Collection Summary
George Crumb Papers
1944-2022
(bulk 1965-2013)
1944-2022
(bulk 1965-2013)
ML31.C87
Crumb, George
approximately 7,800 items
71 containers
48 linear feet
5,600 digital files (1.2 TB)
English
German
French
Spanish
Dutch
Polish
Chinese
Russian
Collection material primarily in English, with some in German, French, Spanish,
Dutch, Russian, Chinese, and Polish.
Music Division, Library of Congress
Washington, D.C.
George Crumb was a Pulitzer Prize-winning
American composer who was long associated with the University of Pennsylvania. The
collection consists of holograph manuscript scores and sketches, correspondence,
business papers, subject files, and a series of meticulously assembled scrapbooks that
chronicle Crumb's career as a composer.
Selected Search Terms
The following terms have been used to index the description of this collection in the LC Catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically.
People
Burge, David, 1930-2013--Correspondence.
Crumb, Ann.
Crumb, George--Archives.
Crumb, George--Correspondence.
Crumb, George--Performances.
Crumb, George.
Crumb, George.
Crumb, George. Works. Selections.
Tan, Margaret Leng.
Organizations
C.F. Peters (Firm)--Correspondence.
Subjects
Chamber music--Scores.
Composers--United States.
Instrumental music--Scores.
Musical sketches.
Vocal music--Scores.
Form/Genre
Albums (Books)
Art music.
Autographs (Manuscripts)
Business correspondence.
Chamber music.
Clippings (Information artifacts)
Contracts.
Files (Digital files)
Music criticism and reviews.
Musical settings.
Musical sketches.
Personal correspondence.
Photographs.
Programs (Publications)
Scores.
Songs.
Provenance
Gift, George Crumb, 2011. Margaret Leng Tan donated digital files for the Twinkle, Dammit! documentary and other audiovisual items in
2021. Additional materials came as a bequest from the estate of George Crumb in 2022.
Accruals
No further accruals are expected.
Processing History
Christopher Hartten processed the George Crumb Papers and coded the finding aid in 2012.
Stephanie Akau processed additional materials received as a bequest and updated the
finding aid in 2023.
Transfers
Sound and video recordings from the George Crumb Papers have been transferred to the
Library of Congress Motion Picture, Broadcasting, and Recorded Sound Division. An
inventory of this material is available in the Music Division's collection file.
Related Material
The following Library of Congress Music Division collections contain correspondence or
music by Crumb: [ Nicolas Slonimsky Collection
(ML31.S6)] ; [Martha Graham Collection
(ML31.G727)] ; and the [Moldenhauer Archives at the
Library of Congress (ML31.M6)]. Crumb's holograph score for
Ancient Voices of Children
(ML29.c93 no.1 <case>) is in the Elizabeth Sprague Coolidge Foundation
Collection. His score for
Madrigals, Books 1-2
(ML30.3c.C79 no.1 <case>) is in the Serge Koussevitzky Music Foundation
Collection and his 2019 commission by the Verna and Irving Fine Fund,
Kronos - Kryptos
, is cataloged in ML30.F5 no. 5 <case>.
George Crumb's [website] is archived in the [LC Commissioned Composers
Web Archive].
Copyright Status
Materials from the George Crumb Papers are governed by the Copyright Law of the United
States (Title 17, U.S.C.) and other applicable international copyright laws.
Access and Restrictions
The George Crumb Papers are open to research. Researchers are advised to contact the
Music Division prior to visiting in order to determine whether the desired materials
will be available at that time.
Certain restrictions to use or copying of materials may apply.
Digital Files
Digital files were received as part of the George Crumb Papers and have been assigned
the digital ID numbers CrumbGeorge_MUS_2021_085, CrumbGeorge_MUS_2021_022_001_001, and
CrumbGeorge_MUS_2021_022_001_002. Use the digital ID numbers to request access copies of
the files. Access to digital content may be available onsite only in the Performing Arts
Reading Room and requires advance request. Consult reference staff in the Performing
Arts Reading Room for more information.
File Formats
The digital files in this collection include the following formats: .jpg, .mxf, and
.wav, among others.
Preferred Citation
Researchers wishing to cite this collection should include the following information:
[item, date, container or digital ID number], George Crumb Papers, Music Division,
Library of Congress, Washington, D.C.
Biographical Note
Date
Event
1929 October 24
Born, Charleston, West Virginia, to musicians George Henry Crumb, Sr. and
Vivian Crumb
circa 1939
Began composing works "somewhat in the style of Mozart"
1944
1947
Attended Charleston High School
1947
Attended Interlochen Arts Camp
1948
1950
Studied piano and composition at Mason College of Music, Charleston, West
Virginia
1949, May 21
Married Elizabeth May Brown
1950
Daughter Elizabeth Ann Crumb born
1951
1952
Studied composition with Eugene Weigel at the University of Illinois,
Urbana-Champaign
1953
1959
Studied composition with Ross Lee Finney at the University of Michigan, Ann
Arbor. Finney emphasized meticulous notation, a characteristic evident in Crumb's
works. At Michigan, he was introduced to and inspired by the poetry of Federico
García Lorca, whose texts become the source for many future compositions
1955
1956
Studied composition with Boris Blacher at the Berlin Hochschule für Musik on a
Fulbright grant
1959
Doctorate, University of Michigan, Ann Arbor. His dissertational
submission,
Variazioni
, was not premiered until 1965
Taught piano and composition, University of Colorado, Boulder
Met pianist David Burge and composed
Five Pieces for Piano
, a work that earned Crumb widespread praise
1962
Son David Reed Crumb born
1964
1965
Residency at the Buffalo Center for the Creative and Performing Arts
1965
Moved to Media, Pennsylvania
Son Peter Stanley Crumb born
Premiere of
Madrigals, Books I-II
, commissioned by the Serge Koussevitzky Music Foundation in the
Library of Congress
1965
1997
Professor, composition, University of Pennsylvania, Philadelphia
1967
Composed
Echoes of Time and the River
Awarded first Guggenheim Fellowship
1968
Received Pulitzer Prize for
Echoes of Time and the River
1969 July 16
24
Composed
Night of the Four Moons
, a work inspired by the Apollo 11 space flight
1969
Completed
Songs, Drones, and Refrains of Death
, his first Lorca-inspired work that had been started in 1962
1970 October 23
Premiere of
Black Angels
by the Stanley Quartet at the University of Michigan
1970 October 31
Premiere of
Ancient Voices of Children
at the 14th Coolidge Festival of Chamber Music. The piece was
commissioned by the Elizabeth Sprague Coolidge Foundation in the Library of
Congress
1972 March 17
First performance of
Vox Balaenae
by the New York Camerata at the Library of Congress. The work contained
masked performers and other theatrical elements similar to
Lux Aeterna
, composed the previous year
1972
1979
Composed
Makrokosmos
, a cycle of four works for amplified piano
1973
Awarded second Guggenheim Fellowship
1977 May 5
New York Philharmonic premiere of
Star-Child
under Pierre Boulez
1978
PBS broadcast of Robert Mugge's film,
George Crumb: Voice of the Whale
1984, June 7
New York Philharmonic premiere of tone-poem
A Haunted Landscape
under Arthur Wiesberg
1986 April
Served as the American representative at the Conference of the Union of Soviet
Composers
1988 January 17
Zeitgeist
is premiered at the Charles Ives Festival in Duisburg, Germany
1997
Composed
Mundis Canis
, a work inspired by the personalities of the Crumb family dogs.
