Collection Summary
Randolph S. Rothschild Collection 1942-1992
1973-1985
1942-1992
1973-1985
ML31.R68
Rothschild, Randolph S., 1909-2003
approximately 225 items
11 boxes
6 linear feet
English
Collection material in English
Music Division, Library of Congress
Washington, D.C.
The Randolph S. Rothschild Collection
consists primarily of music and accompanying correspondence, programs, and reviews. The
majority of the music in the collection is facsimile scores of compositions commissioned
by the Chamber Music Society of Baltimore and the Baltimore Symphony Orchestra from
American composers such as Milton Babbitt, Henry Cowell, Ross Lee Finney, Lukas Foss,
Ernst Krenek, Roger Reynolds, Christopher Rouse, Gunther Schuller, and Charles Wuorinen.
Many of these scores are inscribed to Rothschild and signed by the composers, and a few
include programs and reviews of the concerts at which they were performed.
Selected Search Terms
The following terms have been used to index the description of this collection in the LC Catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically.
People
Argento, Dominick.
Babbitt, Milton, 1916-2011.
Cowell, Henry, 1897-1965.
Druckman, Jacob, 1928-1996.
Epstein, David, 1930-2002--Correspondence.
Finney, Ross Lee, 1906-1997.
Foss, Lukas, 1922-2009.
Huggler, John--Correspondence.
Ivey, Jean Eichelberger--Correspondence.
Kirchner, Leon.
Kraft, Leo--Correspondence.
Krenek, Ernst, 1900-1991.
Lewis, Robert Hall, 1926-1996.
Moss, Lawrence--Correspondence.
Moss, Lawrence.
Reynolds, Roger, 1934-
Reynolds, Roger, 1934- --Correspondence.
Rothschild, Randolph S., 1909-2003.
Rouse, Christopher, 1949-2019.
Schuller, Gunther.
Shapey, Ralph, 1921-2002--Correspondence.
Shapey, Ralph, 1921-2002.
Weisgall, Hugo--Correspondence.
Weisgall, Hugo.
Wuorinen, Charles.
Organizations
Baltimore Symphony Orchestra--Records and correspondence.
Chamber Music Society of Baltimore--Records and correspondence.
Subjects
Chamber music--20th century--Scores.
Music--20th century--Manuscripts--Facsimiles.
Orchestral music--20th century--Scores.
Vocal music--20th century--Scores.
Form/Genre
Art music.
Autographs (Manuscripts)
Business correspondence.
Chamber music.
Concert programs.
Concertos.
Music criticism and reviews.
Scores.
Songs.
Suites.
Provenance
Gift; Randolph S. Rothschild; 1994
Accruals
No further accruals are expected.
Processing History
Wilda Heiss processed the Randolph S. Rothschild Collection in 2003. Michael A. Ferrando
edited and coded the finding aid in 2003, and Jane Cross revised it in 2021.
Copyright Status
The status of copyright on the materials of the Randolph S. Rothschild Collection is
governed by the Copyright Law of the United States (Title 17, U.S.C.).
Access and Restrictions
The Randolph S. Rothschild Collection is open to research. Researchers are advised to
contact the Performing Arts Reading Room prior to visiting. Many collections are stored
off-site and advance notice is needed to retrieve these items for research use. Certain
restrictions to use or copying of materials may apply.
Preferred Citation
Researchers wishing to cite this collection should include the following information:
container number, Randolph S. Rothschild Collection, Music Division, Library of
Congress, Washington, D.C.
Biographical Note
Randolph S. Rothschild (1909-2003) was a champion of new music. Toward this end, he was
involved in the commissioning of an unusually large number of new musical works through
his presidency of the Chamber Music Society of Baltimore from 1954 to 1993 and his
membership on the Baltimore Symphony Orchestra board from the 1960s when Peter Herman
Adler was the music director through the directorships of Sergiu Comissiona and David
Zinman.
Rothschild studied piano at the Peabody Preparatory division of the Peabody Institute
with Nellie Wilder Coolidge Robinson from age eight until eighteen. Afterwards, he
attended Johns Hopkins University for two years where he became a jazz pianist for the
Blue Jay Student Jazz Orchestra. He finished his undergraduate degree in economics at
the University of Pennsylvania's Wharton School, then began his law degree at the
University of Pennsylvania. He returned to Baltimore during the depression, where he
completed his law degree at the University of Maryland. In 1936, Rothschild joined the
Sun Life Insurance Company of America, which was founded in 1890 by his father Solomon
and uncle Moses Rothschild. When the company was sold in 1972, he retired from the posts
of vice president and general counsel.
