Collection Summary
Jerome Kern Collection
1905-1951
1905-1951
ML31.K4
Kern, Jerome, 1885-1945
approximately 7,470 items
102 boxes
45 linear feet
English
Collection material in English
Music Division, Library of Congress
Washington, D.C.
The collection consists primarily of
Kern's show music and holograph sketches, most of which are manuscript full and vocal
scores of Kern's orchestrators and arrangers, especially Frank Saddler and Robert
Russell Bennett. Film and other music is also represented, as well as a small amount of
correspondence.
Selected Search Terms
The following terms have been used to index the description of this collection in the LC Catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically.
People
Bennett, Robert Russell, 1894-1981.
Bordman, Gerald Martin.
Kern, Jerome, 1885-1945--Correspondence.
Kern, Jerome, 1885-1945.
Kern, Jerome, 1885-1945.
Kern, Jerome, 1885-1945. Works. Selections.
Saddler, Frank.
Subjects
Composers--United States--Correspondence.
Motion picture music--Scores.
Musical sketches.
Musicals--Scores.
Musicals--Vocal scores with piano.
Titles
Kern collection, 1905-1945
Form/Genre
Arrangements (Music)
Autographs (Manuscripts)
Business correspondence.
Excerpts.
Motion picture music.
Musical sketches.
Musicals.
Parts (Music)
Scores.
Songs.
Vocal scores.
Provenance
The bulk of the material was discovered in a Warner Brothers warehouse in Secaucus, New
Jersey, in 1982. It was acquired from Betty Kern-Miller (the composer's daughter)
between 1986 and 1990. Additional items were donated by Rodgers & Hammerstein, T. B.
Harms, and John McGlinn, or were purchased.
Custodial History
Prior to the collection's arrival at the Library of Congress, some organization,
identification, and processing was done by Robert Kimball, John McGlinn, and Alfred
Simon. Kimball and McGlinn were generous with subsequent assistance, as was Gerald
Bordman.
Accruals
No further accruals are expected.
Processing History
Mark Eden Horowitz and Albert Tucker processed the Jerome Kern Collection in 1995. The
finding aid was originally created using Word Perfect 5.1 software. Michael A. Ferrando
coded and edited the finding aid in 2002, and Janet McKinney revised it in 2021.
Related Material
The Gerald Bordman Audio Materials (MAVIS no. 5311) at the Library of Congress Motion
Picture, Broadcasting, and Recorded Sound Division contain cassette recordings of
interviews with Jerome Kern that were made in the process of writing a biography.
Copyright Status
The status of copyright on the materials of the Jerome Kern Collection is governed by
the Copyright Law of the United States (Title 17, U.S.C.).
Access and Restrictions
The Jerome Kern Collection is open to research. Researchers are advised to contact the
Performing Arts Reading Room prior to visiting. Many collections are stored off-site and
advance notice is needed to retrieve these items for research use. The following
paragraphs provide instructions for reproducing items in the Jerome Kern Collection:
1. Reproduction for Research and Scholarship. Starting
on January 1, 2010, all materials in the collection may be reproduced by Library patrons
for the purposes of research and scholarship without the permission of the Estate and/or
Trust.
2. Reproduction for Other Uses. Starting on January 1,
2010, the following will apply with regard to reproduction for uses other than research
and scholarship of materials in the collection:
a) In the United States. For use in the United States, all of the collection materials
published prior to 1923 may be reproduced by Library patrons without the permission of
the Estate and/or Trust. Any further uses of the materials are governed by U.S.
copyright law;
b) In Foreign Territories. Any use of materials outside the United States is governed by
the applicable copyright law of the territory in which such use occurs.
3. Contact for Permissions. Persons wishing to reproduce
materials in the collection for uses other than those permitted herein will be advised
to contact the Estate of Betty Kern Miller and the Betty Kern Miller Literary Trust, c/o
R. Andrew Boose, Davis Wright Tremaine, 1633 Broadway, New York, New York 10019,
andrewboose@dwt.com
Preferred Citation
Researchers wishing to cite this collection should include the following information:
container number, Jerome Kern Collection, Music Division, Library of Congress,
Washington, D.C.
Biographical Note
Date
Event
1885 January 27
Jerome David Kern is born in New York City to Henry Kern and Fanny
Kakeles
1902
Kern studies harmony, theory and the piano at the New York College of
Music
1903
Kern studies music theory and composition in Heidelberg, Germany
1904
Kern works as a song-plugger (notably for T. B. Harms) and as a rehearsal
pianist in Broadway theatres. Kern begins interpolating songs into
musicals
1905
The Earl and the Girl opens in New York; "How'd You
Like to Spoon with Me?" is interpolated into the score
1906
Kern works in London, interpolating songs into musical shows
1910 October 25
Kern marries Eva Leale in England
1912 November 13
The Red Petticoat opens in New York
1913 October 30
Oh, I Say! opens in New York
1914
The Girl from Utah opens in New York; "They Didn't
Believe Me" is interpolated into the score
1915 January 15
Ninety in the Shade opens in New York
1915 April 20
Nobody Home opens in New York
1915 December 23
Very Good Eddie opens in New York
1917 January 11
Have a Heart opens in New York
1917 January 15
Love o' Mike opens in New York
1917 February 20
Oh, Boy! opens in New York
1917 August 28
Leave It to Jane opens in New York
1918 February 1
Oh, Lady! Lady!! opens in New York
1918 March 11
Toot-Toot! opens in New York
1918 April 29
Head Over Heels opens in New York
1918 May 22
Rock-a-Bye Baby opens in New York
1918 December 16
Kern's daughter Elizabeth (Betty) Jane Kern is born
1919 May 5
She's a Good Fellow opens in New York
1920 February 2
Night Boat opens in New York
1920 December 21
Sally opens in New York
1921 November 1
Good Morning Dearie opens in New York
1922 September 19
The Cabaret Girl opens in London
1922 November 28
The Bunch and Judy opens in New York
1923 September 5
The Beauty Prize opens in London
1923 November 6
Stepping Stones opens in New York
1924 April 8
Sitting Pretty opens in New York
1924 September 23
Dear Sir opens in New York
1925 September 22
Sunny opens in New York
1925 October 26
The City Chap opens in New York
1926 October 12
Criss Cross opens in New York
1927 March 22
Lucky opens in New York
1927 April 27
Blue Eyes opens in London
1927 December 27
Show Boat opens in New York
1929
Sally (film) opens
1929
Show Boat (film) opens
1929 September 2
Sweet Adeline opens in New York
1930
Sunny (film) opens
1931
Men of the Sky (film) opens
1931 October 15
The Cat and the Fiddle opens in New York
1932 November 8
Music in the Air opens in New York
1933
The Cat and the Fiddle (film) opens
1933 November 18
Roberta opens in New York
1934 April 9
Three Sisters opens in London
1934
Music in the Air (film) opens
1935
I Dream Too Much (film) opens
1935
Roberta (film) opens
1935
Sweet Adeline (film) opens
1936
Show Boat (2nd film) opens
1936
Swing Time (film) opens
1937
High, Wide and Handsome (film) opens
1937
When You're in Love (film) opens
1938
The Joy of Living (film) opens
1938
Gentlemen Unafraid opens in St. Louis
1939 November 17
Very Warm for May opens in New York
1940
One Night in the Tropics (film) opens
1941
Lady Be Good (film) opens, "The Last Time I Saw
Paris" is interpolated into the score
1941
Sunny (2nd film) opens
1942
You Were Never Lovelier (film) opens
1944
Can't Help Singing (film) opens
1944
Cover Girl (film) opens
1945 November 11
Kern dies in New York
1946
Centennial Summer (film) opens
Scope and Content Note
The Jerome Kern Collection consists primarily of [Show Music](CL1001). The music in the collection includes a number of
holograph sketches and scores, but the majority of the music is not in Kern's hand;
however, much of this music does contain annotations by Kern. Many of the music
manuscripts are by Kern's orchestrators and arrangers. The full scores of Frank Saddler
and Robert Russell Bennett are particularly well represented. More than fifty of Kern's
shows are represented in the collection, from the 1906 shows The
Spring Chicken and Fluffy Ruffles, to Kern's last
Broadway musical Very Warm for May from 1939.
In a 1940 letter to Harold Spivacke, then Chief of the Music Division, Jerome Kern wrote
of his plan to give a manuscript to the Library: "I shall be glad to send [the
manuscript] on with no small amount of pride, not in the composition, but in its
destination." The Library of Congress, in turn, is proud to count the Jerome Kern
Collection among its holdings. The Library is particularly fortunate in the quantities
of full scores and parts for what are considered Kern's most significant scores: The Cat and the Fiddle, Music in the
Air, Roberta, Sally,
Show Boat, Sitting Pretty,
Sunny, Sweet Adeline, Very Good Eddie and Very Warm For
May.
In addition, the [Miscellaneous
Music](CL1002) is mostly comprised of copies of late songs by Kern. Many of these were
songs that were cut from films, or written for unproduced projects. In some cases,
lyrics were added to previously unused works after Kern's death. Apparently, most of
this material came from the files of T. B. Harms, Inc. (Kern's publisher) and some
appear to have been transcribed from recordings made by Kern. There are indications that
these materials had been compiled to create a Jerome Kern revue in the 1960s that Cheryl
Crawford had considered producing.
All annotations in Kern's hand are not listed in this document. For instance, among the
unacknowledged holographic annotations are a number of music manuscripts in the hand of
a copyist or arranger, but on which Kern wrote the title. In cases where notes by Kern
were particularly interesting or revealing, they have been transcribed as notes in this
finding aid. It may be helpful to know that Kern used the term "melos" to refer to
underscoring, and the term "burthen" to refer to a chorus or refrain.
Songs preceded by an asterisk "*" were not composed by Kern. When a song title is
followed by "#" and a number or combination of numbers and letters, that designation
appears on all or most of the items listed below that title, indicating its position in
the running order of the stage work. These numbers are supplied here for purposes of
differentiating multiple versions of the same song title, or to indicate songs that at
least appear to have made it into the rehearsal process for a production of the show.
These numbers may also be helpful in differentiating between music used in various
productions of the same show.
Gerald Bordman's book Jerome Kern: His Life and Music
(Oxford University Press, 1980), has been a significant resource.
Organization of the Jerome Kern Collection
The collection is arranged in three series:
-
[Show Music, 1905-1945](CL1001)
-
[Miscellaneous Music,
undated](CL1002)
-
[Correspondence,
1913-1951](CL1003)
Container List
Box
Contents
1-95, 102-116
Show Music, 1905-1945
1905-1945
The Jerome Kern Collection consists primarily of Show Music (Series I). The music
in the collection includes a number of holograph sketches and scores, but the
majority of the music is not in Kern's hand; however, much of this music does
contain annotations by Kern. Many of the music manuscripts are by Kern's
orchestrators and arrangers. The full scores of Frank Saddler and Robert Russell
Bennett are particularly well represented. Over fifty of Kern's shows are
represented in the collection, from the 1906 shows The
Spring Chicken and Fluffy Ruffles, to
Kern's last Broadway musical Very Warm for May from
1939. The Library is particularly fortunate in the quantities of full scores and
parts we have for what are considered Kern's most significant scores: The Cat and the Fiddle, Music in
the Air, Roberta, Sally, Show Boat, Sitting Pretty, Sunny, Sweet Adeline, Very Good
Eddie and Very Warm For May.
Note: there are two full sets of parts for Roberta
(1933), one regular size (without any piano parts) and one oversize (which
contains parts for piano's I and II.) The oversize parts appear to be somewhat
more recent; when two numbers appear on these parts the greater number is usually
the original and is frequently crossed out and replaced with the lower number. In
addition, there are some additional parts, at least some of these appear to have
been for the film and are written on RKO paper; it is not clear what productions
contained "Orientale" and "Pitkin".
The show music in the Kern collection has first been organized alphabetically by
show title, and within each show, alphabetically by song title. The music has
further been physically organized by type -- full scores, piano-vocal scores, and
parts. When there is more than a box or two of music for an individual show, these
various types of material have been boxed separately. In this way, researchers may
request boxes of just full scores, or just piano-vocal scores, or just parts. In
many cases, the full scores had to be housed separately because of their large
size.
1-94, 103-116
Manuscripts
The Arrow
(1905) poem by Longfellow
1/1
The arrow
Copyist manuscript piano-vocal score in ink,
no lyric ; [4] p.
On title page: Jerome D. Kern./Some where in
England/Some time in 1905
1/1
The arrow
Manuscript lyric sheet in pencil ; [1]
p.
1/2
The arrow, F major
Copyist manuscript piano-vocal score in ink ;
[4] p.
1/2
The arrow, G major
Copyist manuscript piano-vocal score in ink ;
[4] p.
1/2
The arrow, F major
Manuscript piano-vocal score in pencil ; 5
p.
The Beauty Prize
(1923) lyrics by P.G. Wodehouse
1/3
Non stop dancing #14
Stephen O. Jones manuscript piano-vocal score
in ink, some pencil annotations in Kern's hand, no lyric ; 4
p.
Blue Eyes
(1928) lyrics by Graham John
1/4
Girls of London
Holograph sketches in ink and pencil ; [2]
p.
Note: also includes unidentified
titles
1/5
His Majesty's dragoons
Holograph sketches in ink and pencil ; [4]
p.
On title page: N.B. 'Show boat' on
back.
1/6
Scena
Robert Russell Bennett manuscript piano-vocal
score in ink, no lyric ; 5 p.
The Bunch and Judy
(1922) lyrics by Anne Caldwell
1/7
Clansmen - march past
Copyist manuscript piano-vocal score in ink,
annotations in Kern's hand ; 15 p.
On title page: 'Blue Eyes' go to p.
6
On verso: Manuscript sketch in pencil ; [1]
p.
Note: used in Toot-Toot! and Stolen Dreams
1/8
Every day in every way
Manuscript orchestra sketch in pencil ; [2]
p.
1/8
Every day in every way
Holograph sketch in pencil ; [2]
p.
1/9
Have you forgotten me? blues
Copyist manuscript piano-vocal score in ink ;
9 p.
Laid in: Typescript lyric sheet ; [1]
p.
Earlier title: Why don't you write to me
blues?
1/10
Home
Copyist manuscript piano-vocal score in ink ;
6 p.
1/11
Hot dog
Copyist manuscript piano-vocal score in ink ;
5 p.
1/11
Hot dog
Typescript lyric sheet ; [1] p.
1/11
Hot dog - dance duet
Copyist manuscript piano-vocal score in ink ;
6 p.
1/12
The pale Venetian moon
Copyist manuscript piano-vocal score in ink ;
5 p.
Call of the East
see
[Men of the Sky](mu002004_Manuscripts_CL10011001_D3_35)
Can't Help Singing
(1944) lyrics by E.Y. Harburg
see
[I'll follow your smile](mu002004_Miscellaneous_Music_1_CL10021001_D3_37) ; [Once in a million moons](mu002004_Miscellaneous_Music_1_CL10021001_D3_67) ; [There'll come a
day](mu002004_Miscellaneous_Music_1_CL10021001_D3_87) ; [Trio](mu002004_Miscellaneous_Music_2_CL10021002_D3_42)
Earlier title: Caroline
Caroline
see
[Can't help singing](mu002004_Manuscripts_CL10011001_D3_5)
The Cat and the Fiddle
(1931) lyrics by Otto Harbach
1/13
Act I scene 2
Robert Russell Bennett manuscript full score
in ink ; 48 p.
4/11
Act I scene 2 #2
Parts
1/14
Act I scene 4 - love parade
Robert Russell Bennett manuscript full score
in ink ; 50 p.
4/12
Act I scene 4 - love parade #3, #3b
Parts
4/9
Act I finale
Typescript lyric sheet with annotations by
Kern in ink ; [1] p.
Includes: lyric for cut song
"Misunderstood"
1/15
Act II scenes 1 and 2
Robert Russell Bennett full score in ink ; 26
p.
3/1
Act II scene 1 - scena and terzetto
Holograph sketch in pencil ; 6 p.
3/1
Act II scene 1
Holograph sketch in pencil ; 3 p.
3/1
Act II scene 1 and 2 - scene and terzetto
Robert Russell Bennett manuscript piano-vocal
score in ink, no lyric ; 7 p.
3/2
Ace II scene 1 - terzetto
Holograph sketch ; 5 p.
Includes: She didn't say yes
4/13
Act II scenes 1 and 2 #15
Parts
1/16
Act II scene 3
Robert Russell Bennett manuscript full score
in ink ; 40 p.
Includes: One moment alone
5/1
Act II scene 3 #17
Parts
3/3
Act II scenes 3, 4 and 5
Copyist manuscript piano-vocal score in ink,
annotations in Kern's hand ; p. 175-209
Includes: A new love is old; One moment
alone
1/17
Act II scene 5 - street scene
Robert Russell Bennett manuscript full score
in ink ; 19 p.
5/2
Act II scene 5 - street scene #20
Parts
Includes: Victor incidental ; #20b Try to
forget
3/4
Al fresco cafe, act I scene 2
Holograph piano score in pencil ; [1]
p.
Note: incomplete
3/4
Al fresco cafe, act I scene 2
Robert Russell Bennett manuscript piano score
in ink ; 6 p.
5/3
Chandelier #14
Parts
Note: based on "I watch the love
parade"
3/5
Dance duo - finale act I scene 7
Holograph piano-vocal score, no lyric ; [4]
p.
Includes: Don't ask me not to sing
1/18
Don't ask me not to sing
Robert Russell Bennett manuscript full score
in ink ; 25 p.
Note: dropped from show, used later in Roberta
3/6
Don't ask me not to sing
Copyist manuscript piano-vocal score in ink ;
5 p.
4/9
Don't ask me not to
sing
Carbon of typescript lyric sheet ; [1] p.
(incomplete)
3/6
Don't ask me not to sing
Holograph piano score/sketch in ink ; [1]
p.
Caption title: Don't esk
3/7
Duettino, act I scene 4
Manuscript piano-vocal score/sketch in
pencil, no lyric ; 6 p.
1/19
Entr'acte
Robert Russell Bennett manuscript full score
in ink and pencil ; 30 p.
3/8
Entr'acte
Copyist manuscript piano-vocal score in ink,
some lyric and stage directions in Kern's hand ; p. 147-174
Includes: An earlier version of "She didn't
say yes" using a theme from "Act I scene I"; Act II scene I; I watch the
love parade; The night was made for love; She didn't say yes
5/4
Entr'acte #12
Parts
2/1
Finale act I
Robert Russell Bennett manuscript full score
in ink ; 38 p.
3/9
Finale act I
Robert Russell Bennett manuscript piano-vocal
score in ink and pencil ; 10 p. (incomplete)
3/9
Finale act I
Manuscript choral parts and piano score in
pencil, no lyric ; [3] p.
5/5
Finale act I #11
Parts
2/2
Finale ultimo
Robert Russell Bennett manuscript full score
in ink ; 17 p.
Includes: I watch the love parade
5/6
Finale ultimo #22
Parts
2/3
Finaletto act I scene 3
Robert Russell Bennett manuscript full score
in ink ; 21 p.
3/10
Finaletto act I scene 3
Robert Russell Bennett manuscript piano-vocal
score in ink ; 12 p. (p. 1 is a pasteover)
Note: on title page in Kern's hand "N.B.
Build Intro in D on [2 measures of music]"
3/10
Finaletto act I scene 3
Holograph two-piano score ; 13 p.
5/7
Finaletto act I scene 3 #6
Parts
Hh! cha cha!
see
[If you're for me](mu002004_Manuscripts_CL10011001_D4_60)
3/11
I watch the love parade, act I scene 4
see also
[Chandelier](mu002004_Manuscripts_CL10011001_D4_37) ; [Finale ultimo](mu002004_Manuscripts_CL10011001_D4_50)
Robert Russell Bennett manuscript piano-vocal
score in ink ; 12 p.
3/11
I watch the love parade, act I scene 4
see also
[ Chandelier](mu002004_Manuscripts_CL10011001_D4_37) ;
[ Finale ultimo](mu002004_Manuscripts_CL10011001_D4_50)
Copyist manuscript piano-vocal score in ink ;
6 p.
3/11
I watch the love parade, act I scene 4
see also
[ Chandelier](mu002004_Manuscripts_CL10011001_D4_37) ;
[ Finale ultimo](mu002004_Manuscripts_CL10011001_D4_50)
1st proof for printed piano-vocal score,
annotated ; p. 3-7
3/11
I watch the love parade, act I scene 4
see also
[ Chandelier](mu002004_Manuscripts_CL10011001_D4_37) ;
[ Finale ultimo](mu002004_Manuscripts_CL10011001_D4_50)
Proof for printed piano-vocal score,
annotated ; p. 3-6 (p. 7 missing)
2/4
If you're for me
Robert Russell Bennett manuscript full score
in ink ; 17 p.
Note: uses the same music as "Hh! cha
cha!"
5/8
If you're for me #21
Parts
3/12
Lied von Eric, act I scene 3
Holograph piano-vocal score in pencil, no
lyric ; 3 p.
Includes: The breeze kissed your
hair
4/9
Love parade
Carbon of typescript lyric sheets ; [2]
p.
3/13
Marziale
Holograph sketch in pencil ; [1]
p.
Note: this is an excerpt from "Poor
Pierrot"
3/14
Misunderstood
Manuscript piano sketch in pencil ; [1]
p.
2/5
New death for Pierrot
Robert Russell Bennett manuscript full score
in ink ; 2 p.
A new love is old
see
[ Act II scene 3, 4, and
5](mu002004_Manuscripts_CL10011001_D4_32) ; [ She brings you a new
smile](mu002004_Manuscripts_CL10011001_D4_108)
3/15
New terzetto, act II scenes 1 and 2
Robert Russell Bennett manuscript piano-vocal
score in ink, partial lyric ; 8 p.
Includes: The night was made for
love
3/16
The night was made for love
Copyist manuscript piano-vocal score in ink,
some pencil annotations in Kern's hand ; 3 p.
3/16
The night was made for love
1st proof for printed piano-vocal score,
annotated ; p. 3-5
4/9
The night was made for
love
Typescript lyric sheet and carbon; [2]
p.
Note: Carbon includes French lyrics written
in ink
3/17
One moment alone
see also
[ Victor's song](mu002004_Manuscripts_CL10011001_D4_121) ;
[Act II scene 3, 4, and
5](mu002004_Manuscripts_CL10011001_D4_32) ; [The passionate
pilgrim](mu002004_Manuscripts_CL10011001_D4_89)
Albert Sirmay manuscript piano-vocal score in
pencil, annotations in Kern's hand ; 6 p.
3/17
One moment alone
see also
[ Victor's song](mu002004_Manuscripts_CL10011001_D4_121) ;
[Act II scene 3, 4, and
5](mu002004_Manuscripts_CL10011001_D4_32) ; [The passionate
pilgrim](mu002004_Manuscripts_CL10011001_D4_89)
1st proof for printed piano-vocal score,
annotated ; p. 2-5
On title page: This introduction is not in
the mood of the song
4/9
One moment alone
Carbon of typescript lyric sheets,
annotations by Kern in pencil ; [2] p.
2/6
Opening act I scene 3
Robert Russell Bennett manuscript full score
in ink ; 22 p.
Includes: One moment alone
6/1
Opening act I scene 3 #4
Parts
2/7
Opening act I scene 5
Robert Russell Bennett manuscript full score
in ink ; 6 p.
6/2
Opening act I scene 5 #7
Parts
2/8
Opening scene
Robert Russell Bennett manuscript full score
in ink ; 119 p. + 2 p. crossed out (48, 55)
6/3
Opening scene #1
Parts
3/18
Opening scene, act I scene 1
Holograph piano-vocal score/sketch in pencil
; 17 p. (p. 9-10 missing; p. 6 copyist manuscript in ink)
Includes: New picture number; She didn't say
yes; The night was made for love
3/18
New material opening act I
Holograph sketch in pencil ; 2 p.
3/18
Addendum and change, act I scene 1
Holograph sketch in pencil ; 2 p.
3/19
Opening scene, act I scene 1
see also
[The passionate
pilgrim](mu002004_Manuscripts_CL10011001_D4_88)
Robert Russell Bennett manuscript piano-vocal
score in ink and pencil, some lyric in Kern's hand ; [25] p.
Laid in: Robert Russell Bennett manuscript
piano-vocal score in ink, no lyric ; 6 p.
2/9
Opening scene 6
Robert Russell Bennett manuscript full score
in ink ; 4 p.
6/4
Opening scene 6 #9
Parts
2/10
Outmarch
Robert Russell Bennett manuscript full score
in ink ; 5 p.
Includes: Try to forget; Entr'acte; If
you're for me (Hh! cha! cha!)
6/5
Outmarch - try to forget #23
Parts
2/11
The passionate pilgrim
Robert Russell Bennett manuscript full score
in ink ; 57 p.
3/20
The passionate pilgrim, act I scene 7
see also
[New material, opening
scene](mu002004_Manuscripts_CL10011001_D4_81)
Holograph piano score in pencil ; 2
p.
On title page: Insert...p. 14 Act I scene
I...
3/21
The passionate pilgrim, act I scene 7
Robert Russell Bennett manuscript piano-vocal
score in ink ; 19 p.
Includes: One moment alone
6/6
The passionate pilgrim #10, #10b
Parts
3/22
Pierrette
Copyist manuscript piano-vocal score in ink,
partial lyric ; 5 p.
6/7
Pierrette, act II scene 1 #13
Parts
4/9
Pierrette
Carbon of typescript lyric sheet, annotations
in pencil ; [1] p.
3/23
Poor Pierrot
see also
[Marziale](mu002004_Manuscripts_CL10011001_D4_63)
Albert Sirmay manuscript piano-vocal score in
pencil ; 6 p.
3/23
Poor Pierrot
see also
[Marziale](mu002004_Manuscripts_CL10011001_D4_63)
1st proof for printed piano-vocal score,
annotated ; p. 2-5
3/24
Prologue, act I scene 7
Holograph piano-vocal score/sketch, partial
lyric ; 15 p. (p. 7 missing)
Note: part of "Passionate pilgrim"
Includes: One moment alone
2/12
Rasch dance - Dances, don't ask me
Robert Russell Bennett manuscript full score
in ink ; 23 p.
2/12
New end Rasch dance
Robert Russell Bennett manuscript full score
in ink ; 4 p.
2/12
New finale Rasch dance
Robert Russell Bennett manuscript piano-vocal
score ; [1] p. (incomplete)
7/1
Rasch dance #18
Parts
3/25
Sally's "misunderstood," act
I scene 5 - Sally's blues
Holograph sketch in pencil ; [1]
p.
Note: See also p. 112 of printed piano-vocal
score
3/26
Sally's piano solo, act I
scene 3
Manuscript piano score in pencil ; [2]
p.
3/27
Scena Eric and Odette, act I
scene 3
Holograph piano-vocal score in pencil, no
lyric ; 4 p.
3/28
Scene 4 ; Scene 7 - Hh! cha
cha! - Dance - Finale
see also
[Shirley](mu002004_Manuscripts_CL10011001_D4_110)
Copyist manuscript piano-vocal score in ink,
violin solo in pencil ; p. 210-230
Includes: Poor Pierrot; She didn't say
yes
3/29
Scene change, end of act I
scene 4
Holograph sketch in pencil ; [2]
p.
3/30
Scene (Victor and
Odette/Constance), act I scene 3
Robert Russell Bennett manuscript piano-vocal
score in ink and pencil, annotations and lyric in Kern's hand; 7
p.
Includes: One moment alone
3/31
Scene (Victor and Shirley),
act II scene 3
Robert Russell Bennett manuscript piano-vocal
score in ink ; 18 p. + [2] p. insert
Includes: One moment alone
3/31
Scene (Victor and Shirley) act II scene 3
Holograph piano-vocal score/sketch ; 8 p. +
p. 3a
Includes: One moment alone
2/13
Scene with Petite Grue
Robert Russell Bennett manuscript full score
in ink ; 4 p.
Includes: A new love is old
4/1
She brings you a new smile
Robert Russell Bennett manuscript piano-vocal
score in ink ; 4 p.
4/2
She didn't say yes, act I
scene 1
Holograph piano-vocal score/sketch in pencil,
partial lyric ; 6 p.
4/3
Shirley
see also
[Scene 7 - Hh! cha
cha!](mu002004_Manuscripts_CL10011001_D4_103)
Holograph sketch in pencil ; [1]
p.
On verso: unidentifed sketch ; [1]
p.
4/4
Street scena, act II scene 5
Holograph piano-vocal score/sketch in pencil,
partial lyric ; 3 p.
4/4
Street scena, act II scene 5
Robert Russell Bennett manuscript piano-vocal
score in ink, partial lyric in Kern's hand in pencil ; 6 p.
2/14
Try to forget, act I scene 5
Robert Russell Bennett manuscript full score
in ink and pencil ; 43 p.
4/5
Try to forget
Albert Sirmay manuscript piano-vocal score in
pencil, annotations by Kern in pencil ; 6 p.
4/5
Try to forget
1st proof for printed piano-vocal score,
annotated ; p. 2-5
Original title: I'll be remembering
you
4/5
Try to forget - Aprés string
coro
Copyist manuscript score in ink ; p. 2 (4 m.
only)
7/2
Try to forget #8
Parts
7/3
Try to forget #19
Parts
2/15
Victor's new song
Robert Russell Bennett manuscript full score
in ink ; 8 p.
7/4
Victor's new song #16
Parts
2/16
Victor's song, or, One
moment alone
Robert Russell Bennett manuscript full score
in ink ; 19 p.
Note: verse is "The breeze kissed your
hair"
4/6
Victor's song, or, One
moment alone, act I scene 3
Robert Russell Bennett piano-vocal score in
ink, annotations in Kern's hand ; 5 p.
7/5
Victor's song #5
Parts
2/17
Vorspiel
Robert Russell Bennett manuscript full score
in ink ; 34 p.
7/6
Vorspiel #20a, #19a
Parts
2/18
Unidentified full score
fragments
Four Robert Russell Bennett manuscripts in
ink ; [19] p.
4/7
Unidentified/miscellaneous
holograph sketches
Holograph in ink and pencil ; [2]
p.
Includes: Canzonetta written for Men of the Sky
4/7
Unidentified/miscellaneous
holograph sketches
Holograph in pencil ; [2] p.
Includes: Victor; A new love is
old
Note: the section marked "Save this" became
"I'm alone" from Music in the Air
4/7
Unidentified/miscellaneous
holograph sketches
Holograph in pencil ; p. 2-3
Includes: Tranquillamente; The passionate
pilgrim
4/7
Unidentified/miscellaneous
holograph sketches
Holograph in pencil ; [2] p.
Includes: Intro P. P.; Act I scene 2
incidental music
4/8
Unidentified
fragments
Two copyist manuscript piano-vocal scores in
ink, the 2nd with pencil annotations in Kern's hand ; p. 11-16, p.
11-12
Includes: Try to forget
7/7
Miscellaneous/unidentified
parts
4/10
The Cat and the Fiddle selection
Robert Russell Bennett manuscript piano score
in pencil with inserts from printed score, annotated ; 25 p.
7/8
The Cat and the Fiddle selection
Three parts
Note: arranged by Hans Spialek
Centennial Summer
(1946)
see
[Pepper pot](mu002004_Miscellaneous_Music_1_CL10021001_D3_76)
Century Show
see
[Miss 1917](mu002004_Manuscripts_CL10011001_D3_36)
Champagne and Orchids
see
[Dance like a
fool](mu002004_Miscellaneous_Music_1_CL10021001_D3_15); [Out on the broad
prairie](mu002004_Miscellaneous_Music_1_CL10021001_D3_72); [Singing a song
in your arms](mu002004_Miscellaneous_Music_1_CL10021001_D3_82); [When I've got
the moon](mu002004_Miscellaneous_Music_1_CL10021001_D3_100)
The City Chap
(1925) lyrics by Anne Caldwell
8/1
The city chap #6
Manuscript piano-vocal score in ink, some
annotations in Kern's hand ; 6 p.
8/2
Drug store scene - opening
act II
Copyist manuscript piano-vocal score in ink,
no lyric ; 15 p.
Note: Manuscript sketch in pencil on back ;
[1] p.
8/3
Duettino Rose and Nat
Robert Russell Bennett manuscript piano-vocal
score in ink, no lyric ; 12 p.
Includes: Walking home with Josie
8/4
Exit of guests act I #2a
Robert Russell Bennett manuscript piano-vocal
score in ink ; [1] p. (incomplete)
8/5
Finale act I #10 or #9 -
Tangle foot
Hans Spialek manuscript piano-vocal score in
ink, some annotations in Kern's hand, lyric in pencil ; 22 p.
8/6
Finaletto act I scene I
Copyist manuscript piano-vocal score in ink,
some annotations in Kern's hand ; 18 p.
8/6
Finaletto act I scene 1 #4
Copyist manuscript piano-vocal score in ink,
annotations in Kern's hand, no lyric ; 6 p.
On verso: holograph sketch in
pencil
8/7
Finaletto #4
Robert Russell Bennett manuscript piano-vocal
score in ink, some annotations in Kern's hand ; 7 p.
Note: unidentified sketch in pencil on back
page
8/8
Fountain scene #8
Robert Russell Bennett manuscript piano-vocal
score in ink ; 7 p.
Note: combines "Journey's end" and "He is
the type"
8/9
The go-getter
Manuscript piano score in ink ; [2]
p.
In caption: Natural born
8/10
He is the type
see also
[Fountain scene](mu002004_Manuscripts_CL10011001_D4_152)
Robert Russell Bennett manuscript piano-vocal
score in ink, lyric in pencil ; 5 p.