Retired from the University of Pennsylvania
1998
Mundis Canis
premiered by guitarist David Starobin and Crumb himself on
percussion
2000
Star-Child
, recorded for the first time on Bridge Records'
Complete Crumb Edition
, won a Grammy Award for Best Contemporary Classical Composition
(2001)
2002
2007
Composed the
American Songbook
, a cycle of six works for voice, percussion quartet, and amplified
piano
2007
Inducted into the West Virginia Music Hall of Fame
2010
Nominated for Grammy Award for Best Classical Contemporary Composition for
The Winds of Destiny
2011 April 28
Thomas Hampson performed selections from the
American Songbook
at the Library of Congress
2011 June 10
Peter Sellars staged a theater production of "Winds of Time" from
American Songbook IV
(2004) featuring soprano Dawn Upshaw at the Ojai Music Festival
2012
Nominated for Grammy Award for Best Classical Contemporary Composition for
The Ghosts of Alhambra
Composed
The Yellow Moon of Andalusia (Spanish Songbook III)
for mezzo soprano and amplified piano
2015
2017
Composed
Metamorphoses (Book I)
for amplified piano
2017 May 7
Margaret Leng Tan premiered
Metamorphoses (Book I)
at the National Gallery of Art in Washington, DC
2018
2020
Composed
Metamorphoses (Book II)
for amplified piano
2019
Composed
Kronos-Kryptos, Four Tableaux,
for percussion quartet
Suffered a stroke
University of Pennsylvania hosted “Zeitgeist: George Crumb at 90,” a
showcase of Crumb's music on October 10
Daughter, Ann Crumb, died of cancer on October 31
2020 December 14
Marcantonio Barone premiered
Metamorphoses (Book II)
in Philadelphia
2022 February 6
Died at home in Media, Pennsylvania. Survived by wife, Elizabeth, and sons
David and Peter
Scope and Content Note
The George Crumb Papers span the period 1944 to 2022, with the majority of the materials
dating from 1965 to 2013. The collection consists of holograph manuscript scores and
sketches, correspondence and business papers, and a series of meticulously assembled
scrapbooks chronicling Crumb's distinguished career as a composer.
The [Music](mus) materials represent
Crumb's compositions, beginning with short works he composed during his childhood. There
are inked scores with pasteovers for publication, pencil scores and sketches, drafts,
annotated photo-reproductions, and several score transparencies. Crumb's final copy
scores are inked with extraordinary precision and reflect the influence of his father's
skills as a copyist and Ross Lee Finney's pedagogy. Most contain extensive patches of
inked-over whiteout and pasted insertions. Notable scores include the Pulitzer
Prize-winning
Echoes of Time and the River
,
American Songbook
,
Ancient Voices of Children
,
Black Angels
,
Five Pieces for Piano
,
A Haunted Landscape
,
Lux Aeterna
,
Madrigals
,
Makrokosmos
,
Mundis Canis
,
Star-Child
, and
Vox Balaenae
. Beginning in the 2000s, Crumb began revising some of his earlier works. For
these, the collection contains both original and revised versions of the scores.
Additionally, the collection includes several sketchbooks with materials to numerous
compositions, identified by letter or number.
[Business Papers](buspa) consist
chiefly of letters, telegrams, contracts, programs, and other documents from 1956 to
2021. Included is university and publisher correspondence, student inquiries, and
letters from various colleagues and friends, such as David Burge. The [Scrapbooks](scrap) comprise fourteen
custom bound volumes of clippings, programs, photographs, interviews, posters, and other
materials that detail Crumb's musical accomplishments from roughly 1963 to 2021. These
were assembled with the same meticulous care as the composer's scores and include
hundreds of performance reviews from both American and international newspapers.
Clippings, programs, and correspondence intended for scrapbooks that were not completed
before Crumb's death in 2022 are also part of this series. The [Subject Files](sub) primarily consist of personal
materials along with writings about Crumb's life and music.
Organization of the George Crumb Papers
The collection is arranged in four series:
-
[Music, 1944-2021](mus)
-
[Business Papers,
1956-2021](buspa)
-
[Scrapbooks, 1963-2021](scrap)
-
[Subject Files, 1947-2022 ](sub)
Catalog Record: [https://lccn.loc.gov/2012562132]
Container List
Container
Contents
1-10, 36-40, 44-57
Music, 1944-2021
1944-2021
Holograph manuscript scores and sketches, drafts, annotated scores, sketchbooks,
and transparencies. Final copy manuscripts contain inked-over whiteout and pasted
insertions that may require special handling. Crumb's archivist, Steve Bruns,
included information for numerous works that arrived in the 2022 accrual. This
information was transcribed to the folder or photocopied and laid in. The Music
series contains two subseries, one for instrumental music and another for vocal
music.
Arranged alphabetically by title of work. Cross references are provided for
components of multi-volume works with distinctive titles, namely
Makrokosmos
,
Images
, and
American Songbook
.
