Collection Summary
Susan Caperna Lloyd collection
1961-2020
1961-2020
AFC
2018/064
Lloyd, Susan Caperna
approximately 18,210
items
59 containers
6.4 linear feet
1 text file : digital ;
txt
22 sound cassettes :
analog
1 sound disc : analog ; 7
in.
72 videocassettes (Betacam) :
analog
32 videocassettes (Betacam
SP) : analog
22 videocassettes (VHS) :
analog
6 videocassettes (VHS-C) :
analog
1 videocassette (U-matic
video) : analog
20 videocassettes (Hi 8) :
analog
1 film reel (1 in.) :
analog
1 videocassette (MiniDV) :
digital
7 video discs (DVD) : digital
; 4 3/4 in.
23 video files : digital,
ifo, vob, mov, mp4
424 photographs : film
negatives, black and white ; 120 mm
2,185 photographs : film
negatives, black and white ; 35 mm
21 photographs : film
negatives, black and white ; 4 x 5 in.
3,852 photographs : color
transparencies ; 35 mm
24 photographs : prints,
black and white ; various sizes
2 portfolios (36
photographs) : gelatin silver prints on card mounts, black and white ; 13 x 15
in.
2 portfolios (29
photographs) : gelatin silver prints on card mounts, black and white ; 15 x 18
in.
5 portfolios (121
photographs) : Ultrachrome archival inkjet prints, color ; 19 x 13 in.
1 portfolio (14
photographs) : gelatin silver prints on card mounts, sepia ; 16 x 20 in.
1 portfolio (18
photographs) : prints with original writing above and below with 2 prints on each card
mount ; 17 x 12 in.
1 portfolio (14
photographs) : gelatin silver prints, black and white ; 8 x 10 in.
4 portfolios (111
photographs) : Ultrachrome archival inkjet prints, black and white ; 19 x 13
in.
5,559 still image files :
digital, jpg
English
Spanish
French
Italian
German
Xhosa
Turkish
Japanese
Pashto
Collection material in English, Spanish, Japanese, French, Italian, German, Xhosa,
Pashto, and Turkish.
American Folklife Center, Library of Congress
Washington, D.C.
Photographs, writings, films, and ephemera
comprising the professional archive of photographer Susan Caperna Lloyd. Includes
documentation, mainly through photography and film, of Catholic Holy Week religious
ritual as well as ethnographic documentation of folk traditions from around the
world.
Provenance
Susan Caperna Lloyd; Purchase; 2018, 2020.
Accruals
No further accruals expected.
Processing History
The Susan Caperna Lloyd collection was processed by Sara Ludewig between November 2022
and May 2023.
Digital materials were assigned AFC ID numbers upon acquisition. Sara Ludewig only
minimally arranged files in afc2018064_dc001 and did not arrange any other files. The
optical discs that originally housed digital files were retained as part of the
collection. The optical disc labeled afc2018064_dc009 was not playable and Sara Ludewig
deaccessioned it from the collection.
Copyright Status
Duplication of collection materials may be governed by copyright and other
restrictions.
Access and Restrictions
The Susan Caperna Lloyd collection is open to research. To request materials, please
contact the Folklife Reading Room at [https://hdl.loc.gov/loc.afc/folklife.contact]
Certain restrictions to use or copying of materials may apply.
Preferred Citation
Researchers wishing to cite this collection should include the following information:
[item, date, container number], Susan Caperna Lloyd collection (AFC 2018/064), American
Folklife Center, Library of Congress, Washington, D.C.
Biographical Note
Susan Caperna Lloyd is an author, photographer, and filmmaker. She holds an Master of
Fine Arts degree from the University of Oregon and her work incorporates elements of
folklife, ethnography, religious studies, and anthropology.
