Collection Summary
Julius Gold Collection 1858-1964
(bulk 1920-1955)
1858-1964
(bulk 1920-1955)
ML31.G55
Gold, Julius, 1884-1969
approximately 8,000 items
22 boxes
9 linear feet
English
Collection material in English
Music Division, Library of Congress
Washington, D.C.
Manuscripts of Gold's theoretical writings, including unpublished translations of and commentaries on the writings of Bernhard Ziehn. Includes correspondence with colleagues Hans Joachim Moser, Lloyd Hibberd, and John Alden Carpenter; and students Winthrop Sargent, Frank Fragale, Meredith Willson, and Isaac Stern. The collection also contains programs, printed music, finanancial and legal papers, and photographs.
Selected Search Terms
The following terms have been used to index the description of this collection in the LC Catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically.
People
Carpenter, John Alden, 1876-1951--Correspondence.
Fragale, Frank, 1894-1955--Correspondence.
Gold, Julius, 1884-1969--Autographs.
Gold, Julius, 1884-1969.
Gold, Julius, 1884-1969.
Hibberd, Lloyd--Correspondence.
Moser, Hans Joachim, 1889-1967--Correspondence.
Sargeant, Winthrop, 1903-1986--Correspondence.
Stern, Isaac, 1920-2001--Correspondence.
Willson, Meredith, 1902-1984--Correspondence.
Ziehn, Bernhard, 1845-1912--Criticism and interpretation.
Ziehn, Bernhard, 1845-1912.
Subjects
Music theory.
Musicians--Autographs.
Musicians--Correspondence.
Provenance
Gift, Jacob Zeitlein, 1981.
Accruals
No further accruals are expected.
Processing History
The Julius Gold Collection was processed in 1992 by Claudia Widgery. The original finding aid was prepared with WordPerfect 5.1. In 2004 the Julius Gold Collection finding aid was coded for EAD format by Michael A. Ferrando. Revisions to the EAD coding were made in September 2016 by George Kipper.
Copyright Status
The materials of the Julius Gold Collection are governed by the Copyright Law of the United States (Title 17, U.S.C.) and other applicable international copyright laws.
Access and Restrictions
The Julius Gold Collection is open to research. Researchers are advised to contact the Music Division prior to visiting in order to determine whether the desired materials will be available at that time.
Certain restrictions to use or copying of materials may apply.
Preferred Citation
Researchers wishing to cite this collection should include the following information: [item, date, container number], Julius Gold Collection, Music Division, Library of Congress, Washington, D.C.
Biographical Sketch
Date
Event
1884, Feb. 18
Born, St. Joseph, Missouri, of Russian-Polish parentage
1891
Family moved to San Francisco
1897
Studied violin with Sir Henry Heyman and Henry Holmes
1900
1905
Studied violin with Bernhard Listemann and Emile Sauret at the Chicago Musical College
1905
1910
Studied history and theory of music with Bernhard Ziehn
1910
1914
Professor of music, Drake University, Des Moines, Iowa
1914
Returned to San Francisco
1914
1937
Violinist, San Francisco Symphony Orchestra
1922
1937
Violinist, San Francisco Opera Association
1931 Summer
Lectureship in the Foundations of Music Art, Stanford University
1931
1935
Professor of counterpoint and composition, Dominican College, San Rafael, California
1937
1969
Private teaching and research
1969, Jan. 29
Died, California
Scope and Content Note
Julius Gold was a violinist, musicologist and teacher of both violin and music theory who was active in California in the first half of the 20th century. Having studied with the German theorist Bernhard Ziehn in Chicago from 1905-1910, Gold became an interpreter of Ziehn and one of his most avid apologists. Although his writings on Ziehn were never published, numerous typescripts of Gold's translations of and commentaries on Ziehn's writings are included in this collection. Gold also wrote extensively on the ecclesiastical modes, and the collection includes an abundance of writings and score examples both on modal doctrines and a wide variety of other subjects of music theory.
The papers of Julius Gold span the period from 1858 to 1964, with the bulk of the material covering the years 1920-1955. In addition to the writings described above there is extensive correspondence, both with notable colleagues such as Hans Joachim Moser, Lloyd Hibberd, and John Alden Carpenter, and with a great many of Gold's students, including Winthrop Sargeant, Frank Fragale, Meredith Willson, and Isaac Stern. Gold collected music books, amassing a 10,000 volume research library, and included here is a body of correspondence addressing the acquisition and sale of books and music, both by Julius Gold himself and by his daughter's firm, Glen Gold Books and Music. A large selection of publishers' catalogs is also pertinent to Gold's book collecting activities.