Note: originally "Shimmy with me" from Cabaret Girl
8/10
He is the type
see also
[ Fountain scene](mu002004_Manuscripts_CL10011001_D4_152)
Printed piano-vocal score ; 7 p.
Note: originally "Shimmy with me" from Cabaret Girl
8/11
If you are as good as you
look #9
Robert Russell Bennett manuscript piano-vocal
score in ink and pencil ; 5 p.
8/11
If you are as good as you
look - terzett, act I scene 2
Copyist manuscript piano-vocal score in ink,
lyric in pencil ; 5 p.
8/12
*I'm head 'n heels in love
Manuscript piano-vocal score in pencil ; 7
p.
Note: Music by Leo Edwards, lyric by Irving
Caesar
8/12
*I'm head 'n heels in love
Typescript lyric sheet ; [1] p.
Note: Music by Leo Edwards, lyric by Irving
Caesar
8/13
Journey's end
see also
[Fountain scene](mu002004_Manuscripts_CL10011001_D4_152)
Printed piano-vocal score ; 5 p. (p. 3-4
missing)
Note: Lyric by P.G. Wodehouse; originally
from Cabaret Girl
8/14
No one knows
Robert Russell Bennett manuscript piano-vocal
score in ink, lyric in pencil ; 4 p.
8/14
No one knows #16
Copyist manuscript piano-vocal score in ink ;
[4] p.
8/14
No one knows #17 sextette
Robert Russell Bennett manuscript choral
score in ink, some lyric in Kern's hand in pencil ; 8 p.
8/14
No one knows
Printed piano-vocal score, alternate lyrics
written in Caldwell's hand in pencil ; 5 p.
8/14
No one knows
Printed piano-vocal score ; 5 p.
8/15
Opening act I scene II -
Opening act II
Frank Saddler and Robert Russell Bennett
manuscript full score in ink ; 25 p.
8/16
Opening act II #12
Manuscript sketch in pencil, lyric in ink ;
[2] p.
Note: Lyric changes in pencil on back for 2
different numbers
8/17
A pill a day #13, #17
Copyist manuscript piano-vocal score in ink,
lyric in pencil ; [4] p.
8/17
Pill
Robert Russell Bennett manuscript piano-vocal
score in ink, no lyric ; 4 p.
8/18
Sympathetic someone
Copyist manuscript piano-vocal score in ink
and pencil ; 5 p.
8/18
Sympathetic someone
Two printed piano-vocal scores ; 5
p.
114/1
Sympathetic someone #5
Robert Russell Bennett manuscript piano-vocal
score in ink, some pencil annotations in Kern's hand ; 5 p.
Tangle foot
see
[ Finale act I](mu002004_Manuscripts_CL10011001_D4_148)
8/19
Walking home with Josie,
E-flat major
Copyist manuscript piano-vocal score in ink,
annotations in pencil ; 6 p.
8/19
Walking home with Josie, C
major
Copyist manuscript piano-vocal score in ink ;
6 p.
8/19
Walking home with Josie
(reprise - Nat sings with Rose)
Carbon of typescript lyric sheet
8/19
Walking home with Josie
Two printed piano-vocal scores ; 7 p.
each
8/20
When I fell in love with you
Copyist manuscript piano-vocal score in ink,
annotations and lyric in pencil ; 6 p.
8/21
Your betrothal day - opening
act one
Copyist manuscript piano-vocal score in ink ;
20 p.
Note: listed in program as "Like the Nymphs
of Spring"
8/22
The City Chap selection
Robert Russell Bennett piano score in pencil
; 7 p. + [5] p.
Includes: Go-getter; Journey's end; When I
fell in love; Sympathetic someone; A pill a day; He is the type
8/23
Miscellaneous/unidentified
Holograph sketches in pencil and ink ; [1]
p.
Includes: Opening old drug store; Good as
you look trio
8/23
Miscellaneous/unidentified
Manuscript piano score in ink ; [4]
p.
Includes: 8 small girlies
8/23
Unidentified
Robert Russell Bennett manuscript piano-vocal
score in ink, no lyric ; 5 p.
8/23
Unidentified
Holograph pencil sketch on the back ; [1]
p.
8/23
Unidentified
Robert Russell Bennett manuscript piano-vocal
score in ink ; p. 13-16
Cover Girl
(1944) lyrics by Ira Gershwin
see
[Midnight
music](mu002004_Miscellaneous_Music_1_CL10021001_D3_48); [Time: the
present](mu002004_Miscellaneous_Music_1_CL10021001_D3_90); [Who's
complaining?](mu002004_Miscellaneous_Music_1_CL10021001_D3_106)
Criss-Cross
(1926) lyrics by Otto Harbach and Anne Caldwell
9/4
Algerian story
Parts
114/2
Bazar opening
Charles N. Grant manuscript full score in ink
; 10 p.
114/2
Opening bazar after trio
Maurice B. DePackh manuscript full score in
ink ; p. 2-9
9/5
Bazar opening
Parts
9/2
Bread and butter
Albert Sirmay manuscript piano-vocal scores
in pencil, 2 versions ; 6 p. each
9/6
Bread and butter
Parts
9/7
Bread and butter – Encore
Parts
114/3
Cinderella entrance finale
act II
Maurice B. DePackh manuscript full score in
ink ; 1 p.
114/4
Cinderella – entre acte
Maurice B. DePackh manuscript full score in
ink ; 30 p.
9/3
Cinderella
Albert Sirmay manuscript piano-vocal score in
pencil, pasteover on p. 4 ; 6 p.
9/8
Cinderella entrance finale
act II
Parts
9/9
Cinderella – dance encore
Parts
114/5
Flap-a-doodle-doo
Maurice B. DePackh manuscript full score in
ink ; 35 p.
Includes: Encore
114/5
2nd encore flap doodle doo –
tap charleston
Maurice B. DePackh manuscript full score in
ink ; [3] p.
9/10
Flap-a-doodle-doo
Parts
10/1
Flap-a-doodle-doo 2nd encore
Parts
10/2
Kiss a four leaf clover
Parts
10/3
Malaguena
Parts
10/4
Marcia/march
Parts
9/1
Overture - rose of delight
Manuscript full score in ink and red ink ; p.
7-23 (2 of p. 16), 29-33
Note: on p. 7 "use red ink notes for
overture only"
9/1
Fakir number
Manuscript full score in ink ; [1]
p.
9/1
Overture
Manuscript full score in ink ; 7
p.
Includes: unidentified; Encore; Will you
won't you
Note: assemblage of orchestra scores by
Charles N. Grant, Maurice B. De Packh, and others to be used for
Overture
114/6
Rose of delight
Maurice B. DePackh manuscript full score in
ink ; 33 p.
Includes: Desert trio part I; Desert trio
part II
10/5
Rose of delight
Parts
114/7
School scene opening
Maurice B. DePackh manuscript full score in
ink ; 8 p. (incomplete)
10/6
School scene opening
Parts
114/8
Suzie
Maurice B. DePackh manuscript full score in
ink, emendations in ink ; 18 p.
Note: listed in program as "I love my little
Susie"
Includes: Overture 'Susie'
114/9
You will-won't you
Maurice B. DePackh manuscript full score in
ink, annotations in pencil ; 19 p.
Note: Manuscript full score in pencil of
"Encore" on back of p. 19
114/9
You will-won't you (burthen
to act I)
Maurice B. DePackh manuscript full score in
ink ; 7 p.
Note: Pages are renumbered 7-13 and serve as
insert to "Will you -- won't you," supra
10/7
You will-won't you
Parts
10/8
You will-won't you
Parts
The Dairymaids
(1907) lyrics by M. E. Rourke
Little Eva
see
[ Miscellaneous/Unidentified Show Music](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_21)
Dear Sir
(1924) lyrics by Howard Dietz
Earlier title: Vanity fair
12/8
Act I scene II
Robert Russell Bennett manuscript piano-vocal
score in ink, no lyric ; 6 p.
Note: On p. [7] in Kern's hand: "Where in
blazes is the bloody rest of this?"
All lanes must reach a
turning
see
[ Duet](mu002004_Manuscripts_CL10011001_D4_231)
13/1
Andy's entrance #3 1⁄2
Parts
13/2
Ballet #19, #17a
Parts
13/3
Blind bow bow #18
Parts
13/4
Canzonetta #16
see also
[ Weeping willow
tree](mu002004_Manuscripts_CL10011001_D4_303)
Parts
11/1
Chaser
Robert Russell Bennett manuscript full score
in ink ; 10 p.
13/5
Chaser
Parts
13/6
Craig dance #9 1⁄2, #17b
Parts
13/7
Dance, act II #17b, #9b
Parts
13/8
Dancing time #5 (version 1)
Parts
13/9
Dancing time #5 (version 2)
Parts
13/10
Dorothy's entrance
Parts
11/2
Duet
Robert Russell Bennett manuscript full score
in ink and red pencil ; 17 p.
Includes: All lanes must reach a
turning
13/11
Duet #11 or #17d, E-flat
major
Parts
14/1
Duet #11, D major
Parts
14/2
Entr'acte #12 1⁄2
Parts
14/3
Exit #17c
Parts ; 32 measure version
14/4
Exit #17c
Parts ; 16 measure version
11/3
Finale act I
Robert Russell Bennett manuscript full score
in ink ; 42 p.
12/9
Finale act I
Holograph piano-vocal score/sketch, no lyric
; 8 p.
12/9
Finale act I
Robert Russell Bennett manuscript piano-vocal
score in ink, no lyric ; 12 p. (6 3/4" x 10")
12/9
Finale act I
Copyist manuscript piano-vocal score in ink,
no lyric ; 13 p.
14/5
Finale act I #12
Parts
11/4
Finale ultimo
Robert Russell Bennett manuscript full score
in ink ; 6 p.
14/6
Finale ultimo, E-flat major
Parts
14/7
Finale ultimo, F major
Parts
Finaletto act I
see
[ Miscellaneous/Unidentified Show Music](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_10)
11/5
Finaletto scene I act II
Robert Russell Bennett manuscript full score
in ink ; 58 p. (no p. 31, an additional p. 50-51 laid in)
14/8
Finaletto act II #17
Parts
15/1
Finaletto scene I act II #17
Parts
12/10
Finaletto and opening act II
scene 2 - wishing well scene
Robert Russell Bennett manuscript piano-vocal
score in ink, some pencil annotations in Kern's hand, no lyric ; 8
p.
11/6
Genevieve and men act II -
Come along
Frank Saddler manuscript full score in ink,
revisions by Bennett ; 44 p.
Note: Kern has crossed out title "Come
along," and written in "Genevieve + men act II" on cover. This number
appears to have been derived from "The language of love." Also, intended
as "Come along" for Hitchy-Koo.
12/11
Genevieve and men
see also
[ Unidentified full
score](mu002004_Manuscripts_CL10011001_D4_312) ; ["The language of
love" from Zip Goes a Million](mu002004_Manuscripts_CL10011001_D4_1697)
Robert Russell Bennett manuscript piano-vocal
score in ink, no lyric ; 13 p.
11/7
Grab a girl
Robert Russell Bennett manuscript full score
in ink and red pencil ; 27 p.
11/8
Gypsy caravan
Robert Russell Bennett manuscript full score
in ink ; 41 p.
12/12
Gypsy caravan - Tamaran
Copyist manuscript piano-vocal score in ink,
annotations in pencil and colored pencil ; 5 p.
Note: Lyric for "Tamaran" by Noel Coward,
"Gypsy caravan" by Howard Dietz
Note: Mention on p. [6] of title "Hitch your
wagon to a star"
12/12
Gypsy caravan, act I scene 3
Copyist manuscript piano-vocal score in ink ;
5 p.
Laid in: Typescript lyric sheet with
annotations ; [1] p.
12/12
Gypsy caravan #10
Copyist manuscript piano-vocal score in ink,
partial lyric annotations in Kern's hand ; 5 p.
15/2
Gypsy caravan #10
Parts
15/3
Handy Andy #15, #11 1⁄2
Parts
11/9
House boat
Robert Russell Bennett manuscript full score
in ink ; 14 p.
12/13
House boat
Holograph and Robert Russell Bennett
manuscript sketch in pencil ; [2] p.
12/13
House boat
Robert Russell Bennett manuscript piano score
in ink ; 3 p. (6 3/4" x 10")
15/4
House boat #8
Parts
11/10
I want be there
Robert Russell Bennett manuscript full score
in ink ; 30 p.
12/14
I want to be there
Copyist manuscript piano-vocal score in ink,
annotations/corrections in Kern's hand ; [9] p.
12/14
I want to be there
Typescript lyric sheet ; [1] p.
12/14
I want to be there
Copyist manuscript piano-vocal score in ink ;
8 p.
12/14
I wanna be there - dance
ta-doodle
Holograph sketch in ink ; [1] p.
12/14
I want to be there
Robert Russell Bennett manuscript piano-vocal
score in ink, no lyric ; 9 p.
15/5
I want be there #5
Parts
15/6
I want to be there #3b, F
major
Parts
16/1
I want to be there #3b, G
major
Parts
If you think it's love you're
right
see
[ Terzetto](mu002004_Manuscripts_CL10011001_D4_298)
16/2
Incidental #3a
Parts ; 6 3/4" x 10"
12/15
Lots of room for me
Robert Russell Bennett manuscript piano-vocal
score in ink, no lyric ; 5 p.
16/3
Lots of room for me #4
Parts
12/16
A merry Mormon life #8
Copyist manuscript piano-vocal score in ink,
annotations in Kern's hand in pencil ; 6 p.
16/4
A merry Mormon life #4
Parts
12/17
New finale act I
see also
[Unidentified](mu002004_Manuscripts_CL10011001_D4_313)
Robert Russell Bennett manuscript piano-vocal
score in ink and pencil ; p. A-E, [2] p., p. 2-7, 15-18 (6 3/4" x 10")
16/5
Opening A
Parts
16/6
Opening act I scene 2 #6
Parts
16/7
Opening act II #13
Parts
12/18
Opening chorus act II -
Valse brillante
Holograph sketch in pencil ; p. 1-2, 6 (11" x
7")
Note: derived from "Melodia a tre" and
"Cretonne" from Rock-a-Bye Baby
Note: In Kern's hand on p. 6: "And so
opening choruses are conceived"
11/11
Opening scene 3
Robert Russell Bennett manuscript full score
in ink ; 24 p.
16/8
Opening scene 3 #9
Parts
12/19
Oscar's entrance (new)
Robert Russell Bennett manuscript piano-vocal
score in ink, no lyric ; 4 p.
12/19
Oscar's entrance
Robert Russell Bennett manuscript piano-vocal
score in ink, no lyric ; 8 p. (6 3/4" x 10")
12/19
Entrance (new) Oscar, act I
scene 1
Holograph sketch in pencil ; [1] p. (11" x
7")
11/12
Polka
Robert Russell Bennett manuscript full score
in ink ; 16 p.
16/9
Polka #17a, #9a
Parts
16/10
Pool scene #18 1⁄2
Parts
12/1
Scherzo
Robert Russell Bennett manuscript full score
in ink ; 34 p.
17/1
Scherzo #1
Parts
12/2
Seven days
Robert Russell Bennett manuscript full score
in ink ; 19 p.
12/20
Seven days
Copyist manuscript piano-vocal score in ink ;
11 p.
12/20
Seven days
Carbon of typescript lyric sheet with
annotations in Kern's hand in pencil ; [2] p.
12/20
Seven days : O.S. to G.T.
Copyist manuscript piano-vocal score in ink,
annotations in Kern's hand in pencil, no lyric ; 6 p.
12/20
O.S. to G.T.
Robert Russell Bennett manuscript piano-vocal
score in ink, no lyric ; 5 p.
17/2
Seven days #14
Parts
12/3
Terzetto
see also
[Terzetto ultimo](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_34)
Robert Russell Bennett manuscript full score
in ink, corrections in pencil ; 11 p.
Includes: If you think it's love, you're
right
12/21
Terzetto - If you think it's
love you're right!
see also
[Terzetto ultimo](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_34)
Holograph piano score/sketch in pencil ; [2]
p.
17/3
Terzetto #20, #15
see also
[ Terzetto ultimo](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_34)
Parts
There's lots of room for me
see
[ Lots of room for
me](mu002004_Manuscripts_CL10011001_D4_273)
12/4
Valse brillante
Robert Russell Bennett manuscript full score
in pencil ; 8 p.
17/4
Valse brillante
Parts
12/5
Weeping willow tree
canzonetta #16
see also
[ Caprice](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_2)
Robert Russell Bennett manuscript full score
in ink ; 19 p.
12/5
Weeping willow tree (end of
canzonetta ; modulation)
see also
[ Caprice](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_2)
Robert Russell Bennett manuscript full score
in pencil ; [1] p.
12/22
Weeping willow tree
canzonetta
see also
[Caprice](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_2)
Robert Russell Bennett manuscript piano-vocal
score in ink, no lyric ; [4] p. (incomplete; 6 3/4" x 10")
12/22
Weeping willow tree, act II
scene 1
see also
[ Caprice](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_2)
Carbon of typescript lyric sheet ; 2
p.
12/22
Weeping willow tree
see also
[ Caprice](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_2)
Manuscript piano-vocal score in pencil ; 9
p.
12/22
Weeping willow tree
canzonetta
see also
[ Caprice](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_2)
Copyist manuscript piano-vocal score in ink,
annotations in Kern's hand in pencil, no lyric ; 9 p.
Earlier title: Caprice; appears to have been
written prior to Dear Sir
12/22
Weeping willow tree
canzonetta #16
see also
[ Caprice](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_2)
Copyist manuscript piano-vocal score in ink,
some annotations in Kern's hand in pencil, partial lyric in pencil ; 9
p.
17/5
What's the use #3
Parts
Wishing well scene
see
[ Miscellaneous/Unidentified Show Music](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_37)
12/6
Unidentified
see also: [Genevieve and men](mu002004_Manuscripts_CL10011001_D4_251)
Robert Russell Bennett manuscript full score
in ink ; p. 17-26
Note: corresponds to middle section of
"Genevieve and men"
12/7
Unidentified
see also: [New
finale](mu002004_Manuscripts_CL10011001_D4_277)
Robert Russell Bennett manuscript full score
in ink ; p. 13-17 + [2]
Note: p. 13-17 corresponds to "New finale"
sketch
12/23
Unidentified holograph
sketches : Verse
Holograph [?] sketch in pencil ; 2
p.
On back: sketch in pencil, melody
only
12/23
Unidentified holograph
sketch
Holograph sketch in pencil ; 1 p. (7" x
5.5")
12/23
Untitled
Holograph sketch in pencil ; [1]
p.
12/23
Untitled
Holograph sketch in pencil ; [4]
p.
12/24
Untitled
Robert Russell Bennett manuscript short
score/sketch in pencil ; p. A-E (6 3/4" x 10")
Includes: Oscar's entrance (new); I want to
be there
12/24
Allegretto
Robert Russell Bennett manuscript piano-vocal
score in ink, no lyric ; 4 p.
12/24
Untitled
Manuscript harmonic sketch in pencil ; [1]
p.
17/6
Miscellaneous/unidentified
Parts
Doll Girl
(1913)
If we were on our honeymoon
(railway duet)
see
[ Magnolia and
Julie](mu002004_Manuscripts_CL10011001_D4_1051) from Show Boat
18/1
A little thing like a kiss,
act I
Copyist manuscript piano-vocal score in ink,
2nd lyric line in pencil ; 4 p.
Note: Lyric by Harry B. Smith
18/2
When three is company (Cupid
song)
Copyist manuscript piano-vocal score in ink ;
[3] p.
Note: Lyric by M. E. Rourke
The Fallen Angel
see
[How sweet is the
summer?](mu002004_Miscellaneous_Music_1_CL10021001_D3_27)
The Flame Within
(1935)
see
[ Dream of a
ladies cloakroom attendant](mu002004_Miscellaneous_Music_1_CL10021001_D3_17); [Flame
within](mu002004_Miscellaneous_Music_1_CL10021001_D3_19); [Lazy but
free](mu002004_Miscellaneous_Music_1_CL10021001_D3_42)
Fluffy Ruffles
(1908)
18/3
Won't you let me carry your
parcel? - quartette
Typescript lyric sheet with annotations in
pencil ; 2 p.
Note: Lyric by C. H. Bovill
Gentlemen Unafraid
(1938)
see
[Mister
man](mu002004_Miscellaneous_Music_1_CL10021001_D3_50); [When you hear
that humming](mu002004_Miscellaneous_Music_1_CL10021001_D3_102)
The Girl from Utah
(1914) lyrics by Harry B. Smith
18/4
The land of let's pretend
Holograph piano-vocal score in pencil and
photocopy ; [1] p. (incomplete)
18/5
We'll take care of you
Copyist manuscript piano-vocal score in ink ;
4 p.
18/6
Why don't they dance the
polka
Copyist manuscript piano-vocal score in ink ;
7 p.
On verso: Kern notes and sketch in
pencil
18/6
Why don't they dance the polka
Mimeograph of typescript lyric sheet ; [1]
p.
18/7
A medley of interpolated
songs from The Girl From Utah
Printed piano score, with manuscript
pasteovers in ink on p. 7 and the bottom of p. 8 ; 8 p.
Includes: The land of lets pretend; The girl
in the clogs and the shawl; You never can tell; They didn't believe me;
The same sort of girl; Why don't they dance the polka;
unidentified/incomplete music
18/8
Medley of songs by Jerome
Kern introduced in The Girl From Utah
Parts, 2 sets, 1 printed set and 1 manuscript
in ink
Includes: Why don't they dance the polka;
The girl in the clogs and shawl; The land of let's pretend; Florrie the
flapper; They didn't believe me; Same sort of girl; You never can tell;
Gilbert the Filbert (by Herman Finck)
Good Morning, Dearie
(1921) Lyrics by Anne Caldwell
18/9
Act II scene 2
Stephen O. Jones manuscript piano-vocal score
in ink, no lyric ; 9 p.
Note: this number became "Good morning,
dearie"
18/10
Dance
Stephen O. Jones manuscript piano score/short
score in ink ; 9 p.
18/11
Dance eccentrique
Copyist manuscript piano score in ink ; [4]
p.
18/12
Easy pickin's
Stephen O. Jones manuscript piano-vocal score
in ink ; 7 p.
18/13
Entr'acte
Printed (cut and paste) and Stephen O. Jones
manuscript piano score/short score in ink ; 5 p.
18/14
Entrance of sailors, scene
music and blues
Stephen O. Jones manuscript piano-vocal score
in ink, annotations in pencil ; 26 p.
19/6
Entrance of sailors - cut
material
Stephen O. Jones manuscript piano-vocal score
in ink ; p. 13-27
18/15
Finale
Copyist manuscript piano-vocal score in ink ;
5 p.
18/16
Finale act I
Stephen O. Jones manuscript piano-vocal score
in ink ; 6 p. (+ pasteover inserts on back of 2 p.)
18/17
Good morning dearie
Carbon of typescript lyric sheet ; p.
13
Note: Includes original lyric of "Rosy
Ruby"
18/18
Introduction act I - Opening
chorus
Stephen O. Jones manuscript piano score in
ink ; 2 p.
18/19
Kalua
Stephen O. Jones manuscript piano-vocal score
in ink ; p. 3-5
18/20
Machine music
Frank Saddler manuscript piano-vocal score in
pencil, no lyric ; 2 p.
Note: Butterfly symbol in top left corner
means once intended for Love o' Mike
18/21
Melican papa
Stephen O. Jones manuscript piano-vocal score
in ink ; 8 p.
18/22
Niagara falls
Stephen O. Jones manuscript piano-vocal score
in ink, no lyric ; 5 p. (incomplete)
18/22
Niagara falls
Typescript lyric sheet ; p. 11
18/22
Niagara falls - dance
Stephen O. Jones manuscript piano score in
ink ; 4 p.
114/10
Niagara falls
Printed piano-vocal score (p. 1-7), and
Stephen O. Jones manuscript emendations and coda in ink (p. 8-10) ; 10
p.
18/23
Opening act I chorus
Copyist manuscript piano score in ink ; [4]
p.
18/24
Opening chorus
Stephen O. Jones manuscript piano-vocal score
in ink ; 13 p.
Includes: My lady's dress
18/25
Opening scene II act 2 and
song
Stephen O. Jones manuscript piano-vocal score
in ink, annotations in pencil, no lyric ; 9 p.
18/26
Overture
Stephen O. Jones manuscript piano score in
ink ; 13 p.
19/1
Pas de deux
Stephen O. Jones manuscript piano score in
ink ; 10 p.
19/2
Prelude/vorspiel act II
Copyist manuscript piano score in ink ; 3
p.
19/3
Sing song girl, act I scene
2
Stephen O. Jones manuscript piano-vocal score
in ink, no lyric ; 5 p.
19/4
Toddle
Stephen O. Jones manuscript piano-vocal score
in ink, no lyric ; 5 p.
19/5
Way down town
Stephen O. Jones manuscript piano-vocal score
in ink, no lyric ; 6 p.
Laid in: Carbon of typescript lyric sheet ;
p. 2
Have a Heart
(1917) lyrics by P.G. Wodehouse and Jerome Kern
19/7
And I am all alone
Printed piano-vocal score ; p. 3-5
19/8
Have a heart (duet Peggy and
Owen) #5b
Frank Saddler manuscript piano-vocal score in
ink ; [4] p.
19/9
I'm here, little girls
Copyist manuscript piano-vocal score in ink ;
6 p.
19/10
Peter Pan
Frank Saddler manuscript full score in ink ;
12 p.
19/11
The road that lies before
Parts
Note: "arr. by Charles N. Grant" on piano
part
19/12
You can't keep a good man
down #2
Frank Saddler manuscript piano-vocal score in
ink ; [6] p.
Hayfoot, Strawfoot
(1942) lyrics by Otto Harbach and Oscar Hammerstein II
see
[What's become of
the night](mu002004_Miscellaneous_Music_1_CL10021001_D3_99)
Head Over Heels
(1918) lyrics by Jerome Kern and Edgar Allan Woolf
The charity bazaar
see
[ Opening act II](mu002004_Manuscripts_CL10011001_D4_379)
Calliope
see
[ Calliope - Mitzi's chorus](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_1)
19/13
Come now, smile, houpla!
Laughter #10
Frank Saddler manuscript piano-vocal score in
ink ; 7 p.
19/14
Finale act I #13
Frank Saddler manuscript piano-vocal score in
ink, no lyric ; 20 p.
19/15
Frieda's lullaby #4
Frank Saddler manuscript piano-vocal score in
ink, lyric in pencil ; 5 p.
Houp-la
see
[ Come now, smile,
houpla!](mu002004_Manuscripts_CL10011001_D4_369)
Ladies, have a care!
see
[ Trio male](mu002004_Manuscripts_CL10011001_D4_383)
19/16
Let us build a little nest
see also
[Let us build a little
nest](mu002004_Manuscripts_CL10011001_D4_643) from The Polish Wedding
Copyist manuscript piano-vocal score in ink ;
5 p.
19/16
Let us build a little nest
see also
[Let us build a little
nest](mu002004_Manuscripts_CL10011001_D4_643) from The Polish Wedding
First proof for printed piano-vocal score,
annotated ; p. 2 only
Me
see
[ Miscellaneous/Unidentified Show Music](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_23)
Mitzi's lullaby
see
[ Frieda's
lullaby](mu002004_Manuscripts_CL10011001_D4_371)
19/17
Opening #1
Frank Saddler manuscript piano-vocal score in
ink, no lyric ; 13 p.
19/18
Opening act II #14
Copyist manuscript piano-vocal score in ink,
no lyric ; 13 p.
19/18
Opening act II - addenda
Holograph sketch in pencil ; [3]
p.
19/19
Spring #2
Frank Saddler manuscript piano-vocal score in
ink, no lyric ; 10 p.
Today is spring
see
[ Spring](mu002004_Manuscripts_CL10011001_D4_381)
19/20
Trio male #16
Frank Saddler manuscript piano-vocal score in
ink, lyric in pencil ; 7 p.
19/21
Vorderveele
Copyist manuscript piano-vocal score in ink ;
[4] p.
Titled: Wordeveele show: I could almost do
vaudvill
19/21
Vorderveele
Carbon of typescript lyric sheet ; p.
7
With type a-ticking
see
[ Opening](mu002004_Manuscripts_CL10011001_D4_378)
19/22
Lyric sheets
Typescript lyric sheets ; [9] p.
Includes: Come now, smile, houpla!; Finale
act I; Ladies have a care; Opening act II; We've brought spring into the
room; Vorderveele; Opening chorus
High, Wide and Handsome
(1937) lyrics by Oscar Hammerstein II
see
[Canzonetta](mu002004_Miscellaneous_Music_1_CL10021001_D3_13); [Grandma's
song](mu002004_Miscellaneous_Music_1_CL10021001_D3_26)
Hitchy Koo
(1920) lyrics by Anne Caldwell and Glen MacDonough
19/23
Bring 'em back
Manuscript parts
19/24
Bring 'em back
Printed parts
Note: orchestrated by Robert Russell
Bennett
19/25
A wee little teeny bit
Frank Saddler manuscript full score in ink,
annotations in pencil ; 10 p.
19/25
You stole away my heart, or,
A wee little teeny bit
Carbon of typescript lyric sheet [1]
p.
Note: this number was probably intended for
She's a Good Fellow
19/26
A wee little teeny bit
Parts
The Joy of Living
(1938) lyrics by Dorothy Fields
Original title: The Joy of Loving
102/15
A heavenly party
Holograph sketch in ink ; [1] p.
102/15
A heavenly party
Carbon of typescript lyric sheet, annotations
in ink ; [1] p.
102/16
A heavenly party
Copyist manuscript piano-vocal score and
transparencies ; 4 p. each
102/16
A heavenly party
Typescript lyric sheets ; [2] p.
102/17
The joy of loving
Holograph piano-vocal sketch ; [5]
p.
102/18
The joy of loving
Copyist manuscript piano-vocal score with
annotations by Kern ; 17 p.
102/18
The joy of loving
Copyist manuscript piano-vocal score
transparencies ; 16 p.
102/19
The love business
Holograph sketch in ink; [2] p.
102/20
The love business
Copyist manuscript piano-vocal score with
annotations by Kern and transparencies ; 8 p. each
102/20
The love business
Typescript lyric sheet ; [1] p.
102/21
What's good about goodnight?
Holograph piano score in pencil; [1]
p.
102/22
What's good about goodnight?
Copyist manuscript piano-vocal score and
transparencies ; 4 p., 3 p.
102/22
What's good about goodnight?
Typescript lyric sheet ; [1] p.
The Kiss Waltz
(1911) lyrics by Matthew Woodward
19/27
Love's charming art (in a
lesson or two), the dove duet, act II
Manuscript piano-vocal score in ink ; [3]
p.
19/27
Love's charming art (in a lesson or two),
the dove duet, act II
Carbon of typescript lyric sheet, annotations
in ink ; [1] p.
The Laughing Husband
(1914) lyrics by Harry B. Smith
19/28
Love is like a violin
Copyist manuscript piano-vocal score with
violin solo, in ink ; 6 p.
19/29
Take a step with me
Printed piano-vocal score for "Rosalie" (from
the 1906 show The Spring Chicken, with
lyrics by George Grossmith, Jr.), annotations and new lyric in Kern's
hand in ink ; 5 p.
Leave It to Jane
(1917) lyrics by P.G. Wodehouse
Earlier title: The College Widow
20/1
Cleopatterer
Frank Saddler manuscript full score in ink ;
11 p.
20/2
The crickets are calling #7
Frank Saddler manuscript full score in ink ;
13 p.
20/3
Duet
Frank Saddler manuscript full score in ink ;
8 p.
20/3
Duet
Copyist manuscript piano-vocal score in ink,
no lyric ; 3 p.
20/4
Duet for you #14
Frank Saddler manuscript full score in ink ;
16 p.
20/5
Finale act I #12
Frank Saddler manuscript full score in ink ;
32 p. + 2nd p. 3 after p. 13
Includes: Leave it to Jane; What I'm longing
to say; Tomorrow; Goodnight ladies; The crickets are calling
20/6
For you
Frank Saddler manuscript piano-vocal score in
ink ; 8 p.
20/7
I don't care #17
Frank Saddler manuscript full score in ink ;
9 p.
20/8
I don't care #17
Copyist manuscript piano-vocal score in ink ;
3 p.
20/8
I don't care #17
Frank Saddler manuscript piano-vocal score in
ink ; 4 p.
20/9
I'm going to find a girl
Frank Saddler manuscript full score in ink ;
15 p.
20/10
It's a great big land #11
Frank Saddler manuscript full score in ink ;
9 p.
I've had my share
see
[ I don't care](mu002004_Manuscripts_CL10011001_D4_403)
20/11
Just you watch my step #4a,
#4b
Frank Saddler manuscript full score in ink ;
21 p.
20/12
Leave it to Jane #6
see also
[ Whistling Dan](mu002004_Manuscripts_CL10011001_D4_581)
from Ninety in the Shade
Frank Saddler manuscript full score in ink ;
13 p.
20/13
Opening act I #1
Frank Saddler manuscript full score in ink ;
12 p.
20/14
Opening act I
Frank Saddler manuscript piano-vocal score in
ink ; 10 p.
20/15
Opening act II #13
Frank Saddler manuscript full score in ink ;
26 p.
20/16
A peach of a life! #2
Frank Saddler manuscript full score in ink ;
17 p.
20/17
A peach of a life! #2
Frank Saddler manuscript piano-vocal score in
ink ; 6 p.
20/18
Poor prune
Frank Saddler manuscript full score in ink ;
9 p.