Scope and Content
The collection documents Lloyd's expansive and varied career as an author, photographer,
and filmmaker documenting folk rituals and customs around the world. A large portion of
the collection focuses on Catholic Holy Week and Easter time folk religious rituals in
the Philippines, Italy, Spain, New Mexico, Guatemala, and Mexico. Primarily through
photographs, Lloyd recorded the adaptation of Catholic Holy Week rituals to include
local folk customs. In addition to materials related to Holy Week folk rituals, Lloyd's
work contains ethnographic documentation in the form of photographs, films, and writings
from North, Central, and South America, Europe, Asia, and Africa regarding festivals,
foodways, music, dance, anti-nuclear activism, Basque, Roma, Native American, and Latinx
cultures. The collection includes journals and photographs from the entirety of Lloyd's
career, beginning with her early work as a photographer and including her many research
trips over the years. The production of Lloyd's documentary films, including
The Last Zapatista,
Processione: A Sicilian Easter,
and
The Baggage,
are represented in the collection through film footage and production files.
The descriptions found in this finding aid of material in the collection were provided
by the donor, Susan Caperna Lloyd.
Arrangement
The Susan Caperna Lloyd collection is organized in 18 series according to major projects
in Lloyd's career. Materials are arranged chronologically within each series.
-
[Series 1: Academic,
personal, and professional files (1961-1998)](ref_id10001)
-
[Series 2: Early
photographic work (1972-1986)](ref_id10022)
-
[Series 3: Mexico
(1971-2002, 2018, bulk: 1972-2002, 2018)](ref_id10117)
-
[Series 4: Ecuador and
Peru (1977-1978)](ref_id10246)
-
[Series 5: Southwest
United States (1978-2004, 2012)](ref_id10257)
-
[Series 6: France and
England (1978-1986, 2001-2002, 2012)](ref_id10298)
-
[Series 7: Holy Week
religious ritual (1978-2020)](ref_id10382)
-
[Series 8: Oregon
(1978-1991, 2020)](ref_id10618)
-
[Series 9: Italian
heritage and Italy (1978-2020)](ref_id10693)
-
[Series 10: South Africa
(1984-1987)](ref_id10729)
-
[Series 11: Japan
(1987-1994)](ref_id10796)
-
[Series 12: Basque
culture (1968-1998, bulk: 1989-1998)](ref_id10828)
-
[Series 13: Cuba
(1998-2004)](ref_id10868)
-
[Series 14: Afghanistan
(2005-2006)](ref_id10886)
-
[Series 15: Turkey
(2006)](ref_id10922)
-
[Series 16: Kali folklore
(1960, 1980, 2005, 2012-2014, bulk: 2012-2014)](ref_id10937)
-
[Series 17: India
(2014)](ref_id11003)
-
[Series 18: Other
folklife projects (1977-2014)](ref_id11025)
Selected Search Terms
The following terms have been used to index the description of this collection in the LC
Catalog. They are grouped by name of person or organization, by subject or location, and
by occupation and listed alphabetically.
People
Castillo Morales, Juan, -1938.
Lloyd, Susan Caperna, collector, creator.
Lloyd, Susan Caperna--Archives.
Lloyd, Susan Caperna--Correspondence.
Zapata, Emiliano, 1879-1919.
Organizations
Ejército Zapatista de Liberación Nacional (Mexico)
Subjects
All Souls' Day.
Antinuclear movement.
Basque Americans--Social life and customs.
Catholics--Italy.
Catholics--Mexico.
Catholics--Spain.
Crucifixion.
Folk religion.
Holy Week--Rites and ceremonies.
Italian American families--Biography.
Mayas--Religion.
Modoc Indians.
Navajo Indians--Social life and customs.
Processions, Religious.
Pueblo dance--New Mexico.
Tarahumara Indians--Rites and ceremonies.
Yaqui Indians--Arizona.
Yaqui Indians--Religion.
Places
Afghanistan--Social life and customs.
Cuba--Social life and customs.
Ecuador--Social life and customs.
England--Social life and customs.
France--Social life and customs.
Guatemala--Religious life and customs.
India--Religious life and customs.
India--Social life and customs.
Japan--Religious life and customs.
Mexico--Folklore.
Mexico--Religious life and customs.
Mexico--Social life and customs.
New Mexico--Religious life and customs.
New Mexico--Social life and customs.
Oregon--Social life and customs.
Peru--Social life and customs.
Philippines--Religious life and customs.
South Africa--Social life and customs.
Turkey--Social life and customs.
Form/Genre
Manuscripts.
Photographs.
Sound recordings.
Video recordings.
Catalog Record: [https://lccn.loc.gov/2019655202]
Container List
Series 1: Academic, personal, and
professional files
35/2
Girl Scouts, Medford, Oregon,
1961
1961
Girl Scout cross country hike journal/camp
songs/sketches, southern Oregon.