Rothschild's involvement in Baltimore's musical life continued throughout his insurance
career. From 1954 to 1993 he served as president of the Chamber Music Society of
Baltimore, which was co-founded in 1949 by Hugo Weisgall and Richard Goodman. Rothschild
served on the Baltimore Symphony Orchestra board and the committee that suggested
contemporary composers for new commissions. Beginning in 1978, he served on the Peabody
Institute board and later became a member of the Advisory Council. He made generous
gifts to Peabody as part of their major campaign in 1980 and endowed the composition
department to champion new music through the Randolph S. Rothschild Fund, which supports
scholarships, a visiting professorship for guest composers, and the printing and
recording of specially selected student compositions. In 1992, the Peabody Institute
awarded him the George Peabody Medal for "outstanding contributions to music in
America."
Rothschild and his wife Amalie frequently invited composers to stay at their home during
their visits to Baltimore. The Rothschilds also hosted musical performances. In the late
1940s, he set up a professional recording studio in his home which had the capacity to
cut LPs and 16-inch transcription discs; he later switched to open-reel and cassette
recordings. He recorded not only the performances at his home, but also recorded
off-the-air performances of world premieres and first performances of newly commissioned
works.
Rothschild was also well known as a micromineralogist and longtime editor of the
International Directory of Micromounters. He cut and mounted more than 7,000 crystals
which require a microscope to view.
Scope and Content Note
Materials in the Randolph S. Rothschild Collection span from 1942 to 1992, the bulk of
which date between 1972 and 1985. The collection is arranged in one series, [ Music](CL1001), that consists primarily of manuscript, facsimile, and
printed music and accompanying correspondence, programs, and reviews. The majority of
the music is facsimile scores of compositions commissioned by the Chamber Music Society
of Baltimore and the Baltimore Symphony Orchestra from American composers such as
Dominick Argento, Milton Babbitt, Henry Cowell, Jacob Druckman, Ross Lee Finney, Lukas
Foss, Leon Kirchner, Ernst Krenek, Robert Hall Lewis, Lawrence Moss, Roger Reynolds,
Christopher Rouse, Gunther Schuller, Ralph Shapey, Hugo Weisgall, and Charles Wuorinen,
among others. Many of these scores are inscribed to Rothschild and signed by the
composers. The collection also includes holograph manuscript scores by Henry Cowell,
Hugo Weisgall, and Brown Benson. A few scores were sent as complimentary copies from
publishers. Correspondence accompanies the scores by David Epstein, John Huggler, Jean
Eichelberger Ivey, Leo Kraft, Lawrence Moss, Roger Reynolds, Ralph Shapey, and Hugo
Weisgall. A few scores include programs and reviews of the concerts at which they were
performed.
Organization of the Randolph S. Rothschild Collection
The collection is arranged in one series:
-
[Music, 1942-1992](CL1001)
Container List
Box
Contents
1-11
Music, 1942-1992
1942-1992
The Music series consists primarily of manuscript, facsimile, and printed music
and accompanying correspondence, programs, and reviews.
Arranged alphabetically by composer and title therein.