20/19
Sir Galahad #15
Frank Saddler manuscript full score in ink ;
15 p.
20/20
Sir Galahad
Frank Saddler manuscript piano-vocal score in
ink ; 5 p.
On verso: Manuscript sketch in pencil ; [1]
p.
20/21
The sun shines brighter #18
Frank Saddler manuscript full score in ink ;
15 p.
20/22
Tomorrow, maybe! #3
Frank Saddler manuscript full score in ink ;
16 p.
Wait till tomorrow
see
[ Tomorrow,
maybe!](mu002004_Manuscripts_CL10011001_D4_420)
What I'm longing to say
see
[ Duet](mu002004_Manuscripts_CL10011001_D4_231)
20/23
When your favorite girl's
not there #10
Frank Saddler manuscript full score in ink ;
14 p., + extra p. 4 (unrelated)
20/24
When your favorite girl's
not there
Manuscript piano score in pencil ; [2]
p.
Alternate title: There it is again
20/25
Why? #5
Frank Saddler manuscript full score in ink ;
12 p.
20/26
Lyric sheets
Typescript or typescript carbon lyric sheets,
some with annotations in ink or pencil, some in Kern's hand ; [14]
p.
Includes:
- The crickets are calling #6 (Duet: Billy and Jane)
- Football song
- I don't care or I've had my share (Billy and girls)
- It's a great big land (Duet: Billy and Jane)
- I've played for you, act II (Duet: Billy and Jane)
- #1 Opening, Atwater college song
- A peach of a life #2 (Duet: Stub and Bessie)
- Poor prune #5 (Flora Wiggins)
- Sir Galahad (Trio: Bub. McGowan and Flora)
- The Siren's song, act II (Jane and girls)
- The sun shines brighter (Duet: Stub and Bessie)
- There it is again (Duet: Billy and Sally)
- Wait till tomorrow #3 (Jane and boys)
- What I'm longing to say (Duet: Jane and Bobby) act I, scene
2
- Why? #4 (Duet: Flora and McGowan)
Lieber Augustin
(1913) lyric by M.E. Rourke
Note: early title for Miss Caprice
21/1
Look in her eyes!
Holograph piano-vocal score in ink and pencil
; 6 p.
On verso: holograph sketch in pencil ; [1]
p.
21/1
Look in her eyes!
Mimeograph of typescript lyric sheet ; [2]
p.
Love o' Mike
(1917) lyrics by Harry B. Smith
Don't forget
see
[ Don't forget (Duet: Stella and Ted)](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_6)
21/2
Don't tempt me! #6
Frank Saddler manuscript full score in ink ;
15 p.
Human after all
see
[ Miscellaneous/Unidentified Show Music](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_15)
21/3
I wonder why #9
Frank Saddler manuscript full score in ink ;
17 p.
21/4
It wasn't my fault #4
Charles Miller manuscript full score in ink ;
12 p.
21/5
It wasn't my fault
Holograph piano-vocal score/sketch in pencil,
no lyric ; [3] p.
21/6
Italy
Copyist manuscript piano-vocal score in ink,
lyric in pencil ; [2] p.
On title page: Refrain for 'Simple little
tune'
21/7
Simple little tune
Frank Saddler manuscript full score in ink ;
18 p.
21/8
We'll see
Parts (incomplete)
Lucky
(1927) by Otto Harbach, Bert Kalmar, Harry Ruby and Jerome
Kern
21/9
Ballet
Robert Russell Bennett manuscript full score
in ink ; 53 p.
Note: Music by Jerome Kern and Harry
Ruby
23/8
Ballet
Copyist manuscript piano score in ink ; 9
p
On verso: manuscript sketch in pencil ; [1]
p.
23/8
Ballet
Copyist manuscript piano score in ink ; 1
p.
21/10
Bo-tree
Robert Russell Bennett manuscript full score
in ink ; 10 p.
Laid in: instructional note
23/9
Bo-tree
Robert Russell Bennett manuscript piano-vocal
score in ink ; 4 p.
23/9
Bo-tree
Copyist manuscript piano-vocal score in ink ;
4 p.
23/9
Bo-tree
Typescript lyric sheet, annotations in pencil
; [1] p.
23/29
Bo-tree
Parts
21/11
*Buddha
Robert Russell Bennett manuscript full score
in ink ; 3 p.
Note: Music by Harry Ruby
21/12
*By the light of the silvery
moon
Hans Spialek and Robert Russell Bennett
manuscript full score in ink ; [22] p.
Note: Music by Gus Edwards
23/10
Cingalese village - opening
#1
Robert Russell Bennett manuscript piano-vocal
score in ink ; 10 p.
Includes: "The treasure hunt" by Bert
Kalmar, Harry Ruby, and Jerome Kern
21/13
*Clair de lune
Robert Russell Bennett manuscript full score
in ink and pencil ; 3 p.
Note: music incorrectly attributed to
Kern
21/13
*Clair de lune
Copyist manuscript full score in ink ; 4
p.
Note: music incorrectly attributed to
Kern
21/14
Cocoanut dance
see also
[ Miscellaneous/Unidentified Show Music](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_3)
Robert Russell Bennett manuscript full score
in ink ; 14 p.
23/11
Cocoanut dance - rasch
ballet
see also
[ Miscellaneous/Unidentified Show Music](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_3)
Robert Russell Bennett manuscript piano score
in ink ; 3 p.
23/12
End of Whiteman act and
introduction to ballet
Robert Russell Bennett manuscript piano score
in ink ; 4 p.
Includes: That certain something; Bo
tree
21/15
Entrance of Lucky
Robert Russell Bennett manuscript full score
in ink ; 29 p.
21/16
Finale act I
see also
[ Miscellaneous/Unidentified Show Music](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_8) and [New finale act I](mu002004_Manuscripts_CL10011001_D4_465)
Robert Russell Bennett manuscript full score
in ink ; p. 1-5, 7-15, 19-23, 28-33, 38-42
Note: Music by Harry Ruby and Jerome
Kern
23/13
Finale act I #12a
see also
[ Miscellaneous/Unidentified Show Music](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_8)
Copyist manuscript piano-vocal score in ink,
partial lyric in pencil ; 11 p.
21/17
Finaletto
Robert Russell Bennett manuscript full score
in ink ; 23 p.
Note: Music by Jerome Kern and Harry
Ruby
Note: no p. 21 because of
misnumbering
23/14
Finaletto act I scene 1 #7
Robert Russell Bennett manuscript piano-vocal
score in ink, annotations by Kern ; 12 p.
Note: By Bert Kalmar, Harry Ruby, and Jerome
Kern
Note: p. 1 water damaged
22/1
Segue from "Bo tree" to
"Once in a blue moon"
Robert Russell Bennett manuscript full score
in ink ; [1] p.
23/15
*I'm no good without you
Robert Russell Bennett manuscript piano-vocal
score in ink, no lyric ; 6 p. (p. 3-4 missing)
Note: By Bert Kalmar and Harry
Ruby
22/2
Intro to ballet
Robert Russell Bennett manuscript full score
in ink ; 17 p. + [1] p. laid in
22/3
Introduction to ballet (jazz
band arrangement)
Robert Russell Bennett manuscript full score
in ink ; 15 p.
Note: for Paul Whiteman's band
23/16
Lucky - refrain
Copyist manuscript piano-vocal score in ink ;
3 p.
23/17
Mendicants
Robert Russell Bennett manuscript piano-vocal
score in ink, no lyric ; 3 p.
Note: corresponds to beginning of "Finale
act I" piano-vocal score
23/18
Moment sérieux - finale act
I
Robert Russell Bennett manuscript piano-vocal
score in ink ; 8 p.
22/4
*My sweetheart's the man in
the moon #5
Hans Spialek manuscript full score in ink ;
15 p.
Note: Music by James Thornton
22/5
New finale act I
Robert Russell Bennett manuscript full score
in ink ; p. 1-16, 7-13, 17-18, 18, 24-27, 34-36, 19-20, 37, 6, 21, 16-17,
22-29
Note: Music by Jerome Kern and Harry
Ruby
Note: includes missing pages from "Finale
act one"
22/6
New moon dance
Robert Russell Bennett manuscript full score
in ink ; 6 p.
Note: Based on Harry Ruby's "The same old
moon"
22/7
Once in a blue moon
Hans Spialek manuscript full score in ink ; 5
p.
22/7
Once in a blue moon
Printed piano-vocal score from Stepping Stones with lyrics by Anne Caldwell ;
5 p.
22/8
Opening
Robert Russell Bennett manuscript full score
in ink ; 129 p.
Note: Music by Harry Ruby and Jerome
Kern
Includes: Cingalese village; The treasure
hunt
22/9
Opening act II
Robert Russell Bennett manuscript full score
in ink ; 46 p.
23/19
Opening act II #13
Robert Russell Bennett manuscript piano-vocal
score in ink, lyric in pencil ; 12 p.
Includes: This is where the best people
come; The pearl of broadway
22/10
Overture
Robert Russell Bennett manuscript full score
in ink ; p. 1-3, a-d
22/10
Le dernier crime de Bennette
Robert Russell Bennett manuscript full score
in ink ; [1] p.
23/20
Pearl of Ceylon #2
Robert Russell Bennett manuscript piano-vocal
score in ink, lyric in Kern's hand ; 6 p.
22/11
Ruby Keeler dance
Robert Russell Bennett manuscript full score
in ink ; 4 p.
22/11
Ruby Keeler dance
Stephen O. Jones manuscript full score in ink
; p. 5-20
Note: Includes music that became "Life upon
the wicked stage" in Show Boat
23/21
Ruby Keeler dance
Manuscript piano sketch in pencil ; [2]
p.
22/12
*The same old moon
Robert Russell Bennett manuscript full score
in ink ; p. 5-27
Note: Music by Harry Ruby
23/22
*The same old moon
Printed piano-vocal score ; 7 p.
Note: By Otto Harbach, Bert Kalmar and Harry
Ruby
23/1
*Shine on harvest moon
(Keller sisters)
Robert Russell Bennett manuscript full score
in ink ; 4 p.
Note: Music by Nora Bayes and Jack
Norworth
23/2
*Spring is here
Robert Russell Bennett manuscript full score
in ink ; 23 p.
Note: Music by Harry Ruby
23/23
Strawberry's dance - intro
Manuscript piano sketch in pencil ; 2
p.
23/3
That little something
Robert Russell Bennett manuscript full score
in ink ; 18 p.
23/24
That little something
Robert Russell Bennett manuscript piano-vocal
score in ink, some lyric in pencil ; 4 p.
23/24
That little something
Carbon of typescript lyric sheet ; [1]
p.
23/4
That little something dance
refrain
Robert Russell Bennett manuscript full score
in ink ; 7 p.
24/1
That little something #7
Parts
The treasure hunt
see
[ Cingalese
village](mu002004_Manuscripts_CL10011001_D4_446) ; [Opening](mu002004_Manuscripts_CL10011001_D4_378)
23/5
*What's the matter with the
moon
Hans Spialek manuscript full score in ink ; 6
p.
Note: Music by A.B. Sloane
23/6
*When day is done
Hans Spialek manuscript full score in ink ;
13 p.
Note: Music by Dr. Robert Katscher
When the bo-tree blossoms
again
see
[ Bo-tree](mu002004_Manuscripts_CL10011001_D4_440)
23/25
Without thinking of you
Manuscript piano score in pencil ; 3
p.
On front: unidentified sketch in pencil ;
[1] p.
23/7
Unidentified
Robert Russell Bennett manuscript full score
in ink ; p. 34
23/26
Unidentified
Manuscript piano sketch in pencil ; [3]
p.
23/27
Lucky selection
Robert Russell Bennett manuscript piano score
in ink with printed piano-vocal score laid in, or used as pasteovers ; 18
p.
Includes: Opening act II; That little
something; Cingalese girls; When the bo-tree blossoms again; Dancing the
devil away; 'Neath the same old moon
23/28
Lucky selection
Charles N. Grant manuscript piano score in
ink ; 14 p.
Includes: Opening act I/Cingalese village;
Cingalese girls; That little something; When the bo-tree blossoms again;
Ballet; The same old moon; Dancing the devil away
24/2-3
Cello parts
Parts
The Marriage Market
(1913) lyrics by M.E. Rourke
24/4
I've got money in the bank
Holograph piano-vocal score in ink ; 3
p.
24/5
A little bit of silk
Copyist manuscript piano-vocal score in ink,
verse only ; [3] p.
24/5
A little bit of silk
Printed piano-vocal score, refrain only ; p.
5
24/6
A little bit of silk
Parts
Note: arranged by Charles N. Grant
Men of the Sky
(1931) lyrics by Otto Harbach
see
[All's well with
the world](mu002004_Miscellaneous_Music_1_CL10021001_D3_2); [Unidentified/miscellaneous holograph
sketches](mu002004_Manuscripts_CL10011001_D4_127)
Earlier titles: Call of the East; Stolen
Dreams
Miss 1917
(1917) lyrics by P.G. Wodehouse
Note: some lyric sheets indicate Century Show
24/7
Lyric sheets
Typescript lyric sheets, some with
annotations in pencil ; [16] p.
On verso: We want to laugh; Song: Bessie
McCoy and girls; typescript page from Piccadilly
Jim
Includes:
- Anytime that you have troubles cutie (Duet: Fancy Price and
Willy)
- At a moving picture show, or, Dear old stage door (Cigar-counter
scene, act II, scene 4)
- A dancing M.D. (Duet: White and Haig)
- Follow the girl, act I, scene 1 (number to end farm scene)
- Go, little boat (Assyrian boat-song)
- I'm the old man in the moon
- It's a great life (Trio: Douglas Fairbanks, Charlie Chaplin and
Mary Pickford)
- The New York girl, scene 2 (Number to end the plaza scene)
- Nurse, nurse, nurse (Hospital scene)
- Palm Beach girl song
- Peaches, act I, scene 1
- The picture I want to see, act II (film city scene)
- The society farmerettes, act I, scene 1
- Tell me all your troubles cutie (Duet: Brice and King, scene
2)
- We want to laugh (Bessie McCoy and girls)
- We're crooks
Miss Caprice
see
[Lieber Augustin](mu002004_Manuscripts_CL10011001_D3_31)
A Modern Eve
(1915) lyrics by Harry B. Smith
24/8
I'd love to dance through
life with you
see also
[ Dance through life with you](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_4)
Copyist manuscript piano-vocal score in ink ;
[4] p.
24/9
I've just been waiting for
you
Frank Saddler manuscript full score in ink ;
12 p.
Note: this full score may have been intended
for Very Good Eddie
24/9
I've just been waiting for
you
Printed piano-vocal score ; 5 p.
Note: in Kern's hand, "Duet. (Elsie &
Dick)," indicating usage in Very Good Eddie
Music in the Air
(1932) lyrics by Oscar Hammerstein II
Note: full scores have some water
damage
27/7
And love was born
Albert Sirmay manuscript piano-vocal score in
pencil ; 6 p.
28/1
Balloon dance #11
Parts
25/1
Bedroom curtain #22
Robert Russell Bennett manuscript full score
in ink, annotations in pencil ; 3 p.
28/2
Bedroom curtain, or, Prayer
act II #22
Parts
25/2
Egern for Lilli
Robert Russell Bennett manuscript full score
in ink, annotations in pencil ; 16 p.
28/3
Egern for Lilli #21
Parts
28/4
Entr'acte #15
Parts
25/3
Final scene
Robert Russell Bennett manuscript full score
in ink and pencil, annotations in pencil ; 70 p. + p. 15.5 + insertions
(6 p.; 8 p. lead sheet/conductor's score for "Edendorf"; and [1] p.
choral score)
Includes: We belong together
28/5
Final scene #27
Parts
Includes: Goat song, or, Goat
music
28/6
Finale ultimo
Parts
25/4
Finale zoo scene
Robert Russell Bennett manuscript full score
in ink, annotations in pencil ; 32 p.
28/7
Finale zoo scene #17
Parts
25/5
Finaletto (prologue) #2
Robert Russell Bennett manuscript full score
in ink, annotations in pencil ; 12 p.
At end: Segue Boy No.
25/5
Boy number #3
Robert Russell Bennett manuscript full score
in ink, annotations in pencil ; p. 6-11
29/1
Finaletto #2 ; Interlude #3
; Opening act I #4
Parts
25/6
Frieda sings hurdy gurdy
Robert Russell Bennett manuscript full score
in ink, annotations in pencil ; 8 p.
29/2
Frieda's Abgang #19
Parts
29/3
Frieda's cue #10
Parts
27/8
I am so eager
Albert Sirmay manuscript piano-vocal score in
pencil ; 5 p.
27/9
I'm alone
see also
[The Cat in the Fiddle](mu002004_Manuscripts_CL10011001_D4_128)
Albert Sirmay manuscript piano-vocal score in
pencil ; 5 p.
Note: first written for The Cat and the Fiddle
25/7
I'm coming home
Robert Russell Bennett manuscript full score
in ink, annotations in pencil ; 110 p.
29/4
I'm coming home #13
Parts
27/10
In Egern on the Tegern See
Albert Sirmay manuscript piano-vocal score in
pencil ; 5 p.
31/2
In Egern on the Tegern See
Parts
Interlude
see
[ Finaletto #2](mu002004_Manuscripts_CL10011001_D4_522)
29/5
Intro - pit scene #24a ; new
#25
Parts
26/1
I've told every little star
- office
Robert Russell Bennett manuscript full score
in ink, annotations in pencil ; 17 p.
27/11
I've told every little star
Albert Sirmay manuscript piano-vocal score in
pencil ; 6 p.
29/6
I've told every little star
#12
Parts
29/7
Melos A #23
Parts
26/2
On the bummel - intro #8
Robert Russell Bennett manuscript full score
in ink, annotations in pencil ; 2 p.
26/2
On the bummel
Robert Russell Bennett manuscript full score
in ink, annotations in pencil ; [112] p.
27/12
On the bummel ; Stony brook
scene ; Walking song
Manuscript piano-vocal score in various hands
in ink and pencil, some lyric in Kern's hand ; [28] p.
Note: various pages with laid in
items
27/12
On the bummel
Copyist manuscript conductor score/lead sheet
in ink, annotations in pencil ; 15 p.
On verso: various cues in pencil
27/13
One more dance
Albert Sirmay manuscript piano-vocal score in
pencil ; 6 p.
26/3
Opening act I #4
see also
[ Finaletto #2](mu002004_Manuscripts_CL10011001_D4_522)
Robert Russell Bennett manuscript full score
in ink, annotations in pencil ; 4 p.
26/4
Opening act II #16
Robert Russell Bennett manuscript full score
in ink and pencil, annotations in pencil ; [124] p.
30/1
Opening act II #16
Parts
30/2
Out march #33
Parts
30/3
Pit scene ; Steel ballet
see also
[ Intro - pit
scene](mu002004_Manuscripts_CL10011001_D4_532)
Parts
27/1
Prayer #7
Robert Russell Bennett manuscript full score
in ink ; 7 p.
30/4
Prayer #7
Parts
27/2
Singverein
Robert Russell Bennett manuscript full score
in ink, annotations in pencil ; 28 p.
Note: By
Hammerstein-Beethoven-Kern
30/5
Singverein #5, #6
Parts
31/1
Small cues, office scene #9
Parts
27/3
The song is you (I hear
music)
Robert Russell Bennett manuscript full score
in ink, annotations in pencil ; 8 p.
27/14
The song is you
Albert Sirmay manuscript piano-vocal score in
pencil ; 5 p.
30/6
The song is you (I hear
music) #24
Parts
30/7
The song is you - reprise
#26
Parts
27/4
Terzetto
Robert Russell Bennett manuscript full score
in ink, annotations in pencil ; 34 p.
Note: In Bennett's hand on p. 10: "N.B. Bell
note might be played by neighboring trombonist if he doesn't charge $15
for doubling."
31/3
Terzetto #14
Parts
27/15
There's a hill beyond a hill
Albert Sirmay manuscript piano-vocal score in
pencil ; 6 p.
31/4
There's a hill beyond a hill
#8
Parts
31/5
Vorspiel #1
Parts
27/5
Walk across
Robert Russell Bennett manuscript full score
in ink, annotations in pencil ; 14 p.
31/6
Walk across - scene change
#18
Parts
27/6
When the spring is in the
air
Robert Russell Bennett manuscript full score
in ink, annotations in pencil ; p. 1-10, 14-22, 24-41
27/16
When the spring is in the
air
Albert Sirmay manuscript piano-vocal score in
pencil ; 6 p.
31/7
When the spring is in the
air #20
Parts
27/17
Music in the Air selection
Robert Russell Bennett manuscript piano score
in ink ; 18 p.
Includes: I've told ev'ry little star;
There's a hill beyond a hill; And love was born; In Egern on the Tegern
See; I am so eager; When the spring is in the air; The song is
you
32/1-2
Scripts
Two bound typescript scripts, ; act I (56
p.), act II (56 p.)
32/3
Lyric sheets
Typescript lyric sheets, some with
annotations in pencil or ink, multiple copies for some ; [49]
p.
Includes:
- Brook scene ; And love was born
- Damn good time (bedroom scene)
- Finale - We belong together
- I'm alone - office scene (Frieda sings solo)
- In Egern on the Tegern See
- Interlude (after school)
- I've told every little star - office scene (Duet: Karl and
Sieglinde)
- Letter song - office scene (Bruno sings solo)
- Prologue (little girls sing offstage)
- We belong together
- Zoo scene
Included in Prologue (little girls sing offstage):
- Little star (school scene)
- Melodies of May
- There's a hill beyond a hill
- Interlude
- When the spring is in the air
- We belong together
115
Chorus books
Two printed choral scores ; 48 p.
each
115-116
Character part
books
Typescript part books, 2 copies for each
character (the 1st copy usually in red and black, the 2nd a carbon) ; 82
books
The Night Boat
(1920) lyrics by Anne Caldwell
33/1
Some fine day
Copyist manuscript piano-vocal score in ink ;
8 p.
Alternate title: A man to match my
car
33/1
Some fine day
Carbon of typescript lyric sheet, annotated ;
[2] p.
Alternate title: A man to match my
car
33/2
Some fine day
Copyist manuscript piano score in ink ; [2]
p.
Ninety in the Shade
(1915)
33/3
Can't you see I mean you
Copyist manuscript piano-vocal score in ink
and pencil, annotations in Kern's hand in pencil; [4] p.
Note: Lyric by M.E. Rourke
Note: later used with rewritten lyric in
Very Good Eddie, as "Isn't it great to be
married" and in London production of Theodore and
Company, with further altered lyric, as "All that I want is
somebody to love me"
33/3
Can't you see I mean you
Printed piano-vocal score ; 5 p.
33/4
Curtain up act II, opening
Manuscript full score in ink ; [4]
p.
I have been around a bit
see
[ Miscellaneous/Unidentified Show Music](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_16)
33/5
*Just for to-night, or, Give
me love, all your love!
Printed piano-vocal score ; 4 p.
Note: Music by Harry A. Tierney, lyric by
Worton David
33/6
Where's the girl for me?
Copyist manuscript piano-vocal score in ink ;
7 p.
Note: Arranged for piano by Charles N.
Miller
Note: Lyric by Harry B. Smith
Note: Right side ragged and frayed
33/7
Whistling Dan
see also
[Leave it to Jane](mu002004_Manuscripts_CL10011001_D4_410)
; [Whistling
Dan](mu002004_Miscellaneous_Music_1_CL10021001_D3_104)
Copyist manuscript piano-vocal score in ink,
lyric and title in Kern's hand ; 5 p.
Note: Lyric by Harry B. Smith
In caption: Lone Star
33/8
Unidentified
Holograph sketch in pencil ; [1]
p.
In caption: Marjorie Blyth
33/8
Unidentified
Manuscript lyric sheet in pencil ; [1]
p.
Nobody Home
(1915)
33/9
Buffo dance
see also
[Buffo dance](mu002004_Manuscripts_CL10011001_D4_1450)
from Very Good Eddie
Frank Saddler manuscript full score in ink,
with some annotations in Kern's hand ; 12 p. + p. 1a, 2a (additional
scoring for trumpets and bassoons)
Crossed out title: Girls of
yesterday
33/10
Hyson dance
Frank Saddler manuscript piano score in ink,
pencil annotations in Kern's hand ; 5 p.
33/10
Hyson dance
Copyist manuscript piano score in ink ; [1]
p.
33/11
The magic melody
Copyist manuscript piano-vocal score in ink,
pencil notes and annotations in Kern's hand ; 6 p.
Note: Lyric by Schuyler Greene
33/11
The magic melody
Copyist manuscript piano-vocal score in ink ;
[2] p. (incomplete)
On verso: Manuscript piano score in pencil
of p. 4-5 above ; [1] p.
33/11
The magic melody
Printed piano-vocal score ; 7 p.
Note: there is a note in Kern's hand on the
copyist manuscript that was also engraved on the printed music: "This
song is not a part of the score of 'Nobody Home.'"
Oh, Boy!
(1917) lyrics by P.G. Wodehouse
33/12
Ain't it a grand and
glorious feeling
Frank Saddler manuscript full score in ink ;
12 p.
Note: uses Very Good
Eddie instrumentation
33/13
Ain't it a grand and
glorious feeling #2
Frank Saddler manuscript piano-vocal score in
pencil, no lyric ; [4] p.
33/14
Be a little sunbeam
Printed piano-vocal score, annotations in
Kern's hand in pencil ; 5 p.
33/15
Finale act I #9
Frank Saddler manuscript piano-vocal score in
ink and pencil, pencil annotations in Kern's hand, 14 p.; photocopy of
copyist piano-vocal score, 14 p.
33/16
Flubby dub
Copyist manuscript piano-vocal score in ink,
with partial voice part sketched in pencil, no lyric ; 3 p.
33/17
Letter song #7
Frank Saddler manuscript piano-vocal score in
ink, annotations in pencil ; 4 p.
33/27
A little bit of ribbon
Photocopy of copyist piano-vocal score ; 6
p.
33/18
Nesting time in Flatbush #13
Frank Saddler manuscript piano-vocal score in
pencil, incomplete vocal line, no lyric ; [1] p.
33/18
Nesting time in Flatbush #13
Copyist manuscript piano-vocal score in ink ;
[3] p.
33/19
Oh, daddy, please
Frank Saddler manuscript short score/sketch
in pencil, [1] p.; photocopy of copyist piano-vocal score, 9
p.
Titled: Trio -- Lou Ellen -- Judge -- George
-- #12
33/20
Opening act I
Frank Saddler manuscript piano-vocal
score/sketch in pencil, no lyric ; 6 p.
Package of seeds
see
[ Garden of girls](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_11)
33/21
Rolled into one
Copyist manuscript piano-vocal score in ink,
annotations in pencil ; 5 p.
33/28
That's the kind of man I'd
like to be
Photocopy of copyist piano-vocal score ; 6
p.
33/22
Why can't they hand it to me
Parts
Note: this song was used in Riviera Girl
33/23
Lyric sheets
Typescript lyric sheets, some with
annotations in pencil ; [25] p.
Includes:
- Ain't it a grand and glorious feeling #2 (Jim and Girls, act I
scene 1)
- Be a little sunbeam #11 (Jacky and chorus)
- Finale act I
- The first day of May (Trio)
- Flubby dub (Trio: Jacky, Jim and George)
- I was looking for a pal like you
- Ku la loo
- Letter song
- Nesting time in Flatbush #13 (Duet: Jim and Jacky)
- Nesting time in Flatbush
- Nesting time in Flatbush (Additional chorus: Flatbush)
- Oh, daddy, please (Trio: Lou Ellen, Judge, and George)
- A package of seeds
- Ribbons and laces
- That's the kind of man I'd like to be (George and girls, act I
scene 2)
- Till the clouds roll by
- Words are not needed
- You never knew about me
Oh, I Say!
(1913) lyrics by Harry B. Smith
33/24
Katy-did
Holograph piano-vocal score in ink ; 4
p.
33/25
Katy-did
Parts
Note: arranged by Charles N. Grant
Includes: A wifie of your own
33/26
A woman's heart, act II -
terzette #4
Copyist manuscript piano-vocal score in ink,
some annotations in Kern's hand ; 10 p.
Oh, Lady! Lady!!
(1918) lyrics by Guy Bolton and P.G. Wodehouse
34/1
Before I met you
Frank Saddler manuscript piano-vocal score in
pencil, no lyric ; 2 p.
34/2
Bill
Frank Saddler manuscript piano-vocal score in
pencil, no lyric ; 2 p.
Note: sketch and notes on back of p.
1
34/3
The dance I'd do
Holograph piano score in pencil, annotations
by Frank Saddler ; [1] p.
34/4
Dear old prison days
Frank Saddler manuscript piano-vocal score in
pencil and ink, no lyric ; 3 p.
34/5
Do it now #3
Frank Saddler manuscript piano-vocal score in
pencil, no lyric ; 3 p.
Do look at him
see
[ Miscellaneous/Unidentified Show Music](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_5)
34/6
Finale act I #8
Frank Saddler manuscript piano-vocal score in
ink, annotations in pencil (some in Kern's hand), penciled lyric in P.G.
Wodehouse's hand ; 12 p.
34/7
Finale I
Frank Saddler manuscript piano-vocal score in
pencil, no lyric ; 6 p.
34/8
Greenwich village #13
Frank Saddler manuscript piano-vocal score in
ink, annotations in pencil, 2nd set of lyric in pencil in P.G.
Wodehouse's hand ; 4 p.
34/8
Greenwich village
Frank Saddler manuscript piano-vocal score in
pencil, no lyric ; 2 p.
I'm to be married today
see
[ Opening act I](mu002004_Manuscripts_CL10011001_D4_626) ;
[Opening chorus](mu002004_Manuscripts_CL10011001_D4_628)
34/9
It's a hard, hard world for
a man
Frank Saddler manuscript piano-vocal score in
pencil and ink, no lyric ; 2 p.
34/10
Little ships come sailing
home
Frank Saddler manuscript piano-vocal score in
pencil, no lyric ; [2] p.
34/11
Moon song, opening act II #9
Frank Saddler manuscript piano-vocal score in
ink with a single lyric correction in pencil in P.G. Wodehouse's hand ; 4
p.
34/12
Moon song
Manuscript sketch for introduction in pencil
; [1] p.
34/12
Moon song - Introduction to
act II
Copyist manuscript piano score in ink ; [1]
p.
34/12
Moon song #9
Frank Saddler manuscript sketch in pencil ;
[1] p.
34/12
Moon song
Frank Saddler manuscript piano
score/piano-vocal score in pencil, no lyric ; [2] p.
34/13
Not yet #2
Frank Saddler manuscript piano-vocal score in
pencil, no lyric [3] p.
34/14
Oh lady-lady
Max Hirschfeld manuscript piano-vocal score
in ink ; [5] p.
34/15
Opening act I, opening
chorus act I #1
Frank Saddler manuscript piano-vocal score in
ink, lyric in pencil in P.G. Wodehouse's hand ; 10 p.
Includes: I'm to be married today
Opening act II
see
[ Moon song](mu002004_Manuscripts_CL10011001_D4_619)
34/16
Opening chorus, act I
Max Hirschfeld manuscript piano-vocal score
in ink, annotations in pencil, some in Kern's hand ; 5 p.
Includes: I'm to be married today
34/17
Our little nest #4
Frank Saddler manuscript piano-vocal score in
ink ; 5 p.
34/17
Our little nest
Copyist manuscript piano-vocal score in ink,
no lyric ; 5 p.
34/17
Our little nest #4
Frank Saddler manuscript piano-vocal score in
pencil, no lyric ; 3p.
34/18
Overture
Max Hirschfeld manuscript piano score in ink,
some pencil annotations in Kern's hand ; 9 p.
34/19
Some little girl
Frank Saddler manuscript piano score/sketch
in pencil ; 2 p.
Note: Originally "Beach duet" for Century
Wedding scene
see
[ Miscellaneous/Unidentified Show Music](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_35)
34/20
Wheatless day
Frank Saddler manuscript piano-vocal score in
pencil, no lyric ; 2 p.
34/21
You found me and I found you
#7
Frank Saddler manuscript piano-vocal score in
pencil, no lyric ; 3 p.
34/22
Oh, Lady! Lady!!
Printed piano-vocal score, includes
photographs ; 90 p.
34/23
Sketches
Holograph sketches in pencil ; [2]
p.
Includes: Opening chorus; I'm to be married
today
34/24
Oh Lady! Lady!! selection
Charles Miller manuscript sketch in pencil ;
[2] p.
34/25
Lyric sheets
Typescript lyric sheets, some with
annotations ; [24] p.
Note: in pencil on copy 1 of "Before I met
you": Dear Jer/This comes on p. 34 Act II. It isn't cued in yet. Let's
have another 'There was I, & there were you' and lift 'em out of
their seats/Yours ever/P.G. [Wodehouse]
Note: Typescript note at end of copy 1 of
"Not yet": *REFRAIN AS BEFORE/(*Unless the old bean works with unusual
activity and produces another)/NOTE. SUGGESTION FOR BUSINESS. Why not
work this number on the same lines as that duet in The Arcadians, where
the couple were constantly being interrupted when trying to make love. It
will be easy to bring on the maid with more wedding presents and
bridesmaids wanting to look at the wedding-dress etc./ P.G.