The remaining papers in the collection consist of promotion materials of Julius Gold and others, financial and legal papers, photographs, programs, and an assortment of printed music for the piano -- much of which may have belonged to Gold's wife, Janet Hale Gold, herself a pianist and a teacher of piano.
Organization of the Julius Gold Collection
The Julius Gold Collection is organized in nine series:
-
[
Writings
](CL1001)
-
[
Correspondence
](CL1002)
-
[
Promotion
](CL1003)
-
[
Programs
](CL1004)
-
[
Clippings
](CL1005)
-
[
Photographs
](CL1006)
-
[
Financial / Legal Papers
](CL1007)
-
[
Catalogs
](CL1008)
-
[
Printed Music
](CL1009)
Catalog Record: [https://lccn.loc.gov/2010563509]
Container List
Box
Contents
1-5, 18-19
Writings
The Writings series is represented by two subseries: Writings of Julius Gold; Writings of Others. The materials consist of unpublished writings, translations and commentaries on German theorist Bernhard Ziehn. Gold also wrote extensively on the ecclesiastical modes, and the collection includes an abundance of writings and score examples both on modal doctrines and a wide variety of other subjects of music theory.
Arrangement is alphabetical by subject or title.
1-4, 18-19
Writings of Julius Gold
General
1/1
Contrapuntal inventions: Tonal studies in a variety of moods and motives
1/2
The elements of musical composition
1/3
The Musico-Lexicographic Collections of Julius Gold (from brown 3-ring notebook)
1/4
Open sesame to musical knowledge
1/5
Proposals for a new dictionary of music
1/6
The tradition of patronage
1/7
Biographical and personal
Ecclesiastical modes
1/8
The beginnings of medieval modal theory
1/9
A brief bibliography of the history of modal doctrines
1/10
Modal bibliography (from blue 3-ring notebook)
1/11
Modal doctrines: A new perspective
1/12
The newer knowledge of the modes
1/13-14
Miscellaneous (typed and handwritten)
18/1
Score examples
Bernard Ziehn
2/1
Prospectus for editing The ecclesiastical modes by Bernard Ziehn
2/2
Ziehn's Harmonie und Modulationslehre: A commentary
2/3-4
Translation from Ziehn's Harmonie- und Modulationslehre
2/5
Translation of Ziehn's "Uber die Kirchentöne"
2/6
Notes on Ziehn
18/2
Score examples
Music theory
2/7
Canon
2/8-10
Chords and Triads
2/11
Enharmonics
2/12
Harmony
2/13
Instruments
2/14
Intervals
2/15
Modulation
2/16
Musical compositions by others
2/17
Polyphony
2/18
Scales
2/19
Symmetry
3/1-7
Miscellaneous (typewritten, handwritten, and 3x5 cards)
4/1-5, 18/1, 18/3-8, 19/1-10
Miscellaneous (score examples; also 2 composition books containing handwritten notes on music theory and theoretical writings)
19/11
Score analysis (Chopin, Trois nocturnes, op. 9)
4/6
Proposals for teaching and study
Comments on writings by others
4/7
Essays in musical analysis by Donald Francis Tovey
4/8
"Das Lebenswerk Bernhard Ziehn" by Hugo Leichentritt
4/9
Review of unidentified work by Ziehn by [Edward] Mitchell
4/10
Letters to the editor
Contents:
-
Life Magazine
-
Musical Courier
-
New York Times
-
Saturday Review of Literature
5
Writings of Others
Grant, John [Fionn]
5/1
"The Celtic lyre."
Preface and list of examples only.
Ziehn, Bernhard
5/2
The church modes
Excerpts only.
Hibberd, Lloyd, translator
Isaacson, Charles D.
5/3
Face to face with great musicians.
New York: D. Appleton & Co., 1929 .
1929
Also published in London.
Leichentritt, Hugo
5/4
"Das Lebenswerk Bernhard Ziehns."
Mitchell, Edward R.
5/5
"Julius Gold and the teaching of music theory."
5/6
"Julius Gold: Master-musicologist."