Albert, Stephen
1/1
Concerto for
Cello and Orchestra, 1990
1990
Facsimile of manuscript full score; 140
pages
Note: Inscribed by the composer, David
Zinman, and Yo Yo Ma
Note: Commissioned
by the Baltimore Symphony Orchestra
Argento,
Dominick
11/1
Le Tombeau d'Edgar Poe Suite,
1985
1985
Facsimile of manuscript full score for
orchestra; 80 pages
Note: Inscribed by the composer
Note: Commissioned
by the Baltimore Symphony Orchestra and published by Boosey and
Hawkes
Babbitt, Milton
1/2
The Head of the Bed,
1981
1981
Poem by John Hollander
Facsimile of manuscript score for soprano,
flute, clarinet, violin, and violoncello; 75 pages
Note: Inscribed by
the composer
Note: Commissioned
by and dedicated to The Chamber Music Society of Baltimore and Rothschild;
composed for Phyllis Bryn-Julson
Benson, Brown
1/3
Randy's Hit Tune,
1989
1989
Holograph lead sheet for guitar
Note: Commissioned
by Jean and Gilbert Benson for Randy's 80th birthday
4/1
Three Years from Nowhere,
1983
1983
Manuscript score for violin and piano; 11
pages
Note: Commissioned
by the Chamber Music Society of Baltimore
Braun, Gerhard
4/2
Nachstücke,
circa 1973
circa 1973
Two scores for recorder and piano; 5 pages each
Note:
Complimentary copy
Cowell, Henry
4/3
Vocalise for
Madrigal Singers (SSATB), Clarinet, and Keyboard, 1956
1956
Facsimile of manuscript score; 26
pages
Holograph vocal score and facsimile; 23 pages each
Note: Written for
Hugo Weisgall and Baltimore Chamber Music Society
Cyr, Gordon
4/4
Rhombohedra,
1974
1974
Facsimile of manuscript full score for concert
band; 44 pages
Note: Inscribed by
the composer
Laid in: Program,
program notes, photocopies of review
4/5
Tetramusic,
1976
1976
Facsimile of manuscript score for clarinet,
cello, piano, and percussion; 24 pages
Note: Inscribed by
the composer
Note: Commissioned
by the Chamber Music Society of Baltimore
Druckman, Jacob
11/2
Prism,
1980
1980
Facsimile of manuscript full score for
orchestra; 85 pages
Note: Inscribed by
the composer
Note: Commissioned
by the Baltimore Symphony Orchestra and published by Boosey and
Hawkes
Laid in: Photocopies
of two reviews
Epstein, David
4/6
String
Quartet, 1971
1971
Facsimile of manuscript score; 45
pages
Laid in: Letters
between David Epstein, Rothschild, and James Ostryniec, 1983 May 31 - July
6
1/4
String Trio
for Violin, Viola, and Violoncello, 1964
1964
Full score and parts
Note: Commissioned
by the Pacific String Trio and published by Carl Fischer, Inc.
Ferrari, Luc
4/7
Société 2,
1965-1967
1965-1967
Facsimile of manuscript full score for 4
soloists and 16 instrumentalists; 51 pages
Note:
Complimentary copy provided by publisher Edition Moeck
Finney, Ross
Lee
1/5
Quartet for
Oboe, Cello, Percussion, and Piano, 1979
1979
Two facsimiles of manuscript full score; 47
pages each
Note: Inscribed by
the composer
Note: Commissioned
by the Chamber Music Society of Baltimore
Laid in: Letter
from Stephen Fisher, Manager, Editorial Department of C. F. Peters
Corporation to Rothschild, 1979 November 5; and an alternate version of
"Interlude" pages 21-27
1/6
Variations on a Memory,
1975
1975
Facsimile of manuscript full score for chamber
orchestra; 32 pages
Note: Composed for
the Baltimore Chamber Music Society and published by Henmar Press,
Inc.
Laid in: Card with
the compliments of C. F. Peters Corporation; note with an address in
Rothschild's hand
Fontyn,
Jacqueline
5/1
Scurochiaro,
1989
1989
Three fascsimiles of manuscript score for flute,
clarinet, bassoon, violin, cello, double bass, and piano; 43 pages each
Note: One score is for piano solo
Note: Commissioned
by the Chamber Music Society of Baltimore
5/2
Scurochiaro,
1989
1989
Facsimiles of manuscript parts for flute,
clarinet, and bassoon (three sets)
5/3
Scurochiaro,
1989
1989
Facsimiles of manuscript parts for violin, cello,
and double bass (three sets)
Foss, Lukas
5/4
Folksong,
1975
1975
Facsimile of manuscript full score for
orchestra; 39 pages
Note: Inscribed by
the composer
Note: Composed for
the Baltimore Symphony Orchestra and published by Editions
Salabert
Gruber, H. K.