W[odehouse]
Includes:
- Before I met you (Duet: Willoughby and Molly) (3 copies)
- Bill (Molly and girls)
- Dear old prison days (Duet: Fanny and Spike) (2 copies)
- Do it now (Trio: Bill, Hale, Spike) #3 (2 copies)
- Finale (2 copies). Note: on back of 1 copy is p. 99 of Wodehouse's
Piccadilly Jim
- Greenwich village (Trio: Willoughby, Spike, Fanny)
- I found you and you found me (Duet: May and Hale) #7
- I'm to be married today (Molly) - to follow opening chorus (2
copies)
- It's a hard, hard world for a man
- Little ships come sailing home (Molly and girls) (3 copies)
- Moon song (Opening: Hale) act II
- Not yet (Duet: Bill and Molly) #2 (2 copies)
- Opening chorus
- Some little girl (May and boys)
- Wheatless days (Duet: Underwood and May)
34/26
Letter/song list
Frank Saddler letter in ink to Felix(?)
listing songs from the show ; [1] p.
One Night in the Tropics
(1940) lyrics by Dorothy Fields
see
[Back in my
shell](mu002004_Miscellaneous_Music_1_CL10021001_D3_6)
A Polish Wedding
(1912)
34/27
Let us build a little nest
see also
[ Let us build a little
nest](mu002004_Manuscripts_CL10011001_D4_374) from Head Over Heels
Printed piano-vocal score ; 5 p.
Note: Lyric by Kern and George V.
Hobart
Wedding scene
see
[ Miscellaneous/Unidentified Show Music](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_35)
The Red Petticoat
(1912) lyrics by Paul West
34/28
Little golden maid, act I #4
(Duet: Dora and Brick)
Holograph piano-vocal score in ink, with
pasteovers ; 4 p.
Includes: Dance; Golden Maid
The Rich Mr. Hoggenheimer
(1906) lyrics by M.E. Rourke
34/29
I've a little favor
Copyist manuscript piano-vocal score in ink ;
[3] p.
Ripples
(1930) lyrics by Graham John
34/30
Anything may happen any day
Holograph sketch in pencil ; [1]
p.
On verso: 1st violin part for "My gal is a
high born lady"
34/30
Anything may happen any day
Copyist manuscript piano-vocal score in ink,
annotations and partial lyric in pencil ; 6 p.
34/30
Anything may happen any day
Copyist manuscript piano-vocal score in ink ;
6 p.
34/30
Anything may happen any day
Typescript lyric sheet ; [2] p.
Roberta
(1933) lyrics by Otto Harbach
Alpha beta pi
see
[ Madrigal](mu002004_Manuscripts_CL10011001_D4_711)
38/1
Armful incidental, act II
#27, #27 1⁄2
Parts
103/1
Armful incidental, act II
#25, #27, #27 1⁄2
Parts
35/1
Armful of trouble
Robert Russell Bennett manuscript full score
in ink ; 48 p. + p. 32.5
Note: unused
35/1
Insert in armful
Robert Russell Bennett manuscript full score
in ink ; 3 p.
38/2
Armful of trouble, or,
Armful incidental #2
Parts
103/2
Armful of trouble #2
Parts
35/2
Bar curtains
Robert Russell Bennett manuscript full score
in ink ; [1] p.
Note: marimba, celeste, piano
score
38/3
Bar curtain #26a
Conductor's part
103/3
Bar curtain #26a ; Bar scene
#26b
Parts (3)
38/4
Bar let's begin #29
Parts
103/4
Bar let's begin #27, #29
Parts
38/5
Change after party,
yesterdays #34, #35
Parts
103/5
Change after party #31, #34
Parts
38/6
Corridor opening #16, #17
Parts
103/6
Corridor opening #15
Parts
38/7
Delilah - change music #29
1⁄2, #30
Parts
103/7
Delilah - change music #29a,
#29 1⁄2
Parts
35/3
Don't ask me not to sing
Robert Russell Bennett manuscript full score
in ink ; 45 p.
38/8
Don't ask me not to sing
#31, #32
Parts
103/8
Don't ask me not to sing
#29, #32
Parts
Dorrie barges
see
[ I won't dance](mu002004_Manuscripts_CL10011001_D4_697)
35/4
Dream intro
Robert Russell Bennett manuscript full score
in pencil ; [1] p.
35/4
Dream
Robert Russell Bennett manuscript full score
in ink ; 51 p. + p. 40.5 and 49.5
Note: unused
35/5
End of scene 1 act II
Robert Russell Bennett manuscript full score
in ink ; 22 p.
38/9
End of scene 1 act II #26
Parts
103/9
End of scene 1 act II #24,
#26
Parts
38/10
Entr'acte #21
Parts
103/10
Entr'acte #21
Parts
35/6
Exit
Robert Russell Bennett manuscript full score
in ink ; 24 p.
39/1
Exit #39
Parts
104/1
Exit #39, #37
Parts
35/7
Fashion show
Robert Russell Bennett manuscript full score
in ink and pencil ; 11 p.
39/2
Fashion show #17, #19
Parts
104/2
Fashion show #15, #17
Parts
35/8
Finale act 1
Robert Russell Bennett manuscript full scores
in ink and pencil ; [90] p.
Includes: Finale I; Insert in finale at 6;
Change in finish of act I; New finale act I; Last version finale act I;
Hard to handle (fin. I); New end act one; Endings finale act I
continued
Note: mostly unused
39/3
Finale I continued #20
Parts
104/3
Finale act I #18, #20
Parts
36/1
Finale ultimo
Robert Russell Bennett manuscript full score
in ink and pencil ; 36 p. + 2nd p. 33
39/4
Finale ultimo 1 #36
Parts
39/5
Finale ultimo 2 #38
Parts
104/4
Finale ultimo #34, #36
Parts
39/6
Finaletto prologue #5, #5a,
#5aa
Parts
104/5
Finaletto prolog #5, #6a
Parts
36/2
Finaletto scene 1 ; After
prolog ; Scene change act I scene 2
Robert Russell Bennett manuscript full score
in ink ; p. [1], 1-2, 1-8, 3-9
40/1
Hot spot, or, Hold 'em high
#23
Parts
104/6
Hot spot #21, #23
Parts
36/3
I won't dance
Robert Russell Bennett manuscript full score
in ink ; 49 p. + [1] p. laid in
Note: "Dorrie barges" is from Three Sisters, "I won't dance" was added to the
1935 film version of Roberta. The "I won't
dance" music begins on p. 22
Titled: Dorrie barges
36/4
I'll be hard to handle
Robert Russell Bennett manuscript full score
in ink and pencil ; 30 p., 5 p.
Includes: chorus
40/2
I'll be hard to handle #18
Parts
104/7
I'll be hard to handle #16,
#18
Parts
40/3
Incidental corridor scene
#16, #18
Parts
105/1
Incidental corridor scene
#16
Parts
36/5
Let's begin
Robert Russell Bennett manuscript full score
in ink ; 40 p.
40/4
Let's begin - overture #1
Parts
105/2
Let's begin #1
Parts
36/6
Let's begin - piano routine
Robert Russell Bennett manuscript full score
in ink ; 13 p.
40/5
Let's begin - piano routine
#25
Parts
105/3
Let's begin - piano routine
#23, #25
Parts
36/7
Lindy hop
Robert Russell Bennett manuscript full score
in ink ; 15 p.
40/6
Lovely to look at #15 1⁄2
Parts
Note: for film version, dated
6/4/38
36/8
Madrigal
Robert Russell Bennett manuscript full score
in ink ; 7 p., 16 p.
Note: "New madrigal" segues "to old
madrigal"
40/7
Madrigal #3
Parts
105/4
Madrigal #3 ; Madrigal exit
#4
Parts
40/8
Madrigal exit #4
Parts
37/12
Main title
Copyist manuscript short score in ink ; 5
p.
Note: "Para[phrase] by Steiner" for film,
includes "Smoke gets in your eyes," "Lovely to look at," "I won't
dance"
40/9
Myrtle no. 2nd act finale
#37
Parts
41/1
Opening act II #22
Parts
105/5
Opening act II #20, #22
Parts
41/2
Opening party scene #30, #31
Parts
105/6
Opening party scene #28, #30
Parts
41/3
Opening scene 3 #13, #14
Parts
105/7
Opening scene 3 #12, #13
Parts
36/9
Opening scene 4
Robert Russell Bennett manuscript full score
in ink ; 20 p.
41/4
Opening scene 4 #14, #14a
Parts
Includes: Scene 3 -- dance, #15 conductor's
part
105/8
Opening scene 4 #13, #14
Parts
41/5
Orientale
Parts
41/6
Pitkin
Parts
37/1
Rhapsody in prose
Robert Russell Bennett manuscript full score
in ink ; 14 p.
41/7
Rhapsody in prose #9, #10
Parts
105/9
Rhapsody in prose #9
Parts
41/8
Roberti (fin. ult.)
Parts
37/2
Russian trio
Robert Russell Bennett manuscript full score
in ink ; 8 p.
Note: some pencil annotations may be in
Kern's hand
37/3
Scene 3 to scene 4
Robert Russell Bennett manuscript full score
in ink ; 4 p.
41/9
Scene 3 to scene 4 #15a, ;
Change scene 3 to scene 4 #13
Parts
105/10
Scene 3 to scene 4 #11 1⁄2,
#15a
Parts
37/4
Smoke gets in your eyes
Robert Russell Bennett manuscript full score
in ink ; 10 p. + 6 p. insert
Note: insert for strings only
41/10
Smoke gets in your eyes #24
#24 1⁄2
Parts
106/1
Smoke gets in your eyes #22,
#24, #24 1⁄2
Parts
37/5
Something had to happen
intro
Robert Russell Bennett manuscript full score
in ink ; [1] p.
37/5
Something had to happen
Robert Russell Bennett manuscript full score
in ink ; 14 p.
37/13
Something had to happen
Printed piano-vocal score ; 5 p.
41/11
Something had to happen #8,
#8a
Two sets of parts, E-flat major, F
major
Note: conductor's part is #9 from Shoot the Works
106/2
Something had to happen #8,
#8a
Parts
37/6
Something had to happen
Robert Russell Bennett manuscript full score
in ink and pencil ; 11 p.
37/6
Something had to happen -
New finish of act II
Robert Russell Bennett manuscript full score
in pencil ; [1] p.
42/1
Something had to happen #28
Parts
106/3
Something had to happen #26,
#28
Parts
37/7
The touch of your hand
Robert Russell Bennett manuscript full score
in ink ; 26 p. + p. 18.5
42/2
The touch of your hand #10,
#11, #12
Parts
106/4
The touch of your hand #10,
#11
Parts
42/3
The touch of your hand -
party scene #32, #32d
Parts
106/5
The touch of your hand -
party scene #30, #33
Parts
42/4
The touch of your hand -
reprise #13, #14, #16
Parts
106/6
The touch of your hand -
reprise #13, #14b, #14
Parts
Note: marked "not used"
42/5
The touch of your hand -
reprise #14
Parts
Note: probably for the film
version
37/8
Waltz
Robert Russell Bennett manuscript full score
in ink ; 4 p.
Titled: Little waltz
37/8
Waltz
Robert Russell Bennett manuscript full score
in ink ; 4 p.
In caption: Waltz insert in waltz
routine
42/6
Waltz routine act II #33
Parts
106/7
Waltz routine act II #31,
#33 1⁄2
Parts
42/7
Wardrobe scene #35, #36
Parts
106/8
Wardrobe scene #33, #35
Parts
37/9
Yesterdays
Robert Russell Bennett manuscript full score
in ink ; 7 p.
43/1
Yesterdays #7, #7a
Parts
43/2
Yesterdays #7
Parts
Note: probably for the film
version
106/9
Yesterdays #7
Parts
Note: marked "not used"
43/3
Yesterday's dance #16a
Parts
107/1
Yesterday's dance #17, #19
Parts
37/10
You're devastating
Robert Russell Bennett manuscript full score
in ink, some pencil emendations ; 12 p.
43/4
You're devastating #6
Parts
107/2
You're devastating #6, #6b,
#6c
Parts
37/11
You're devastating chorus
Robert Russell Bennett manuscript full score
in ink ; 4 p.
43/5
You're devastating -
Devastating incidental #8, #9 1⁄2
Parts
107/3
You're devastating #7 1⁄2,
#9 1⁄2
Parts
43/6
You're devastating
String parts
In caption: Tamara's devastating
#6
43/7
Miscellaneous parts from
film, mostly tacets
Parts
43/8
Unidentified
parts
Parts (incomplete and fragments) ; [4]
p.
37/14
Lyric sheets
Typescript lyric sheets ; p. [1], p.
4-6
Includes: Now that you've got me going;
Madrigal number; Don't ask me not to sing
37/15
Song listings
Carbon of typescript show program ; [1]
p.
37/15
Song listings
Detailed performance notes in pencil,
incomplete ; p. 3
Rock-a-Bye Baby
(1918) lyrics by Herbert Reynolds
44/1
According to Dr. Holt -
quartetti
Frank Saddler manuscript piano-vocal score in
pencil, no lyric ; 3 p.
44/2
Cretonne
Frank Saddler manuscript full score in ink ;
27 p.
44/3
Cretonne
Frank Saddler manuscript piano-vocal score in
pencil, partial lyric ; 2 p.
44/3
Cretonne
Frank Saddler manuscript piano-vocal score in
ink, annotations in pencil, no lyric ; p. 3-5
Note: also for use in Dear Sir
I believed all she said
see
[ This morning](mu002004_Manuscripts_CL10011001_D4_810)
44/4
I never thought - Duettino
Frank Saddler manuscript piano-vocal score in
pencil, no lyric ; 2 p.
44/5
The kettle
Frank Saddler manuscript piano score in
pencil ; [1] p. (incomplete)
44/7
My boy
Frank Saddler manuscript piano-vocal score in
pencil, no lyric ; 2 p.
My own light infantry
see
[ Opening act III](mu002004_Manuscripts_CL10011001_D4_795)
Nursery fanfare
see
[ Opening act III](mu002004_Manuscripts_CL10011001_D4_795)
44/8
One, two, three
Frank Saddler manuscript piano score in
pencil ; 2 p.
44/9
Opening act I
Frank Saddler manuscript piano-vocal score in
pencil, no lyric ; 7 p.
44/11
Opening act II
Robert Russell Bennett manuscript piano score
in ink ; 6 p.
Note: later intended for Dear Sir
44/12
Opening act III
Frank Saddler manuscript piano score/sketch
in pencil ; [1] p.
Alternate titles: The nursery fanfare; My
own light infantry
Note: originally the burthen of "Honeymoon
land" in Toot-Toot, later became "Light
housekeeping" in Night Boat
44/13
The real spring drive
Frank Saddler manuscript piano score in
pencil ; [2] p.
Note: includes music deleted from the
published version
44/14
Rock-a-bye baby dear
Frank Saddler manuscript piano-vocal score in
pencil, no lyric ; 3 p.
44/15
Signorina Adelina
Manuscript full score in ink ; 6
p.
44/16
Signorina Adelina #2
Frank Saddler manuscript piano-vocal score in
pencil, no lyric ; [1] p.
44/16
Signorina Adelina #2
Frank Saddler manuscript piano-vocal score in
ink ; 4 p.
44/17
Signorina Adelina #3
Parts
44/18
Signorina Adelina #12
Parts
44/19
Signorina Adelina -
incidental
Frank Saddler manuscript piano-vocal score in
ink ; 2 p.
On verso: note in Kern's hand
44/6
Stitching, stitching
Frank Saddler manuscript piano-vocal score in
pencil, no lyric ; 4 p.
Titled: Melodia a tre
44/10
Stitching, stitching
Frank Saddler and Robert Russell Bennett
manuscript full score in ink ; [33] p.
Titled: Opening act II - Melodia a
tre
44/20
Terzetto
Frank Saddler manuscript full score in ink ;
25 p.
44/21
Terzetto
Frank Saddler manuscript piano-vocal score in
pencil, no lyric ; 4 p.
44/21
Terzetto
Copyist manuscript voice part in ink ; [3]
p.
44/22
Terzetto #4
Parts
44/23
There's no better use for
time than kissing
Holograph piano score in pencil ; [2]
p.
44/24
This morning
Frank Saddler manuscript piano score in
pencil ; 2 p.
Note: became "I believed all she
said"
In caption: I woke up this morning
44/25
Who? not you!
Frank Saddler manuscript full score in ink ;
13 p.
44/26
Who? not you! #3
Frank Saddler manuscript piano score in
pencil ; 2 p.
44/26
Who? not you! #5
Frank Saddler manuscript piano-vocal score in
ink ; 4 p.
44/27
Lyric sheets
Typescript and manuscript lyric sheets, some
annotated ; [28] p.
Includes: According to Doctor Holt; Half the
world is looking in the eyes of all the rest; I never thought (Zoe and
Alfred); Melodia a tre; My boy; One, two, three; There's no better use
for time than kissing; Who? not you
44/27
Lyric sheets
Typescript and manuscript lyric sheets, some
annotated ; [?] p.
Note: Alfred Simon says "Adelina's birthday
- Rock-a-bye-baby" is not the same "Rock-a-bye baby" as recorded number
from the show
Includes:
- Opening
- Bella mia [Note: see this title under Opening]
- Hurry now [Note: see this title under Opening]
- Motoring along the old post road [Note: see this title under
Opening]
- Signorina Adelina entrance
- Melodia a tre
- One, two, three
- I never thought (Zoe and Alfred)
- Who? not you
- Kettle song
- Opening second act - Stitching, stitching
- Cretonnes
- Adelina's birthday - Rock-a-bye-baby
- Signorina Adelina - incidental
- My boy
- According to Doctor Holt
- Who? not you!
- The real/big spring drive - (Girls and Monty, act II)
- Finale - According to Dr. Holt
- Opening act III - The nursery fanfare
- I can trust myself with a whole lot of girls (Monty's song, act
III)
- Think of where you might be instead of where you are (Aggie's song,
act III)
Rose Briar
(1922) lyric by Booth Tarkington
44/28
Love and the moon
Copyist manuscript piano-vocal score in ink ;
[4] p.
Sally
(1920, 1946 revival) lyrics by Clifford Grey and P.G.
Wodehouse
45/1
All you need is a girl
Manuscript full score in ink ; 29 p.
(incomplete)
Note: originally from Sitting Pretty
Note: some water damage
47/2
All you need is a girl
Manuscript sketch in ink and pencil ; [2]
p.
47/2
All you need is a girl
Manuscript sketch in pencil ; [1]
p.
47/2
All you need is a girl
Manuscript lead sheet in pencil ; [2]
p.
47/2
All you need is a girl
Manuscript conductor lead sheet in pencil ;
[2] p.
47/2
All you need is a girl
Manuscript lead sheet in pencil, with lyric ;
[2] p.
47/2
All you need is a girl
Three printed piano-vocal scores from Sitting Pretty, annotated ; 5 p.
45/2
Bungalow in Quogue
Manuscript full score in ink ; 48
p.
45/2
Bungalow in Quogue - encore
Manuscript full score in ink ; 7
p.
Note: originally interpolated into The Riviera Girl
47/3
Bungalow in Quogue #6
Three manuscript piano scores in pencil ; 7
p., 7 p., 5 p.
Note: one piano score reads "Paraphrase by
Pem Davenport"
Note: On back of 5 p. piano score is a 2 p.
sketch of "All you need is a girl"
47/3
Bungalow in Quogue
Printed piano-vocal score from The Riviera Girl, annotations in pencil ; 5
p.
47/3
Bungalow in Quogue
Typescript lyric sheet ; [1] p.
49/1
Bungalow in Quogue #2
Parts
49/2
Bungalow in Quogue - encore
#2a
Parts
45/3
Cleopatterer
Manuscript full score in ink ; 13
p.
45/3
Cleopatterer
Typescript lyric sheet ; [1] p.
Note: originally from Leave It to Jane
47/4
Cleopatterer
Printed piano-vocal score from Leave It to Jane ; 5 p.
49/3
Cleopatterer #9
Parts
45/4
Constantine's fanfare
Robert Russell Bennett manuscript full score
in ink ; [1] p.
49/4
Constantine's fanfare
Parts
47/5
Eccentric dance
Negative photostats of p. 44-46 and p. 115
from printed piano-vocal score for Sally ;
[4] p.
45/5
Entr'acte
Robert Russell Bennett manuscript full score
in ink ; 14 p.
45/5
Entr'acte
Typescript lyric sheet ; [1] p.
Note: some water damage
49/5
Entr'acte
Parts
45/6
Final curtain
Robert Russell Bennett manuscript full score
in ink ; 9 p.
45/6
Final curtain
Typescript lyric sheet ; [1] p.
Note: some water damage
49/6
Final curtain
Parts
49/7
Final curtain
Parts
45/7
Finale act I
Robert Russell Bennett manuscript full score
in ink ; 6 p.
49/8
Finale act I #10a
Parts
45/8
Finale ultimo
Robert Russell Bennett manuscript full score
in ink ; 19 p.
Note: some water damage
49/9
Finale ultimo
Parts
45/9
The follies
Robert Russell Bennett manuscript full score
in ink and pencil ; [77] p.
50/1
The follies
Parts
47/6
Greenwich village - opening
#1
Copyist manuscript lead sheet in pencil ; 5
p.
47/6
Greenwich village - opening
#1
Copyist manuscript lead sheet in ink on
transparencies and their annotated ozalids ; [11] p.
47/6
Greenwich village
see also
[ Opening act I](mu002004_Manuscripts_CL10011001_D4_875)
Two printed piano-vocal scores from Oh, Lady! Lady!!, annotated ; 5 p.
each
45/10
Howard specialty
Manuscript full score in ink ; 33 p. + p. 8a,
16a, 24a
50/2
Howard specialty
Parts
47/7
It's a hard, hard world for
a man
Photostat and negative photostat of printed
piano-vocal score from Oh, Lady! Lady!! ; p.
2-5
47/8
Leave it to Jane
Printed piano-vocal score, annotations in ink
; 5 p.
45/11
Little church around the
corner
see also
[ It's wireless](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_19)
Allan Small manuscript full score in pencil ;
49 p.
47/9
Little church around corner
- final chorus
see also
[ It's wireless](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_19)
Manuscript piano-choral score in pencil ; 6
p.
47/9
Little church around corner
- final chorus
see also
[ It's wireless](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_19)
Copyist manuscript piano-choral score in ink
on transparencies and their ozalids; [8] p.
47/9
Little church around the
corner
see also
[ It's wireless](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_19)
Two printed piano-vocal scores, annotations
in pencil ; 5 p.
47/9
Little church around the
corner
see also
[ It's wireless](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_19) ; [ Opening act II](mu002004_Manuscripts_CL10011001_D4_878)
Manuscript sketch in pencil ; [1]
p.
50/3
Little church around the
corner - ride-out
see also
[ It's wireless](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_19)
Parts
50/4
Little church around the
corner (new) - ride-out
see also
[ It's wireless](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_19)
Parts
45/12
Little church around the
corner ride-out
see also
[ It's wireless](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_19)
Allan Small manuscript full score in pencil ;
6 p.
45/13
Look for the silver lining
Manuscript full score in ink ; 21
p.
50/5
Look for the silver lining
#3
Parts
45/14
Look for the silver lining -
utility
Manuscript full score in ink ; 9
p.
50/6
Look for the silver lining -
utility
Parts
108/1
Looking all over for you
Manuscript full score in ink ; 87
p.
108/1
Looking all over for you -
exit
Manuscript full score in ink ; 4
p.
Note: originally from The Cabaret Girl
47/10
Looking all over for you
Manuscript sketch in pencil ; [1]
p.
In caption: I'm looking all over
47/10
Looking all over for you -
last 4 bars and tag
Manuscript choral arrangement in pencil ; [1]
p.
47/10
Looking all over for you
Two photostats of printed piano-vocal score ;
p. 104-105 only
47/10
Looking all over for you
Negative photostat of printed piano-vocal
score ; p. 104-107
51/1
Looking all over for you
Parts
47/11
Napoleon #4
Copyist manuscript piano-vocal score in ink
and pencil ; 5 p.
Note: originally used in Have a Heart
On the beam
see
[ Reaching for the
stars](mu002004_Manuscripts_CL10011001_D4_887)
47/12
On with the dance
Three printed piano-vocal scores ; 5 p.
each
46/1
Opening act I
see also
[ Greenwich
village](mu002004_Manuscripts_CL10011001_D4_849)
Robert Russell Bennett manuscript full score
in ink ; 34 p.
47/13
Opening
Manuscript sketch in pencil ; [4]
p.
51/2
Opening #1
Parts
46/2
Opening act II
see also
[ Little church around
the corner](mu002004_Manuscripts_CL10011001_D4_858)
Robert Russell Bennett manuscript full score
in ink ; 34 p.
46/3
Opening act II
Robert Russell Bennett manuscript full score
in ink ; 7 p.
Note: some water damage
51/3
Opening act II
Parts
47/14
Opening act II
Manuscript sketch in pencil ; [7]
p.
47/14
Opening act II
Manuscript piano score in pencil ; 4
p.
47/14
Opening act II
Manuscript conductor's lead sheet in pencil ;
[2] p.
51/4
Opening act II
Parts
46/4
Overture
Robert Russell Bennett manuscript full score
in ink ; p. 1-33, 50-53
51/5
Overture
Parts
46/5
Reaching for the stars
Manuscript full score in pencil and ink ; p.
1, 16-79, 84, 89-90
Note: same music as "On the beam" from You Were Never Lovelier
48/1
Reaching for the stars
Manuscript piano-choral score in pencil ; [8]
p.
48/1
Reaching for the stars
Copyist manuscript piano-choral score in ink
on transparencies and three ozalids ; 8 p. each
48/1
Reaching for the stars
Manuscript lead sheet in pencil ; [1]
p.
48/1
Reaching for the stars
Manuscript sketch in pencil ; [2]
p.
48/1
On the beam - 2nd dance
chorus
Manuscript sketch in ink and pencil ; [4]
p.
48/1
On the beam
Three printed piano-vocal scores from You Were Never Lovelier (film), pasteovers and
annotations ; 5 p. each
51/6
Reaching for the stars
Parts
48/2
Sally
Printed piano-vocal score with altered lyric
for burthen in Kern's hand (pencil) ; 5 p.
46/6
Sally and I
Manuscript full score in ink ; 21
p.
51/7
Sally and I
Parts
52/1
Sally and I - reprise 1
Parts
52/2
Sally and I - 2nd reprise
Parts
48/3
Sally and I - melodrame
Manuscript piano score in pencil ; [1] p.
(incomplete)
46/7
Sally's dance
Robert Russell Bennett manuscript full score
in ink ; 17 p.
48/4
Sally's dance
Manuscript sketch in pencil and ink ; [3]
p.
48/4
Sally's dance
Manuscript conductor's piano score in pencil
; [2] p.
48/4
Sally's dance
Manuscript piano score in pencil ; 3
p.
52/3
Sally's dance - #6
Parts
48/5
Same sort of girl
Printed piano-vocal score from The Girl From Utah ; 5 p.
46/8
Schnitza-Komisski
Manuscript full score in ink ; 19
p.
48/6
The Schnitza-Komisski
Manuscript lead sheet in pencil ; [2]
p.
48/6
The Schnitza-Komisski
Copyist manuscript lead sheet in ink, 2
copies ; 3 p. each
52/4
Schnitza-Komisski
Parts
52/5
Schnitza-Komisski - encore
Parts
46/9
Siren's song
Robert Russell Bennett manuscript full score
in ink ; 32 p.
Note: originally from Leave It to Jane
48/7
Siren's song - chorus
Manuscript choral score in pencil ; [2]
p.
48/7
Siren's song - chorus
Copyist manuscript choral score in ink on
transparencies and 3 annotated ozalid copies ; 2 p. each
48/7
Siren's song - after vocal
and surf dance
Manuscript conductor's lead sheet in pencil ;
[2] p.
48/7
Siren's song - after vocal
and into surf dance at sight cue
Manuscript lead sheet in pencil ; [2]
p.
48/7
Siren's song - female back
ground
Manuscript choral score in pencil ; 3
p.
48/7
Siren's song - female back
ground
Copyist manuscript choral score in ink on
transparencies and three annotated ozalid copies ; 3 p. each
48/7
Siren's song
Four printed piano-vocal scores from Leave It to Jane, pasteovers and annotations ;
5 p. each
52/6
Siren's song #8
Parts
46/10
Tulip time in Sing Sing
Robert Russell Bennett manuscript full score
in ink ; 14 p.
Note: originally "Dear old fashioned prison
of mine" from Sitting Pretty
48/8
Tulip time in Sing Sing
Two printed piano-vocal scores from Sitting Pretty, pasteovers and annotations ; 5
p. each
48/8
Tulip time - male 4
Manuscript choral score in pencil ; [3]
p.
52/7
Tulip time in Sing Sing #5
Parts
46/11
Whip-poor-will waltz
Manuscript full score in pencil ; [20]
p.
46/11
Whip-poor-will specialty
Manuscript full score in pencil ; 22
p.
48/9
Whip-poor-will
Printed piano-vocal score, annotated ; 7
p.
48/9
Whip-poor-will specialty
Manuscript short score in pencil, incomplete
; [5] p.
48/9
Whit-poor-will - specialty
before waltz
Manuscript sketch in pencil ; 3 p.
48/9
Whip-poor-will - specialty
after
Manuscript lead sheet in ink ; [1]
p.
48/9
Whip-poor-will dance -
specialty after
Manuscript piano score sketch in pencil ; 3
p.
52/8
Whip-poor-will waltz
Parts
52/9
Whip-poor-will waltz
incidental
Parts
47/1
Wild rose
Robert Russell Bennett and unidentified
manuscript full score in ink and pencil ; 59 p.
47/1
Wild rose (3rd section)
Manuscript full score in ink ; 29
p.
48/10
Wild rose
Manuscript sketch in ink and pencil ; [3]
p.
Includes: section of "Sally's
dance"
48/10
Wild rose
Manuscript conductor's lead sheet in pencil ;
5 p.
48/10
Wild rose
Manuscript lead sheet (p. 1-8) and short
score (p. 9-12) in pencil ; 12 p.
48/10
Wild rose (male chorus)
Manuscript melody line in pencil ; [8]
measures
48/10
Wild rose (male chorus and
Sally)
Manuscript choral score in pencil ; 3
p.
48/10
Wild rose (male chorus and
Sally)
Copyist manuscript choral score in ink on
transparencies and four annotated ozalid copies; 3 p. each
Note: appended to 1 copy is a 4 p.
manuscript lead sheet extension
48/10
Wild rose
Two printed piano-vocal scores, annotated ; 5
p. each
48/10
Wild rose
Printed piano-vocal score from film version
of Sally, annotated ; 5 p.
53/1
Wild rose #10
Parts
53/2
Wild rose utility
Parts
48/11
You found me and I found you
Two printed piano-vocal scores from Oh Lady! Lady!! ; 5 p.
Note: inscription on 1 copy ascribes missing
p. 3-4 to "Looking all over conductor's Book"
48/12
You're here and I'm here
Manuscript lead sheet in pencil and 16
measure piano score revision ; [2] p. + pasteover
48/12
You're here and I'm here
Printed piano-vocal score, annotated ; p.
3-5
Note: probably from The Marriage Market
48/13
Sally
Printed piano-vocal score from the London
production of 1920-21 ; 132 p.
Includes: "The butterfly ballet" by Victor
Herbert
48/14
Miscellaneous sketch
fragments
Manuscript sketches in ink and
pencil
Includes: Reaching for the stars; Wild rose;
Sally's dance; Whip-poor-will specialty
53/3
Miscellaneous
parts
Manuscript parts
48/15
Lyric sheets
Typescript lyric sheets, some annotated ;
[30] p.
Includes: All alone; All you need is a girl;
Blood; Bungalow in Quogue; Greenwich village; Look for the silver lining;
Looking all over for you; Napoleon; Reaching for the stars; Schnitzka
Komisski; Wild rose
48/16
Manuscript song listings and
notes
She's a Good Fellow
(1919) lyrics by Anne Caldwell
54/1
Bullfrog patrol
Frank Saddler manuscript full score in ink
and pencil ; 20 p.
In caption: Froggies' patrol
54/2
Bullfrog patrol
Frank Saddler manuscript full score in ink ;
20 p.
In caption: I'll make it up -
patrol
54/3
Bullfrog patrol
Frank Saddler manuscript piano-vocal score in
ink ; 12 p.
In caption: The blues patrol
54/4
The bumble bee
Holograph piano score in pencil ; [2]
p.
Entrance of girls
see
[Miscellaneous/Unidentified Show Music](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_7)
54/5
Ginger town
Frank Saddler manuscript full score in ink
and red pencil ; 11 p.
54/6
Ginger town
Frank Saddler manuscript piano-vocal score in
ink, lyric in pencil ; 4 p.
In caption: Make believe
54/7
Home sweet home
Frank Saddler manuscript full score in ink ;
20 p.
54/8
Home sweet home
Frank Saddler manuscript piano-vocal score in
ink ; 10 p.
Note: probably the same music as for "Over
the hills"
In caption: Duet - Jacquiline and
Hoppy
I believe in signs
see
[ Opening act III](mu002004_Manuscripts_CL10011001_D4_795)
54/9
In the Navy - Encore
Frank Saddler manuscript full score in ink ;
7 p.
54/10
Just a little line
Frank Saddler manuscript full score in ink ;
12 p.
In caption: Letter song
54/11
A little pep
Frank Saddler manuscript full score in ink ;
25 p.
54/12
A little pep
Frank Saddler manuscript piano-vocal score in
ink, part of lyric in Kern's hand ; 7 p.
On verso: manuscript sketch in pencil of the
Duncan sisters' "Smiles"
54/13
Opening act III - I believe
in signs
Frank Saddler manuscript full score in ink ;
32 p.
54/14
Opening act III
Holograph lead sheet with piano score intro,
in ink ; 3 p.
54/14
Opening act III
Frank Saddler manuscript piano-vocal score in
ink, no lyric ; 7 p.