Moser, Hans Joachim
5/7
Bernhard Ziehn.
Chapters 1-3
5/8
"Epochs of musical history."
Excerpt from Introduction.
5/9
Introduction to "Über die Kirchentöne" by Bernhard Ziehn.
5/10
Untitled article(s) for Musik in Geschichte und Gegenwart.
Offner, Herbert
5/11
The modal aspects of Bach's chorale harmonization
Master's thesis, University of California/Los Angeles, undated.
Otterstrom, Thorwald
5/12
"The fugue," excerpt from Manual of harmony (advanced)
5/13
"Personal recollections of Bernhard Ziehn."
5/14
Miscellaneous printed excerpts
6-14
Correspondence
The Correspondence series is represented by five subseries: General; Correspondence with students; Correspondence with family; Correspondence with institutions regarding jobs, grants, fellowships; Correspondence regarding acquiring and selling books and journals. The material consists of correspondence relating to the music, interests and pursuits of Julius Gold.
Arrangement is alphabetical by correspondent or subject.
6-9
General
6/1
Adler, Clarence
6/2
Allen, James Turney
6/3
Allen, Warren
6/4
American Musicological Society
6/5
Apel, Willi
6/6
Bacon, Ernst
6/7
Barker, Orville W.
6/8
Barrymore, Lionel
6/9
Bates, A. Cyril
6/10
Berger, Isador
6/11
Blake, J. P. (Art Publication Society)
6/12
Blom, Eric
6/13
Blume, Friedrich
6/14
Boguslawski, Moissaye
6/15
Borowski, Felix
6/16
Bowhay, Arnold (Beverly Hills Unified School District)
6/17
Breeze, Louisa
6/18
Brother Leo
6/19
Brune, Adolf
6/20
Bukofzer, Manfred
6/21
Calvocoressi, M. D.
6/22
Cantor, Eddie
6/23
Carpenter, John Alden
6/24
Cesana, Otto
6/25
Chicago Symphony Orchestra
6/26
Chicago Tribune
6/27
Clark, William Andrews, Jr. (Los Angeles Philharmonic)
6/28
Colles, H. C.
(Grove's Dictionary)
Cowper, Holmes
[
See: University of California, Berkeley](mu004005_General_CL10021001_D3_129)
6/29
Craft, Robert
Deutsch, Monroe
[
See: Drake University](mu004005_General_CL10021001_D3_33)
6/30
Downes, Olin
6/31
Drake University
6/32
Einstein, Alfred
6/33
Elko Independent
(Nevada)
6/34
Elson, Louis C.
6/35
Engel, Carl
6/36
Engel, Gabriel
7/1
Foster Hall Collection
7/2
Freer, Eleanor Everest
7/3
Fulton, Muriel and Mrs. Mario Palmieri
7/4
Ganz, Rudolph
7/5
Gehrkens, Karl W.
7/6
Goldberg, Albert (
Los Angeles Times
music critic)
7/7
Goldberg, Maurice
7/8
Godowsky, Leopold
7/9
Groshong, James W.
7/10
Guggenheim Foundation
7/11
Gunn, Glenn Dillard
7/12
Hartford, Huntington
7/13
Haydon, Glen
7/14
Heller, Helen R.
7/15
Hersholt, Jean
7/16
Hertz, Alfred
7/17
Heyman, Henry
7/18
Hibberd, Lloyd
7/19
Hill, William G.
7/20
Hinrichsen, Max
7/21
Hirsch, Paul
7/22
History of Science Society
7/23
Hofmann, Josef
7/24
Holmes, Henry
7/25
Hughes, Dom Anselm
7/26
International Society for Music Research
7/27
Irvine, Demar B.
7/28
Jeppesen, Knud
7/29
Jonás, Alberto
7/30
Jones, Isabel Morse
7/31
Journal of Music Theory
7/32
Kelley, Mrs. Edgar Stillman
7/33
Kleffman, Ervin H.
7/34
Krohn, Ernst C.
7/35
Kurth, Ernst
8/1
Lait, Jack
8/2
Lang, Paul Henry
8/3
Leach, Rowland
8/4
Leichentritt, Hugo
8/5
Liebling, Leonard
8/6
Lilienthal, T. and Jesse Lilienthal
8/7
Lowinsky, Edward E.
8/8
Luening, E. G.