1/7
Three Mob Pieces,
1977
1977
Score and parts for seven interchangeable
instruments and percussion
Laid in: Card with
the compliments of Boosey & Hawkes
Hailstork,
Adolphus
5/5
Festival
Music, 1992
1992
Full score for orchestra; 52 pages
Note: Inscribed by
the composer
Note: Commissioned
by the Barlow Endowment and composed for the Baltimore Symphony
Orchestra
Huggler, John
1/8
Commemoration: for Randy on the Occasion of his Seventieth Birthday, 1978
1978
Facsimile of manuscript score for piano; 5
pages
Note: Composed at
the request of Amalie Rothschild
Laid in: Letter
from John Huggler to the Rothschilds, 1979 April 1
5/6
Serenata
per 5 Strumenti, op. 80, 1977
1977
Facsimile of manuscript score; 22
pages
Note: Commissioned
by the Baltimore Chamber Music Society for the Boston Musica Viva and
dedicated to Rothschild, Robert Hall Lewis, Richard Pittman, and Mardean
Butler Huggler
Humel, Gerald
6/1
Winter's Ghost,
1988
1988
Facsimile of manuscript score (54 pages)
and parts for flute, clarinet, violin, cello, and piano
Note:
Commissioned by the Chamber Music Society of Baltimore
Ivey, Jean
Eichelberger
6/2
Notes Toward Time,
1984
1984
Poem by Josephine Jacobson
Facsimile of manuscript score for
mezzo-soprano, flute, and harp; 27 pages
Note: Commissioned
by the Chamber Music Society of Baltimore in commemoration of the 350th
anniversary of the founding of the colony of Maryland in 1634
Laid in: Letter
from Jean Eichelberger Ivey to Rothschild, 1984 March 8
Kirchner, Leon
6/3
Concerto
for Violin, Cello, Ten Winds, and Percussion, 1960
1960
Facsimile of manuscript full score; 42
pages
Note:
Commissioned by the Chamber Music Society of Baltimore and published by
Associated Music Publishers, Inc.
6/4
Concerto
for Violin, Cello, Ten Winds and Percussion, 1960
1960
Negative facsimile of manuscript full score; 42
pages
1/9
Concerto
for Violin, Cello, Ten Winds and Percussion, 1960
1960
Study score; 129 pages
Laid in: Card
with compliments of Associated Music Publishers and the composer
7/1
Concerto
for Violin, Cello, Ten Winds, and Percussion, 1960
1960
Copyist parts
7/2-3
Concerto
for Violin, Cello, Ten Winds, and Percussion, 1960
1960
Facsimiles of manuscript parts
7/4
Concerto
for Violin, Cello, Ten Winds, and Percussion, 1960
1960
Facsimile of manuscript parts for violin and cello
Kleinsinger,
George
1/10
Pan the Piper,
circa 1955
circa 1955
Story by Paul Wing
Full score for orchestra and narrator; 65
pages
Laid in: Business
card with the compliments of Sam Fox Publishing Company, Inc.
Kotonski,
Wlodzimierz
1/11
Canto,
1961
1961
Full score for chamber orchestra; 23
pages
Note:
Commissioned by the City of Darmstadt, dedicated to Dr. Wolfgang Steinecke,
and published by Edition Moeck
Kraft, Leo
8/1
Dialectica,
1976
1976
Facsimile of manuscript score for flute,
clarinet, violin, cello, and tape; 36 pages
Note:
Commissioned by the Chamber Music Society of Baltimore
Laid in: Letter
from Leo Kraft to Rothschild, 1977 February 15
Křenek, Ernst
8/2
The
Dissembler: Monologue for Baritone and Chamber Orchestra, op. 229, 1978
1978
Facsimile of manuscript full score; 62
pages
Note: Commissioned
by the Chamber Music Society of Baltimore and written for Michael
Ingham
1/12
Sechs
Motetten nach Worten von Franz Kafka für gemischten Chor a cappella, 1959
1959
Score for SATB chorus; 39
pages
1/13
Suite for
Violoncello Solo, op. 84, circa 1942
circa 1942
Score; 4
pages
2/1
Zwei
Zeitlieder für mittlere Stimme und Streichquartett, op. 215, 1972
1972
Poem by Renata Pandula
Five facsimiles of manuscript full score; 18 pages each
Laid in:
Photocopied pages from violin 2, viola, and cello parts
Lazarof, Henri
2/2
Concerto
for Orchestra, 1977
1977
Full score; 69 pages
Note:
Commissioned by the Baltimore Symphony Orchestra, dedicated to Sergiu
Comissiona, and published by Merion Music, Inc.
Laid in:
Correspondence between Ursula Eastman of Theodore Presser Company and
Rothschild, 1978 August 23-28
2/3
Duo-1973,
1973
1973
Score (12 pages) and parts for cello and
piano
Note:
Commissioned by the Baltimore Chamber Music Society and published by Merion
Music, Inc.