Note: also known as "I believe in
signs"
54/15
Scene music, act III
Frank Saddler manuscript full score in ink ;
17 p.
54/16
Scene music
Holograph sketch in pencil ; 3 p.
54/17
Semiramis
Frank Saddler manuscript full score in ink ;
35 p.
54/18
Semiramis - duet
Frank Saddler manuscript piano-vocal score in
ink ; 4 p.
54/19
Wine, women and song
Frank Saddler manuscript full score in ink ;
10 p.
54/20
Wine, women and song (Duet:
Chester and Pollard) act I
Manuscript lead sheet in ink ; [1]
p.
On verso: manuscript sketch in pencil of the
Duncan sisters' "Mammy's blues"
54/20
Wine, women and song (Duet:
Chester and Pollard) act I
Manuscript lead sheet in ink ; [1]
p.
54/20
Wine, women and song
Frank Saddler manuscript piano-vocal score in
ink, no lyric ; [4] p.
54/21
Wine, women and song -
refrain
Parts
Show Boat
(1927) lyrics by Oscar Hammerstein II
58/1
Aborigines number
see also
[ Dahomey](mu002004_Manuscripts_CL10011001_D4_1016)
Manuscript piano-vocal score in pencil, no
lyric ; 7 p.
58/1
Aborigines number
see also
[ Dahomey](mu002004_Manuscripts_CL10011001_D4_1016)
Copyist manuscript choral score in ink, no
lyric ; [2] p.
55/1
*After the ball
Robert Russell Bennett manuscript full score
in ink ; 20 p.
Note: Music by Charles K. Harris
60/1
*After the ball #32
Parts
Note: "Hot time #32a" included in some of
the parts
60/2
Andy and Parthy #28
Parts
60/3
Andy trocadero #31a
Parts
55/2
Apache dance
Robert Russell Bennett manuscript full score
in ink ; 12 p.
Note: features "Valse des Rayons" from
Offenbach's ballet Le Papillon
55/3
Bill
Hans Spialek manuscript full score in ink ;
14 p.
58/2
Bill
Leonid Raab manuscript piano-vocal score in
ink ; [3] p.
58/2
Bill
Proof for printed piano-vocal score,
annotations in pencil ; p. 3-5
60/4
Bill #25, B-flat major
Parts
Note: instructional performance note in
pencil from George Hirst ; [1] p.
60/5
Bill, A-flat major
Parts
60/6
Boarding house - finale #23
Parts (incomplete)
55/4
Box office scene
Robert Russell Bennett manuscript full score
in ink ; 47 p.
Includes: I would like to play a lover's
part
58/3
Cake walk
Manuscript piano score in pencil ; [1]
p.
55/5
Can't help lovin' dat man
Robert Russell Bennett manuscript full score
in ink ; 28 p.
55/6
Can't help loving dat man
Manuscript (possibly Victor Young's) full
score in ink ; 19 p.
Note: this is the arrangement for Helen
Morgan's recording on Brunswick
58/4
Can't help lovin' dat man
Holograph sketch in ink ; [3] p.
Note: dummy lyric by Kern
58/4
Can't help lovin' dat man
Copyist manuscript piano-vocal score in ink
and pencil, for publication ; 6 p.
60/7
Can't help lovin' that man
Violin part only
60/8
Captain Andy #12
Parts
60/9
Change of scene #9a
Parts
55/7
Chaser
Robert Russell Bennett manuscript full score
in ink ; [5] p.
Note: music based on "Why do I love
you?"
60/10
Chaser #34
Parts
60/11
Chaser #38
Parts
55/8
Cheer up - new verse, etc.
Robert Russell Bennett manuscript full score
in ink ; 6 p.
Note: became "I might fall back on
you"
58/5
Cheer up!, act II scene I
Holograph sketch in pencil ; [2]
p.
61/1
Cheer up #13, #15a
Parts
C'mon folks
see
[ Queenie's
outburst](mu002004_Manuscripts_CL10011001_D4_1089)
55/9
Colored blood
Robert Russell Bennett manuscript full score
in ink ; [60] p.
Note: became "Mis'ry's comin'
aroun'"
58/6
Colored blood scene
Holograph and Robert Russell Bennett
manuscript piano-vocal score/sketch in ink, no lyric ; 10 p.
Note: Sketches for Wasserman scene on p.
6
58/6
Colored blood scene
Robert Russell Bennett manuscript piano-vocal
score in ink, no lyric ; 2 p. (incomplete)
55/10
The convent
Robert Russell Bennett manuscript full score
in ink ; 23 p.
58/7
The convent, act II scene 4
Holograph piano-vocal score in ink ; 6
p.
61/2
The convent #27
Parts
55/11
Cotton Blossom - last scene
Robert Russell Bennett manuscript full score
in ink ; 3 p.
55/12
Dahomey
see also
[ Aborigines
number](mu002004_Manuscripts_CL10011001_D4_980)
Robert Russell Bennett manuscript full score
in ink ; 26 p.
58/8
Dahomey - 4 measures vamp
Holograph piano score (3 p.) in ink and
rhythmic sketch (1 p.) in pencil ; [4] p.
61/3
Dahomey #21, #19 - 1st
version
Parts
61/4
Dahomey #21, #19 - 2nd
version
Parts
55/13
Dance away the night
Robert Russell Bennett manuscript full score
in ink ; 30 p.
Note: additional music on the back of 3 p.
includes an alternate ending
Note: written for either the London or Paris
production
58/9
Duettino (Magnolia and
Ravenal), act I scene 5
Holograph piano-vocal score/sketch in ink, no
lyric ; [2] p.
Note: from "Box office scene" ; replaced by
"Ballyhoo"
61/5
Encore to #5, #11a, #15
Parts
61/6
Entr'acte #18
Parts
56/1
Finale act I
Robert Russell Bennett manuscript full score
in ink ; p. 1-40, 40b, 41-59, 61-64
Note: crossed out p. 60 ("Why do I love
you?") is on back of 2nd p. 31
58/10
Final act I
Holograph piano-vocal score/sketch in ink, no
lyric ; 7 p.
62/1
Finale act I #17, #14
Parts
56/2
Finale act II
Robert Russell Bennett manuscript full score
in ink ; [2] p.
Note: for Paris production
62/2
Finale ultimo #37, C major
Parts
62/3
Finale ultimo #37, D major
Parts
58/11
Frank and Elly
Holograph sketch in ink, lyric for refrain by
Hammerstein in pencil, dummy lyric for verse by Kern ; [1] p.
Note: probably "My girl"
Gallivantin' aroun'
see
[
Miscellaneous Music](mu002004_Miscellaneous_Music_1_CL10021001_D3_22)
62/4
*Goodbye my lady love #31
Parts
Note: Music by Joe Howard
58/12
Harmonica number, act I
scene 5
Holograph piano-vocal score in ink, no lyric
; 2 p.
56/3
Hey, fella!
Robert Russell Bennett manuscript full score
in ink ; 16 p.
58/13
Hey, fella!, E major
Holograph sketch in ink, lyric for verse only
in pencil ; [2] p.
58/13
Hey, fella!
Robert Russell Bennett manuscript piano score
in pencil ; [2] p.
62/5
Hey, fella! #34
Parts
62/6
*A hot time in the old town
tonight #32a
see also
[ After the ball](mu002004_Manuscripts_CL10011001_D4_983)
Parts (incomplete)
Note: Music by Theodore M. Metz
62/7
*A hot time in the old town
tonight
Parts
I might fall back on you
see
[ Cheer up](mu002004_Manuscripts_CL10011001_D4_1005) ;
[Terzetto](mu002004_Manuscripts_CL10011001_D4_298)
I would like to play a
lover's part
see
[ Box office
scene](mu002004_Manuscripts_CL10011001_D4_1049)
56/4
Imitations and buck dance
Robert Russell Bennett manuscript full score
in ink ; p. 1-8, 9 1⁄2, 9-24
63/1
Imitation #36
Parts
63/2
Imitations #36
Parts
It's getting hotter in the
North
see
[ No Mason Dixon
Line](mu002004_Manuscripts_CL10011001_D4_1061)
63/3
Letter scene #22
Parts
56/5
Life upon the wicked stage
see also
[ Ruby Keeler's
dance](mu002004_Manuscripts_CL10011001_D4_476) from Lucky
Robert Russell Bennett manuscript full score
in ink ; 22 p.
63/4
Life upon the wicked stage
#8, #12a
see also
[ Ruby Keeler's dance
from Lucky](mu002004_Manuscripts_CL10011001_D4_476)
Parts
58/14
A lover's part - opening
box office scene, act I scene V
Holograph sketch in ink ; 5 p.
58/14
A lover's part
Robert Russell Bennett manuscript piano-vocal
score in ink ; p. 9-14
Note: cues in Kern's hand in
pencil
56/6
Magnolia and Julie
see also
[ Scena (Magnolia and
Julie)](mu002004_Manuscripts_CL10011001_D4_1095)
Robert Russell Bennett manuscript full score
in ink ; 28 p.
Note: first strain derived from the railway
duet "If we were on our honeymoon" from Doll
Girl
63/5
Magnolia and Julie #5a
Parts
Make believe
see
[ Opening chorus](mu002004_Manuscripts_CL10011001_D4_628)
58/15
Make believe, act I scene 1
segue
Holograph piano-vocal score/sketch in ink,
some dummy lyrics by Kern ; 2 p.
58/15
Make-believe
Leonid Raab manuscript piano-vocal score in
ink, annotations in pencil ; 5 p.
58/15
Make-believe
Copyist manuscript piano-vocal score in
pencil ; 8 p. (incomplete)
63/6
Make believe - incidental
#7, #26a
Parts
58/16
Melos, act I scene 1
(Ravenal and Magnolia)
Holograph sketch in ink and pencil ; [2]
p.
Note: heavily crossed out
Mis'ry's comin' aroun'
see
[ Colored blood](mu002004_Manuscripts_CL10011001_D4_1009)
My girl
see
[ Frank and Elly](mu002004_Manuscripts_CL10011001_D4_1030)
56/7
No Mason Dixon Line
Robert Russell Bennett manuscript full score
in ink ; 58 p.
Alternate title: It's getting hotter in the
North
Note: this number was dropped during
pre-Broadway tryout
58/17
Ol' man river
Holograph sketch in ink over pencil ; [1]
p.
58/18
Ol' man river
Copyist manuscript piano-vocal score in ink ;
6 p.
63/7
Ol' man river #3, B major
Parts
64/1
Ol' man river #3, C major
Parts
64/2
Ol' man river #33 reprise,
B major
Parts
64/3
Ol' man river #33 reprise,
D major, D-flat major
Parts, 2 sets
58/19
Opening act I scene 1
Holograph piano-vocal score/sketch in pencil
and ink, some dummy lyrics by Kern ; 16 p. + [4] p.
58/20
Opening act I scene 3 -
waterfront saloon
Holograph piano-vocal score/sketch in ink ; 4
p.
56/8
Opening act II
Robert Russell Bennett manuscript full score
in ink ; 60 p.
56/9
Opening act II
Robert Russell Bennett manuscript full score
in ink ; 4 p.
58/21
Opening act II
Holograph piano-vocal score/sketch in ink ;
[12] p.
Note: this is not the version used in the
show
64/4
Opening act II #19
Parts
64/5
Opening act II #19a
incidental
Parts
56/10, 57/1
Opening chorus
Robert Russell Bennett manuscript full score
in ink, annotations in Kern's hand in pencil ; 131 p.
Includes: Make believe (p. 99)
64/6
Opening chorus part I #1
Parts
65/1
Opening chorus part II #2
Parts
65/2
Opening final scene #35a
Parts
57/2
Opening pantry scene
Robert Russell Bennett manuscript full score
in ink ; p. 1-5, A-G
Note: segues directly into "Can't help
lovin' dat man"
Note: crossed out full score material on
back of p. A-G, titled "Magnolia and Julie continue"
58/22
Opening pantry scene, Act I
scene 2
Holograph piano score in ink ; [3]
p.
65/3
Opening pantry scene #4
Parts
65/4
Opening scene #6
Parts
58/23
Opening trocadero, act II
scene 6
Holograph piano-vocal score/sketch in ink ;
[6] p.
58/23
Opening trocadero act II
scene 6
Robert Russell Bennett manuscript piano score
in ink ; [1] p. (incomplete)
57/3
Overture
Robert Russell Bennett manuscript full score
in ink ; 31 p.
65/5
Overture
Parts
58/24
Queenies ballyhoo
Holograph piano-vocal score/sketch in ink ;
[3] p.
65/6
Queenie's dance #14a
Parts
57/4
Queenie's outburst
Robert Russell Bennett manuscript full score
in ink ; 30 p.
Alternate titles: Queenie's ballyhoo; C'mon
folks
66/1
Queenie's outburst #14
Parts
66/2
Rehearsal scene - N1 #10
Parts
66/3
Rehearsal scene - N2 #10a
Parts
Note: for horn and trumpet parts see
"Rehearsal scene - N1"
57/5
Sammy White
Robert Russell Bennett manuscript full score
in ink ; 10 p.
66/4
Sammy White #15, #15a
Parts
58/25
Scena (Magnolia and Julie),
act I scene 2
see also
[ Magnolia and
Julie](mu002004_Manuscripts_CL10011001_D4_1051)
Holograph piano-vocal score/sketch in ink,
partial lyric ; [4] p.
58/26
Scena (Magnolia and Julie)
Robert Russell Bennett manuscript piano-vocal
score in ink, lyric mostly in Kern's hand ; 8 p.
Note: both manuscripts for this cut scene
include reprises of "Make believe," one with a different lyric and
incomplete
58/26
Scena Magnolia and Julie,
act I scene 2
Copyist manuscript piano-vocal score in ink,
lyric in pencil, unfinished ; 8 p.
NOte: lyric in hand of the copyist,
Hammerstein, and Kern
59/1
Scena water-barrel, act I
scene 7
Holograph piano-vocal score/sketch in ink, no
lyric ; 4 p.
59/1
Scena water-barrel
Robert Russell Bennett manuscript piano-vocal
score in ink, lyrics in pencil ; 10 p.
Alternate titles: Creole love song;
Remembering you; Wanting you
57/6
Terzetto
Robert Russell Bennett manuscript full score
in ink ; [30] p.
Includes: I might fall back on you
59/2
Terzetto (Capt. Magnolia
and Parthy)
Holograph sketch in pencil ; [2]
p.
Note: refrain became "I might fall back on
you"
There'll be a hot time in
the old town tonight
see
[ A hot time in the
old town tonight](mu002004_Manuscripts_CL10011001_D4_1038)
'Till good luck comes my way
see
[ Waterfront
saloon](mu002004_Manuscripts_CL10011001_D4_1109)
59/3
'Till good luck comes my
way
Holograph sketch in ink ; [3] p.
66/5
Trocadero cake walk #26
Parts
66/6
Villain's dance
Flute part only
66/7
*Washington Post march #24,
#29
Parts
Note: Music by John Philip Sousa
66/8
Wasserman part III #11
Parts
57/7
Waterfront saloon ; 'Till
good luck comes my way
Robert Russell Bennett manuscript full score
in ink ; p. 1-11, 1-21
66/9
Waterfront saloon #9
Parts
57/8
Why do I love you?
Robert Russell Bennett manuscript full score
in ink ; 31 p. + 2nd p. 31
59/4
Why do I love you?
Copyist manuscript piano-vocal score in ink ;
5 p.
67/1
Why do I love you? #20
Parts
59/5
Yes m'am! (Elly and boys),
act I scene 3
Holograph piano-vocal score/sketch in ink, no
lyric ; 5 p.
Note: became "First mate Martin" in Sweet Adeline
57/9
You are love
Robert Russell Bennett manuscript full score
in ink and pencil ; 42 p. (incomplete)
Note: on back of p. 41 are 2 measures that
could serve as an ending to p. 40
59/6
You are love - Water-barrel
scene
Copyist manuscript piano-vocal score in ink ;
7 p.
67/2
You are love #13
Parts
67/3
You are love #16
Parts
67/4
You are love reprise #35,
E-flat major
Parts
67/5
You are love reprise #35, F
major
Parts
57/10
Miscellaneous full
score
Robert Russell Bennett manuscript full score
in ink ; [6] p.
Includes: Rejected pages/Opening act II;
Rejected p. 21 + 22/Rehearsal #7/ Lover's part; Scena Magnolia and
Julie
59/7
Miscellaneous Kern
sketches
Holograph sketches in ink ; [2] p.
Includes: notes for R.R.B.; Act II scene 5,
Frank does this version to show Nola how to land a job; Segue 1st verse
and refrain 'Can't Help Lovin' dat Man' Act I Scene
59/7
Unidentified Kern
sketches
Holograph sketches in ink ; [2] p.
Includes: "Frank & Elly dance"
manuscript in pencil, crossed out
59/8
Miscelaneous piano-vocal
scores
Robert Russell Bennett manuscript piano-vocal
scores in ink, most with no lyrics ; p. [1], 3-4, 3-6, 19-20
Note: p. [1] melody only; titled "before
Lady Luck"
59/9
Material for preparation of
published piano-vocal score - overture
Manuscript (mostly Leonid Raab) piano score
in pencil ; 4 p.
59/9
Material for preparation of
published piano-vocal score
Manuscript (mostly Robert Russell Bennett)
piano-vocal score in ink, annotations by Bennett, Kern and others ; p.
9-14, [7]-44
Includes: Opening ; Captain Andy's ballyhoo
; Who cares if my boat goes upstream ; Make believe
59/9
Material for preparation of
published piano-vocal score
Copyist manuscript piano-vocal score in ink ;
12 p.
Includes: Ol' man river
59/9
Material for preparation of
published piano-vocal score
Robert Russell Bennett manuscript piano score
in ink ; 3 p.
Includes: Scene 2 Kitchen pantry of the
"Cotton Blossom" - introduction and opening
59/9
Material for preparation of
published piano-vocal score
Robert Russell Bennett manuscript piano-vocal
score in ink with inserts from printed score ; p. 4-21
Includes: Can't help loving that
man
59/9
Material for preparation of
published piano-vocal score
Robert Russell Bennett manuscript piano score
in ink ; 2 p.
Includes: Scene 3 Outside a waterfront
saloon - opening
Note: [.5] p. attachment to complete the
end
59/10
Show Boat selection
Hans Spialek manuscript piano score in ink ;
p. 1-9, 9a, 10-15
59/10
Show Boat selection
Manuscript piano score in ink, includes
pasteovers from printed score ; 17 p.
Note: compiled and arranged by Victor
Baravalle
59/10
Show Boat selection
Stephen O. Jones manuscript piano score in
pencil, includes pages laid in from the printed score with annotations in
pencil ; 27 p.
59/11
Show Boat : grande valse
Manuscript piano score in ink ; [8]
p.
67/6
Harp parts
Parts
67/7
Unidentified
Violin parts
59/12
Partial script and lyric
sheet, act I scene 1
Typescript script, annotations by Kern in
pencil ; p. [1]-26
59/12
Partial script and lyric
sheet, scene 5
Typescript script, annotations by Kern in ink
; 4 p.
59/12
Partial script and lyric
sheet, Bill
Typescript lyric sheet ; [1] p.
59/13
Souvenir program, Ziegfeld
theatre
Printed program for New York opening with
annotations in pencil ; [38] p.
59/14
Musical program
Manuscript (probably Charles Miller) contents
list for printed piano-vocal score, in pencil ; [2] p.
The Siren
(1911) lyric by Matthew Woodward
68/1
My heart I cannot give to
you
Copyist manuscript piano-vocal score in ink,
signature and title by Kern ; [3] p.
68/1
My heart I cannot give to you
Typescript lyric sheet, annotations in red
ink ; [2] p.
Sitting Pretty
(1924) lyrics by P.G. Wodehouse
68/2
All the world is dancing
mad
Robert Russell Bennett manuscript full score
in ink ; 33 p.
68/3
All you need is a girl!
Max Steiner manuscript full score in ink,
annotations in pencil ; 22 p.
71/1
All you need is a girl
(duettino: Bill and May)
Copyist manuscript piano-vocal score in ink ;
5 p.
Laid in: Typescript lyric sheet ; [1]
p.
68/4
Ballet ; Shadow of the moon
- score II
Max Steiner and Charles Miller? manuscript
full score in ink, annotations in red ink ; p. 1-14, 11-16, 21-22,
25-26
Note: drawn from "Shadow of the moon," "Mr.
& Mrs. Rorer" et al.
68/5
Bongo on the Congo
Max Steiner manuscript full score in ink,
annotations in pencil ; 13 p. + [2] p. of notes
71/2
Bongo on the Congo
Holograph sketch in pencil ; [2]
p.
71/2
Bongo on the Congo
Copyist manuscript piano-vocal score in ink,
lyric in pencil by P.G. Wodehouse ; [4] p.
71/2
Bongo on the Congo (trio:
Judson, Jo, Horace)
Copyist manuscript piano-vocal score in ink,
2nd lyric in red pencil ; 5 p.
Laid in: Typescript lyric sheet ; 3
p.
Dear old fashioned prison of
mine
see
[ Prison of mine](mu002004_Manuscripts_CL10011001_D4_1180)
; [ Tulip time in Sing
Sing](mu002004_Manuscripts_CL10011001_D4_1197)
68/6
Desert island
Robert Russell Bennett manuscript full score
in ink, annotations by Max Steiner ; 22 p.
71/3
Desert island
Holograph sketch in pencil ; 2 p.
71/3
On a desert island with you
Copyist manuscript piano-vocal score in ink
and red pencil ; [5] p.
71/3
On a desert island with you
Copyist manuscript piano-vocal score in ink,
no lyric ; 5 p.
71/4
The enchanted train
Holograph sketch in pencil ; 2 p.
71/4
The enchanted train
Copyist manuscript piano-vocal score in ink ;
9 p.
71/4
The enchanted train
see also
[ The magic
train](mu002004_Manuscripts_CL10011001_D4_1173)
Copyist manuscript piano-vocal score in ink,
annotations in pencil and incomplete lyric, some in Kern's hand ; [10]
p.
Typescript lyric sheet ; [1] p.
71/4
The enchanted train
see also
[ The magic
train](mu002004_Manuscripts_CL10011001_D4_1173)
Typescript lyric sheet ; [1] p.
68/7
Exit march
Manuscript full score in ink, annotations by
Max Steiner ; 8 p.
68/8
Finale ultimo
Robert Russell Bennett manuscript full score
in ink ; [1] p. (incomplete)
71/5
Finale
Copyist manuscript piano-vocal score in ink,
some pencil lyrics in Kerns hand ; p. 17-18, 21-27
Note: unused piano part
68/9
Finaletto
Robert Russell Bennett manuscript full score
in ink, annotations by Max Steiner ; p. 1-48, 39-57, + [1] p. laid
in
71/6
Finaletto act I
Holograph sketch ; 10 p.
68/10
I'd want only you
Robert Russell Bennett manuscript full score
in ink ; 21 p.
Alternate title: You alone would
do
Note: dropped before New York
opening
71/7
I'd want only you (You
alone would do)
Holograph sketch in pencil ; 1 p.
68/11
I'm wise
Hilding Anderson manuscript full score in ink
; 21 p.
68/12
Interlude
Robert Russell Bennett manuscript full score
in ink ; 11 p. (incomplete)
Just wait
see
[ Some girl will get
you](mu002004_Manuscripts_CL10011001_D4_1191)
68/13
Mr. and Mrs. Rorer
Robert Russell Bennett manuscript full score
in ink, annotations by Max Steiner ; p. 1-24, 26-34
71/8
Mr. and Mrs. Rorer
Holograph sketch in pencil ; 4 p.
71/8
Mr. and Mrs. Rorer
Robert Russell Bennett manuscript piano-vocal
score in ink ; 4 p.
69/1
The magic train
Robert Russell Bennett manuscript full score
in ink with corrections by Max Steiner ; p. 1-24 (p. 5-11, 17-24 are
photocopies)
Note: originals of the photocopied pages are
in "Overture"
69/1
2nd encore (magic train)
see also
[ The enchanted
train](mu002004_Manuscripts_CL10011001_D4_1158)
Max Steiner manuscript full score in ink ; 8
p.
On a desert island with you
see
[ Desert island](mu002004_Manuscripts_CL10011001_D4_1152)
69/2
Opening B
Robert Russell Bennett manuscript full score
in ink ; 46 p.
Note: this is the original "Opening,"
comprising "Scene music," "Roses are nodding" and "Coaching"
71/9
Opening B
Robert Russell Bennett manuscript sketch in
pencil ; 4 p.
71/9
Opening act I
Copyist manuscript piano-vocal score in ink,
annotations and partial lyric in pencil in Kern's hand ; p. 1-4,
9-16
69/3
Opening scene act II
Robert Russell Bennett manuscript full score
in ink, annotations in pencil ; 44 p.
69/4
Overture
Robert Russell Bennett manuscript full score
in ink, annotations by Max Steiner ; [39] p.
69/5
Prison of mine
Hilding Anderson manuscript full score in
ink, annotaitons by Max Steiner ; 9 p.
Alternate titles: Tulip time in Sing Sing;
Dear old fashioned prison of mine
71/10
Prison of mine
Holograph sketch in pencil ; [2]
p.
69/6
Queenie's number
Robert Russell Bennett manuscript full score
and Hilding Anderson insert (heavily crossed out) in ink, annotations by
Max Steiner; p. 1-23, 23A-23D, 24-31
Note: uses the same music as "Shadow of the
moon"
69/7
Shadow of the moon
see also
[ Ballet](mu002004_Manuscripts_CL10011001_D4_1146) ; [ Queenie's
number](mu002004_Manuscripts_CL10011001_D4_1182)
Manuscript full score in ink ; 31
p.
Note: for Dolly Sisters' post-Broadway
tour
71/11
Shadow of the moon
Copyist manuscript piano-vocal score in ink ;
6 p.
Laid in: Typescript lyric sheet ; [1]
p.
69/8
Shufflin' Sam
Robert Russell Bennett manuscript full score
in ink, annotations by Max Steiner ; 34 p.
69/9
Shufflin' Sam
Manuscript full score in ink ; 36
p.
Note: for Dolly Sisters' post-Broadway
tour
Includes: encore
71/12
Shufflin' Sam
Copyist manuscript piano-vocal score in ink ;
[5] p.
Laid in: Typescript lyric sheet ; [1]
p.
69/10
Sitting pretty
Robert Russell Bennett manuscript full score
in ink ; 23 p.
Note: cut before New York opening
71/13
Sitting pretty
Holograph sketch in pencil, including the
original lyric for burthen ; 2 p.
71/13
Sitting pretty
Copyist manuscript piano-vocal score in ink ;
[7] p.
Laid in: Typescript lyric sheet ; [1]
p.
Note: the holograph is different from the
final version of the song
70/1
Some girl will get you
Robert Russell Bennett manuscript full score
in ink ; 14 p.
Alternate title: Just wait
Note: cut before New York opening
Ten nights in a ball room
see
[ Miscellaneous/Unidentified Show Music](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_33)
70/2
There isn't one girl
Robert Russell Bennett manuscript full score
in ink, annotations by Max Steiner ; p. 1-12, 12-16
In caption: One girl who believes
70/2
There isn't one girl
Max Steiner manuscript full score in ink ; 9
p.
In caption: 2nd encore - I act 7a
70/3
There isn't one girl
Manuscript full score in ink ; 15
p.
Note: for Dolly Sisters' post-Broadway
tour
71/14
Troubles in a box
see also
[ Worries](mu002004_Manuscripts_CL10011001_D4_1203)
Holograph sketch in pencil ; [2]
p.
70/4
Tulip time in Sing Sing
see also
[ Prison of mine](mu002004_Manuscripts_CL10011001_D4_1180)
Manuscript full score in ink ; 10
p.
Note: for Dolly Sisters' post-Broadway
tour
71/15
Tulip time in Sing Sing
Robert Russell Bennett manuscript piano-vocal
score in ink, lyric in red pencil ; [4] p.
71/15
Tulip time in Sing Sing
Copyist manuscript piano-vocal score in ink,
no lyric ; [4] p.
70/5
Valse
Arranger's (probably Emil Gerstenberger)
manuscript full score in ink ; 7 p.
70/6
Worries - Pick up for
encore
Robert Russell Bennett manuscript full score
in ink, annotaitons by Max Steiner ; 28 p. + [1] p.
70/7
Worries
Manuscript full score in ink ; 28
p.
Note: for Dolly Sisters' post-Broadway
tour
71/16
Worries
see also
[ Troubles in a
box](mu002004_Manuscripts_CL10011001_D4_1196)
Copyist manuscript piano-vocal score in ink ;
5 p.
Laid in: Typescript lyric sheet ; [1]
p.
71/16
Worries
see also
[ Troubles in a
box](mu002004_Manuscripts_CL10011001_D4_1196)
Copyist manuscript piano-vocal score in ink,
annotations in pencil, no lyric ; 5 p.
70/8
A year from today
Robert Russell Bennett manuscript full score
in ink, annotations by Max Steiner ; 12 p.
71/17
A year from today
Copyist manuscript piano-vocal score in ink
and red pencil ; 5 p.
71/17
A year from today
Copyist manuscript piano-vocal score in ink,
no lyric ; 5 p.
Laid in: Typescript lyric sheet ; [1]
p.
You alone would do
see
[ I'd want only
you](mu002004_Manuscripts_CL10011001_D4_1164)
71/18
Sitting Pretty selection
Robert Russell Bennett manuscript piano score
in pencil with annotated pages from printed piano-vocal scores ; 22
p.
Includes: Worries; A year from today; Bongo
on the Congo; Shufflin' Sam; The enchanted train; All you need is a girl;
Shadow of the moon; Mr. and Mrs. Rorer
71/19
Unidentified
Holograph sketch in pencil ; [2]
p.
On back: crossed out cue sheet in Bennett
and Kern's hands in pencil ; [2] p.
71/20
Miscellaneous
parts
Parts
The Spring Chicken
(1906)
71/21
Gwendoline of Grosvenor
square
Copyist manuscript piano score in ink ; 10
p.
Note: dated 1912 (subsequent to the
show)
Stepping Stones
(1923) lyrics by Anne Caldwell
72/1
Babbling Babette
Holograph sketch in pencil ; 2 p.
72/1
Opening of scene
Robert Russell Bennett manuscript piano score
in ink ; [4] p.
72/2
Because you love the singer
(Trio: Loupina, Captain, DeWolfe)
Holograph sketch in pencil ; 3 p.
72/3
Cane dance, act II
Holograph sketch in pencil ; 4 p.
72/4
Cane dance encore
Hilding Anderson manuscript full score in ink
; 7 p.
72/5
The clock - opening act I
Holograph piano score/sketch in pencil, last
3 measures missing ; 3 p.
72/5
The clock - opening act I
Robert Russell Bennett manuscript piano score
in ink ; 2 p.
Alternate title: The nursery clock
72/6
DeWolfe's entrance
Holograph piano score in pencil ; [1]
p.
72/6
DeWolfe's entrance
Robert Russell Bennett manuscript piano score
in ink ; [1] p.
72/7
Dear little Peter Pan
Holograph sketch in pencil ; 4 p.
72/7
Dear little Peter Pan
Robert Russell Bennett manuscript piano score
in ink, annotations in pencil ; 3 p.
72/7
Dear little Peter Pan
Copyist manuscript piano-vocal score in ink ;
7 p.
72/8
Girl's entrance
see also
[ Little Red Riding
Hood](mu002004_Manuscripts_CL10011001_D4_1239)
Robert Russell Bennett manuscript piano score
in ink ; 4 p.
Laid in: Manuscript outline for musical
routine in pencil ; [1] p.
72/9
Growing men
Robert Russell Bennett manuscript piano score
in ink ; 2 p.
72/9
Growing men
Copyist manuscript piano score in ink ; [3]
p.
72/10
Hand in hand, act II
Holograph sketch in pencil ; 2 p.
Note: earlier title for "Stepping
stones"
72/11
I feel so sorry for the
rose
Robert Russell Bennett manuscript piano score
in ink ; 3 p.
72/12
I saw the roses and
remembered you
Six copyist manuscript piano-vocal scores in
ink, in 5 keys ; [27] p.
Note: Lyric by Herbert Reynolds
72/13
In love with love
Robert Russell Bennett manuscript piano score
in ink ; [2] p.
On cover: outline for musical routine in
ink
72/13
In love with love
Copyist manuscript piano-vocal score in ink,
annotations and lyric in pencil ; 5 p.
72/14
Last number
Robert Russell Bennett manuscript piano score
in ink ; 3 p.
72/14
Last number - Energetico
Holograph sketch in pencil ; 2 p.
72/15
Little angel cake
Robert Russell Bennett manuscript piano score
in ink ; 2 p.
On cover: outline for musical routine in
ink
72/15
Little angel cake - Intro
Holograph sketch in pencil ; [1]
p.
72/15
Little angel cake
Stephen O. Jones manuscript piano-vocal score
in ink, no lyric ; p. 3-4
72/16
Little Red Riding Hood, or,
Everybody calls me Little Red Riding Hood
see also
[ Girl's
entrance](mu002004_Manuscripts_CL10011001_D4_1225)
Robert Russell Bennett manuscript piano score
in ink ; [2] p.
On cover: outline for musical routine in
ink
72/16
Little Red Riding Hood, or,
Everybody calls me Little Red Riding Hood
see also
[ Girl's
entrance](mu002004_Manuscripts_CL10011001_D4_1225)
Copyist manuscript piano-vocal score in ink ;
5 p.
72/17
Little Red Riding Hood
entrance - Slow gavotte
Robert Russell Bennett manuscript sketch in
pencil, annotations by Kern ; [2] p.