1 notebook
35/3
Miscellaneous writings, 1961-1994
1961-1994
1 folder
Poems and other writings;
Dreams, 1961-1984
1961-1984
1961-1965 poems and other writings by Lloyd from
a creative writing workshop at Jackson County Committee for the Study of
Able and Gifted Children that Lloyd was selected to attend. Dreams,
1978-1984. Themes reflect Lloyd's formative years as she struggled to
maintain her art while being dedicated to motherhood and raising her two
sons.
AFC 2018/064: ZZ-01
Poems, 1963-1994
1963-1994
Themes range from Lloyd's high school imitation
of Bob Dylan's song lyrics to later reflections on motherhood and its impact
on her art.
AFC 2018/064: ZZ-02
35/4
Creative writing workshop,
Southern Oregon University (1 of 2), 1964
1964
Folder containing poems and writings by Susan
(Caperna) Lloyd composed at Jackson County Committee for the Study of Gifted
and Able Children's workshop at Southern Oregon University, winter, 1964. Lloyd
was selected to attend this course while still in high school. Also includes
the anthology of the class writings, including Lloyd's.
1 binder
35/5
Creative writing workshop,
Southern Oregon University (2 of 2), 1964
1964
Folder containing poems and writings by Susan
(Caperna) Lloyd composed at Jackson County Committee for the Study of Gifted
and Able Children's workshop at Southern Oregon University, winter, 1964. Lloyd
was selected to attended this course while still in high school. Also includes
the anthology of the class writings, including Lloyd's.
1 notebook
35/6
Drawings and sketches, 1965-1970
1965-1970
University of Oregon art classes.
1 notebook
35/7
Freemesser photography
workshop, 1973-1974
1973-1974
First photography workshop, Bernard Freemesser's
summer traveling workshop through the west, summer 1973. Trip with mother, Gail
Caperna, 1974.
1 notebook
35/8
Dreams, 1974-1977
1974-1977
Record of dreams during MFA program, University of
Oregon.
1 notebook
35/9
Basic Design - Color Theory
notebook, 1975-1976
1975-1976
Robert Kostka, professor, MFA program, University of
Oregon.
1 notebook
35/10
History of Photography courses,
1975-1977
1975-1977
Bernard Freemesser, professor, MFA program,
University of Oregon.
1 notebook
35/11
MFA journal, 1975-1978
1975-1978
Professor Kostka, MFA program, University of Oregon.
Observations on art, reviews, inspirations, notes from Bob Kostka's Basic
Design classes.
1 notebook
36/1
History of Photography
notebook, 1976
1976
Bernard Freemesser, Professor, MFA program,
University of Oregon.
1 notebook
36/2
History of Photography
notebook, 1977
1977
Bernard Freemesser, Professor, MFA program,
University of Oregon.
1 notebook
41/4
Susan Lloyd photography
workshops, 1977-1978
1977-1978
Posters advertising photography workshops in which
Susan Lloyd taught: Oregon Photography Workshop, Eugene, Oregon, summer 1977;
Northwest Artists Workshop, Portland, Oregon, August 18-27, 1978; Aesthetics of
Photography, Portland, Oregon, August 2-8, 1978.
1 folder
41/5
Susan Lloyd photography
exhibitions, 1977-2010
1977-2010
Miscellaneous Susan Lloyd photography exhibition
announcements in the U.S., England, and Italy.
1 folder
36/3
Latin American Art History,
University of Oregon course, MFA program, 1978
1978
1 notebook
36/4
Personal journal and dreams,
1978-1982
1978-1982
Record of struggle to make personal experience
visual through photography and themes of light, religion, birth/death; third
trip to Mexico while pregnant, dreams, balancing motherhood and photography
career in isolation in California after MFA program, University of Oregon.
First serious documentation of people and use of writing with photographs
through [Portfolio
2: Sequences/Self-Portraits](ref_id10084) and [Portfolio 3: Copy Photographs](ref_id10101)
using old family pictures, interview with photographer Frederick Sommer,
Prescott, Arizona.
