two violins and piano with
annotations in the hand of Victor Herbert
[00518906]
Blitzstein, Marc
[96704822]
Regina, 1954
1954
Photocopy of holograph piano-vocal score with
annotations in pencil
Note: Inscribed from Marc Blitzstein to Jane
Pickens
Laid in: Printed proof of "The best thing of
all things from Regina;" photocopy of piano-vocal score of Death scene
Regina; photographs and promotional materials of Jane Pickens
Severi, Francesco
[2016561620]
Salmi passaggiati, libro 1,
1615
1615
Psalm settings for one, two, and four solo
voices and continuo
Stravinsky, Igor
B1
Le Sacre du printemps, 1913
1913
Printed score for piano, four hands
Note: Annotated by Marie Rembert
Laid in: Typescript notes by Marie Rembert,
1967 November 24
[96704646]
D1-D4
Papers, 1874-1994
(bulk 1912-1978)
1874-1994
(bulk 1912-1978)
The papers consist of correspondence, clippings, and other documents concerning
prominent composers and musicians. Of special note are letters between George
Gershwin and Albert (“Doc”) Sirmay, several postcards from Johannes Brahms to
music publisher Fritz Simrock, and correspondence between Franz Liszt and Eduard
Liszt. This series also contains materials for the Theatre Guild’s production of
Rodgers and Hammerstein’s Allegro, including legal
papers, libretti, light plots, programs, and production notes. Alban Berg, Irving
Berlin, Leonard Bernstein, Ernest Bloch, Carlos Chávez, Aaron Copland, Oscar
Hammerstein II, Victor Herbert, André Kostelanetz, Ernst Krenek, Cole Porter,
Richard Rodgers, Gunther Schuller, Igor Stravinsky, and Edgard Varèse are among
the many other eminent figures represented in this series. The items in Box D2
were previously owned by Hans Heinsheimer.
Arranged in three file units then alphabetically therein.
Papers Purchased from Hans Heinsheimer
D2/1
Barber, Samuel, 1948, 1956-1960 and
undated
1948, 1956-1960 and undated
Correspondence with Hans Heinsheimer
[2018560616]
D2/2
Bernstein, Leonard, 1955, 1966
1955, 1966
Legal documents with G. Schirmer
[2018560617]
D2/3
Biggs, E. Power, 1975
1975
Correspondence with G. Schirmer
[2018560618]
D2/4
Bloch, Ernest, 1917, 1941
1917, 1941
Agreement with G. Schirmer, Inc.
[2018560620]
D2/5
Carter, Elliott, 1961-1964 and undated
1961-1964 and undated
Correspondence to Mr. Bauer and Mr. Cooper
[2018560621]
D2/6
Chávez, Carlos, 1961
1961
Correspondence to Hans Heinsheimer
[2018560622]
D2/7
Copland, Aaron, 1965
1965
Correspondence with G. Schirmer
[2018560623]
D2/8
Copland, Aaron, 1965
1965
Correspondence with Associated Music Publishers
[2018560649]
D2/9
Dello Joio, Norman, 1983 and undated
1983
and undated
Correspondence
[2018560624]
D2/10
Friml, Rudolf, 1918
1918
Page from contract with G. Schirmer
[2018560625]
D2/11
Grainger, Percy, 1946
1946
Correspondence
[2018560626]
D2/12
Grainger, Percy, 1950, 1956-1957
1950, 1956-1957
Correspondence with Hans Heinsheimer
[2018560646]
D2/13
Herbert, Victor, 1913
1913
Royalty agreement with G. Schirmer
[2018560627]
D2/14
Herbert, Victor, 1914