72/18
Once in a blue moon (Prince
and girls)
Holograph sketch in pencil ; [2]
p.
72/18
Once in a blue moon (Prince
and girls)
Robert Russell Bennett manuscript piano score
in ink ; 2 p.
On cover: outline for musical routine in
ink
72/18
Once in a blue moon (Prince
and girls)
Copyist manuscript piano-vocal score in ink,
annotations in pencil, no lyric ; [4] p.
72/18
Once in a blue moon (Prince
and girls)
Copyist manuscript piano-vocal score in
pencil ; [4] p.
72/18
Once in a a blue moon (When
the moon is blue)
Typescript lyric sheet ; [1] p.
72/19
Opening Brittany scene
(arrival of Diligence)
Robert Russell Bennett manuscript piano score
in ink ; [1] p.
Note: title in Kern's hand
72/20
Our lovely rose
Robert Russell Bennett manuscript piano score
in ink ; 4 p.
On cover: outline for musical routine in
ink
72/21
Pie - terzetto
Holograph sketch in pencil ; 4 p.
Note: "Valse brillante (a.k.a. Iolanthe)" in
Kern's hand
72/22
Quintet - Terzetto
(DeWolfe, Captain, Lupina, 2 chorus girls)
Holograph sketch in pencil ; 5 p.
72/22
Quintet
Robert Russell Bennett manuscript piano score
in ink ; 4 p.
72/22
Quintet
Charles Miller manuscript piano-vocal score
in pencil, no lyric ; 2 p.
On verso of page 2: Robert Russell Bennett
manuscript sketch for "Pie" in pencil ; [1] p.
72/23
Raggedy Ann
Holograph sketch in pencil ; 1 p.
72/23
Raggedy Ann
Robert Russell Bennett manuscript piano score
in ink + sketch annotations in pencil at end ; 3 p.
72/23
Raggedy Ann
Copyist manuscript piano-vocal score in ink,
some lyrics in Kern's hand in pencil ; 4 p.
72/23
Raggedy Ann
Printed piano-vocal score with pasteovers ; 5
p.
72/24
Stepping stones
Robert Russell Bennett manuscript piano-vocal
score in ink, lyric in pencil ; 5 p.
72/24
Stepping stones
Typescript lyric sheet ; [1] p.
72/24
Stepping stones coronation
march
Printed piano-vocal score with cutouts and
additions, annotations in pencil ; 5 p.
72/25
Stepping stones dance
Holograph sketch in pencil ; [1]
p.
72/25
Stepping stones dance
Robert Russell Bennett manuscript piano score
in ink ; 2 p.
72/26
Wonderful dad
Copyist manuscript piano score in ink ; [4]
p.
72/26
Wonderful dad
Copyist manuscript piano-vocal score in ink,
lyric in pencil ; [4] p.
72/27
Stepping Stones selection
Robert Russell Bennett manuscript piano score
in ink ; 13 p.
72/28
Unidentified
Copyist manuscript piano-violin score in ink
with unrealized piano part ; p. 1-2, 4-5
72/29
Miscellaneous
Proof and cutouts from program affixed to
annotated cardboard for use in printed piano-vocal score ; [4]
p.
Stolen Dreams
see
[Men of the sky](mu002004_Manuscripts_CL10011001_D3_35)
Sunny
(1925) lyrics by Otto Harbach and Oscar Hammerstein II
108/2
Act II scene 3
Robert Russell Bennett manuscript full score
in ink and pencil ; 35 p.
73/1
The chase
Holograph piano-vocal score ; 5 p.
73/1
The chase
Copyist manuscript piano-vocal score in ink,
some lyrics, mostly in Kern's hand in pencil ; 10 p.
73/1
The chase
Typescript lyric sheet, annotations in Kern's
hand in pencil ; [2] p.
In caption: The runaway : musical
scene
108/3
Dance eccentrique
Robert Russell Bennett manuscript full score
in ink, annotations in pencil ; 8 p.
108/4
Dream a dream
Robert Russell Bennett manuscript full score
in ink ; 2 p. + 25 p.
Alternate title: Dream a little
dream
Note: Cut from show; includes
introduction
73/2
Dream a dream
Printed piano-vocal score ; p. 3-6
(incomplete)
108/5
Dream a dream reprise
Robert Russell Bennett manuscript full score
in ink ; 9 p.
73/3
D'ye love me?
Holograph sketch in pencil ; 3 p.
73/3
D'ye love me?
Copyist manuscript piano-vocal score in ink,
partial lyric in pencil ; 8 p.
73/3
D'ye love me?
Copyist manuscript piano-vocal score in ink,
no lyric ; [4] p.
73/3
D'ye love me?
Printed piano-vocal score, with Charles N.
Grant manuscript ukelele arrangement in pencil ; 5 p.
Entrance of girls
see
[ Miscellaneous/Unidentified Show Music](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_21)
108/6
Episode
Robert Russell Bennett manuscript full score
in ink ; 9 p.
Note: uses the music "Dream a
dream"
73/4
Episode
Robert Russell Bennett manuscript piano-vocal
score in ink, no lyric ; 8 p.
Includes: Dream a dream; D'ye love me?;
Under the sky
108/7
Finale act I
Robert Russell Bennett manuscript full score
in pencil and ink, annotations in pencil ; [74] p.
Note: "Hayweb" ("Wedding knell" p. 1-43) and
"Finale act I" were originally linked together
73/5
Finale act I
Holograph sketch in pencil ; [4]
p.
73/5
Melos preceding finale act
I
Copyist manuscript piano-vocal score in ink,
title in Kern's hand, no lyric ; [2] p.
108/8
First entrance of
passengers
Robert Russell Bennett manuscript full score
in ink ; 5 p.
73/6
First entrance of
passengers (2nd class) ; Second entrance of passengers (1st class)
Frank Saddler manuscript piano score in ink,
annotations in Kern's hand in pencil ; [4] p.
Note: this manuscript was originally
"Entrance of girls" before "Some party" in She's a
Good Fellow
Hayweb
see
[ The wedding
knell](mu002004_Manuscripts_CL10011001_D4_1321)
108/9
The hunt ball
Robert Russell Bennett manuscript full score
in ink ; 31 p.
73/7
The hunt ball ballet
Copyist manuscript piano score in ink ; 7
p.
73/7
The hunt ball ballet
Holograph sketch in pencil ; [2]
p.
73/7
T hunt ball - alternative
verse
Holograph sketch in pencil ; 2 p.
73/8
*I feel so sorry for the
rose
Copyist manuscript piano-vocal score in ink,
with violin obbligato ; [3] p.
Note: Music and lyrics by Carlo and Sanders
[?]
Note: dated 1923, no apparent relationship
with Sunny
73/9
I was alone
Copyist manuscript piano-vocal score in ink
with annotations in pencil, includes Albert Sirmay manuscript
introduction ; 3 p.
Laid in: Typescript lyric sheet ; [1]
p.
73/9
I was alone
Printed piano-vocal score ; 5 p.
Note: this song was added to the film of
Sunny
108/10
Let's say good night till
it's morning
Robert Russell Bennett manuscript full score
in ink, annotations in pencil ; 22 p.
73/10
Let's say good night till
it's morning
Copyist manuscript piano-vocal score in ink,
annotations in Kern's hand in pencil, no lyric ; 4 p.
Note: Typescript lyric sheet ; [1]
p.
108/11
Light dance
Robert Russell Bennett manuscript full score
in ink ; 8 p.
73/11
Light dance
Parts
108/12
Moon love
Robert Russell Bennett manuscript full score
in ink ; 25 p.
Note: this is the same music as "Moon love"
from The Beauty Prize, the music apparantly
re-used here for the song "Sunshine"
109/1
Opening
Robert Russell Bennett manuscript full score
in ink ; 61 p.
73/12
Opening act I
Copyist manuscript piano score in ink,
annotations in Kern's hand in pencil ; 11 p.
Note: this manuscript was taken from
"Finaletto" from Love o' Mike
73/13
Opening act II - Jim's gym
Holograph sketch in pencil ; 4 p.
109/2
Pas d'equestrienne
Robert Russell Bennett manuscript full score
in ink ; 19 p.
109/3
Second entrance of
passengers
see also
[ First entrance of
passengers](mu002004_Manuscripts_CL10011001_D4_1285)
Robert Russell Bennett manuscript full score
in ink ; 11 p.
109/4
So's your old man
Robert Russell Bennett manuscript full score
in ink ; 22 p. + 4 p. insert ; 5 p.
Includes: New intro
109/5
Strolling, or What have
you?
Robert Russell Bennett manuscript full score
in ink ; 20 p.
73/14
Strolling
Holograph piano-vocal score/sketch in pencil,
no lyric ; 7 p.
109/6
Sunny
Robert Russell Bennett manuscript full score
in ink ; 41 p.
73/15
Sunny
Albert Sirmay manuscript piano-vocal score in
pencil, for publication ; 7 p.
73/15
Sunny
Printed piano-vocal score, with Charles N.
Grant manuscript ukelele arrangement in pencil ; 5 p.
73/16
Sunny encore
Copyist manuscript piano-vocal score in ink,
no lyric ; p. 9-[20]
73/17
Sunny's entrance -
pantomime scena
Holograph sketch in pencil, includes stage
directions ; 3 p.
73/18
Sunny's 1st entrance on
circus horse (continued)
Holograph sketch in pencil ; [1]
p.
73/19
Sunshine
see also
[Moon love](mu002004_Manuscripts_CL10011001_D4_1298)
Copyist manuscript piano-vocal score in ink ;
6 p.
Laid in: Typescript lyric sheet laid in ;
[1] p.
109/7
Tonsils
Robert Russell Bennett manuscript full score
in ink ; 6 p.
Note: cut from show
109/8
Trio
Robert Russell Bennett manuscript full score
in ink ; 18 p.
Note: this may be the music for the cut song
"It won't mean a thing"
73/20
Two little bluebirds
Copyist manuscript piano-vocal score in
pencil ; [4] p.
73/20
Two little bluebirds
Manuscript lyric sheet in pencil ; [1]
p.
109/9
Two total losses
Robert Russell Bennett manuscript full score
in ink ; 12 p. + [1] p.
109/10
Under the sky
Robert Russell Bennett manuscript full score
in ink ; 40 p.
Note: this song was cut from show
In caption: Waltz -- duo
73/21
Under the sky
Robert Russell Bennett manuscript piano-vocal
score in ink, annotations in Kern's hand in pencil ; 13 p.
In caption: Waltz duet
73/21
Under the sky
Albert Sirmay manuscript piano-vocal score in
pencil ; 6 p.
In caption: Waltz -- duo
109/11
The wedding knell
Robert Russell Bennett manuscript full score
in ink ; 43 p. + p. 43a
Note: music may be the same as for
"Hayweb"
73/22
The wedding knell
Holograph sketch in pencil ; [4]
p.
73/22
The wedding knell -
interludiary material
Holograph sketch in pencil ; 2 p.
109/12
When we get our divorce
Robert Russell Bennett manuscript full score
in ink ; 34 p.
73/23
When we get our divorce
Holograph sketch in pencil ; [1]
p.
On verso: Three measure pencil
sketch
73/23
Divorce number
Copyist manuscript piano score in ink ; [2]
p.
109/13
Who? - new verse
Robert Russell Bennett manuscript full score
in ink ; 37 p. + p. 13 ; 6 p. + [1] p.
73/24
Who?
Albert Sirmay manuscript piano-vocal score in
pencil, for publication ; 5 p.
73/24
Who?
Copyist manuscript piano-vocal score in ink,
no lyric ; 6 p.
73/24
Who?
Typescript lyric sheet, annotations in pencil
; [1] p.
73/24
Who?
Two printed piano-vocal scores , 1 with May
Singhi Breen manuscript ukelele arrangement in pencil ; 5 p.
73/25
Wishing well scene
see also
[Miscellaneous/Unidentified Show Music](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_21)
Copyist manuscript piano-vocal score in ink,
annotations in Kern's hand in pencil ; 12 p.
Note: written for act II of Dear Sir
73/25
Wishing well scene
see also
[ Miscellaneous/Unidentified Show Music](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_21)
Copyist manuscript piano-vocal score in ink,
annotations and sections in Kern's hand in pencil, no lyric ; p. 1-4, 7 ,
7, 9
Titled: At the wishing well - Finaletto and
opening scene II act II
73/26
Unidentified/miscellaneous
holographs : Untitled
Holograph piano-vocal score in pencil ; p.
7-10
Note: from The City
Chap
73/26
Unidentified/miscellaneous
holographs
Holograph sketch in pencil ; 2 p.
Includes: Misterioso
73/26
Unidentified/miscellaneous
holographs
Holograph sketch in pencil and unidentified
copyist manuscript piano-vocal score in ink, annotations in Kern's hand
in pencil, no lyric ; p. 1 ; p. 5-7
Includes: I wanna be there, from Dear Sir
73/26
Unidentified/miscellaneous
holographs
Holograph sketches in pencil ; [2]
p.
Includes: Opening chorus - Brown
Note: Robert continue from where I left
off
73/26
Unidentified/miscellaneous
holographs
Holograph sketch in pencil ; 5 measures on
scrap of paper
Includes: Sunny
74/1
Unidentifed/miscellaneous
manuscripts
Manuscripts in various hands (eg., Robert
Russell Bennett and Frank Saddler), including piano-vocal scores,
sketches, and odd items, in ink and pencil
Includes: Opening chorus; Ladies of the
evening; Clementina; Will you marry me; Won't you marry me; Palm Beach
toddle; Foolin' round
Note: most items are untitled, their
relationship to Sunny is unclear
74/2
Sunny Selection
Robert Russell Bennett manuscript piano score
in pencil with annotated pages from printed piano-vocal score ; 18 p. +
crossed out pages
Includes: Wedding scene, finale act I;
Sunny; D'ye love me?; At the hunt ball; Who?; Two little bluebirds; The
wedding knell
74/3
Lyrics for act I
Typescript lyric sheets ; 4 p.
Includes: Opening chorus act I; Sunny; Dream
a little dream; D'ye love me; The wedding knell; Finale act I
74/4
Polly of the Circus
Typescript for acts I and II, in 2 volumes
marked "Kern 1" and "Kern 2"
Note: this script was found with Sunny material, although the play was produced
on Broadway in 1907
Sweet Adeline
(1929) lyrics by Oscar Hammerstein II
74/5
Act 1 scene 1
Holograph sketch in pencil ; 2 p.
Includes: Play us a polka, Dot
Titled: Opening scene, act I scene I
#1
74/5
Act I scene I #1
Copyist manuscript piano-vocal score in
pencil ; 12 p.
Includes: There'll be a hot time in the old
town tonight; Play us a polka, Dot
74/6
Addie's entrance, act II
scene 2
Holograph piano-vocal sketch in pencil,
partial lyric ; [3] p.
On cover: Also used behind the scenes for
stage orchestra/end of scene I act II
74/7
Don't ever leave me!
see also
[ Yacht scene](mu002004_Manuscripts_CL10011001_D4_1412)
Copyist manuscript piano-vocal score in
pencil, for publication ; [3] p.
Note: incorrect lyric for verse, picked up
from Kern's score
74/8
End of entre acte - R.R.B.
last scene prelude
Holograph sketch in pencil, fragment ; [2]
p.
Includes: release from "Here am I"
74/9
End of roof garden
Robert Russell Bennett manuscript cue sheet
in pencil ; [4] p.
Includes: The sun about to rise; Why was I
born?; Don't ever leave me; Bicycle number
74/10
End scene I into scene II,
act I
Holograph piano sketch in pencil ; [4]
p.
Fin de siécle
see
[ Orchestral
reminiscence](mu002004_Manuscripts_CL10011001_D4_1377)
First mate Martin
see
[ Yes m'am!](mu002004_Manuscripts_CL10011001_D4_1413)
[
see: Poor wet fish](mu002004_Manuscripts_CL10011001_D4_1386)
Harbor scene
see
[ Yacht scene](mu002004_Manuscripts_CL10011001_D4_1412)
74/11
Here am I (Josie with flute
obbligato) #4
see also
[ The sun about to
rise](mu002004_Manuscripts_CL10011001_D4_1396)
Holograph sketch in pencil ; [2]
p.
74/11
Here am I #4
[
see also: The sun about to rise](mu002004_Manuscripts_CL10011001_D4_1396)
Copyist manuscript piano-vocal score in
pencil, no lyric ; 7 p.
74/11
Here am I
see also
[ The sun about to
rise](mu002004_Manuscripts_CL10011001_D4_1396)
Copyist manuscript piano-vocal score in
pencil, for publication ; p. 3-7
74/12
*If I'm dreaming (don't
wake me too soon)
Printed piano-vocal score ; p. 3-5
Note: Music by Joe Burke, lyric by Al
Dubin
Note: originally written for the film
version of Sally
74/13
*Indestructible Kate
Albert Sirmay manuscript piano-vocal score in
pencil ; 7 p.
Laid in: Typescript lyric sheet ; [2]
p.
Note: Music by Jerry Jarnagin, lyric by
Irene Franklin
74/13
*Indestructible Kate
Manuscript piano-vocal score in ink, fragment
of lyric in pencil ; [3] p.
Note: Music by Jerry Jarnagin, lyric by
Irene Franklin
74/14
Irish dance
Holograph sketch in pencil ; [3]
p.
Note: same music as "All you need is a girl"
from Sitting Pretty
74/14
Sprightly waltz
Holograph sketch in pencil, fragment of lyric
in Hammerstein's hand ; [2] p.
74/14
Irish number
see also
[ Molly
O'Donohue](mu002004_Manuscripts_CL10011001_D4_1368)
Robert Russell Bennett manuscript sketch in
pencil ; [1] p.
74/15
Jenny Lee
Manuscript sketch in pencil ; [2]
p.
In caption: Addies entrance miniature stages
Seekeriase - end of fight
74/16
Melodrama, act I scene 1
(Addie and Dot)
Holograph piano score in pencil ; [1]
p.
74/16
Melodrama
Copyist manuscript piano score in pencil ; 2
p.
74/17
Men - terzetto #3
Holograph piano score in pencil ; [1]
p.
74/17
Men - terzetto #3
Copyist manuscript piano-vocal score in
pencil, no lyric ; 5 p.
74/17
Men - terzetto #3
Copyist manuscript piano-vocal score in ink,
no lyric ; 6 p.
74/18
Military episode
Copyist manuscript piano score in ink, some
annotations & sections in Kern's hand in pencil ; [2] p.
74/19
Molly O'Donohue
see also
[ Irish dance/Irish
number](mu002004_Manuscripts_CL10011001_D4_1360)
Copyist manuscript piano-vocal score in
pencil ; 9 p.
Note: includes dance
74/20
My husband's first wife
Holograph sketch in pencil, no lyric [3]
p.
Note: Lyric by Irene Franklin
74/20
My husband's first wife
Copyist manuscript piano-vocal score in
pencil, no lyric ; [4] p.
Note: Lyric by Irene Franklin
74/21
Naughty boy #7
Copyist manuscript piano-vocal score in ink ;
5 p.
74/22
No one
Hans Spialek manuscript sketch in pencil ;
[3] p.
Note: this melody became "Stolen
Dreams"
74/22
No one
Hans Spialek manuscript piano-vocal score in
pencil, no lyric ; 7 p.
Note: this melody became "Stolen
Dreams"
74/23
Opening act II
Copyist manuscript piano-vocal score in ink,
no lyric ; 15 p.
Note: unknown song
74/24
Opening bicycle scene
see also
[ Take me for a
honeymoon ride](mu002004_Manuscripts_CL10011001_D4_1400)
Robert Russell Bennett manuscript piano score
in ink ; [1] p.
Opening scene
see
[ Act I scene 1](mu002004_Manuscripts_CL10011001_D4_1342)
75/1
Orchestral reminiscences -
fin-de-siécle
Copyist manuscript piano score in ink,
annotations in pencil, some in Kern's hand ; 27 p.
75/2
Out of the blue
Holograph sketch in pencil ; 2 p.
Titled: Male chorus and solo, act I scene 2
#6
75/2
Out of the blue
Copyist manuscript piano-vocal score in
pencil and ink ; 10 p.
75/2
Out of the blue
Copyist manuscript piano-vocal score in ink
with pasteovers in pencil, lyric in pencil ; 24 p.
Note: includes some choreographic
directions
75/2
Out of the blue
Copyist manuscript vocal arrangement (TTBB)
in ink ; 2 p.
75/2
Out of the blue
Copyist manuscript vocal arrangement (TTBB)
in pencil ; 2 p.
75/2
Out of the blue
Copyist manuscript piano-vocal score in
pencil ; 15 p.
On cover: This
is
not
the
correct
version! (See ink copy!)
Titled: Act I scene 2
75/2
Out of the blue
Holograph piano-vocal sketch in pencil
corresponding to p. 14-18 of the ink piano-vocal score ; 2 p.
Titled: Missing material #6 act I
75/2
Out of the blue
Copyist manuscript piano-vocal score in
pencil corresponding to p. 11-13 of the ink piano-vocal score ; 2
p.
75/3
Poor wet fish
see also
[ Yes, m'am](mu002004_Manuscripts_CL10011001_D4_1413)
Manuscript piano-vocal score in pencil ; [11]
p.
Note: became "First mate Martin"
75/4
Prelude act II
Holograph piano-vocal sketch in ink,
annotations in pencil, no lyric ; [1] p.
Note: includes phrase from "Why was I born?"
and "Here am I"
75/5
Reminiscence and melos ;
Addie hums (dancing)
Copyist manuscript piano-vocal score in
pencil, no lyric ; [3] p.
75/5
Addie hums (dancing)
Holograph piano-vocal sketch in pencil ; [1]
p.
Includes: The sun about to rise; Out of the
blue
75/6
Re-opening of Fort George
scene
Holograph sketch in pencil ; [1]
p.
On back: Robert Russell Bennett manuscript
sketch in pencil ; [1] p.
75/7
*She was doing it all for
baby
Manuscript piano-vocal score in ink, no lyric
; [4] p.
75/7
She was is doing it all for
baby
Albert Sirmay manuscript piano-vocal score in
pencil, lyric in ink ; 7 p.
Laid in: Typescript lyric sheet ; [2]
p.
Note: Music by Jerry Jarnagin, lyric by
Irene Franklin
75/8
*A simple little string
Printed piano-vocal score, "#2 in Roof
Garden" in Kern's hand on cover ; 7 p.
Note: from The Circus
Girl (1897)
Note: Music by Lionel Monckton
75/9
Some girl is on your mind :
quasi parlando
Holograph piano-vocal score in pencil, no
lyric ; [8] p.
Note: on back is a list of musical numbers
for this show ; [2] p.
75/10
Spring song
Copyist manuscript piano-vocal score in
pencil, lyric in ink ; [7] p.
75/11
The sun about to rise
Holograph sketch in pencil ; [1]
p.
Note: on back are musical routine notes from
Show Boat in Kern's hand
75/11
The sun about to rise
Copyist manuscript piano-vocal score in ink
and pencil, for publication ; 5 p.
75/11
The sun about to rise
Copyist manuscript piano-vocal score in ink,
partial lyric in Hammerstein's hand (mostly erased) in pencil ; 5
p.
Note: on back is holograph piano score in
pencil of "Here am I" ; [1] p.
Titled: Nameless waltz
75/11
The sun about to rise
Copyist manuscript piano-vocal score in
pencil, no lyric ; 5 p.
Titled: Nameless waltz
75/12
Take me for a honeymoon
ride (duettino act II)
Holograph piano-vocal sketch in pencil, no
lyric ; [2] p.
75/12
Take me for a honeymoon
ride (duettino act II)
Copyist manuscript piano-vocal score in
pencil, no lyric ; 7 p.
Titled: Take me on a bicycle ride
75/13
'Twas not so long ago
(Volks-lied, act I scene I) #2
Holograph sketch in pencil ; [1]
p.
75/13
'Twas not so long ago #2
Copyist manuscript piano-vocal score in
pencil, for publication ; 9 p.
75/14
*Twenty years a queen of
burlesque
Manuscript piano-vocal score in ink, no lyric
; [3] p.
Note: Music probably by Jerry
Jarnagin
75/15
Well dressed men
Hans Spialek manuscript sketch in pencil ;
[2] p.
75/15
Well dressed men
Hans Spialek manuscript piano-vocal score in
pencil, no lyric ; 6 p.
75/16
Why was I born?
Holograph sketch in pencil ; [1]
p.
On verso: holograph sketch material
including a section in ink showing an earlier version of the
melody
Titled: I wish I knew #8
75/16
Why was I born?
Copyist manuscript piano-vocal score in
pencil, no lyric ; 4 p.
Titled: I wish I knew #8
75/16
Why was I born?
Copyist manuscript piano-vocal score in ink,
lyric in Kern's hand in pencil ; 6 p.
Titled: I wish I knew #8
75/16
Why was I born?
Copyist manuscript piano-vocal score in
pencil, for publication ; 4 p.
75/17
Yacht scene ; Don't ever
leave me
Copyist manuscript piano-vocal score in
pencil, no lyric ; [15] p.
On back: manuscript lead sheet/sketch in
pencil ; [1] p.
75/17
Yacht scene ; Don't ever
leave me
Copyist manuscript piano-vocal score in ink,
lyric in pencil and ink, some by Kern ; 17 p.
Note: listed in the program as "The harbor
scene"
75/18
Yes, m'am (Elly and boys)
see also
[ Poor wet fish](mu002004_Manuscripts_CL10011001_D4_1386)
Robert Russell Bennett manuscript piano-vocal
score in ink, lyric in pencil, mostly in Hammerstein's hand, partially in
Kern's hand, + holograph insert in pencil; 10 p. + [1] p.
Note: originally intended for Show Boat, became "First Mate Martin" in Sweet Adeline
75/19
Unidentified/miscellaneous
holographs
Holograph sketches in pencil ; [1]
p.
Includes: Why was I born?; Here am I; Jenny
Lee
On verso: part for "My gal is a high born
lady" from Show Boat
75/19
Unidentified/miscellaneous
holographs
Holograph (mostly) sketches in ink and pencil
; [4] p.
75/19
Unidentified/miscellaneous
holographs
Holograph sketches in pencil ; [1]
p.
Includes: release to "Here am I" and end of
"Don't ever leave me"
75/19
Unidentified/miscellaneous
holographs
Holograph sketches in pencil ; [1]
p.
Includes: Don't ever leave me
75/20
Unidentified/miscellaneous
manuscripts
Copyist manuscript piano-vocal score in ink,
annotations in pencil, partial lyric ; 8 p.
Includes: Act I opening scene 3
75/20
Unidentified/miscellaneous
holographs
Copyist manuscript choral arrangement in
pencil ; 3 p.
Includes: Act I opening scene 3; Chorus
parts insert
Note: the two items above go together,
representing an unknown song which might be "We're glad we're
here"
75/20
Unidentified
Manuscript sketches in pencil ; [2]
p.
75/21
Sweet Adeline Selection
Albert Sirmay manuscript piano score in
pencil with paste-ins from printed score ; 19 p.
Includes: Here am I; Why was I born; A girl
is on your mind; Don't ever leave me; 'Twas not so long ago
75/22
Lyric sheets
Typescript lyric sheets ; [13] p.
Includes: Here am I; Molly O'Donohue; Out of
the blue; Some girl is on your mind - Hoffman house scene; The sun about
to rise; 'Twas not so long ago (from the German)
Swing Time
(1936) lyrics by Dorothy Fields
102/23
Bojangles of Harlem
Negative photocopy of copyist manuscript
piano-vocal score ; 5 p.
Three Sisters
(1934) lyrics by Oscar Hammerstein II
Dorrie barges
see
[ I won't dance](mu002004_Manuscripts_CL10011001_D4_697)
from Roberta
Opening act II
see
[ Opening act
II - Entrance, melos and exit Philip](mu002004_Miscellaneous_Music_2_CL10021002_D3_5)
Toot-Toot!
(1918) lyrics by Berton Braley
76/1
Every young girl in America
Frank Saddler manuscript piano-vocal score in
pencil, no lyric ; 4 p. (p. 4 crossed out)
Alternate title: Every girl in all
America
76/2
Finale act II
Frank Saddler manuscript piano-vocal score in
pencil, no lyric ; 9 p.
In caption: Opening chor act II
76/3
Girlie no. 13
Frank Saddler manuscript piano-vocal score in
pencil, no lyric ; 2 p.
76/3
Girlie
Copyist manuscript piano-vocal score in ink ;
4 p.
76/3
Girlie
Printed piano-vocal score, annotations in
pencil, some in Bennett's hand ; 5 p.
76/4
Honeymoon land #7
see also
[ Omaha](mu002004_Manuscripts_CL10011001_D4_1435)
Copyist manuscript piano-vocal score in ink ;
[4] p.
76/5
If
Frank Saddler manuscript piano-vocal score in
pencil, no lyric ; 2 p.
Note: If you only cared enough; If (there's
anything you want)
76/6
It's immaterial to me
Holograph and Frank Saddler manuscript sketch
in pencil ; [3] p. + intro in Kern's hand on scrap of paper
Titled: Porter's song
76/7
*The last long mile
Printed piano-vocal score ; 5 p.
Note: Music and lyric by Emil
Breitenfeld
76/8
Omaha
Frank Saddler manuscript full score in ink ;
9 p.
76/9
Omaha
Holograph piano sketch in pencil ; 3
p.
Includes: New burthen for "Honeymoon
land"
76/10
Omaha #13a
Parts
76/11
Opening act II
Copyist manuscript piano-vocal score in ink,
no lyric ; [4] p.
Note: this may not be from Toot-Toot!
76/12
Opening chorus act 1 #1
Frank Saddler manuscript piano-vocal score in
pencil, no lyric ; 5 p. + [1] p. insert
76/13
Runaway colts
Frank Saddler manuscript piano-vocal score in
pencil, no lyric ; 2 p.
76/14
Smoke
Frank Saddler manuscript piano-vocal score in
pencil, no lyric ; 6 p.
76/15
Teepee
Parts
Alternate title: I will knit a suit of
dreams
Note: orchestrated by Charles
Miller
76/16
Toot-Toot! No. 1 1⁄2
Frank Saddler manuscript piano-vocal score in
pencil ; 7 p.
76/17
When you wake up dancing
Frank Saddler manuscript piano-vocal score in
pencil, no lyric ; 2 p.
Note: musical routine on back of p.
2
76/17
When you wake up dancing
Copyist manuscript piano-vocal score in ink ;
[4] p.
76/18
Yankee doodle on the line
Frank Saddler manuscript piano score in
pencil ; 2 p.
76/19
Lyric sheets
Typescript lyric sheets ; [3] p.
Includes: Immaterial to me; Nellie from
Omaha
Vanity Fair
[Various titles]
see
[ Dear Sir](mu002004_Manuscripts_CL10011001_D3_15)
Very Good Eddie
(1915) lyrics mostly by Schuyler Greene & Herbert Reynolds [M.E.
Rourke]
77/1
Babes in the woods
(duettino)
Frank Saddler manuscript full score in ink
and pencil ; 10 p.
On cover: Copyist Extract only ink notes pay
no attention to pencil marks. J. Kern Feb 20th/1917
77/2
Babes in the wood and
change of scene #10
C.M. Selling manuscript full score in ink and
pencil ; 20 p.
77/3
Buffo dance #9 1⁄2
see also
[ Buffo dance](mu002004_Manuscripts_CL10011001_D4_583)
from Nobody Home
C.M. Selling manuscript full score in ink ; 5
p.
77/4
The fashion show
Frank Saddler manuscript full score in ink ;
16 p.
77/4
The fashion show #11
C.M. Selling manuscript full score in ink ;
18 p.
77/5
Finale act II
C.M. Selling manuscript full score in ink ;
12 p.
Note:Includes:
Babes in the wood; If I find the girl; I've got to dance; Nodding
roses
Note:Note:
original orchestration
77/5
Finale act II #14
C.M. Selling manuscript full score in ink ; 4
p.
Note:Includes:
Babes in the wood; If I find the girl
Note: Casino version
77/6
Finaletto act I
[
see also: Miscellaneous/Unidentified Show
Music](mu002004_Miscellaneous_Unidentified_Show_Music_CL10011002_D3_21)
Frank Saddler manuscript full score in ink ;
28 p.
Note: p. 22-28 crossed out with note in
Kern's hand "copy in Here p+f Refrain 'Grand and Glorious Feeling' in
D"
77/7
I'd like to have a million
#12
C.M. Selling manuscript full score in ink ;
14 p.
77/7
I would like to have a
million
Charles Miller manuscript full score in ink ;
15 p.
Alternate titles: I wish I had a million;
I'd like to have a million in the bank
77/8
If I find the girl #7
C.M. Selling manuscript full score in ink ;
15 p.
77/8
If I find the girl
Frank Saddler manuscript full score in ink ;
12 p.
77/9
Isn't it great to be
married quartette #4
C.M. Selling manuscript full score in ink ; 9
p.
77/9
Isn't it great to be
married quartette #4
Frank Saddler manuscript full score in ink ;
11 p.
I've just been waiting for
you
see
[ I've just been
waiting for you](mu002004_Manuscripts_CL10011001_D4_506) from A Modern Eve
77/10
Nodding roses #13
C.M. Selling manuscript full score in ink ; 8
p.
77/10
Nodding roses
Frank Saddler manuscript full score in ink ;
p. a-b, 1-8
77/11
Old Bill Baker
Frank Saddler manuscript piano-vocal score in
ink ; [4] p.
Note: Lyric by Ring Lardner
Note: song added to show after
opening
Note: on p. [4] from Frank Saddler: "Jerry:
In case of death by bed-bug
poisoning use these two bars? --
$."