1 notebook
36/5
Southern Oregon University,
Ashland, Oregon workshops with Professor Don Kay (Photoshop), 1998
1998
First experiments with Photoshop with Don Kay. First
writings about how to incorporate digital ideas into photography.
1 folder
36/6
[Susan Lloyd's professional
portfolio], undated
undated
1 folder
Series 2: Early photographic
work
Portfolios and negatives from Lloyd's early work as a photographer. Features
photographs from her early world travels.
Early work, 1972-1978
1972-1978
23
Susan Lloyd with 4x5 camera,
1974
1974
AFC 2018/064: SL-4x5-01 – SL-4x5-02
2 black-and-white negatives (4 x
5 inch)
23
Susan Lloyd self portrait,
1974-1976
1974-1976
AFC 2018/064: SL-4x5-03 – SL-4x5-04
2 black-and-white negatives (4 x
5 inch)
23
Cloud reflections in puddle,
1976
1976
AFC 2018/064: SL-4x5-05
1 black-and-white negative (4 x 5
inch)
[Portfolio 1,
Print 1](ref_id10042)
23
Tom, 1976
1976
AFC 2018/064: SL-4x5-06
1 black-and-white negative (4 x 5
inch)
[Portfolio 1,
Print 16](ref_id10057)
23
Deschutes River rocks, 1972
1972
AFC 2018/064: SL-4x5-07
1 black-and-white negative (4 x 5
inch)
[Portfolio 1,
Print 2](ref_id10043)
23
Sand patterns, 1976
1976
AFC 2018/064: SL-4x5-08
1 black-and-white negative (4 x 5
inch)
[Portfolio 1,
Print 3](ref_id10044)
23
Tom's hands, 1976
1976
AFC 2018/064: SL-4x5-09
1 black-and-white negative (4 x 5
inch)
[Portfolio 1,
Print 18](ref_id10059)
23
Salida Coca-Cola Bottling
Company, 1972
1972
AFC 2018/064: SL-4x5-10
1 black-and-white negative (4 x 5
inch)
23
Idaho World Building, 1972
1972
AFC 2018/064: SL-4x5-11
1 black-and-white negative (4 x 5
inch)
23
Pierre County Court House,
1972
1972
AFC 2018/064: SL-4x5-12
1 black-and-white negative (4 x 5
inch)
23
Christ Nazareno santo, 1978
1978
AFC 2018/064: SL-4x5-13
1 black-and-white negative (4 x 5
inch)
23
Santa Rosalia santo, 1978
1978
AFC 2018/064: SL-4x5-14
1 black-and-white negative (4 x 5
inch)
23
Sofa display, 1974
1974
AFC 2018/064: SL-4x5-15
1 black-and-white negative (4 x 5
inch)
23
Victorian eyelid window,
1972
1972
AFC 2018/064: SL-4x5-16
1 black-and-white negative (4 x 5
inch)
23
White house ruins, Canyon de
Chelly, 1973
1973
AFC 2018/064: SL-4x5-17 – SL-4x5-19
3 black-and-white negatives (4 x
5 inch)
23
Butte, Montana, 1972
1972
AFC 2018/064: SL-4x5-20
1 black-and-white negative (4 x 5
inch)
23
Sand patterns, 1976
1976
AFC 2018/064: SL-4x5-21
1 black-and-white negative (4 x 5
inch)
43
Portfolio 1:
Early Work
, 1972-1983
1972-1983
The photographs in this
portfolio of silver prints were made during Susan Lloyd's graduate school days
in the Master of Fine Arts program at the University of Oregon, 1975-1978.
Using a 2.25 x 2.25 inch Rolleiflex twin lens reflex camera, a 2.25 x 2.75 inch
view camera, and a 4 x 5 inch Calumet view camera, her photographs strive for
rich tonality from black to white and utilize the zone system of negative
exposure and printing popularized by Ansel Adams and Edward Weston; as well,
Lloyd mixed her own print developer, using Edward Weston's Amidol formula.
Photographing with a tripod because of the view cameras, Lloyd sought still
subjects. She focused always on natural light that revealed a subject's
innermost nature. Her interest in a deeper revelation of character in the
people she photographed led to her conversion to documentary photography
several years later.
1 portfolio (19 photographs) :
gelatin silver prints on card mount , black and white ; 13 x 15 inch
Print 1: Cloud reflections
in puddle, 1976
1976
Eugene, Oregon street scene.