1914
Royalty agreement with G. Schirmer
[2018560647]
D2/15
Holst, Gustav, 1924
1924
Correspondence with J. Curwen and
Sons
[2018560628]
D2/16
Kostelanetz, André, 1969
1969
Correspondence with Carlos Surinach
[2018560629]
D2/17
Krenek, Ernst, 1966
1966
Correspondence with Hans Heinsheimer
[2018560630]
D2/18
Krenek, Ernst, 1969
1966-1969
Correspondence with George Sturm
[2018560648]
D2/19
Menotti, Gian Carlo to Clarice
H. Mitchell, 1975-1977
1975-1977
Correspondence with George Sturm
[2018560631]
D2/20
Milhaud, Darius, 1945
1945
Correspondence with Associated Music
Publishers
[2018560632]
D2/21
Niles, John Jacob, 1967
1967
Correspondence with George Sturm and Hans
Heinsheimer
[2018560633]
D2/22
Parker, Horatio, 1907
1907
Correspondence with G. Schirmer
[2018560634]
D2/23
Porter, Cole, 1944
1944
Assignment of copyright
[2018560635]
D2/24
Rieti, Vittorio, 1963
1963
Correspondence wth Associated Music
Publishers
[2018560636]
D2/25
Rodrigo, Joaquín, 1963
1963
Correspondence with Associated Music
Publishers
[2018560637]
D2/26
Schuller, Gunther A.,
undated
undated
Correspondence with George Sturm at G.
Schirmer
[2018560638]
D2/27
Sousa, John Philip, 1917
1917
Royalty agreement
[2018560639]
D2/28
Speaks, Oley, 1914 and undated
1914
and undated
Correspondence with G. Schirmer
[2018560640]
D2/29
Stravinsky, Igor, 1944-1951
1944-1951
Correspondence
[2018560641]
D2/30
Surinach, Carlos, 1969 and undated
1969
and undated
Correspondence
[2018560642]
D2/31
Thomson, Virgil, 1974-1975
1974-1975
Correspondence with Associated Music
Publishers
[2018560643]
D2/32
Thomson, Virgil, 1978
1978
Correspondence wth G. Schirmer
[2018560651]
D2/33
Thomson, Virgil, 1978
1978
Correspondence with G. Schirmer
[2018560650]
D2/34
Varèse, Edgar, 1928
1928
Typescript release from previous publishing
agreement with J. Curwen & Sons, London
[2018560644]
D2/35
Vaughan Williams, Ralph, 1912 and undated
1912
and undated
Correspondence and publishing contract with J. Curwen & Sons,
London
[2018560645]
Other Papers
D1/1
Antheil, Böske to Nikolai
Malko, 1946
1946
Correspondence
[2018560652]2018560652
D1/2
Antheil, George to Nikolai
Malko, undated
undated
Correspondence
[2018560653]
D1/3
Bartók, Béla to Erno Balogh,
1935 March 2
1935 March 2
Correspondence
[2018564160]
D1/27
Berg, Alban, 1935 and undated
1935
and undated
Clippings
[2018560654]
D1/26
Berg, Alban: Gesellschaft der
Musikfreunde, 1935 December
11
1935 December 11
Program
[2018560654]
D1/4-25
Berg, Alban to Paul Hohenberg,
1902-1926, 1933 and
undated
1902-1926, 1933 and undated
Chiefly postcards
[2018560654]
D1/28
Berlin, Irving to Anita Loos,
circa 1930s
circa 1930s
Correspondence
[2018560656]
D1/29-52
Brahms, Johannes to Fritz
Simrock, 1887-1891
1887-1891
Chiefly postcards
[2018560657]
D1/53
Gershwin, George to Albert
(“Doc”) Sirmay, 1937
1937
Correspondence
[2018560658]
D1/54
Gershwin, Ira to "Abrams,"
1955
1955
Correspondence
[2018560659]
D1/55-62
Gershwin, Ira to George Pallay,
1931-1941, 1962,
1968-1971
1931-1941, 1962, 1968-1971