Instrumental
10/1
Black Angels (Images I). Thirteen
Images from the Dark Land for electric string quartet, 1970
1970
Holograph manuscript score with
pasteovers
56/1
Black Angels (Images I). Thirteen Images from
the Dark Land for electric string quartet, 1970
1970
Printed score
Note: Crumb's copy
1/1
Black Angels (Images I). Thirteen Images from
the Dark Land for electric string quartet, 1970
1970
Holograph sketches
10/2
Celestial Mechanics (Makrokosmos
IV). Cosmic Dances for amplified piano, four hands, 1979
1979
Holograph score with pasteovers
1/2
Celestial Mechanics (Makrokosmos IV). Cosmic
Dances for amplified piano, four hands, 1979
1979
Holograph score
44/1
Celestial Mechanics (Makrokosmos IV). Cosmic
Dances for amplified piano, four hands, 1979
1979
Printed score with holograph
annotations
44/2
Celestial Mechanics (Makrokosmos IV). Cosmic
Dances for amplified piano, four hands (revised), 2012
2012
Photocopy of holograph score with
pasteovers
44/2
Celestial Mechanics (Makrokosmos IV). Cosmic
Dances for amplified piano, four hands (revised), 2012
2012
Photocopy of holograph score
44/3
Cosmic Dances, undated
undated
Holograph sketches
Note: This movement was discarded from Music from a Summer Evening (Makrokosmos III)
10/3
Dream Sequence (Images II) for
violin, cello, piano, and percussion (and offstage "glass harmonica"),
1976
1976
Holograph score with pasteovers
56/2
Dream Sequence (Images II) for violin, cello,
piano, and percussion (and offstage "glass harmonica"), 1976
1976
Two printed scores
1/3
Dream Sequence (Images II) for violin, cello,
piano, and percussion (and offstage "glass harmonica"), 1976
1976
Holograph sketches
1/4
Easter Dawning for carillon,
1991
1991
Holograph score
Caption title: Easter bells
1/4
Easter Dawning for carillon,
1991
1991
Holograph score with pasteovers
1992 revised version
1/5
Easter Dawning for carillon,
1991
1991
Holograph sketches and drafts
Both versions
54/1
Echoes of Time and the River. Echoes II, Four
Processionals for orchestra, 1967
1967
Holograph score with annotations
Note: Original printing plates
44/4
Echoes of Time and the River. Echoes II, Four
Processionals for orchestra, 1967
1967
Photocopy of holograph full score with
pasteovers
36/1
Echoes of Time and the River. Echoes II, Four
Processionals for orchestra, 1967
1967
Two printed study scores, one with
annotations
44/5
Echoes of Time and the River. Echoes II, Four
Processionals for orchestra, 1967
1967
Photocopy of full score with holograph
annotations
44/6
Echoes of Time and the River. Echoes II, Four
Processionals for orchestra, 1967
1967
Photocopy of full score with
pasteovers
54/2
Echoes of Time and the River. Echoes II, Four
Processionals for orchestra, 1967
1967
Two Ozalids of full scores
54/3
Echoes of Time and the River. Echoes II, Four
Processionals for orchestra, 1967
1967
Two Ozalids of full scores
54/4
Echoes of Time and the River (Echoes II).
Four Processionals for orchestra, 1967
1967
Transparencies of full score
44/7
Echoes of Time and the River (Echoes II).
Four Processionals for orchestra, 1967
1967
Photocopies of printed parts
44/8
Echoes of Time and the River (Echoes II).
Four Processionals for orchestra, undated
undated
Photocopies of printed woodwind and brass
parts with pasteovers
45/1
Echoes of Time and the River (Echoes II).
Four Processionals for orchestra, undated
undated
Photocopies of printed string and percussion
parts with pasteovers
1/6-8
Echoes of Time and the River (Echoes II).
Four Processionals for orchestra, 1967
1967
Holograph sketches
2/1
Eine kleine Mitternachtmusik (A Little
Midnight Music). Ruminations on a Tune of Thelonius Monk for amplified
piano, 2001
2001
Holograph sketches and drafts
10/4
Eleven Echoes of Autumn (Echoes I) for
violin, alto flute, clarinet, and piano, 1965
1965
Holograph score with pasteovers
45/2
Eleven Echoes of Autumn (Echoes I) for
violin, alto flute, clarinet, and piano, 1965
1965
Printed score with holograph
annotations
54/5
Eleven Echoes of Autumn (Echoes I) for
violin, alto flute, clarinet, and piano, 1966
1966
Ozalid of score
Note: Crumb's copy
2/2
Eleven Echoes of Autumn (Echoes I) for
violin, alto flute, clarinet, and piano, 1965
1965
Holograph sketches and drafts
2/3
Five Pieces for piano, 1962
1962
Holograph score with pasteovers
36/2
Five Pieces for piano, 1962
1962
Ozalid of score
Note: Crumb's copy, may be first
printing
2/4
Four Nocturnes (Night Music II) for
violin and piano, 1964
1964
Two holograph scores with
pasteovers
2/5
Four Nocturnes (Night Music II) for violin
and piano, 1964
1964
Printed holograph score transparency
2/6
Four Nocturnes (Night Music II) for violin
and piano, 1964
1964
Photocopy of holograph score with annotations
and corrections
2/6
Four Nocturnes (Night Music II) for violin
and piano, 1964
1964
Holograph sketches and drafts
56/3
Gethsemane (?). IV. The Garden of Gethsemane,
undated
undated
One page of a holograph score with
annotations
2/7
Gnomic Variations for piano,
1981
1981
Holograph score with pasteovers
2/7
Gnomic Variations for piano,
1981
1981
Holograph score
Cover title: Fantasy variations
45/4
Gnomic Variations for piano,
1981
1981
Printed score with typesetting annotations and
pasteovers
36/3
Gnomic Variations for piano,
1981
1981
Printed score
Note: Crumb's copy
2/8
Gnomic Variations for piano,
1981
1981
Holograph sketches
2/9
A Haunted Landscape for orchestra,
1984
1984
Holograph score paste-up
2/10
A Haunted Landscape for orchestra,
1984
1984
Photocopy of holograph manuscript score with
annotations and corrections
3/1-3
A Haunted Landscape for orchestra,
1984
1984
Holgraph sketches
3/4
An Idyll for the Misbegotten for amplified
piano and percussion, 3 players, 1986
1986
Holograph score with pasteovers
3/5
An Idyll for the Misbegotten for amplified
piano and percussion, 3 players, 1986
1986
Holograph sketches and drafts
Images I
see
[
Black Angels
](gc3)
Images II
see
[
Dream Sequence
](gc4)
45/5
Kronos-Kryptos for percussion quintet,
undated
undated
Photocopy of holograph score with
pasteovers
Includes: Extra copy of IV. Appalachian
Echoes
36/4
Kronos-Kryptos for percussion quintet,
undated
undated
Photocopy of printed score
45/6
Kronos-Kryptos for percussion quintet,
2020
2020
Photocopy of printed score
Note: Title on cover is Kronos-Kryptos. Four
Tableaux for percussion quintet
45/7
Kronos-Kryptos for percussion quintet,
2020
2020
Photocopy of original version of
score
Note: Fourth movement is not revised
45/8
Kronos-Kryptos for percussion quintet,
undated
undated
Photocopies of scores for older versions, some
with annotations; two copies of pages 2-12; two copies of IV. Appalachian
Echoes
45/9
Kronos-Kryptos for percussion quintet. I.