Lewis, Robert
Hall
8/3
Divertimento for Six Instruments, 1969
1969
Facsimile of manuscript score; 31
pages
Note: Inscribed by
the composer
Note: Commissioned
by Rothschild and the Chamber Music Society of Baltimore
2/4
Monophonie 3,
circa 1969
circa 1969
Score for clarinet; 5 pages
Note: Inscribed by
the composer, dedicated to Christopher Wolfe, and published by Verlag
Doblinger
8/4
String
Quartet no. 2, 1961-1962
1961-1962
Facsimile of manuscript score; 31
pages
Note: Inscribed by
the composer and dediated to Rothschild and the Chamber Music Society of
Baltimore
Machover, Tod
8/5
Soft Morning, City!,
1980
1980
Text from the final monologue of Finnegans Wake by James Joyce
Facsimile of manuscript score for soprano,
double bass, and computer generated tape; 23 pages
Note: Commissioned
by the Gulbenkian Foundation and published by Sté Ame. Editions
Ricordi
Laid in: Letters between Judith Finell of
Judith Finell Musicservices, Inc. and Rothschild, 1981 November 12-20, and
promotional materials on Tod Machover
2/5
Two Songs
for Soprano, Flute, Clarinet, Harp, Viola, and Double Bass, 1978
1978
Lyrics by Rose Moss
Facsimile of manuscript score; 27
pages
Note: Dedicated to
Elliott Carter
Moss, Lawrence
2/6
Quartet for
Flute, Cello, Percussion, and Piano, 1992
1992
Facsimile of manuscript score; 60 pages
Note: Inscribed by
the composer
2/7
String
Quartet no. 2, 1975
1975
Facsimile of manuscript score; 38
pages
Note: Inscribed by
the composer
Note: Commissioned
by the Chamber Music Society of Baltimore and dedicated to
Rothschild
2/7
String
Quartet no. 2, 1975
1975
Score and parts
Note: Inscribed by
the composer
Laid in: Letter
from Lawrence Moss to Randolph Rothschild, 1977 November 26
Poulenc,
Francis
2/8
Suite
Française pour piano d'apres Claude Gervaise (16 siècle), circa 1935
circa 1935
Score; 15
pages
Raksin, David
2/9
Toy
Concertino, circa 1967
circa 1967
Full score; 42
pages
Laid in: Letter
from Irving Broude, received 1967 March 10
Reynolds,
Roger
8/6
Islands of Archipelago. 1. Summer Island, 1984
1984
Facsimile of manuscript score for oboe
and tape; 11 pages
Note: Inscribed by the composer
Note:
Commissioned by Rothschild for oboist James Ostryniec and published by C. F.
Peters Corporation
Laid in: Letters between Reynolds and
Rothschild, 1984 September 2 -1985 August 1
Rouse,
Christopher
8/7
Karolju,
1991
1991
Facsimile of manuscript full score for sarge
SATB chorus and orchestra; 118 pages
Note: Inscribed by
the composer
Note:
Commissioned by the Baltimore Symphony Orchestra and publisehd by Helicon
Music Corp.
Laid in:
Invitation to pre-concert dinner, photocopies of reviews, and program
Schuller,
Gunther
11/3
Triplum 2: Three Lyric Pieces,
1975
1975
Facsimile of manuscript full score for
instrumental trios and orchestra; 75 pages
Note: Inscribed by
the composer
Note: Dedicated
to Sergiu Comissiona and the Baltimore Symphony
Shapey, Ralph
9/1
Three for Six,
1979
1979
Facsimile of manuscript full score (73 pages)
and parts
Note:
Commissioned by the Chamber Music Society of Baltimore, dedicated to Robert
Black and the New York New Music Ensemble, and published by Theodore
Presser, Inc.
Laid in: Letter
from Shapey to Rothschild, 1981 March 11
Siegmeister,
Elie
9/3
Symphony
no. 5: Visions of Time,
1971
1971
Facsimile of manuscript full score; 90
pages
Note: Inscribed by
the composer
Note:
Commissioned by The Baltimore Symphony Orchestra
Silverman,
Faye-Ellen
3/1
Volcanic Songs,
1983
1983
Facsimile of manuscript score for harp; 11 pages
Note: Inscribed by
the composer
Note:
Commissioned by The Chamber Music Society of Baltimore for Karen Lindquist
and published by Seesaw Music Corp.