77/12
Old boy neutral #9
C.M. Selling manuscript full score in ink ;
13 p.
77/12
Old boy neutral
Charles Miller manuscript full score in ink ;
12 p.
77/13
On the shore of Le Lei Wi,
act II opening number #6
C.M. Selling manuscript full score in ink ;
15 p.
77/14
On the shore at Le Lei Wi
Frank Saddler manuscript full score in ink ;
12 p.
77/15
Opening act II
Frank Saddler manuscript full score in ink ;
34 p.
In caption: The little review
77/16
Opening ensemble, act I
Frank Saddler manuscript full score in ink ;
28 p.
77/17
The same old game #2
C.M. Selling manuscript full score in ink ;
18 p.
77/17
The same old game
Frank Saddler manuscript full score in ink ;
16 p.
77/18
Some sort of somebody #3
C.M. Selling manuscript full score in ink ;
10 p.
77/19
Wedding bells are calling
me, finale act I #5
C.M. Selling manuscript full score in ink ;
21 p.
77/19
Wedding bells are calling
me, act I finale
Frank Saddler manuscript full score in ink ;
14 p.
77/20
We're on our way, opening
number act I #1
C.M. Selling manuscript full score in ink ;
30 p.
77/21
West Point dance
C.M. Selling manuscript full score in ink ;
10 p.
77/21
West Point dance
Charles Miller manuscript full score in ink ;
11 p.
77/22
When you wear a 13 collar
#8
C.M. Selling manuscript full score in ink ;
10 p.
77/22
When you wear a 13 collar
Frank Saddler manuscript full score in ink ;
9 p.
Very Warm for May
(1939) lyrics by Oscar Hammerstein II
78/1
Act II #6
Two ozalids of manuscript piano score ; 5
p.
110/1
All in fun
Robert Russell Bennett manuscript full score
in ink and pencil ; p. 1-26, 22-30
78/2
All in fun
Albert Sirmay manuscript piano-vocal score in
pencil ; 7 p.
78/2
All in fun
Three ozalids of manuscript piano-vocal score
; 5 p. each
80/1
All in fun #28
Parts
80/2
All in fun - new #24
Parts
80/3
All in fun #24
Parts
110/2
All the things you are
Gus Levene manuscript full score in ink ; 10
p.
110/2
All the things you are
Robert Russell Bennett manuscript full score
in ink ; 12 p. (incomplete?)
78/3
All the things you are
Albert Sirmay manuscript piano-vocal score in
pencil, for publication ; 8 p.
78/3
All the things you are, are
mine (duet)
Albert Sirmay manuscript piano-vocal score in
pencil ; 9 p.
78/3
All the things you are, are mine (duet)
Two ozalids of manuscript piano-vocal score ;
7 p. each
78/3
All the things you are, are
mine
Ozalid of manuscript piano-vocal score, no
lyric ; 5 p.
113/8
All the things you are, are
mine
Robert Russell Bennett manuscript choral
arrangement in ink ; 4 p.
113/8
All the things you are, are
mine
Copyist manuscript choral parts in
ink
80/4
All the things you are #9
Parts
80/5
All the things you are
Printed parts (arrangement by Jack
Mason)
78/4
All the things you are, are
mine ballet, act I finale
Copyist manuscript piano-vocal score in ink,
no lyric ; 3 p.
78/4
Ballet #11
Ozalid of manuscript piano-vocal score,
annotations in pencil, no lyric ; 5 p.
78/5
The arm of the law
see also
[
Pizzicato](mu002004_Miscellaneous_Music_2_CL10021002_D3_22)
Ozalid of manuscript piano-vocal score, lyric
in pencil ; 5 p. (3 of p. 5)
In caption: The dance must go on
110/3
Babbling brook dance
Robert Russell Bennett manuscript full score
in ink ; 9 p.
80/6
Babbling brook dance #7a
Parts
110/4
Boogiewoogie dance
Robert Russell Bennett manuscript full score
in ink ; 37 p.
110/4
New bars boogie
Robert Russell Bennett manuscript full score
in ink ; p. a-b, x
78/6
Boogie woogie #10b
Manuscript sketch in pencil ; 5 p. + [1]
p.
78/6
Boogie woogie #10b section
3
Manuscript (Bobby Dolan?) short score insert
in ink and pencil ; [1] p.
Note: This in place of piano break in Boogie
Woogie if desired
80/7
Boogie woogie dance #10b
Parts
110/5
Brain ballet #21
Robert Russell Bennett manuscript full score
in ink ; p. 1-67, 1-5, 68-77, 68-71
Includes: New end
Note: this is the same music as "In the
heart of the dark"
81/1
Brain ballet #21
Parts
81/2
Change music #21a
Parts
110/6
Curtain rises act one
Robert Russell Bennett manuscript full score
in ink ; 38 p.
81/3
Curtain rises act one #1
Parts
Dance Dada sequence
see
[ Dress rehearsal
opening](mu002004_Manuscripts_CL10011001_D4_1513) ; [Finale ultimo a](mu002004_Manuscripts_CL10011001_D4_1524)
81/4
Dress rehearsal opening -
new 22 change
see also
[ Finale ultimo
a](mu002004_Manuscripts_CL10011001_D4_1524)
Parts
Note: Dance Dada sequence was made up of Dress rehearsal opening and Finale ultimo a-h
78/7
Encore #6
Two ozalids of manuscript piano score ; 4
p.
110/7
End of Matty
Robert Russell Bennett manuscript full score
in ink ; 1 p.
81/5
End of Matty #21b
Parts
81/6
Entr'acte
Parts
110/8
Essence seventeen #25
[
see also: "In other words,
seventeen"](mu002004_Manuscripts_CL10011001_D4_1562)
Robert Russell Bennett manuscript full score
in ink ; 7 p.
81/7
Essence seventeen #25
Parts
110/9
Finale act I
Robert Russell Bennett manuscript full score
in ink ; 14 p.
110/9
Finale act I - seventeen --
Winnie's reprise
Photocopy of Robert Russell Bennett
manuscript full score ; p. 2-13, 13a
81/8
Finale act I #16a
Parts
110/10
Finale night club (15th bar
on)
Robert Russell Bennett manuscript full score
in ink ; p. a-g
111/1
Finale ultimo a
Robert Russell Bennett manuscript full score
in ink ; p. 1-4, 1-2
Alternate title: All the things you are :
underscoring
Note: Dance Dada sequence was made up of Dress rehearsal opening and Finale ultimo a-h
Titled: Dress rehearsal opening ; Finale
ultimo a
82/1
Finale ultimo a #23a
Parts
111/2
Finale ultimo b
Robert Russell Bennett manuscript full score
in ink ; 5 p.
Alternate title: Pale moon beams
82/2
Finale ultimo b
Parts
111/3
Finale ultimo c
Gus Levene manuscript full score in pencil ;
10 p.
Erased title: There's something about a
musket
Note: the dance "The brook and the lady in
violet"; it used the theme from "Musket" or "Cricket tune"
82/3
Finale ultimo c
Parts
111/4
Finale ultimo d-e
Robert Russell Bennett manuscript full score
in ink ; 7 p.
Note: out-of-town this number was known as
"The tree and the lady in orchid"; on Broadway it became "The lady in red
(toe dance for Kate Friedlich)"
82/4
Finale ultimo d-e #23b
Parts
111/5
Finale ultimo f that lucky
fellow
Gus Levene manuscript full score in ink ; 17
p.
Alternate titles: The blackbird and the lady
in white; That lucky fellow
82/5
Finale ultimo f that lucky
fellow - new #27a
Parts
111/6
Finale ultimo g
Robert Russell Bennett manuscript full score
in ink ; 14 p.
Alternate title: The deer and the Park
Avenue lady
Note: uses the same melody as "Pale moon
beams"
82/6
Finale ultimo g #23c
Parts
111/7
Finale ultimo h
Robert Russell Bennett manuscript full score
in ink ; 14 p.
Alternate title: The wind and the lady in
motley
82/7
Finale ultimo h
Parts
111/8
Finale ultimo i
Robert Russell Bennett manuscript full score
in ink ; 14 p.
Note: "Finale ultimo i-n" were the real
"Finale ultimo" of the out-of-town show, but were not used on
Broadway
82/8
Finale ultimo i
Parts
111/9
Finale ultimo jk + lmn
Robert Russell Bennett manuscript full score
in ink ; p. 1, 13-33
111/10
Finaletto scene I
Robert Russell Bennett manuscript full score
in ink ; 18 p.
78/8
Finaletto scene I
Ozalids (3) of manuscript piano-score ; 4
p.
82/9
Finaletto scene I #3
Parts
111/11
*The flight of the
bumble-bee
Printed piano arrangement by Paolo Gallico,
annotations in pencil ; 7 p.
Note: Music by Rimsky-Korsakov
111/11
*The flight of the
bumble-bee
Manuscript full score in ink and red pencil ;
18 p.
Note: Music by Rimsky-Korsakov
83/1
The flight of the
bumble-bee #10a
Parts
Note: Music by Rimsky-Korsakov
111/12
Heaven in my arms #15 ;
Loper Barrot #15a ; Serpentine #15b
see also
[ Music in my
heart](mu002004_Manuscripts_CL10011001_D4_1584)
Robert Russell Bennett manuscript full score
in ink ; 54 p.
78/9
Heaven in my arms (Music in
my heart)
Printed piano-vocal scores (3), variant
annotations ; 5 p.
78/9
Heaven in my arms - Night
club
Manuscript (mostly Robert Russell Bennett)
piano score in ink ; 11 p.
Laid in: Manuscript insert "after 6" short
score/full score sketch in pencil ; [1] p.
Note: according to John McGlinn this was an
old version of "Heaven in my arms" that was cut out of town
83/2
Heaven in my arms #15c
Parts
78/10
Heaven in my heart -
correction for last two lines of p. 5
Albert Sirmay manuscript piano-vocal score in
pencil ; [1] p.
111/13
High up in Harlem
Robert Russell Bennett manuscript full score
in ink ; 2 p.
Titled: Introduction to 27
111/13
High up in Harlem #27
Arranger's holograph (Nathan Lang Van Cleve)
full score in ink ; 26 p.
78/11
High up in harlem
Albert Sirmay manuscript piano-vocal score in
pencil, for publication ; 5 p.
Laid in: Typescript lyric sheet ; [1]
p.
78/11
High up in harlem
Manuscript (Hugh Martin) piano-vocal score in
ink and pencil ; [16] p.
78/11
High up in harlem
Two ozalids of manuscript piano-vocal score,
no lyric ; 4 p.
Laid in: Two typescript lyric sheets and
note in one copy
83/3
High-up-in Harlem #27
Parts
83/4
High up in Harlem #28
Parts
83/5
Hightower Craven #15dand
Parts
78/12
L'histoire de Madame de la
Tour
Ozalid of manuscript piano-vocal score ; 7
p.
78/12
Introduction to L'histoire
de Madame de la Tour
Manuscript piano score in pencil ; [1]
p.
78/12
L'histoire de Madame de la
Tour dance - Tempo di gavotte
Manuscript piano sketch in pencil ; p. 1-2,
7
111/14
In other words, seventeen
Robert Russell Bennett manuscript full score
in ink and pencil ; p. 1-13, 13a, 14-40, 36
78/13
In other words, seventeen
Albert Sirmay manuscript piano-vocal score in
pencil, for publication ; 7 p.
78/13
In other words, seventeen
Printed piano-vocal scores (2) ; 5
p.
78/13
In other words, seventeen
Ozalid of manuscript piano-vocal score ; 10
p.
78/13
In other words, seventeen
revised
Ozalids (3) of manuscript piano-vocal score,
variant annotations in pencil ; 12 p.
83/6
In other words, seventeen
#2
Parts
78/14
In the heart of the dark
see also
[ Brain ballet](mu002004_Manuscripts_CL10011001_D4_1507)
Albert Sirmay manuscript piano-vocal score in
pencil, for publication ; 6 p.
78/14
In the heart of the dark
see also
[ Brain ballet](mu002004_Manuscripts_CL10011001_D4_1507)
Copyist manuscript piano-vocal score in ink ;
[4] p.
Laid in: Typescript lyric sheet ; [1]
p.
78/14
In the heart of the dark
see also
[ Brain ballet](mu002004_Manuscripts_CL10011001_D4_1507)
Ozalid of manuscript piano-vocal score with
marimba, lyric in pencil ; 5 p.
78/14
In the heart of the dark
see also
[ Brain ballet](mu002004_Manuscripts_CL10011001_D4_1507)
1st proof for printed piano-vocal score with
annotations in pencil ; p. 2-4
78/14
In the heart of the dark
see also
[ Brain ballet](mu002004_Manuscripts_CL10011001_D4_1507)
Printed piano-vocal scores (2) ; 5
p.
78/14
In the heart of the dark -
brown
see also
[ Brain ballet](mu002004_Manuscripts_CL10011001_D4_1507)
Robert Russell Bennett manuscript piano-vocal
score in ink ; 2 p.
113/9
Johnny Graham's Wutsie
Manuscript (partly Robert Russell Bennett)
condensed score in pencil, annotations in ink ; 8 p.
83/7
Loper and Barrat #15e
see also
[ Heaven in my
arms](mu002004_Manuscripts_CL10011001_D4_1547)
Parts
112/1
May escapes
Robert Russell Bennett manuscript full score
in ink ; 18 p.
84/1
May escapes #4
Parts
112/2
May tells all
Robert Russell Bennett manuscript full score
in ink ; 14 p.
78/15
May tells all
Copyist manuscript piano-vocal score in ink
and ozalid copy ; 7 p. each
Titled: Patsy tells all
78/15
May tells all
Ozalid of manuscript piano-vocal score,
annotations in pencil ; 7 p.
84/2
May tells all #12
Parts
112/3
May's dance #1a
Robert Russell Bennett manuscript full score
in ink and pencil ; 18 p.
84/3
May's dance #1a
Parts
78/16
Me and the roll and you
Two ozalids of manuscript piano-vocal score,
variant annotations in pencil ; 4 p.
112/4
Music in my heart
see also
[ Heaven in my
arms](mu002004_Manuscripts_CL10011001_D4_1548)
Robert Russell Bennett manuscript full score
in ink and pencil ; 28 p.
112/5
Music in my heart
Nathan Lang Van Cleve manuscript full score
in ink ; 63 p.
Titled: Dance "Music in my heart" "Night
club"
78/17
Music in my heart
Albert Sirmay manuscript piano-vocal score in
pencil, for publication ; 5 p.
78/17
Music in my heart
Three ozalids of manuscript piano-vocal
scores, variant annotations in pencil ; 4 p.
Note: one ozalid includes "Encore," another
has no lyric
84/4
Music in my heart #14
Parts
84/5
Music in my heart - new #14
Parts
84/6
Music in my heart #14a,
#15g
Parts
112/6
Musket - opening act II,
part II
Manuscript full score in ink ; 38
p.
85/1
New York #27b
Parts
112/7
New York finaletto
Robert Russell Bennett manuscript full score
in ink ; 5 p.
85/2
New York finaletto #4, #5
new
Parts
112/8
Night club finale intro
Robert Russell Bennett manuscript full score
in ink ; 1 p.
112/8
Night club finale (vocal)
Robert Russell Bennett manuscript full score
in ink ; 13 p.
85/3
Night club finale - new #15
Parts
85/4
Night club finale
Parts
Titled: Segue - Finale-night-club new
#15a
79/1
Night club insert
Three copyist manuscript piano-vocal scores
in ink, no lyric ; [2] p. each
112/9
North-South incidental
Robert Russell Bennett manuscript full score
in ink ; 7 p.
85/5
North-South incidental #10
Parts
85/6
North-South incidental #11
Parts
85/7
North-South incidental new
#28
Parts
112/10
Ogdon's characterization
Robert Russell Bennett manuscript full score
in ink ; 39 p.
79/2
Ogdon's characterization
Three ozalids of manuscript piano-vocal
score, variant annotations in pencil ; 18 p. each
79/3
Ogdon's characterization -
choral parts
Ozalids (6) of manuscript choral scores
(SATB), variant annotations in pencil ; 3 p.
Note: lyric fragments in pencil on versos
and lyric sheets (2) laid in, mostly of other songs
Laid in: Two lyric sheets of other
songs
85/8
Ogdon's characterization #7
Parts
112/11
Opening act II, part I ;
New curtain rise act II ; Old opening act II
Robert Russell Bennett manuscript full score
in ink ; 13 p. + p. 9-13
85/9
Opening act II, part I -
new #16b
Parts
86/1
Opening act II, part I -
old #16b
Parts
86/2
Opening act II, part II #17
see also
[ Musket](mu002004_Manuscripts_CL10011001_D4_1590)
Parts
79/4
Opening act II #1
see also
[ Melody in
F](mu002004_Miscellaneous_Music_2_CL10021002_D3_21)
Ozalid of manuscript piano-vocal score,
annotations in red pencil, no lyric ; 3 p.
79/4
Opening act II - The
cricket - there's something about a musket
Copyist manuscript piano-vocal score in ink,
annotations in pencil, no lyric ; 1 p.
On back: Two-measure sketch in
pencil
79/5
Opening act II - Parker
Daniels #31
see also
[ Whippoorwill](mu002004_Manuscripts_CL10011001_D4_1718)
Ozalid of manuscript piano-vocal score,
annotations in Kern's hand in red pencil, no lyric ; 3 p.
79/6
Opening act II quartet
Two copyist manuscript piano-vocal scores in
ink, no lyric ; [2] p. and [3] p.
Note: pencil sketch on back of 2 p.
manuscript
79/6
Vocal opening act II
Robert Russell Bennett manuscript choral
score in ink ; [1] p.
79/6
Opening act II (voices)
Robert Russell Bennett manuscript choral
score in ink ; 5 p.
112/12
Opening scene III
Robert Russell Bennett manuscript full score
in ink ; 20 p.
79/7
Opening scene III act I
Ozalids (2) of manuscript piano-score ; 5
p.
86/3
Opening scene III #5
Parts
112/13
Overture
Robert Russell Bennett manuscript full score
in ink ; 46 p.
86/4
Overture
Parts
79/8
Pale moonbeams - Melos
before music in my heart
see also
[Grazioso in
D](mu002004_Miscellaneous_Music_2_CL10021002_D3_24) ; [Finale ultimo b](mu002004_Manuscripts_CL10011001_D4_1526)
; [Finale ultimo g](mu002004_Manuscripts_CL10011001_D4_1534)
Copyist manuscript piano-vocal score in ink,
no lyric ; [4] p.
86/5
Play-out
Parts
113/1
Prelude act I
Robert Russell Bennett manuscript full score
in ink ; 22 p.
79/9
Prelude act I
Three ozalids of manuscript piano/piano-vocal
score, variant annotations in pencil ; 13 p. each
Includes: Me and the roll and you
86/6
Prelude act I
Parts
113/2
Quartet
Robert Russell Bennett manuscript full score
in ink ; 11 p.
79/10
Quartet
Manuscript vocal parts (SSAT) in ink or
pencil ; [4] p.
79/10
Quartet
Two ozalids of manuscript piano-vocal score
(SATB), 1 copy with annotations in pencil ; 6 p. each
79/10
Quartet
Copyist manuscript piano-vocal score in ink,
no lyric ; 6 p.
87/1
Quartet #8
Parts
79/11
Raymond to Patsy (later
Patsy to Sonny)
see also
[No. 6](mu002004_Miscellaneous_Music_2_CL10021002_D3_40)
Ozalid of manuscript piano-vocal score, no
lyric ; 8 p.
79/12
Rhumba opening #1 act II
Ozalid of manuscript piano-vocal score,
annotations in pencil, no lyric ; 5 p.
79/12
Opening act II continued -
curtain prelude built on musket #33
Ozalid of manuscript piano-vocal score,
annotations in pencil, no lyric ; 5 p.
79/12
Rhumba
Manuscript piano-vocal score in pencil, no
lyric ; [6] p.
79/12
Rhumba opening #2 act II
see also
[ Mister
man](mu002004_Miscellaneous_Music_1_CL10021001_D3_50)
Ozalid of manuscript piano-vocal score,
photocopy, and negative photocopy ; 4 p.
Note: some dummy lyrics by Kern
113/3
Sally dances
Robert Russell Bennett manuscript full score
in pencil and ink ; 32 p.
79/13
Sally dance interlude -
segue Harlem
Robert Russell Bennett manuscript piano-vocal
score in ink, lyric in pencil ; 11 p.
87/2
Sally dances #27b
Parts
113/4
Scene change - montage into
final set #29
Manuscript full score in ink ; 21
p.
79/14
Scene change - montage into
final set #17
Two ozalids of manuscript piano-vocal score,
variant annotations in pencil, 1 copy includes lyric ; 5 p.
each
Note: 1 copy titled "State police"
87/3
Scene change #29
Parts
87/4
Serpentine #15b
see also
[ Heaven in my
arms](mu002004_Manuscripts_CL10011001_D4_1547)
Parts
113/5
Soft shoe dance
Manuscript full score in ink ; 9
p.
113/6
That lucky fellow
Robert Russell Bennett manuscript full score
in ink ; 56 p.
113/6
Change music #21a
Robert Russell Bennett manuscript full score
in ink ; 1 p.
79/15
That lucky fellow
Albert Sirmay manuscript piano-vocal score in
pencil ; 6 p.
79/15
That lucky fellow
Copyist manuscript piano-vocal score in ink,
annotations in pencil, no lyric ; [5] p.
79/15
That lucky fellow
Two ozalids of manuscript piano-vocal scores,
variant annotations in pencil ; 15 p. each
79/15
That lucky fellow
Two printed piano-vocal scores ; 5
p.
87/5
That lucky fellow #18
see also
[ Finale ultimo
f](mu002004_Manuscripts_CL10011001_D4_1532)
Parts
113/7
That lucky lady
Robert Russell Bennett manuscript full score
in ink ; 26 p.
87/6
That lucky lady #20
Parts
There's something about a
musket
see
[ Musket](mu002004_Manuscripts_CL10011001_D4_1590)
79/16
Uncommercial traveller #36
see also
[#36 Parker
and Daniels](mu002004_Miscellaneous_Music_2_CL10021002_D3_48)
Ozalid of manuscript piano-vocal score,
annotations in pencil, no lyric ; 5 p.
Note: title partially erased
88/1
W. Long routine act II #16c
Parts
88/2
Winnie's reprise #16
Parts
88/3
Unidentified #4a
(change)
Parts
88/4
Unidentified #6
Parts
88/5
Unidentified #6a
Parts
88/6
Unidentified
#15f
Parts
88/7
Unidentified #22
change
Parts
113/10
Unidentified #22a,
#23
Robert Russell Bennett manuscript full score
in ink and pencil ; 14 p.
88/8
Unidentified #22a,
#23
Parts
88/9
Unidentified #24
Parts
88/10
Unidentified
#25a
Parts
89/1
Unidentified #26
Parts
89/2
Unidentified new
#27
Parts
89/3
Unidentified introduction to
#27
Parts
89/4
Unidentified new
#27b
Parts
89/5
Unidentified #26a,
#27b
Parts
89/6
Unidentified new
#29
Parts
89/7
Unidentified #29 very
new
Parts
90/1
Bobby Dolan's orchestration
sketches
Manuscript (various hands, including Robert
Russell Bennett) outlines of musical routines, song listings, piano
scores, sketches, lead sheets, short scores, notes in pencil and ink
;
Includes: Ballet finale act II; Boogie
woogie; Brain ballet; L'histoire de Madame de la Tour; Music in my heart;
Night club finale; Quartet; Rhumba opening; That lucky fellow
90/2
Very Warm for May
Two typescript scripts for radio play version
; 18 p. each (p. 3 missing from 1 copy)
Note: broadcast on June 4, 1951
Laid in: Typescript letter to Mr. Edgar
Carver of Rodgers & Hammerstein from Genevieve Fisch of Benton &
Bowles, Inc. advertising agency ; [1] p.
90/3
Serial : Local 802 A. F. of
M. Official Journal, New York, January 1940
Periodical ; 31 p.
You Were Never Lovelier
see
[Barrelhouse
beguine](mu002004_Miscellaneous_Music_1_CL10021001_D3_8); [These orchids if
you please](mu002004_Miscellaneous_Music_1_CL10021001_D3_89); [Windmill under
the stars](mu002004_Miscellaneous_Music_1_CL10021001_D3_107)
Ziegfeld Follies of 1916
90/4
My lady of the Nile
Frank Saddler manuscript piano-vocal score in
ink, lyric in ink and pencil ; [4] p.
Note: Lyric by Gene Buck
90/5
My lady of the Nile
Parts
Note: arrangement by Charles
Miller
Zip Goes a Million
(1919) lyrics by Buddy DeSylva
91/1
Bill
Frank Saddler manuscript full score in ink ;
9 p.
92/4
Bill
Parts
91/2
A business of our own
Frank Saddler manuscript full score in ink ;
26 p.
92/5
A business of our own
Parts
91/3
Finale act I
Frank Saddler manuscript full score in ink ;
45 p.
92/6
Finale act I
Parts
91/4
Finale act II
Frank Saddler manuscript full score in ink ;
30 p.
92/7
Finale act II
Parts
92/8
Finale ultimo
Parts
91/5
Forget-me-not
Frank Saddler manuscript full score in ink ;
20 p.
92/9
Forget me not
Parts
91/6
Give a thought to Broadway
Frank Saddler manuscript full score in ink ;
14 p.
92/10
Give a thought to Broadway
Parts
91/7
Hail! and speech
Frank Saddler manuscript full score in ink ;
14 p.
Alternate title: Monty's speech
92/11
Hail! and speech
Parts
93/1
Incidental
Parts
91/8
It's better to be a man
Maurice B. DePackh manuscript full score in
ink ; 15 p.
93/2
It's better to be a man
Parts
91/9
The language of love
Frank Saddler manuscript full score in ink ;
31 p.
92/1
The language of love
see also
[ Genevieve and
men](mu002004_Manuscripts_CL10011001_D4_251) from Dear Sir
Printed piano-vocal score, annotations in
pencil ; 7 p.
On cover: Genevieve and men act II
93/3
The language of love
Parts
91/10
The little back yard band
Frank Saddler manuscript full score in ink ;
34 p.
93/4
The little back yard band
Parts
93/5
Look for the silver lining
see also
[ Sally](mu002004_Manuscripts_CL10011001_D3_54)
Parts
91/11
A man around the house
Frank Saddler manuscript full score in ink ;
22 p.
93/6
A man around the house
Parts
92/2
The mandolin and the man
Copyist manuscript piano-vocal score in ink ;
5 p.
93/7
The mandolin and the man
Parts
91/12
Opening act II
Frank Saddler manuscript full score in ink ;
22 p.
93/8
Opening act II
Parts
91/13
Opening act III
Maurice B. DePackh manuscript full score in
ink ; 24 p.
93/9
Opening act III
Parts
91/14
Overture
Frank Saddler manuscript full score in ink ;
20 p.
Includes:
- The language of love
- A man around the house
- Whippoorwill
- The mandolin and the man
94/1
Overture
Parts
91/15
Producers
Frank Saddler manuscript full score in ink ;
22 p.
94/2
Producers
Parts
94/3
Smile opening act I
Parts
94/4
Smiles
Parts
91/16
Telephone girls
Frank Saddler manuscript full score in ink ;
17 p.
94/5
Telephone girls
Parts
Alternate titles: Opening act II after
Entr'acte -- You tell 'em
94/6
Whippoorwill
see also
[ Whip-poor-will](mu002004_Manuscripts_CL10011001_D4_925)
from Sally
Parts
91/17
You tell 'em
Frank Saddler manuscript full score in ink ;
21 p.
94/7
You tell 'em
Parts
92/3
Lyric sheets
Typescript lyric sheets (asterisked titles
include a manuscript lyric sheet in pencil, possibly in Buddy DeSylva's
hand, on Jerome Kern stationary) ; [43] p.
Includes:
- Back yard band
- Bill
- A business of our own
- Finale act one
- *Finale act two
- Forget-me-not
- Give a thought to Broadway
- [Hail! and speech] : Monty's speech
- *It's better to be a man
- The language of love
- A man around the house
- The mandolin and the man
- *Opening act two
- Opening chorus act one
- Producers
- Something must be the matter with me
- Telephone girls
- Whippoorwill
- You tell 'em
95
Miscellaneous/Unidentified Show
Music
95/1
Calliope - Mitzi's chorus
Manuscript lead sheet in ink, annotations in
pencil, manuscript sketch in pencil on back ; [2] p.
Note: probably intended for Head Over Heels
95/2
Caprice
Robert Russell Bennett manuscript piano-vocal
score in ink, no lyric ; 6 p.
Note: same music as "The weeping willow tree"
from Dear Sir
95/3
Cocoanut dance
Manuscript lead sheet/sketch in pencil ; [1]
p.
Note: probably intended for Lucky
95/4
Dance
through life with you
Frank Saddler manuscript full score in ink ; 12
p.
Note: this may be "Dance through life with me"
written for Girls Will Be Girls (retitled Love o' Mike) and dropped during tryout (later
considered for Very Good Eddie), or, "I'd love
to dance through life with you" from A Modern
Eve
95/5
Do look
at him
Copyist manuscript piano-vocal score in ink,
annotations in Kern's hand in pencil ; [3] p.
Note: probably intended for Oh, Lady! Lady!!
95/6
Don't
forget (Duet: Stella and Ted)
Frank Saddler manuscript piano-vocal score in
ink, no lyric ; [4] p.
Note: probably intended for Love o' Mike
95/7
Entrance of girls
Copyist manuscript piano-vocal score in ink, no
lyric ; 5 p.
Note: written for She's a
Good Fellow, reused in Sunny
95/8
Finale
act I
Manuscript piano score in pencil, annotations in
Kern's hand in ink ; [1] p.
Note: probably intended for Lucky
95/9
Finaletto act I
Manuscript piano-vocal score in ink, no lyric ;
[9] p.
Note: probably intended for Very Good Eddie, but unused
95/10
Finaletto act I
Holograph sketch in pencil ; 5 p.
Note: probably intended for Dear Sir
95/11
Garden
of girls
Frank Saddler manuscript piano score in ink ;
[2] p.
Note: same music as "Package of seeds"; written
for Oh, Boy!
95/12
God
rest you merry gentlemen
Manuscript piano-vocal score in pencil ; [3]
p.
On title page: arranged as a modern 'Blues' by
Jerome Kern
95/12
God
rest you merry gentlemen
Printed piano-vocal score [non-Kern arrangement]
; p. 10
95/13
A
great idea
Manuscript piano-vocal score in pencil ; 3
p.
95/14
Human
after all
Frank Saddler manuscript piano-vocal score in
ink, no lyric ; 16 p.
Note: probably intended for Love o' Mike
95/15
I have
been around a bit (Duet: Madge and Jerry)
Manuscript full score in ink ; 18 p.
Note: probably intended for Ninety in the Shade
95/16
If
eventually, why not now
Holograph piano-vocal score in pencil, lyric
partially in ink ; [3] p.
Note: blue pencil marks in Frank Saddler's hand
date piece as pre-1921
95/17
It's a
mile and a half (to easy street)
Copyist manuscript piano-vocal score in ink ; 3
p.
Note: Lyric by Schuyler Greene, dated
1915
95/18
It's
wireless
Copyist manuscript piano-vocal score in ink ; 5
p.
Note: burthen is same music as burthen in
"Little church around the corner" from Sally
95/19
A
little closer
Copyist manuscript piano-vocal score in ink,
typescript lyric ; 4 p.
Note: Lyric by M.E. Rourke, dated
1910
95/20
Little
Eva
Copyist manuscript piano-vocal score in ink ; 4
p.
Note: probably from The
Dairymaids
95/21
Madrigalette #13
Robert Russell Bennett manuscript piano-vocal
score in ink, vocal lines in Kern's hand in pencil, no lyric ; 8
p.
95/22
Me
Holograph piano score in pencil ; [2]
p.
Note: probably intended for Head Over Heels
95/23
Mendocino stroll
Manuscript piano-vocal score in pencil ; 6
p.
Note: Music and lyric by Donald Brian and
Jerome Kern
95/24
Minstrels
Holograph sketch in variously colored pencils ;
2 p.
95/25
Morganatic love (duet: Zaza and Atlas)
Copyist manuscript piano-vocal score in ink ; 6
p.
Note: Lyric by Noel Coward, music reused for
Dear Sir
95/26
My
Bonnie Jean
Frank Saddler manuscript full score in ink ; 8
p.
95/27
Opening act II
Holograph lead sheet/sketch in pencil ; [1]
p.
95/28
Fox
trot
Holograph sketch in pencil ; [1] p.
95/28
Opening act II - dance
Frank Saddler manuscript piano score in pencil ;
[2] p.
95/29
Opening scene 2 - Mitzi
Manuscript vocal arrangement/sketch in ink ; [1]
p.
95/30
Publicity
Holograph piano-vocal score in pencil ; 2
p.
On front: Dear Frank [Saddler] This is designed
for the comedian to speak the verse and sing the Burthen alone on the stage.
But I think we had better have a fuller arrangement of the Burthen prepared
in case they want to use the chorus. So will you please make a 1st and 2nd
ending to the Burthen, which will have the wood and Brass cued in and marked
'Play 2nd time only' There is a flat box
of Tomato seedlings waiting for you here. Yrs. Jerome
95/31
Ten
nights in a ball room - blues
Copyist manuscript piano-vocal score, no lyric ;
7 p.
Note: probably intended for Sitting Pretty, but unused
95/32
Terzetto ultimo
Robert Russell Bennett manuscript piano-vocal
score in pencil, no lyric ; 3 p.