Easter Dawning and II. Ghost Barcarolle, undated
undated
Holograph score with pasteovers
45/8
Kronos-Kryptos for percussion quintet
undated
undated
Holograph sketches for original septet
version
3/6-7
A Little Suite for Christmas: A.D. 1979 for
piano, 1980
1980
Two holograph manuscript scores with
pasteovers
45/10
A Little Suite for Christmas: A.D. 1979 for
piano, 1980
1980
Printed score for piano with holograph
annotations
3/7
A Little Suite for Christmas: A.D. 1979 for
piano, 1980
1980
Holograph sketches
3/8
Makrokosmos I. Twelve Fantasy-pieces After
the Zodiac for amplified piano, 1972
1972
Holograph score with pasteovers
46/1
Makrokosmos I. Twelve Fantasy-pieces After
the Zodiac for amplified piano, undated
undated
Ozalid of score
Note: Crumb's original copy
3/9
Makrokosmos I. Twelve Fantasy-Pieces After
the Zodiac for amplified piano, 1972
1972
Holograph sketches
4/1
Makrokosmos II. Twelve Fantasy-Pieces After
the Zodiac for amplified piano, 1973
1973
Holograph score with pasteovers
4/2
Makrokosmos II. Twelve Fantasy-Pieces After
the Zodiac for amplified piano, 1973
1973
Holograph sketches
Makrokosmos III
see
[
Music for a Summer Evening
](gc2)
Makrokosmos IV
see
[
Celestial Mechanics
](gc1)
46/2
Metamorphoses, Book I for amplified piano,
2017
2017
Holograph score for amplified piano with
pasteovers
46/3
Metamorphoses, Book I for amplified piano,
2017
2017
Photocopy of score with pasteovers
46/4
Metamorphoses, Book I for amplified piano,
undated
undated
Holograph sketches
36/5
Metamorphoses, Book II. Ten Fantasy-pieces
(after celebrated paintings) for amplified piano, undated
undated
Photocopy of score with holograph annotations
in black ink and pencil and Tony Barone's annotations in red ink
36/6
Metamorphoses, Book II. Ten Fantasy-pieces
(after celebrated paintings) for amplified piano, undated
undated
Photocopy of score
Laid in: Performance notes with holograph
annotations; note from Margaret Leng Tan; note about version of movement
ten
Note: Pages 13-14 absent, noted by Crumb and
Steve Bruns
46/5
Metamorphoses, Book II. Ten Fantasy-pieces
(after celebrated paintings) for amplified piano, undated
undated
Photocopy of holograph score with
pasteovers
46/6
Metamorphoses, Book II. Ten Fantasy-pieces
(after celebrated paintings) for amplified piano, undated
undated
Holograph sketches
36/7
Miscellaneous early chamber works,
1944-1948 and undated
1944-1948 and undated
Holograph scores and parts
Laid in: Crumb's transcriptions of Gustave
Langenus's arrangements of chamber music by Beethoven
Note: To be used for research only, not for
public performance
36/8-9
Miscellaneous early instrumental works with
piano, 1944-1948 and undated
1944-1948 and undated
Holograph scores and parts
Note: To be used for research only, not for
public performance
36/10 to 37/1
Miscellaneous early works for large chamber
ensemble or orchestra, 1948-1949 and undated
Holograph scores with annotations
Note: To be used for research only, not for
public performance
37/2-3, 47/1-5
Miscellaneous fragments and sketches,
circa 1960s-1980s
circa 1960s-1980s
Holograph sketches
Note: Contains abandoned works
46/7
Miscellaneous sketches and unfinished drafts,
1971-1974 and undated
1971-1974 and undated
Holograph sketches
Contents include:
- Love Songs from Loren
- Madrigals V
- Madrigals VI
- Musica Mundana I
- Unidentified fragments
47/6
Miscellaneous fragments and sketches,
2020-2021
2020-2021
Holograph sketches
Note: Steve Bruns noted that this is likely the
final music Crumb composed before sustaining a stroke in 2021
Contents include:
- Metamorphoses, Book III
- Spanish Songbook IV
- Unfinished works; unidentified fragments
4/3
Mundus Canis (A Dog's World). Five
Humoresques for guitar and percussion (one player), 1997
1997
Holograph score with pasteovers
4/3
Mundus Canis (A Dog's World). Five
Humoresques for guitar and percussion (one player), 1997
1997
Holograph sketches and drafts
10/5
Music for a Summer Evening
(Makrokosmos III) for two amplified pianos and percussion (two players),
1974
1974
Holograph score with pasteovers
47/7
Music for a Summer Evening (Makrokosmos III)
for two amplified pianos and percussion (two players), undated
undated
Holograph score with annotations
47/8
Music for a Summer Evening (Makrokosmos III)
for two amplified pianos and percussion (two players), 1974
1974
Ozalid of holograph score with
annotations
10/5, 47/9
Music for a Summer Evening (Makrokosmos III)
for two amplified pianos and percussion (two players), 1974
1974
Holograph sketches
Night Music II
see
[
Four Nocturnes
](gc5)
4/4-5
Otherworldly Resonances. Six Tableaux for two
amplified pianos, Book II, 2002
2002
Two holograph manuscript score with
pasteovers
Original version
4/6
Otherworldly Resonances. Six Tableaux for two
amplified pianos, Book II, 2002
2002
Holograph sketches
Three movement version
4/7
Pastoral Drone for organ, 1982
1982
Holograph score with pasteovers
4/8
Processional for piano, 1983
1983
Holograph score with pasteovers
48/1
Processional for piano, 1982
1982
Printed score with annotations and
pasteovers
48/2
Processional for piano, 1982
1982
Photocopy of printed score for
piano
4/8
Processional for piano, 1983
1983
Holograph sketches
4/9
Quest for guitar, soprano saxophone, harp,
contrabass, and percussion (two players), 1990
1990
Holograph score with pasteovers
4/10
Quest for guitar, soprano saxophone, harp,
contrabass, and percussion (two players), 1990