8/9
Macmillan Company
8/10
Mason, Daniel Gregory
8/11
Mason, Redfern
8/12
Mathesius, Ebba
8/13
McEwen, John B.
8/14
Mendel, Arthur
8/15
Merton, Felice Mrs. Richard G.
8/16
Moore, Douglas
8/17
Monteux, Pierre
8/18
Morosco, Anthan
8/19-21
Moser, Hans Joachim
8/22
Music Library Association
8/23
Nettl, Paul
8/24
Olesen, Edith
8/25
Olson, Claire C.
8/26
Orriss, Herbert F.
8/27
Otterström, Thorwald
8/28
Parlow, Kathleen
8/29
Parsons, Louella O.
8/30
Paterson, John A.
8/31
Patterson, Frank
8/32
Persinger, Louis
8/33
Piston, Walter
8/34
Pratt, Waldo Selden
8/35
Purves-Smith, Claude
9/1
Reese, Gustav
9/2
Regnery, Henry
9/3
Remy, Alfred
9/4
Rowher, Jens
9/5
Rozsa, Miklos
9/6
Rubsamen, Walter
9/7
Russell, Rita and John Russell
9/8
Sachs, Curt
9/9
Sarton, George
9/10
Saunders, Richard
9/11
Scanlon, John Thomas
9/12
Schaeffer, Myron
9/13
Schmulian, S. E.
9/14
Scholes, Percy
9/15-17
Shaw, George Bernard
Includes: transcripts, correspondence regarding sale of Shaw letters
9/18
Silverman, Sol
9/19
Slonimsky, Nicolas
9/20
Sonneck, Oscar G.
9/21
Sorabji, Kaikhosru S.
9/22
Stock, Frederick A.
9/23
Swain, Arthur B.
9/24
Szigeti, Wanda
9/25
Teschan, Elsa H. Mrs. R. F.
9/26
Tobin, Richard M.
9/27
Torossian, Berdsch
9/28
University of California, Berkeley
9/29
Upton, George P.
9/30
Vincent, John
9/31
Wagner, Peter
9/32
Walter, Bruno
9/33
Weber, Julius Rehn
9/34
Werner, Eric
9/35
Who's Who in Music
9/36
Work Projects Administration
9/37
Zeisler, Fannie Bloomfield
9/38
Ziehn, Bernhard
9/39
Ziehn, Emma
9/40
Ziehn, Robert
9/41
Zubryn, Emil
9/42-44
Miscellaneous (A-Z and Unidentified)
10-12
Correspondence with students
10/1
Barthelson, Joyce
10/2
Campbell, Henry
10/3
Cesana, Bruno
10/4-7
Christensen, Dan
10/8
Coleman, Corinne
10/9
Copley, Frank
10/10
Edmunds, John
10/11
Ferguson, Allyn
10/12
Firestone, Nathan
10/13
Fragale, Frank
10/14
Frost, Robert
10/15
Garrett, Jack
10/16
Gillingham, Harry
10/17
Granat, Frank
10/18
Hayes, Jack
10/19
Herst, Jerome P.
10/20
Hurbert, Stanley
11/1-4
Kimbell, Ray
11/5
Kohanovich, Lydia
11/6
Larew, Walter
11/7
Mitchell, Edward R.
11/8
Ocnoff, Edward
12/1
St. Edmunds, John
12/2-4
Sargeant, Winthrop
12/5
Sharp, Florence
12/6
Sister Edmund
12/7
Sister M. Dominic
12/8
Stern, Isaac
12/9
West, James
12/10
Willson, Meredith
12/11-12
Miscellaneous (A-Z, Unidentified)
13
Correspondence with family
13/1
Gold, Glen (relationship: daughter)
13/2
Gold, Leon (relationship: cousin)
13/3
Gold, Jacob (relationship: uncle)
13/4-5
Gold, Janet Hale (relationship: wife)
13/6
Gold, Nathan (relationship: cousin)
13/7
Ross, Anabel (Mrs. William D. Ross); (relationship: sister-in-law)
13/8
Weil, Jennifer (Mrs. Paul Weil); (relationship: cousin)
13/9
Unidentified
13
Correspondence with institutions regarding jobs, grants, fellowships
13/10
American Operatic Laboratory, Inc.
13/10
Beverly Hills Unified School District
13/10
California Council for Adult Education
13/10
California Institute of Technology
13/10
Carnegie Corporation of New York
13/10
Carnegie Institution of Washington
13/10
Cecil B. DeMille Productions Inc.