Correspondence
[2018560661]
D1/63-64
Gershwin, Leonore (Mrs. Ira) to
George Palley, circa 1931,
1937
circa 1931, 1937
Correspondence
[2018560660]
[2018560663]
D1/65
Golde, Morris, 1961 January 7
1961 January 7
Invitation
[2018564556]
D1/66
Grainger, Percy, 1915-1920
1915-1920
Correspondence
[2018560626]
D1/67
Hammerstein, Oscar, II to
Miriam Stern, 1958
1958
Correspondence
[2018560665]
D1/68
Kirkpatrick, Ralph to Morris
Golde, 1939
1939
Correspondence
[2018564548]
D1/69
Kirkpatrick, Ralph to Morris
Golde, 1940
1940
Correspondence
[2018564549]
D1/70
Kirkpatrick, Ralph to Morris
Golde, 1943
1943
Correspondence
[2018564550]
D1/71
Kirkpatrick, Ralph to Morris
Golde, 1944
1944
Correspondence
[2018564551]
D1/72
Kirkpatrick, Ralph to Morris
Golde, 1945
1945
Correspondence
[2018564552]
D1/73
Kirkpatrick, Ralph to Morris
Golde, 1947 August 28
1947 August 28
Correspondence
[2018564553]
D1/74
Kirkpatrick, Ralph to Morris
Golde, 1947 September 27
1947 September 27
Correspondence
[2018564554]
D1/75
Kirkpatrick, Ralph to Morris
Golde, 1958
1958
Correspondence
[2018564555]
D1/76
Krenek, Ernst to Dimitri
Mitropoulos, 1941
1941
Correspondence
[2018560666]
D1/77
Liszt, Franz to Eduard Liszt,
1876 January 23
1876 January 23
Correspondence
[2018563167]
D1/78
Liszt, Franz to Ettore(?)
Pinelli, 1874 November
30
1874 November 30
Correspondence
[2018563168]
D1/79
Liszt, Franz to Lina
Schmalhausen, 1886 May
26
1886 May 26
Correspondence
[2018563169]
D1/85
Liszt, Franz to ?, undated
undated
Correspondence
[2018563170]
D1/80
Rodgers, Richard, to Clarice H.
Mitchell, 1960
1960
Correspondence
[2018560667]
D4/1
Schoenberg, Arnold to Wellesz, 1922
1922
Correspondence
[2016564037]
D1/81
Schoenberg, Arnold to Fritz
Hirt, 1927
1927
Correspondence
[2018560668]
D1/82
Stravinsky, Igor, 1957
1957
Correspondence with Deborah Ishlan
[2018564547]
D1/83
Swift, Kay, to George Pallay,
1937
1937
Correspondence
[2018560669]
D1/84
Tippett, Michael, 1961-1976, 1994
1961-1976, 1994
Correspondence
[2018560670]
Theatre Guild Archives, Allegro
D3/1-4
Financial investors, 1947-1965
1947-1965
Contracts; correspondence; financial statements
D3/5
Financial - miscellaneous,
1947-1952
1947-1952
Correspondence
D3/6-7
Legal papers, 1947-1965
1947-1965
Contracts and correspondence
D3/8
Libretti, undated
undated
Two items
D3/9
Lighting plots,
undated
undated
Two items
D3/10
Programs, undated
undated
Two items
D3/11
Poster, undated
undated
D3/12
Props inventory,
undated
undated
D3/13
Special cues,
undated
undated
E1
Iconography, circa 1900-circa 1960
1900-1960
This series includes several portraits and photographs of Alban Berg and Helene
Berg, as well as inscribed portraits of Billie Burke, Herbert Victor, and Mary
Martin.
Arranged alphabetically by name.
E1/1
Berg, Alban and Hélène Berg,
undated
undated
Portraits and photographs
E1/2
Burke, Billie, 1907 March 14
1907
March 14
Inscribed portrait
E1/3
Herbert, Victor,
undated
undated
Inscribed portrait
E1/4
Martin, Mary, undated
undated
Inscribed portrait