1990
Holograph sketches
48/3
Rituals (Tableaux Variants, Book IV) for two
amplified pianos, undated
undated
Holograph sketches
Note: Work was not completed
37/4
Teaching Pieces for piano,
1962-1965
1962-1965
Printed scores
Note: Published under Crumb's pseudonym "Fred
Ziller"
4/11
Variazioni for large orchestra,
1959
1959
Holograph score with pasteovers
5/1-3
Variazioni for large orchestra,
1959
1959
Two photocopied holograph manuscript score
with pasteovers
48/4
Variazioni for large orchestra,
1972
1972
Ozalid of full score
Note: Date on score is the year of
copyright
5/4
Vox Balaenae (Voice of the Whale) for three
masked players: electric flute, electric cello, electric piano,
1971
1971
Holograph sketches
48/5
Winter Solstice (Tableaux Vivants, Book IV)
for two amplified pianos, 1986
1986
Holograph sketches
Note: Work was not completed
48/6
Xylophony for percussion quintet,
2014
2014
Holograph score with pasteovers
48/7
Xylophony for percussion quintet, 2014
and undated
2014 and
undated
Photocopy of score; holograph
sketches
5/5
Zeitgeist. Six tableaux for two amplified
pianos, Book I, 1987
1987
Holograph score with pasteovers
48/8
Zeitgeist. Six tableaux for two amplified
pianos, Book I, undated
undated
Printed score with typesetting annotations and
pasteovers
5/6
Zeitgeist: Six tableaux for two amplified
pianos, Book I, 1987
1987
Holograph sketches
Vocal
American Songbook, 2002-2014
2002-2014
see
[
I. The River of Life
](gc6)
see
[
II. A Journey Beyond Time
](gc7)
see
[
III. Unto the Hills
](gc8)
see
[
IV. Winds of Destiny
](gc9)
see
[
V. Voices from a Forgotten World
](gc10)
see
[
VI. Voices from the Morning of the Earth
](gc12)
see
[
VII. Voices from the Heartland
](gc11)
ML29.C93 no.1 <case>
Ancient Voices of Children for soprano, boy
soprano, oboe, mandolin, harp, electric piano (and toy piano), and
percussion (three players), 1970
1970
Holograph score with pasteovers
Laid in: Photocopied score and
sketches
Note: Commissioned by the Elizabeth Sprague
Coolidge Foundation in the Library of Congress
55/1
Ancient Voices of Children for soprano, boy
soprano, oboe, mandolin, harp, electric piano (and toy piano), and
percussion (three players), 1970
1970
Ozalid of score
Note: Crumb's original copy
56/4
Ancient Voices of Children for soprano, boy
soprano, oboe, mandolin, harp, electric piano (and toy piano), and
percussion (three players), 1970
1970
Two printed scores with holograph
annotations
5/7
Apparition. Elegiac Songs and Vocalises for
soprano and amplified piano (on texts from Walt Whitman's "When Lilacs Last
in the Dooryard Bloom'd"), 1979
1979
Holograph score with pasteovers
5/8
Apparition. Elegiac Songs and Vocalises for
soprano and amplified piano (on texts from Walt Whitman's "When Lilacs Last
in the Dooryard Bloom'd"), 1979
1979
Holograph score
5/9
Apparition. Elegiac Songs and Vocalises for
soprano and amplified piano (on texts from Walt Whitman's "When Lilacs Last
in the Dooryard Bloom'd"), 1979
1979
Holograph sketches
5/10
Federico's Little Songs for Children for
soprano, flute (also piccolo, alto flute, and bass flute), and harp,
1986
1986
Holograph score
5/11
Federico's Little Songs for Children for
soprano, flute (also piccolo, alto flute, and bass flute), and harp,
1986
1986
Photocopy of holograph score with annotations
and corrections
49/1
Federico's Little Songs for Children for
soprano, flute (also piccolo, alto flute, and bass flute), and harp,
1986
1986
Printed score draft with typesetting
annotations and pasteovers
5/11
Federico's Little Songs for Children for
soprano, flute (also piccolo, alto flute, and bass flute), and harp,
1986
1986
Holograph sketches and drafts
49/2
The Ghosts of Alhambra (Spanish Songbook II)
for baritone, guitar, and percussion, 2008
2008
Holograph score with pasteovers; photocopy of
holograph score
49/3
The Ghosts of Alhambra (Spanish Songbook II)
for baritone, guitar, and percussion, 2008
2008
Holograph score with annotations (incomplete;
page 6 missing; two copies of page 1)
Note: Title on work is "Beneath the Alhambra."
This is an early draft of Spanish Songbook I. Crumb later changed the title
to "The Ghosts of Alhambra"
49/4
A Journey Beyond Time (American Songbook II).
Songs of Despair and Hope: A Cycle of Afro-American spirituals for voice,
percussion quartet, and amplified piano, circa 2001
circa
2001
Holograph score with annotations and
pasteovers
Note: Does not include movements two or
nine
6/1
A Journey Beyond Time (American
Songbook II). Songs of Despair and Hope: A Cycle of Afro-American spirituals
for voice, percussion quartet, and amplified piano, 2003
2003
Holograph score with pasteovers
49/5
A Journey Beyond Time (American Songbook II).
Songs of Despair and Hope: A Cycle of Afro-American spirituals for voice,
percussion quartet, and amplified piano, 2003
2003
Photocopy of holograph score with holograph
annotations
Laid in: Correspondence from original
folder
49/5
A Journey Beyond Time (American Songbook II).
Songs of Despair and Hope: A Cycle of Afro-American spirituals for voice,
percussion quartet, and amplified piano, 2003
2003
Photocopy of holograph score with
pasteovers
49/5
A Journey Beyond Time (American Songbook II).
Songs of Despair and Hope: A Cycle of Afro-American spirituals for voice,
percussion quartet, and amplified piano, 2003
2003
Photocopy of holograph score
Note: Crumb's copy
49/5
A Journey Beyond Time (American Songbook II).