[AFC 2018/064:
SL-4x5-05](ref_id10026)
Print 2: Deschutes River
rocks, 1972
1972
Scene on Deschutes River near Tumalo,
Oregon.
[AFC 2018/064:
SL-4x5-07](ref_id10028)
Print 3: Sand patterns,
1976
1976
Beach scene Pacific coast, Florence,
Oregon.
[AFC 2018/064:
SL-4x5-08](ref_id10029)
Print 4: Chan Chan, Peru,
1977
1977
Adobe ruins.
[AFC 2018/064:
SL-04-01](ref_id10250)
Print 5: Ayacucho, Peru,
1977
1977
Adobe wall ruins.
[AFC 2018/064:
SL-05-04](ref_id10252)
Print 6: Erika, 1978
1978
Erika with cross, Eugene, Oregon.
[AFC 2018/064:
SL-02-02](ref_id10120)
Print 7: Erika, 1978
1978
Erika's hands, Eugene, Oregon.
[AFC 2018/064:
SL-02-02](ref_id10120)
Print 8: Motel cactus, 1977
1977
Cactus in Tucson, Arizona, motel
garden.
[AFC 2018/064:
SL-26-13](ref_id10079)
Print 9: Tom in hallway,
1978
1978
Rome, Italy hotel.
[AFC 2018/064:
SL-26-10](ref_id10076)
Print 10: Angela's bedroom,
1977
1977
Childhood bedroom of Angela Caperna, sister of
photographer Susan Lloyd, Medford, Oregon.
[AFC 2018/064:
SL-26-06](ref_id10072)
Print 11: Tom in hat on bed,
1977
1977
Portland, Oregon.
[AFC 2018/064:
SL-26-08](ref_id10074)
Print 12: Boat, 1976
1976
Drydock, Florence, Oregon.
Print 13: San Xavier
Mission, 1977
1977
Tucson, Arizona.
[AFC 2018/064:
SL-01-03](ref_id10258)
Print 14: Mosaic, 1983
1983
Mosaic and angel, Enna, Sicily.
[AFC 2018/064:
SL-26-01](ref_id10067)
Print 15: Angela, 1977
1977
Eugene, Oregon.
[AFC 2018/064:
SL-26-05](ref_id10071)
Print 16: Tom, 1976
1976
Tom Lloyd, husband of photographer Susan Lloyd,
Eugene, Oregon.
[AFC 2018/064:
SL-4x5-06](ref_id10027)
Print 17: Tom's back, 1976
1976
Tom Lloyd, husband of photographer Susan Lloyd,
Eugene, Oregon.
[AFC 2018/064:
SL-26-02](ref_id10068)
Print 18: Tom's hands, 1976
1976
Tom Lloyd, husband of photographer Susan Lloyd,
Eugene, Oregon.
[AFC 2018/064:
SL-4x5-09](ref_id10030)
Print 19: Michael, 1978
1978
Michael Besh, friend and member of photography
program at University of Oregon, Eugene, Oregon.
[AFC 2018/064:
SL-26-15](ref_id10081)
Print 20: British Museum,
1978
1978
London, England 1978.
[AFC 2018/064:
SL-26-14](ref_id10080)
23
Early work medium format, 1974
1974
AFC 2018/064: SL-27-01
7 black-and-white negatives (120
mm)
Susan with view
camera
Kodak
38/7
[Original housing from AFC
2018/064: SL-27]
1 folder
22
Artists: Ruth Bernhard, Jerry
Robinson, Bob Kostka, 1974-1985
1974-1985
AFC 2018/064: SL-25-01 – SL-25-03
26 black-and-white negatives (120
mm)
SL-25-01: Jerry
Robinson, photographer; SL-25-02: Ruth Bernhard, San Francisco at her studio;
SL-25-03: Bob Kostka, artist; Complete.