13/10
Drake University
13/10
Encyclopaedia Britannica
13/10
Federal Music Project
13/10
Fisk Teachers Agency
13/10
Ford Foundation
13/11
Guggenheim Foundation
13/12
Immaculate Heart College
13/12
Juilliard School of Music
13/12
Kansas City Conservatory of Music
13/12
Sol Lesser Productions, Inc.
13/12
Los Angeles City College
13/13
Los Angeles Conservatory of Music and Arts
13/14
Loyola University
13/14
Metro-Goldwyn-Mayer Pictures
13/14
Mount Saint Mary's College
13/14
Musical Courier
13/14
Musical News
13/14
National Institute of Music and Arts
13/14
Paramount Pictures Corporation
13/14
George Pepperdine College
13/14
Philadelphia, Pennsylvania. (City)
13/15
St. John's College
13/15
San Francisco Chronicle
13/15
San Francisco State Teachers College
13/15
San Francisco Symphony Orchestra
13/15
San Jose State College
13/15
Stanford University
13/15
Universal-International Pictures
13/15
University of California, Los Angeles
13/15
University of Chicago
13/15
University of Colorado
13/15
University of San Francisco
13/15
University of Saskatchewan
13/15
University of Southern California
13/15
Warner Brothers Pictures, Inc.
13/15
Miscellaneous (A-Z)
14
Correspondence regarding acquiring and selling books and journals
14/1-4
Julius Gold (4 folders)
14/5-7
Glen Gold, Books & Music (3 folders)
14/8
Tradition
subscription requests
14, 21
Promotion
The Promotion series consists of printed fliers, brochures, placards, testimonials, etc.
Arrangement is alphabetical by subject.
14/9-12, 21/1
Julius Gold (including printed fliers, brochures, placards, testimonials, etc.)
Contents:
- Plan of a representative school for music study and research
- T'jan, Bookseller and Importer
-
Tradition
: A magazine of musical inquiry
14/13
Glen Gold, Books and Music
21/2
Miscellaneous others
14
Programs, 1960-1964
1960-1964
The Programs series consists of programs for musical performances (1900-1964, undated)
Arrangement is chronological by date and alphabetical by institution.
14/14
Programs of musical performance (1900-1964, undated)
14/15-16
Programs of instruction (arranged alphabetically by institution)
15, 21-22
Clippings, 1860-1960s and undated
1860-1960s and undated
The Clippings series consists of periodicals, clippings, and promotional material about Julius Gold and various students.
Arrangement is by format and alphabetical by title.
German periodicals
15/1, 21/3
Allgemeine Deutsche Musik-Zeitung (Allgemeine Musik Zeitung)
, 1878-1914
See also: box 20 for 1860 issue.
15/2-6
Allgemeine Musikalische Zeitung
, 1820, 1868, 1871-73, 1877-78, 1880-81
15/7
Deutsche Tonkünstler Zeitung
(1910)
15/8
Monatschrift für Gottesdienst und kirchliche Kunst
, 1897-1898
15/9
Die Musik
, 1915
21/4
Musikalisches Wochenblatt
, 1896
21/4
Musik Welt
, 1881, and undated
15/10
Neue Zeitschrift für Musik
, 1887-1905
15/11, 21/3
Unidentified
15/12
Scrapbook
Clippings and promotional material about Julius Gold and various students.
21/5-9, 22/1-5
American periodicals
16, 20
Photographs
The Photographs series consists of prints of Julius Gold, his family, etc.
Arrangement is alphabetical by subject.
16/1, 20/1
Julius Gold, alone and with others
16/2
Glen Gold (daughter) and her house
16/3
Others
16
Financial / Legal Papers, 1934-1953
1934-1953
The Financial / Legal Papers series consists of bills, receipts, and other legal documents.
Arrangement is by genre.
16/4-7
Bills and receipts
Contents:
- Glen Gold Books
- Residences
- Storage
- Miscellaneous
16/8
Certificates, licenses, contracts
16/9
Insurance
16/10
Medical (correspondence, receipts)
16/11
Musician's Union (membership cards, pamphlets, correspondence)
16/12
Papers regarding sale of Gold's music library
16/13-15
Tax Forms
Contents:
- Federal (1934-1943, 1944-1953)
- City, County, State (1937-1943)
17
Catalogs
The Catalogs series consists of catalogs from various publishers and institutions.