Songs of Despair and Hope: A Cycle of Afro-American spirituals for voice,
percussion quartet, and amplified piano, 2003
2003
Photocopy of holograph score with holograph
annotations (incomplete; pages 1-23 only)
6/2
Lux Aeterna for five masked musicians
(soprano, bass flute (and soprano recorder), sitar, and two percussionists),
1971
1971
Holograph score with pasteovers
6/3
Lux Aeterna for five masked musicians
(soprano, bass flute (and soprano recorder), sitar, and two percussionists),
1971
1971
Holograph score with pasteovers
On envelope: Not for printer
49/6
Lux Aeterna for five masked musicians
(soprano, bass flute (and soprano recorder), sitar, and two percussionists),
1971
1971
Ozalid of score with holograph
annotations
Note: Crumb's copy
61/2
Lux Aeterna for five masked musicians
(soprano, bass flute (and soprano recorder), sitar, and two percussionists),
1971
1971
Negatives used for printing
6/4
Lux Aeterna for five masked musicians
(soprano, bass flute (and soprano recorder), sitar, and two percussionists),
1971
1971
Holograph sketches
6/5
Madrigals (soprano, various instruments),
1965-1969
1965-1969
Holograph score with pasteovers
6/6
Madrigals (soprano, various instruments),
1965-1969
1965-1969
Photocopy of holograph score with annotations
and corrections
49/7-8
Madrigals (soprano, various instruments),
1965-1969
1965-1969
Ozalid of score
Note: Original version, Crumb's copy
6/7
Madrigals (soprano, various instruments),
1965-1969
1965-1969
Performance instructions with
pasteovers
ML30.3c.C79 no.1 <case>
Madrigals (soprano, various instruments),
1965-1969
1965-1969
Two holograph manuscript scores
Note: Books I and II only
Laid in: Photocopies of scores and
transparencies
Note: Commissioned by the Serge Koussevitzky
Music Foundation in the Library of Congress
6/8
Madrigals (soprano, various instruments),
1965-1969
1965-1969
Holograph sketches
37/5-6
Miscellaneous early works for voice and
piano, 1947 and undated
1947 and undated
Holograph scores and sketches
Note: To be used for research only, not for
public performance
55/2
Music for Summer, 1964. 4 ECOI for two
pianists, two sopranos, baritone, percussion, and pre-recorded magnetic
tape, undated
undated
Holograph sketches
Note: Work was not completed
7/1
Night Music I for soprano, piano (and
celesta), and percussion (two players), 1963
1963
Holograph score with pasteovers
37/7
Night Music I for soprano, piano (and
celesta), and percussion (two players), 1963
1963
Thermofax score with holograph
annotations
Note: Early edition
37/8
Night Music I for soprano, piano (and
celesta), and percussion (two players), 1963
1963
Photocopy of printed score
Note: Crumb's copy
7/2
Night Music I for soprano, piano (and
celesta), and percussion (two players), 1963
1963
Printed holograph score
transparency
7/3-4
Night Music I: for soprano, piano (and
celesta), and percussion (two players), 1963
1963
Holograph sketches
10/6
Night of the Four Moons for alto, alto flute
(doubling piccolo), banjo, electric cello, and percussion (one player),
1969
1969
Holograph score with pasteovers
55/3
Night of the Four Moons for alto, alto flute
(doubling piccolo), banjo, electric cello, and percussion (one player),
1969
1969
Ozalid of score
7/5
Night of the Four Moons for alto, alto flute
(doubling piccolo), banjo, electric cello, and percussion (one player),
1969
1969
Holograph sketches
49/9
Rilke Elegies, 1984
1984
Holograph sketches
Note: Work was not completed
7/6
The River of Life (American Songbook
I). Songs of Joy and Sorrow: A Cycle of Hymns, Spirituals, and Revival Tunes
for voice, percussion quartet, and amplified piano, 2003
2003
Holograph score with pasteovers
49/10
The River of Life (American
Songbook I). Songs of Joy and Sorrow: A Cycle of Hymns, Spirituals, and
Revival Tunes for voice, percussion quartet, and amplified piano,
2003
2003
Holograph score with annotations
50/1
The River of Life (American
Songbook I). Songs of Joy and Sorrow: A Cycle of Hymns, Spirituals, and
Revival Tunes for voice, percussion quartet, and amplified piano,
2003
2003
Holograph score with pasteovers
50/1
The River of Life (American
Songbook I). Songs of Joy and Sorrow: A Cycle of Hymns, Spirituals, and
Revival Tunes for voice, percussion quartet, and amplified piano,
2003
2003
Holograph score with annotations
49/10
The River of Life (American
Songbook I). Songs of Joy and Sorrow: A Cycle of Hymns, Spirituals, and
Revival Tunes for voice, percussion quartet, and amplified piano,
2003
2003
Photocopy of holograph score
50/2
The River of Life (American
Songbook I). Songs of Joy and Sorrow: A Cycle of Hymns, Spirituals, and
Revival Tunes for voice, percussion quartet, and amplified piano,
2003
2003
Two printed scores with annotations
Note: Likely an early printing
50/3
The River of Life (American
Songbook I). Songs of Joy and Sorrow: A Cycle of Hymns, Spirituals, and
Revival Tunes for voice, percussion quartet, and amplified piano,
2003
2003
Holograph sketches for movements one, four,
and eight
7/7
The Sleeper for mezzo-soprano and piano,
1984
1984
Holograph score with pasteovers
7/7
The Sleeper for mezzo-soprano and piano,
1984
1984
Holograph sketches and drafts
10/7
Songs, Drones, and Refrains of Death. A Cycle
of Poems by Federico García Lorca for baritone, electric guitar, electric
contrabass, electric piano (and electric harpsichord), and percussion (two
players), 1968
1968
Holograph score with pasteovers
55/4
Songs, Drones, and Refrains of Death. A Cycle
of Poems by Federico García Lorca for baritone, electric guitar, electric
contrabass, electric piano (and electric harpsichord), and percussion (two
players), 1968
1968
Ozalid of full score
Note: Original version
7/8-9
Songs, Drones, and Refrains of Death. A Cycle
of Poems by Federico García Lorca for baritone, electric guitar, electric
contrabass, electric piano (and electric harpsichord), and percussion (two
players), 1968
1968
Sketches
10/8
Star-Child: A Parable for soprano, antiphonal
children's voices, male speaking choir (and bell ringers), and large
orchestra, 1977
1977
Holograph score with pasteovers
8/1-2
Star-Child: A Parable for soprano, antiphonal
children's voices, male speaking choir (and bell ringers), and large
orchestra, 1977
1977
Holograph sketches
50/4
Sun and Shadow. A Cycle of Five Poems by
Federico García Lorca for female voice and amplified piano,
2009
2009
Holograph score with pasteovers
50/5