Sprenkle, Elam
Ray
3/2
Three Sonnets (on Josquin),
1983
1983
Facsimile of manuscript score for
cello and piano (22 pages) and cello part (8 pages)
Note:
Commissioned by the Chamber Music Society of Baltimore
Thatcher,
Howard R.
3/3
Children's
March, undated
undated
Two facsimiles of manuscript score for piano; 3
pages each
3/4
Gavotte
& Musette, undated
undated
Facsimile of manuscript score for piano; 3
pages
3/5
Marionnettes, undated
undated
Facsimile of manuscript score for piano; 3
pages
3/6
Romance, undated
undated
Facsimile of manuscript score for piano; 3
pages
3/7
Waltz
Impromptu, undated
undated
Facsimile of manuscript score for piano; 5
pages
3/8
Waltz in A,
undated
undated
Two facsimiles of manuscript score for piano; 5
pages each
Thorne,
Francis
9/4
The Affirming Flame: A Setting of "September 1, 1939"
by W. H. Auden,
1987
1987
Facsimile of manuscript score for soprano,
flute, clarinet, violin, cello, and percussion; 39 pages
Note:
Commissioned by the Chamber Music Society of Baltimore and dedicated to
Robert Hall Lewis
Weisgall, Hugo
10/1
End of Summer,
1973-1974
1973-1974
Holograph score for tenor, oboe, and string
trio; 30 pages
Note:
Commissioned by the New York Chamber Soloists
Laid in: Letter
from Walter Eckard of Theodore Presser Company to Rothschild, 1976 March
5
10/2
Fancies and Inventions,
1969-1970
1969-1970
From the Hesperides (1648) by Robert Herrick
Holograph score for baritone and five
instruments; 54 pages
Note: Inscribed by
the composer
Laid in: Two
cards
3/9
Fancies and Inventions,
1969-1970
1969-1970
Facsimile of manuscript score for baritone
and five instruments; 54 pages
Laid in: Reviews,
letters, and an article
3/10
Fancies and Inventions,
1969-1970
1969-1970
Holograph sketches; 68 pages
3/9
Fancies and Inventions. The Voice and the Violl,
1969-1970
1969-1970
Facsimile of manuscript score for baritone
and five instruments
Laid in: Receipts
and concert ticket
10/2
Fancies and Inventions. The Voice and the Violl,
1969-1970
1969-1970
Score for baritone and five instruments
Note: Alternate version
3/11
Four Birthday Cards,
1986
1986
Score for piano; 8 pages
Contents:
- Billy's Belated Birthday Rag (William Schuman)
- For Randy at 70 (Randolph S. Rothschild)
- Valse Oubliée (Arnold Broido)
- Rückblick (dedicated to Roger Sessions)
3/12
Graven
Images no. 10, 1970
1970
Holograph score for piano; 2 pages
Note: Dedicated to Rothschild
Laid in: Letter
from Weisgall to Rothschild, 1979 September 13
11/4
Love's Wounded: Two Wongs,
1986
1986
From the Hebrew Judam Halevi, English version by Raymond
Scheindlin
Two facsimiles of manuscript full score for baritone
and orchestra; 60 pages each
Note: Inscribed by
the composer
Note:
Commissioned by the Baltimore Symphony Orchestra
Laid in: Letter
and program
10/3
Sonata for
Piano, 1982
1982
Facsimile of manuscript score; 21
pages
Note:
Commissioned for the Baltimore Chamber Music Society and dedicated to
Rothschild
10/4
Tangents: Four Episodes,
1985
1985
Facsimile of manuscript score for flute and
marimba; 17 pages
Wernick,
Richard
10/5
Oracle II,
1985
1985
Text by Rebbe of Kotzk; translated by Chaim Potok
Two facsimiles of manuscript score for soprano,
oboe, and piano; 21 pages
Note:
Commissioned by and dedicated to the Chamber Music Society of Baltimore;
published by Theodore Presser Company
Wuorinen,
Charles
3/13
Crossfire,
1984
1984
Full score for orchestra; 104 pages
Note:
Commissioned by the Baltimore Symphony Orchestra, dedicated to Rothschild
and Joseph Meyerhoff, and published by C. F. Peters Corporation
Laid in: Business
card, note, and article
10/6
Fantasia,
1974
1974
Two facsimiles of manuscript score for violin
and piano; 23 pages each
Note:
Commissioned by the Baltimore Chamber Music Society and published by C. F.
Peters Corporation