Arrangement is by genre and publisher.
Publishers
17/1
American Institute of Musicology
17/1
D. Appleton-Century Company
17/1
Athenaeum Cremonense
17/1
Bärenreiter-Verlag
17/1
C. H. Beck'sche Berlagsbuchhandlung
17/1
The Bookfellows
17/1
Books & Music
17/1
Breitkopf & Härtel
17/1
Bureau of Musical Research
17/2
Cambridge University Press
17/2
El Colegio de Mexico
17/2
Concordia Publishing House
17/2
J. G. Cotta-Verlag
17/2
Deutscher Musikliteratur Verlag
17/2
Deutsche Verlags-Anstalt
17/2
Oliver Ditson Company
17/2
Ernst Eulenburg
17/2
J. Fischer & Bro.
17/2
Helen Gentry
17/2
Gesellschaft für Musikforschung
17/2
Ginn and Company
17/2
Walter de Gruyter & Co.
17/3
Wilhelm Hansen
17/3
G. Henle Verlag
17/3
Max Hesses Verlag
17/3
Houghton Mifflin Company
17/3
Insel Verlag
17/3
Institut d'Estudis Catalans
17/3
Institute of Renaissance and Baroque Music
17/3
Wm. A. Kaun Music Company
17/3
Ernst Klett Verlag
17/3
Leo Liepmannssohn
17/3
McGraw-Hill Book Company, Inc.
17/3
G. and C. Merriam Co.
17/3
Edition Merseburger
17/3
Munksgaard
17/4
Albert Nauck & Co.
17/4
Martinus Nijhoff
17/4
Henning Oppermann
17/4
Oxford University Press
17/4
Edition Peters
17/4
Random House
17/4
Reclam
17/4
C. G. Röder
17/4
William Edwin Rudge
17/5
St. Martin's Press, Inc.
17/5
B. Schott's Söhne
17/5
Schweizerische Musikforschende Gesellschaft
17/5
Smith College
17/5
Steeger Verlag
17/5
Edition Steingräber
17/5
Universal Edition
17/5
University of California Press
17/5
University of Chicago Press
17/5
Arno Volk Verlag
17/5
Joseph Williams Ltd.
17/5
Yale University Press
Exhibitors
17/6
Goodspeeds (Early English Engraved Portraits)
Libraries
17/7
Foster Hall
17/7
Library of Congress
17, 20, 22
Printed Music
The Printed Music series consists of music by various composers.
Arrangement is alphabetical by composer and title.
Everest, C.
17/8
The Sabbath, a work containing the most popular psalm and hymn tunes in general use.
Philadelphia: Lee & Walker, 1873 .
1873
Signed: Eleanor Warner Everest, 1887
Noted in pencil: Bernhard Ziehn notations, see pages 299, 317, 327.
Pages 223-384 have been cut out
Fragale, Frank
20/2
Sprightly flight.
New York: Edition Musicus, 1943 .
1943
Set of parts.
Godowsky, Leopold
20/3
Progressive series of music lessons for the use of conservatories, teachers and students.
St. Louis, Missouri: Art Publication Society, 1913 .
1913
Middelschulte, Wilhelm
17/4
Passacaglia (D moll) für die orgel.
Leipzig: C. F. W. Siegel, 1901 .
1901
Dedicated to Bernhard Ziehn.
17/5-7
Piano scores by A. Arensky, C. P. E. Bach, J. S. Bach (2 piano), L. van Beethoven, Franz Bendel, Mathilde Bilbro (2 piano), Fr. von Esterhazy, Leopold Godowsky, Halfdan Kjerulf, Aug. Labitzky, Heinrich Lichner, Immanuel Liebich, Dorothy McGrath, Moritz Moszkowski, Ottorino Respighi (2 piano), Joachim Raff, Erno Rapée, James H. Rogers, Robert Schumann, Trygve Torjussen, and Mortimer Wilson [alphabetically by composer; 3 folders]
17/8
Piano/vocal scores by Buenta Carter, Palmer John Clark, Franco Leoni, Arthur Lee Mancebo, Dorothea Martini, James H. Rogers, Meredith Willson, and Lawrence Zenda
17/9
Fragments
22/6-7
Miscellaneous