Sun and Shadow. A Cycle of Five Poems by
Federico García Lorca for female voice and amplified piano,
2009
2009
Photocopy of holograph score with holograph
annotations
50/6
Sun and Shadow. A Cycle of Five Poems by
Federico García Lorca for female voice and amplified piano. II. The Fly,
2009
2009
Photocopy of holograph score with Crumb's
paraphrases of Bartók's quotations
Laid in: Photocopy of Bartók's quotations used
in the piece; letter from Tony Barone
50/6
Sun and Shadow. A Cycle of Five Poems by
Federico García Lorca for female voice and amplified piano. II. The Fly,
2009
2009
Two photocopies of score with Bartók's
quotations
50/6
Sun and Shadow. A Cycle of Five Poems by
Federico García Lorca for female voice and amplifed piano. II. The Fly,
2009
2009
Two photocopies of score with Bartók's
quotations and holograph annotiations
8/3
Unto the Hills (American Songbook
III). Songs of Sadness, Yearning, and Innocence: A Cycle of Appalachian Folk
Songs for voice, percussion quartet, and amplified piano, 2002
2002
Holograph score with pasteovers
50/7
Unto the Hills (American Songbook III). Songs
of Sadness, Yearning, and Innocence: A Cycle of Appalachian Folk Songs for
voice, percussion quartet, and amplified piano, 2002
2002
Holograph score with pasteovers and
annotations
Laid in: Correspondence and correction list
from original folder
51/1
Unto the Hills (American Songbook III). Songs
of Sadness, Yearning, and Innocence: A Cycle of Appalachian Folk Songs for
voice, percussion quartet, and amplified piano, 2002
2002
Printed score with annotations
Note: Contains errata; may be an early
printing
51/2
Unto the Hills (American Songbook III). Songs
of Sadness, Yearning, and Innocence: A Cycle of Appalachian Folk Songs for
voice, percussion quartet, and amplified piano, 2002
2002
Holograph sketches
51/3
Voices from a Forgotten World
(American Songbook V). A Cycle of American Songs from North and South, East
and West for two amplified solo voices (male and female), amplified piano
and percussion quartet, 2014
2014
Holograph score with pasteovers
Laid in: Correspondence and corrections list
from original folder
51/4
Voices from a Forgotten World (American
Songbook V). A Cycle of American Songs from North and South, East and West
for two amplified solo voices (male and female), amplified piano, and
percussion quartet, 2014
2014
Holograph full score/sketches
55/5
Voices from the Heartland (American
Songbook VII). A Cycle of Hymns, Spirituals, Folk Songs and American Indian
Chants for two solo voices (male and female), amplified piano, and
percussion quartet, 2010
2010
Holograph score with pasteovers
Laid in: Photocopy of printed song with
holograph annotations and correction list
51/5
Voices from the Heartland (American Songbook
VII). A Cycle of Hymns, Spirituals, Folk Songs and American Indian Chants
for two solo voices (male and female), amplified piano, and percussion
quartet, undated
undated
Holograph score/sketches
52/1
Voices from the Morning of the
Earth (American Songbook VI). A Cycle of American Songs from North and
South, East and West for two solo voices (male and female), amplified piano,
and percussion quartet, circa 2014
circa 2014
Holograph score/sketches
Note: Revised edition
52/2
Voices from the Morning of the Earth
(American Songbook VI). A Cycle of American Songs from North and South, East
and West for two solo voices (male and female), amplified piano, and
percussion quartet, undated
undated
Holograph score/sketches with annotations;
holograph list of percussion instruments
52/3-4
Winds of Destiny (American Songbook
IV). Songs of Strife, Love, Mystery and Exultation. A Cycle of American
Civil War Songs, Folk Songs, and Spirituals for singer, amplified piano, and
percussion quartet, 2013
2013
Holograph score with pasteovers and
annotations
Note: Revised edition
53/1
Winds of Destiny (American Songbook IV).
Songs of Strife, Love, Mystery and Exultation. A Cycle of American Civil War
Songs, Folk Songs, and Spirituals for singer, amplified piano, and
percussion quartet, 2004
2004
Holograph score/sketches with
annotations
53/2
The Yellow Moon of Andalusia (Spanish
Songbook III). A Cycle of Six Poems by Federico García Lorca for
mezzo-soprano and amplified piano, 2012
2012
Holograph score with annotations
53/3
The Yellow Moon of Andalusia (Spanish
Songbook III). A Cycle of Six Poems by Federico García Lorca for
mezzo-soprano and amplified piano, 2012
2012
Holograph score with pasteovers
53/4
The Yellow Moon of Andalusia (Spanish
Songbook III). A Cycle of Six Poems by Federico García Lorca for
mezzo-soprano and amplified piano, 2012
2012
Photocopy of holograph score with holograph
annotations
53/5
The Yellow Moon of Andalusia (Spanish
Songbook III). A Cycle of Six Poems by Federico García Lorca for
mezzo-soprano and amplified piano, undated
undated
Holograph fragment of first
movement
Note: Title on item is A Spanish Songbook
(Volume I). A Cycle of Seven Poems by Federico García Lorca
53/6
Yesteryear, a vocalise for mezzo-soprano,
amplified piano, and percussion (2 players), 2013
2013
Holograph score with pasteovers
Note: Revised edition
53/7
Yesteryear, a vocalise for mezzo-soprano,
amplified piano, and percussion (2 players), 2005
2005
Holograph score with pasteovers; two
photocopies of score with holograph annotations; cover page and performance
instructions; holograph sketches
53/7
Yesteryear, a vocalise for mezzo-soprano,
amplified piano, and percussion (2 players), 2013
2013
Photocopy of holograph score
Note: Revised edition
Sketchbooks, undated
undated
38/1
Sketchbook "I", undated
undated
38/2
Sketchbook "II", undated
undated
39/1
Sketchbook "III", undated
undated
39/2
Sketchbook "IV", undated
undated
9
Sketchbook "A", undated
undated
9
Sketchbook "B", undated
undated
9
Sketchbook "C", undated
undated
40
Sketchbook "E", undated
undated
57/1
Sketchbook "F", undated
undated
57/2
Sketchbook "G", undated
undated
57/3
Sketchbook "H", undated
undated
57/4
Sketchbook "I", undated
undated
57/5
Sketchbook, undated
undated
Note: Title on cover is George Crumb Festival,
UW Madison
11-28, 58-59
Business Papers, 1956-2022
1956-2022
Letters, telegrams, contracts, programs, royalty statements, itineraries, and
other documents. Correspondence from publishers (mostly C. F. Peters), collegiate
staff, and students is heavily represented. Also included are letters from various
colleagues and friends, such as David Burge.