Kodak
38/5
[Original housing from AFC
2018/064: SL-25]
1 folder
Early work medium format, 1976-1986
1976-1986
22
Sicily, mosaic, 1983
1983
AFC 2018/064: SL-26-01
1 black-and-white negatives (120
mm)
[Portfolio 1,
Print 14](ref_id10055)
Ilford
22
Tom's back, 1976
1976
AFC 2018/064: SL-26-02
1 black-and-white negatives (120
mm)
[Portfolio 1,
Print 17](ref_id10058)
Ilford
22
Cesira Caperna, Veroli,
Italy, 1983
1983
AFC 2018/064: SL-26-03
1 black-and-white negatives (120
mm)
Kodak
22
Belle with eyes closed,
Pendleton, Oregon, 1978
1978
AFC 2018/064: SL-26-04
2 black-and-white negatives (120
mm)
Kodak
22
Angela, 1977
1977
AFC 2018/064: SL-26-05
1 black-and-white negatives (120
mm)
[Portfolio 1,
Print 15](ref_id10056)
Kodak
22
Angela's bedroom, 1977
1977
AFC 2018/064: SL-26-06
1 black-and-white negatives (120
mm)
[Portfolio 1,
Print 10](ref_id10051)
Ilford
22
Tom on bed, 1977
1977
AFC 2018/064: SL-26-07
1 black-and-white negatives (120
mm)
Kodak
22
Tom in hat on bed, 1977
1977
AFC 2018/064: SL-26-08
1 black-and-white negatives (120
mm)
[Portfolio 1,
Print 11](ref_id10052)
Kodak
22
Sky in poncho, Santa Fe, New
Mexico, 1986
1986
AFC 2018/064: SL-26-09
1 black-and-white negatives (120
mm)
Kodak
22
Tom in hallway, Rome, 1978
1978
AFC 2018/064: SL-26-10
1 black-and-white negatives (120
mm)
[Portfolio 1,
Print 9](ref_id10050)
Kodak
22
Saguaro cactus, Tucson,
Arizona, 1977
1977
AFC 2018/064: SL-26-11
1 black-and-white negatives (120
mm)
22
Tarp (covering tractor),
1977
1977
AFC 2018/064: SL-26-12
2 black-and-white negatives (120
mm)
Kodak
22
Motel cactus, Tucson,
Arizona, 1977
1977
AFC 2018/064: SL-26-13
3 black-and-white negatives (120
mm)
Ilford
22
British Museum Sphinx, 1978
1978
AFC 2018/064: SL-26-14
3 black-and-white negatives (120
mm)
[Portfolio 1,
Print 20](ref_id10061)
Ilford
22
Michael Besh, 1978
1978
AFC 2018/064: SL-26-15
12 black-and-white negatives (120
mm)
[Portfolio 1,
Print 19](ref_id10060)
Kodak
38/6
[Original housing from AFC
2018/064: SL-26]
1 folder
24/1
[Exhibitions of early
photographic work], 1978-1982
1978-1982
1 folder
44
Portfolio 2:
Sequences/Self-Portraits
, 1979-1982
1979-1982
This portfolio of
Sequences/Self-Portraits were made from 1979-1982, before the time of "Selfies"
popularized much later with the advent of digital cameras. They came into being
because of a need to understand my changing self when I became pregnant at age
thirty-two. The use of multiple imagery expressed what one image could not and
was also a filmic idea. I found the self-portrait to be invaluable in really
"seeing" myself and my growing child. The frames of each sequence were made in
order in the camera on negative film, and occurred together "in sequence." They
were then printed as a whole, so there was no cutting or manipulation. I also
developed the use of words to accompany the images, feeling that the sequences
were much like poems, each image in the sequence a word-picture and part of a
greater whole which was, in itself, part of something else even greater. The
use of writing longer captions with these sequences led to my eventual
development as an author with continued pursuits in photography and
film.
1 portfolio (15 photographs) :
black-and-white gelatin silver prints on card mounts ; 15 x 18 inch
Print 1: To find room in a
room of one's own, June
1979
June
1979
Print 2: In this journey we
are alone, June 1979
June
1979
Print 3: Chod - When the
holy Milarepa finds the body of his dead mother he lies on it for three days
to overcome his fears of it (Buddhist text), March 1980
March 1980
Print 4: When we arrived in
Albuquerque we truly had left home, July 1980
July
1980
Print 5: Mothers, children,
March 1980
March 1980
Print 6: I had another
falling off the mountain dream last night, February 1980
February 1980
Print 7: As I have given
birth to you, so have you to me, July 1980
July
1980
Print 8: Dog mask, man and
dog, August 1980
August 1980
Print 9: The child makes the
Zen garden, August 1980
August 1980
Print 10: The proper use for
tools: for Gary Snyder (setting out to learn that which is already known),
January 1981
January 1981
Print 11: We can perceive
through our child's play whatever that is standing between us and greater
happiness, March 1981
March 1981
Print 12: For Bob Kostka,
who understands children's marks, April 1981
April 1981
Print 13: I think you're
dancing right away from me, June 1982
June
1982
Print 14: I was so
protective of my Zen garden until you came along and threw a wrench into it.