Note: probably intended for Dear Sir
95/33
Wedding scene
Copyist manuscript piano-vocal score in ink ; 3
p. (incomplete)
Note Lyric by George V. Hobart
Note: written for Polish
Wedding, reused in Oh, Lady! Lady!!
95/34
When a
woman!
Max Steiner manuscript full score in ink ; 20
p.
95/35
Wishing well scene
Holograph sketch in pencil ; p. 2
95/35
Wishing well scene
Holograph sketch in pencil ; p. 6
95/35
Wishing well scene
Robert Russell Bennett manuscript sketch in
pencil ; [1] p.
Note: sketches appear unrelated; music used in
Dear Sir and Sunny
95/36
You
and I (Mac Forland)
Copyist manuscript piano-vocal score in ink,
lyric in Kern's hand in pencil ; 8 p.
Note: Lyric by P.G. Wodehouse, dated
1916
95/36
You and I (Mac Forland)
Mimeograph of typescript lyric sheet ; [1]
p.
Note: Lyric by P.G. Wodehouse, dated
1916
95/37
Unidentified, G major in 2/4
Holograph sketch in pencil ; 1 p.
(small)
Note: probably intended for Dear Sir, but unused
95/37
Unidentified, C minor in 2/4
Holograph sketch in pencil ; [1] p.
95/37
Unidentified, F major in 2/2
Holograph sketch in pencil ; 2 p.
95/38
Unidentified
Manuscript scores ; [24] p.
Includes:
- Robert Russell Bennett manuscript sketch in pencil ; p. 2. [Note:
probably intended for Dear Sir]
- Manuscript piano score in ink ; p. 9-10
- Manuscript piano-vocal score in ink ; p. 2-3. [Note: includes markings
by Frank Saddler; title may be "Wouldn't that be nice"]
- Manuscript piano-vocal score in ink ; [1] p.
- Manuscript piano score in ink ; [1] p.
- Manuscript piano score in ink ; [2] p. [Note: top half of p. [1] torn
off]
- Manuscript piano score in ink ; [1] p.
- Manuscript sketches in ink and pencil ; [1] p.
- Manuscript piano score in ink ; [1] p. [Note: probably intended for
Nobody Home or Oh,
Boy!]
- Manuscript lead sheet/sketch in pencil ; [2] p. [Note: probably
intended for Lucky]
- Manuscript violin part in ink, annotations in pencil ; [1] p.
95/39
Lyric
sheets
Typescript lyric sheets ; [4] p.
Includes: May bells (Rose and girls); Golden
rainbow; Up town New York (Trio: Guy, Mary and Patsy); Pat and men
96-100
Miscellaneous Music,
undated
undated
The Miscellaneous Music (Series II) is mostly comprised of copies of late songs by
Kern. Many of these were songs that were cut from films, or written for unproduced
projects. In some cases, lyrics were added to previously unused works after Kern's
death. Apparently, most of this material came from the files of T. B. Harms, Inc.
(Kern's publisher) and some appear to have been transcribed from recordings made
by Kern.
Arrangement of the Miscellaneous Music (Series II) is divided into two subseries.
The first subseries, Titled, is sorted alphabetically by title. The second
subseries, Untitled, is arranged by folder level description.
96-99
Miscellaneous Music
(Titled)
96/1
Afternoon of a siren
Robert Russell Bennett manuscript piano-vocal
score in ink, no lyric ; 3 p.
96/2
All's well with the
world - new #32
Photocopy and negative of copyist manuscript
piano-vocal score ; p. 14-27
Note: Lyric by Otto Harbach; intended for Men in the Sky; dated 1930 June 7
96/3
April fooled me
Copyist manuscript piano-vocal score in ink ;
[3] p.
Note: Lyric by Dorothy Fields
96/3
Untitled :
C.5
Photocopy and negative of manuscript piano-vocal
score, no lyric ; 4 p. each
Note: "Sentimental song" on negative
only
96/4
Baby
Photocopy of Robert Russell Bennett manuscript
piano-vocal score, no lyric ; 3 p.
96/5
Back in my shell - new
#20
see also
[ Barrelhouse
beguine](mu002004_Miscellaneous_Music_1_CL10021001_D3_8)
Photocopy and negative of manuscript piano-vocal
score, no lyric ; 3 p. each
Note: from One Night in
the Tropics (1940), lyric by Dorothy Fields
Note: "Serenade" on negative only
96/6
Barrelhouse beguine
Manuscript lead sheet in pencil, no lyric ; [1]
p.
96/6
Barrelhouse beguine -
new #25
see also
[ Back in my
shell](mu002004_Miscellaneous_Music_1_CL10021001_D3_6)
Photocopy of manuscript piano-vocal score ; 4
p.
Note: Lyric by Johnny Mercer; from You Were Never Lovelier; copyright 1942
96/7
Bells - new #7
Photocopy and negative of manuscript piano-vocal
score, no lyric ; 3 p. each
96/8
Bubble ballet - new
#42
Photocopy and negative of manuscript piano score
; 4 p. each
96/9
Buda-Pest #10
Three photocopies and negative of manuscript
piano-vocal score, no lyric, annotations in pencil ; 4 p. each
Alternate title: I was young in Budapest;
copyright 1938
Note: "Rhythmical song" on negative
only
96/10
Business
Two photocopies and negative of manuscript
piano-vocal score, no lyric ; 5 p. each
96/11
Canzonetta - new #54
Photocopy and negative of Robert Russell Bennett
manuscript piano-vocal score, no lyric ; 8 p.
On front: Oscar This is merely a Jennie dear
only not as good
Note: Lyric not present, credited to Oscar
Hammerstein II; intended for High, Wide and
Handsome
96/12
Chinese lantern love
Copyist manuscript and negative photocopy of
piano-vocal score, no lyric ; 4 p., 2 p.
96/13
Dance like a fool
Photocopy of copyist manuscript piano-vocal
score ; 4 p.
Note: Lyric by Oscar Hammerstein II; intended
for Champagne & Orchids; 1935
Dearly beloved
see
[ Serenata](mu002004_Miscellaneous_Music_1_CL10021001_D3_81)
96/14
Dream of a ladies
cloak room attendant - new #27
Photocopy and negative of copyist manuscript
piano score ; 2 p. each
Note: intended for The
Flame Within; dated 1935 April 29
96/15
Duettino (Phillipe and
Julia) - new #38
Photocopy and negative of manuscript piano-vocal
score, no lyric ; 4 p. each
Note: Lyric not present, credited to Johnny
Mercer; copyright 1945
96/16
Flame within #11
Photocopy of Robert Russell Bennett manuscript
piano score ; [1] p.
Note: intended for The
Flame Within
96/17
Flirting
Three photocopies and negative of manuscript
piano-vocal score, no lyric ; 4 p. each
Note: "New no. 4" entitles one of the
photocopies
96/18
Fraulein Katrina
Copyist manuscript in ink and negative photocopy
of piano-vocal score, no lyric ; 2 p., 3 p.
96/19
Gallivantin' aroun'
Negative photocopy of copyist manuscript
piano-vocal score ; [3] p.
Note: Lyric by Oscar Hammerstin II; written for
the Universal Pictures film Show Boat;
copyright 1936
96/20
The girl at the end of
our street back home
Two photocopies and negative of manuscript
piano-vocal score ; [4] p. each
96/21
Good girl - new #43
Photocopy and negative of copyist manuscript
piano-vocal score ; [4] p. each
Note: lyric by Oscar Hammerstein II; for Broadway Rhythm (1944)
96/22
Got a little brush got
a little comb - new #57
Two photocopies and negative of Robert Russell
Bennett manuscript piano-vocal scores, no lyric ; 5 p., 6 p.
96/23
Grandma's song - new
#59
Photocopy and negative of Robert Russell Bennett
manuscript piano-vocal score, no lyric ; 10 p.
Note: Lyric not present, credited to Oscar
Hammerstein II; intended for High, Wide and
Handsome
96/24
How sweet is the
summer?
Two photocopies and negative of manuscript
piano-vocal score ; 6 p. each
Note: Lyric by E. Y. Harburg; intended for
Fallen Angel; copyright 1945
96/24
How sweet is the
summer?
Photocopy and negative of manuscript piano-vocal
score, no lyric ; 4 p. each
Note: copyright 1944
96/25
How would I know, or,
I wish dat dere was'n no war - new #35
Photocopy and negative of copyist manuscript
piano-vocal score ; 9 p. each
Note: Lyric by Oscar Hammerstein II; copyright
1948
97/1
I have seen - new #10
see also
[ Sweetest sight
that I have seen](mu002004_Miscellaneous_Music_1_CL10021001_D3_86)
Photocopy and negative of manuscript piano-vocal
score ; 2 p. each
Note: Lyric by Oscar Hammerstein II; copyright
1941
97/2
I was naive
Copyist manuscript piano-vocal score in ink on
transparencies and two photocopies ; 4 p. each
Note: Lyric by Ira Gershwin
97/2
I was naive (2nd
version)
Manuscript lead sheet in ink, no lyric ; [1]
p.
Note: Lyric by Ira Gershwin
97/2
I was naive (second
version) - new #24
Photocopy and negative of manuscript piano-vocal
score ; 5 p. each
Note: Lyric by Ira Gershwin
97/2
I was naive interlude
Photocopy and negative of manuscript piano-vocal
score, no lyric ; 5 p. each
Note: Lyric by Ira Gershwin
97/2
I was naive - sketch
for new verse
Negative photocopy of holograph sketch ; [2]
p.
Note: Lyric by Ira Gershwin
97/3
I was once in love
when - new #30
Negative photocopy of holograph piano-vocal
score, no lyric ; [2] p.
On front: Oscar
97/4
I'll follow your smile
Copyist manuscript piano-vocal score in ink on
transparencies and two photocopies ; 5 p.
Note: Lyric by E. Y. Harburg; intended for
Universal Picture Can't Help Singing; copyright
1944
97/4
I'll follow your smile
Photocopy and negative of manuscript piano-vocal
score with obbligato ; 5 p.
Note: Lyric by E. Y. Harburg; intended for
Universal Picture Can't Help Singing; copyright
1944
97/4
I'll follow your smile
- new #34
Photocopy and negative of copyist manuscript
piano-vocal score ; 6 p.
Note: Lyric by E. Y. Harburg; intended for
Universal Picture Can't Help Singing; copyright
1944
97/5
I'll take (I'd love)
any man as long as it's you
Two photocopies and negative of manuscript
piano-vocal score, no lyric, pencil sketch at end ; 5 p. each
Note: "Humming" on negative only
I'm old fashioned
see
[ Not too lovely
to love](mu002004_Miscellaneous_Music_1_CL10021001_D3_61)
97/6
In Connecticut #2
Three photocopies and negative of manuscript
piano-vocal score, no lyric ; 4 p. each
Note: copyright 1938
97/7
Lazy but free - new
#40
Two photocopies and negative of copyist
manuscript piano-vocal score, no lyric ; 3 p. each
Note: intended for Flame
Within
97/8
Little Zoave
Manuscript lead sheet in ink, no lyric ; [1]
p.
Note: intended for Gentelemen Unafraid (1938)
97/8
Little Zoave
Copyist manuscript lead sheet in ink on
transparencies and two photocopies, no lyric ; [1] p. each
Note: intended for Gentelemen Unafraid (1938)
Long ago and far away
see
[ Midnight
music](mu002004_Miscellaneous_Music_1_CL10021001_D3_48)
97/9
Lullaby ostinato #3
Copyist manuscript piano-vocal score in ink on
transparencies and two photocopies, no lyric ; 3 p. each
97/9
Lullaby ostinato #3
Negative photocopy of manuscript piano-vocal
score, no lyric ; 9 p.
97/10
Marcha del toros #7 -
new #39
Photocopy and negative of copyist manuscript
piano-vocal score, no lyric ; 6 p. each
Note: Lyric not present, credited to Dorothy
Fields
97/11
Midnight music - new
#23
see also
[ Watching little
Alice](mu002004_Miscellaneous_Music_1_CL10021001_D3_94)
Photocopy and negative of manuscript piano-vocal
score ; 4 p. each
Note: Lyric by Ira Gershwin
Note: the chorus is the same music as "Long ago
and far away" from Cover Girl; copyright
1943
97/12
Missouri mule
instrumental - new #52
Photocopy and negative of manuscript piano score
; 3 p. each
97/13
Mister man
see also
[ Rhumba opening](mu002004_Manuscripts_CL10011001_D4_1632)
from Very Warm for May
Photocopy and negative of manuscript piano-vocal
score, partial lyric ; 6 p.
On front: Oscar; Charleston parfait
Note: intended for Gentlemen Unafraid (1938)
97/14
Mister McCue how do ye
do? #13
Photocopy and negative of manuscript piano-vocal
score, no lyric ; 5 p. each
97/15
Molly's composers
Copyist manuscript in ink and negative of
piano-vocal score, no lyric ; 3 p. each
97/16
My home town
Manuscript lead sheet in nk, no lyric ; [1]
p.
97/17
Never you mind
Two photocopies and negative of manuscript
piano-vocal score, no lyric ; 3 p. each
97/17
Never you mind
Manuscript lead sheet in pencil, no lyric ; [1]
p.
97/18
No question in my
heart
Copyist manuscript piano-vocal score in ink on
transparencies and two photocopies ; 4 p. each
97/18
No question in my
heart #12
see also
[ Something on my
mind](mu002004_Miscellaneous_Music_1_CL10021001_D3_84)
Two photocopies and two negatives of manuscript
piano-vocal score, no lyric ; 6 p. each
Note: Lyric by Ira Gershwin
Note: "Playful melody" on one negative
only
97/19
Nobody home in your
heart
Robert Russell Bennett manuscript piano-vocal
score in ink, photocopy and negative photocopy ; 4 p. each
Note: Lyric by Herbert Reynolds; copyright
1916
97/20
Not now
Manuscript piano-vocal score in ink, annotations
in pencil and negative photocopy; 4 p. each
Note: Lyric by Dorothy Fields
97/20
Not now
Copyist manuscript lead sheet in ink ; [2]
p.
Note: Lyric by Dorothy Fields
97/21
Not too lovely to
love; I'm old fashioned - new #9
Photocopy and negative of manuscript piano-vocal
score, no lyric ; 5 p. each
Note: this is the same music that became "I'm
old fashioned"; copyright 1941
97/22
Nouveau favori
Copyist manuscript piano-vocal score in ink on
transparencies, photocopy and negative photocopy, no lyric ; 3 p.
each
97/23
Novelette #27
Three photocopies and two negatives of
manuscript piano-vocal score, no lyric ; 4 p. each
On front: recorded 3/5/40
97/24
Now that we are one
Copyist manuscript piano-vocal score in ink on
transparencies and two photocopies ; 4 p. each
Note: Lyric by Ira Gershwin
98/1
Old Cathay
Copyist manuscript piano score with unidentified
instrumental accompaniment in ink, on transparencies and two photocopies ; 6
p. each
98/1
Old Cathay - China new
#29
Photocopy and negative of Robert Russell Bennett
manuscript piano score with unidentified instrument ; 6 p. each
98/2
Once in a million
moons - new #14
Two photocopies and negative of copyist
manuscript condensed score ; 5 p. each
Note: Lyric by E. Y. Harburg; intended for
Universal picture Can't Help Singing; copyright
1944
98/3
Once there were two of
us
Copyist manuscript piano-vocal score in ink on
transparencies and two photocopies ; 3 p. each
98/3
Once there were two of
us
Manuscript lead sheet in ink, no lyric ; [1]
p.
98/3
Once there were two of
us (2nd version)
Two photocopies and negative of manuscript
piano-vocal score ; 5 p. each
Note: Lyric by Ira Gershwin
Note: published in 1968 as "Now that we are
one"; copyright 1938
98/4
Once there were two of
us (1st version) #23
Photocopy and negative of manuscript piano-vocal
score, partial lyric ; 3 p. each
98/5
Out on the broad
prairie
Mimeograph of copyist manuscript piano-vocal
score, no lyric ; 3 p.
On front in Kern's hand: "Oscar for 'Ol' Man
River'"
Note: copyright 1935; intended for productions
Rise and Shine and Champagne and Orchids
98/6
Pas de quatre
Two photocopies and negative of manuscript
piano-vocal score, no lyric ; 4 p. each
98/7
Pedro mio - new #15
Photocopy and negative of manuscript piano-vocal
score, no lyric ; 6 p. each
Note: copyright 1942
98/8
People from Missouri
#20
Photocopy and negative of manuscript piano-vocal
score and typescript lyric sheet ; [4] p. each
Note: Lyric by Ira Gershwin
98/9
Pepper pot (Turkish
version) - new #26
Photocopy of manuscript piano-vocal score p.
1-2, 5 (incomplete)
Note: Lyric by Leo Robin; intended for Centennial Summer
98/10
Polka Scandinavienne
see also
[ Scandinavian
polka](mu002004_Miscellaneous_Music_1_CL10021001_D3_80) ; [Polka](mu002004_Miscellaneous_Music_2_CL10021002_D3_19)
Two photocopies of manuscript piano-vocal score,
no lyric ; 9 p. each
Note: copyright 1941
98/11
A quiet song
Negative photocopy of copyist manuscript
piano-vocal score, no lyric ; 6 p.
98/12
Sailor beware - new
#17, #40
Photocopy and negative of manuscript piano-vocal
score, no lyric ; 3 p. each
On front: Oscar
98/13
Scandinavian polka
see also
[Polka
Scandinavienne](mu002004_Miscellaneous_Music_1_CL10021001_D3_77) ; [Polka](mu002004_Miscellaneous_Music_2_CL10021002_D3_19)
Copyist manuscript piano-vocal score in ink on
transparencies and two photocopies, no lyric ; 4 p. each
98/14
Serenata
Photocopy of manuscript piano-vocal score, no
lyric ; 5 p.
Note: the chorus is the same music that became
"Dearly beloved"; copyright 1941
98/15
Singing a song in your
arms
Photocopy of copyist manuscript piano-vocal
score ; 5 p.
Note: Lyric by Oscar Hammerstein II; intended
for Champagne and Orchids; copyright
1935
98/16
So you got took
Manuscript lead sheet in ink, no lyric ; [1]
p.
98/17
Something on my mind
see also
[No question in
my heart](mu002004_Miscellaneous_Music_1_CL10021001_D3_57)
Photocopy and negative of manuscript piano-vocal
score, no lyric ; 6 p. each
Note: may be "No question in my mind (you're in
my heart)," lyric by Ira Gershwin, written in 1938
98/18
Strange interval
Two photocopies of manuscript piano-vocal score,
no lyric, 1 copy has annotations in ink ; [4] p. each
Note: copyright 1943
98/19
Sweetest sight that I
have seen - new #11
see also
[ I have
seen](mu002004_Miscellaneous_Music_1_CL10021001_D3_30)
Photocopy and negative of copyist manuscript
piano-vocal score ; 6 p. each
Note: Lyric by Oscar Hammerstein II; copyright
1945
99/1
There'll come a day -
new #33
Photocopy and negative of copyist manuscript
piano-vocal score ; 8 p. each
Note: Lyric by E. Y. Harburg; for the Universal
picture Can't Help Singing; copyright
1944
99/1
There'll come a day
Photocopy of manuscript piano-vocal score, no
lyric ; 4 p.
Note: copyright 1943
99/2
These orchids - new
#49
Photocopy and negative of copyist manuscript
piano-vocal score ; 6 p. each
Note:Lyric by Johnny Mercer; from You Were Never Lovelier; copyright 1942
Alternate title: These orchids if you
please
99/3
Time: the present -
new #50
Photocopy and negative (incomplete) of
manuscript piano-vocal score ; 4 p.
Note in Kern's hand: "This becomes an Album
Cover for material" and "DON'T DESTROY/This is Lucky Sheet"
Laid in: photostat of holograph sketch attached
; [2] p.
Note: Lyric by Ira Gershwin; ; copyright 1943;
intended for Cover Girl
99/4
Trial in 4/4
Photocopy of manuscript piano-vocal score, no
lyric ; 4 p.
99/5
Untitled #4
Copyist manuscript piano-vocal score in ink on
transparencies and two photocopies, no lyric ; 3 p. each
99/6
Valse lente - new #28
Photocopy and negative of manuscript piano-vocal
score, no lyric ; 4 p. each
99/7
Watching little Alice
see also
[ Midnight
music](mu002004_Miscellaneous_Music_1_CL10021001_D3_48)
Photocopy of manuscript piano-vocal score, no
lyric ; 4 p.
99/8
The way that lovers
use - new #22
Photocopy and negative of manuscript piano-vocal
score ; 5 p. each
Note: Lyric from a poem by Rupert Brooke
(1914)
Note: copyright 1945
99/9
What do I know about
you?
Robert Russell Bennett manuscript piano-vocal
score in ink and negative photocopy ; 2 p. each
Note: Lyric by Dorothy Fields
99/9
What do I know about
you?
Copyist manuscript piano-vocal score in ink ;
[3] p.
Note: Lyric by Dorothy Fields
99/9
What do I know about
you?
Copyist manuscript lead sheet in ink ; [1]
p.
Note: Lyric by Dorothy Fields
99/10
What's become of the
night
Photocopy of manuscript piano-vocal score, no
lyric ; 6 p.
Note: intended for Hayfoot, Strawfoot, lyrics by Hammerstein and Harbach
99/11
When I've got the
moon
Negative photocopy of copyist manuscript
piano-vocal score ; 4 p. (incomplete)
On front in Kern's hand: Oscar Get this
released from MGM
Note: Lyric by Oscar Hammerstein II, copyright
1935
Note: intended for Champagne and Orchids
99/12
When we were very
young - Terzettino new #36
Photocopy and negative of copyist manuscript
piano-vocal score ; 11 p. each
Note: Lyric by Dorothy Fields
Note: intended for Lovely
to Look At
99/13
When you hear that
humming - new #25
Photocopy and negative of copyist manuscript
piano-vocal score ; 4 p. each
Note: Lyric by Otto Harbach
Note: intended for Gentlemen Unafraid
99/14
Whistle number new
#37
Photocopy and negative of copyist manuscript
piano-vocal score ; 10 p. each
Note: appears to have been for a show titled
Interlude
99/15
Whistling Dan
Manuscript piano/condensed score in pencil ; [3]
p.
Note: originally from Ninety in the Shade (1915), lyric by Harry B. Smith, music reused
as title song in Leave it to Jane
99/15
Whistling Dan
Copyist manuscript piano score in ink and
negative photocopy ; 3 p. each
Note: originally from Ninety in the Shade (1915), lyric by Harry B. Smith, music reused
as title song in Leave it to Jane
99/16
Who's complaining? -
new #1
Photocopies and negative of manuscript
piano-vocal score ; 4 p. each
Note: Lyric by Ira Gershwin
Note: from Cover
Girl; copyright 1943
99/17
Windmill under the
stars - new #13
Photocopy and negative of manuscript piano-vocal
score ; 3 p. each
Note: Lyric by Johnny Mercer
Note: intended for You
Were Never Lovelier; copyright 1942
99/18
Incipits - Themes
Negative photocopy manuscript; [4] p.
Note: 42 themes, many titled, some crossed out,
some dated 1939 May 5, each theme consisting of a few measures of melody
only
100-102
Miscellaneous Music
(Untitled)
100/1
Ballet - Hartmann
Sisters - Aida B - new #44
Photocopy and negative of copyist manuscript
piano score ; [4] p. each
100/2
Ballet - new #46
Photocopy and negative of copyist manuscript
piano score ; 4 p. each
100/3
#4 (Peasant) dance -
school room scene - new #45
Photocopy and negative of copyist manuscript
piano score ; [2] p. each
100/4
Whippoorwill #31
see also
[ Opening act II - Parker
Daniels](mu002004_Manuscripts_CL10011001_D4_1613) in Very Warm for May
Four photocopies and four negatives of
manuscript piano-vocal score, 2 versions, no lyric ; 3 p. ; 4 p.
each
Note: copyright 1941
100/5
Opening act II -
Entrance, melos and exit Philip
Photocopy and negative of Robert Russell Bennett
manuscript piano score and holograph sketch ; [3] p. each
Note: intended for Three
Sisters
100/6
New #18
Photocopy and negative of manuscript piano-vocal
score with cello obbligato, no lyric ; 4 p. each
Note: "Melody for cello" appears on negative
only
100/7
New #19
Photocopy and negative of manuscript piano-vocal
score, no lyric ; 3 p. each
Note: "A stumble" appears on negative
only
100/8
No. 31 (Chorus only)
Photocopy and negative of Robert Russell Bennett
manuscript piano-vocal score, no lyric ; [4] p. each
100/9
Old world folk song -
new #56
Two photocopies and negative of Robert Russell
Bennett manuscript piano-vocal score, no lyric ; 5 p. each
100/10
No. 24
Photocopy of manuscript sketch ; [1]
p.
100/11
New #48
Photocopy and negative of manuscript piano-vocal
score, no lyric ; 5 p. each
Note: "Yes my love" on negative only
100/12
#39
Photocopy and negative of manuscript piano-vocal
score, no lyric ; 4 p. each
Note: "Gay and joyous" on negative
only
100/13
New #6 -
N.G.
Photocopy of manuscript piano-vocal score, no
lyric ; [1] p. (incomplete)
100/14
New #5
Two photocopies and negative of manuscript
piano-vocal score and holograph sketch, no lyric ; 2 p. each
Note: "On the promenade" on negative
only
Note: sketch on back became "Nobody else but
me" for last revival of Show Boat
100/15
New no. 12
Two photocopies and two negatives of manuscript
piano-vocal score, no lyric : 6 p. each
Note in Kern's hand: Oscar. If you become bored
with with just the bare melody (lead sheet) of the [?] copy, This will give
you the right harmonies. Jerry
Note: "Metro Very Warm for Grayson" on one
photocopy only
Note: "If you become bored" on one negative
only
100/16
New #16
Photocopy and negative of manuscript piano-vocal
score, no lyric ; 4 p. each
Note: copyright 1944
Note: "Sing it lightly and tenderly" on
negative only
100/17
#4
Photocopy and negative of manuscript piano-vocal
score, no lyric ; 7 p. each
Note: "Song in C" on negative only
100/18
Various
themes
Photocopy and negative of 16 themes in
manuscript ; [4] p. each
Includes: Tray #1-13; Ossia; #47; New
#58
Note: many titled, some crossed out, each
consisting of a few measures of melody only
101/1
Polka (as March
Lafayette)
see also
[ Scandinavian
polka](mu002004_Miscellaneous_Music_1_CL10021001_D3_80) ; [Polka
scandinavienne](mu002004_Miscellaneous_Music_1_CL10021001_D3_77)
Manuscript lead sheet in ink, no lyric ; [1]
p.
Note: may be "Lafayette" from Lovely to Look At; originally used as "Clementina"
in Roberta
101/2
New #4
Photocopy and negative of manuscript piano-vocal
score, no lyric ; 3 p. each
Note: Lyric not present, credited to Leo
Robin
101/3
Melody in F
see also
[ Opening act II](mu002004_Manuscripts_CL10011001_D4_1611) in
Very Warm for May
Negative photocopy of manuscript piano-vocal
score, no lyric ; 3 p.
101/4
Pizzicato
see also
[ The arm of the
law](mu002004_Manuscripts_CL10011001_D4_1499) in Very Warm for May
Negative photocopy of manuscript piano-vocal
score, no lyric ; 5 p.
101/5
Grazioso in D
see also
[ Pale moonbeams](mu002004_Manuscripts_CL10011001_D4_1622) in
Very Warm for May
Two photocopies and negative of manuscript
piano-vocal score, no lyric ; 4 p. each
Note: "Playing around" on negative
only
101/5
Grazioso in D
see also
[ Pale moonbeams](mu002004_Manuscripts_CL10011001_D4_1622) in
Very Warm for May
Photocopy and negative of manuscript piano-vocal
score (different version), no lyric ; 4 p. each
101/6
April 17 - valse
Photocopy of manuscript piano score ; 2
p.
On title page: transcribed from tape and
arranged by Sid Cutner, April 17
101/7
New #2 - girl's
chorus
Two photocopies and negative of manuscript
piano-vocal score, no lyric ; 4 p. each
101/8
Waltz T
Manuscript sketch in ink ; [2] p.
101/9
Waltz #23
Photocopy of manuscript sketch ; [1]
p.
101/10
Letter X
Photocopy of manuscript piano-vocal score, no
lyric ; 5 p.
101/11
A or #4
Copyist manuscript piano-vocal score in ink on
transparencies and photocopy, no lyric ; 4 p. each
101/11
A or #4
Photocopy and negative of manuscript piano-vocal
score, no lyric ; 7 p. each
Note: "Just a little word" on negative
only
101/11
Letter A
Photocopy of copyist manuscript piano-vocal
score, no lyric ; 7 p.
101/12
#5 burthen
Photocopy and negative of manuscript piano-vocal
score, no lyric ; 3 p. each
Note: "Alla breve song" on negative
only
101/13
#11
Photocopy and negative of manuscript piano-vocal
score, no lyric ; 4 p. each
Note: "Lively melody" on negative
only
101/14
Letter "B"
waltz
Two photocopies and negative of manuscript
piano-vocal score, no lyric ; 4 p. each
Note: "You know it" on negative only
101/15
Letter K
Two photocopies and negative of manuscript
piano-vocal score, no lyric ; 4 p. each
Note: "Staccato theme" on negative
only
101/16
CM 4
Photocopy of manuscript piano-vocal score, no
lyric ; 3 p.
101/17
Letter F
Photocopy of manuscript piano-vocal score, no
lyric ; p. 1-2, 1-3
Note: copyright 1944
101/18
CM 5
Three photocopies of manuscript piano-vocal
score, no lyric ; 3 p. each
101/19
No. 6
see also
[ Raymond to Patsy](mu002004_Manuscripts_CL10011001_D4_1631)
in Very Warm for May
Photocopy and negative of manuscript piano-vocal
score, no lyric ; 8 p. each
Note: "Allegretto grazioso" on negative
only
101/20
Azusa [?]
Manuscript sketch in ink and pencil ; [1]
p.
101/21
Trio with orch - new
#41
Photocopy and negative of manuscript piano-vocal
score, lyric in Kern's hand ; 7 p. each
Note: inferring from lyric, title may be "Elbow
room" from Can't Help Singing; copyright
1943
101/22
#8
Manuscript piano-vocal score in ink on
transparencies, photocopy and negative, no lyric ; 3 p. each
Note: "Rural melody" on negative only
101/23
#1
Copyist manuscript piano-vocal score in ink on
transparencies and two photocopies, no lyric ; 3 p. each
102/1
Letter D
Two photocopies of manuscript piano-vocal score,
no lyric ; 3 p. each
Note: "Allene Talmey" on one copy; copyright
1943
102/2
On record 4A
Copyist manuscript piano-vocal score in ink on
transparencies and photocopy, no lyric ; 3 p. each
102/2
On record 4A
Photocopy and negative of manuscript piano-vocal
score, no lyric ; 3 p. each
Note: "Sing my heart" on negative
only
102/3
#36 Parker and
Daniels, act III no. 5
see also
[ Uncommercial
traveller](mu002004_Manuscripts_CL10011001_D4_1653) in Very Warm for May
Photocopy and negative of manuscript piano-vocal
score, no lyric ; 5 p. each
102/4
Beguine con spirito
Photocopy of manuscript piano-vocal score and
holograph sketch, no lyric ; 5 p. + 1 p.
102/5
New #51
Two photocopies and negative of manuscript
piano-vocal score, no lyric ; 4 p. each
Note: "Singing in a garden" on negative
only
102/6
? maybe
used
Photocopy and negative of manuscript piano-vocal
score, no lyric ; 8 p.
Note: "Maybe, maybe" on negative only
102/7
New #53 - slowly and
sentimentally
Two photocopies and negative of manuscript
piano-vocal score, no lyric ; 3 p. each
Note: "Singing to the stars" on negative
only
102/8
New #55
Photocopy and negative of Robert Russell Bennett
manuscript piano-vocal score and manuscript sketch, no lyric ; 5 p.
each
Note: "Join in the dances" on negative
only
102/9
Rhumba
Photocopy of Robert Russell Bennett manuscript
sketch ; [1] p.
90, 102
Correspondence, 1913-1951
1913-1951
Correspondence series is represented by four letters and one telegram.
Arrangement is by date.
102/10
Harry N. Wessel to Jerome Kern, 1913 May
10
Typescript letter, signed ; [1] p.
102/11
Charles Previn to Mr. Dreyfus,
undated
Autograph letter, signed ; [1] p.
Note: written "at request of Mr.
Erlanger"
102/12
Kern to John [?], ca. 1928 February
18
Autograph letter, signed
Note: regarding script for Oh, Lady! Lady!!
102/13
Kern to [P.G.] Wodehouse, 1928 June
15
Autograph letter, signed ; [1] p.
Note: reply written on back of telegram from
Wodehouse, the coded message is transcribed by Kern, his reply reads:
"Wodehouse/17 Norfolk, Park Lane London./Attitude perfectly friendly but Laddie
Cliff may fry himself before he can disassociate any portion libretto Oh Lady
Lady from music/Love to Ethel. How is Snork./Jerry."
102/14
Mr. Dreyfus of Harms, Inc. to Eastman Symphony,
London, 1928 June 11
Telegram ; [1] p.
Note: subject is Kern's refusal to permit
production of Oh, Lady! Lady!! with new
music
90/2
Genevieve Fisch of Benton & Bowles, Inc.
advertising agency to Mr. Edgar Carver of Rodgers & Hammerstein,
1951
Typescript letter, signed ; [1] p.
Note: regarding radio broadcast of Very Warm for May