Arranged chronologically.
11/1-10
1956-1966
1956-1966
12/1-9
1967-1969 March
1967-1969
March
13/1-11
1969 April-1971
1969
April-1971
14/1-8
1972-1973
1972-1973
15/1-9
1974-1976 March
1974-1976
March
16/1-9
1976 April-1978 June
1976 April-1978
June
17/1-9
1978 July-1980 September
1978 July-1980
September
18/1-11
1980 October-1983 June
1980 October-1983
June
19/1-8
1983 July-1985 June
1983 July-1985
June
20/1-10
1985 July-1987
1985
July-1987
21/1-12
1988-1990
1988-1990
22/1-17
1991-1995 March
1991-1995
March
23/1-13
1995 April-1998 June
1995 April-1998
June
24/1-11
1998 July-2001 March
1998 July-2001
March
25/1-14
2001 April-2004 September
2001 April-2004
September
26/1-13
2004-2007 October
2004-2007
October
27/1-10
2008-2010 June
2008-2010
June
28/1-3
2010 July-2011 April
2010 July-2011
April
58/1-2
2011 May-December
2011
May-December
58/3
2012
2012
58/4
2013
2013
58/5
2014
2014
58/6
2015
2015
59/1
2016-2017
2016-2017
59/2
2018-2019
2018-2019
59/3
2020
2020
59/4
2021
2021
59/5
2022
2022
29-35, 41, 53, 59-60, 65-71
Scrapbooks, 1963-2020
1963-2020
Fourteen meticulously assembled volumes of clippings, programs, photographs, and
other materials. Loose materials intended for future scrapbooks are at the end of
this series.
Arranged numerically by volume number. Volumes are roughly chronological in
content order, but may contain miscellaneous items within several years of the
dates specified.
29
Volume I: 1963-1973
1963-1973
30
Volume II: 1973-1978
1973-1978
31
Volume III: 1978-1984
1978-1984
32
Volume IV: 1984-1989
1984-1989
33
Volume V: 1989-1997
1989-1997
34
Volume VI: 1997-2000
1997-2000
35
Volume VII: 2000-2001
2000-2001
65
Volume VIII: 1998-2012
1998-2012
66
Volume IX: 2002-2005
2002-2005
67
Volume X: 1997-2012
1997-2012
68
Volume XI: 2005-2012
2005-2012
69
Volume XII: 2011-2014
2011-2014
70
Volume XIII: 2002-2017
2002-2017
71
Volume XIV: 2011-2020
2011-2020
41/1, 53/8, 59/6-8, 60/1
Materials intended for scrapbooks, 1968,
1980s, 2007-2019 and undated
1968, 1980s,
2007-2019 and undated
41-43, 55-56, 60-64
Subject Files, 1947-2022
1947-2022
This series contains a small quantity of awards, photographs, and personal
possessions, as well as writings about George Crumb and his music. Researchers
should note that most awards, clippings, and programs can be found in the [Scrapbooks](scrap) series.
Digital materials include Twinkle, Dammit!, a 2020
documentary about pianist Margaret Leng Tan and her collaborations with Crumb, as
well as recordings of her performances of movements of Makrokosmos Books I and I, and Metamorphoses Book
I.
Principal file formats: .jpg, .mxf, .wav
Arranged alphabetically.
60/2-3
80th birthday album, 2009
2009
41/2, 60/4
Awards, 1973-2021
1973-2021
60/5
Charleston High School, 1947, 1989
1947,
1989
60/6
Clippings and programs, 1971-1977, 1995,
and undated
1971-1977, 1995,
and undated
Note: Collected by Crumb
60/7
Diplomas for bachelors and masters degrees,
1948, 1952
1948,
1952
Laid in: Recital programs
60/8
Identification documents, 1956 and
undated
1956 and
undated
Note: Contains photographs
60/9
Lorca, Federico García, Poems. Selected and translated by J. L. Gili. Baltimore: Penguin,
1960
1960
Printed poetry collection with Crumb's
annotations
Memorial programs
60/10
Crumb, Ann, 2019
2019
60/11
Crumb, Elizabeth, 2022
2022
61/1
Crumb, George, 2022
2022
Makrokosmos, Book I. Magic Circle of Infinity,
2019 June 19
2019
June 19
CrumbGeorge_MUS_2021_085
Performance by Margaret Leng Tan, piano. ART +
LIVE, Resonates With, in conjunction with the National Gallery of
Singapore
Makrokosmos, Book II. Twin Suns, 2019 June 19
2019
June 19
CrumbGeorge_MUS_2021_085
Performance by Margaret Leng Tan, piano. ART +
LIVE, Resonates With, in conjunction with the National Gallery of
Singapore
Metamorphoses, Book I, 2019 October 3
2019
October 3
CrumbGeorge_MUS_2021_085
Performance by Margaret Leng Tan, piano. Yong
Siew Toh Conservatory of Music Conservatory Concert Hall, Singapore
43
Personal effects, undated
undated
Glasses; two calligraphy pens; magnifying
glass
61/2
Photographs and negatives, 1992-2003 and
undated
1992-2003 and
undated
Includes: Ann and David Crumb, Ann Lynn Barber,
Steve Bruns, Tanya Gille, Susan Grace, Laurie Hudicek, Lewis Kaplan, Alice
Ryback, Randall Scarlata, David Starobin, Margaret Leng Tan, Arthur
Weisberg
56/5-6
Posters, 1988, 2003
1988,
2003
55/6
"Rub off" transparencies of letters, musical
characters, and symbols undated
undated
Twinkle, Dammit!
2020
2020
CrumbGeorge_MUS_2021_022_001_001;
CrumbGeorge_MUS_2021_022_001_002
Documentary about toy pianist Margaret Leng Tan's
performing life and her collaboration with George Crumb; directed by Chuang
Xu
61/3
University of Pennsylvania, 1965
May
1965 May
Appointment letter
Writings about George Crumb
41/3, 61/4-7, 62/1-3
Books, 1990-2021
1990-2021
41/4, 42/1, 62/4-6, 63/1-5
Dissertations and theses, 1979-1983,
2002-2019
1979-1983,
2002-2019
64/1-2
Serial articles, 1974-1977, 1983-1984,
2002
1974-1977,
1983-1984, 2002