But actually I see that you have placed it well, June 1982
June
1982
Print 15: The role of the
artist is to free the reality manifested in a thing so that others can see,
July 1982
July
1982
23
Sequences/Self Portraits,
1979-1982
1979-1982
AFC 2018/064: SL-33-01
49 black-and-white negatives (35
mm)
45
Portfolio 3:
Copy Photographs/Journal Excerpts
, 1981-1983
1981-1983
Prints 1-7 consist of a
selection of old family snapshots recopied on a copy stand then printed
(including the grid upon which they were placed) on sheets of photographic
paper. By using the grid, I wanted to show that the snapshots were, indeed,
"copied." I sepia-toned the old snapshots on the print, suggesting that they
existed in the past, and left room underneath the printed photograph in which
to write a text. These writings were invoked by studying the completed
photographs, for they brought up old family memories. They are an outgrowth of
my Sequences and my first use of extended writing
with photographs. These "Copy Photographs" represent another need to understand
how we view ourselves and our children. Since we are all someone's child and
possibly someone's parent, the cycle is endless. Old family snapshots can
provide clues in unraveling the mysteries of family life. Photographs 8-14, the
"Journal Excerpts," utilize written text and photographic fragments, made from
a journal kept in Italy during 1983. I traveled there with my husband and young
son after receiving a grant from the Oregon Arts Commission to document my
family heritage in and around the towns where my Italian father had lived
before migrating to the U.S. in 1922.
1 portfolio (14 photographs) :
black-and-white gelatin silver prints on card mounts ; 15 x 18 inch
Print 1: Copy photograph
#14: Dad, me, mother, Astoria (1953), 1981
1981
Print 2: Copy photograph #8:
Myself, age five, and dad, New Jersey (1952), 1982
1982
Print 3: Copy photograph
#16: Angela, myself, Shawn, seaside (1956), 1982
1982
Print 4: Copy photograph
#17: Shawn, Angela, myself (1961), 1982
1982
Print 5: Copy photograph
#19: Grandma Carolina, mother, Gary (1966), 1983
1983
Print 6: Copy photograph
#21A: Grandma Carolina, Gary (two months), mother (1961), 1983
1983
Print 7: Copy photograph
#21B: Ron, Gary (two months) and Gino Caperna (1961), 1983
1983
Print 8: Abbey of St. Thomas
Aquinas, Fossanova (1983), 1983
1983
Print 9: Cesira Caperna,
Veroli, Italy (1983), 1983
1983
Print 10: Grandma Carolina,
Amelia, dad, Gino, Rome (1926), 1926
1926
Print 11: Rosaria's bedroom
shrine to her dead husband, Terracina (1983), 1983
1983
Print 12: Mannequin, Sicily
(1983), 1983
1983
Print 13: World War I
monument with names of relatives, Veroli (1983), 1983
1983
Print 14: Manifestos of
death, Terracina (1983), 1983
1983
AFC 2018/064: SR002
Susan Lloyd lecture, trajectory
of early work, Southern Oregon University, May 6, 1982
May
6, 1982
1 sound cassette
Series 3: Mexico
Additional material collected by Lloyd in Mexico, related to Holy Week religious
ritual, can be found in [Series 7.](ref_id10382)
Subseries 1:
General
24/2
Mexico notebook, 1971-1976
1971-1976
First trips to Mexico/Baja; observation of
culture and folk art leading to photo, film, writing projects.
1 notebook
21
Mulege Church, Erika,
Mulege, Mexico, 1978
1978
AFC 2018/064: SL-02-01 – SL-02-02
22 black-and-white negatives (120
mm)
SL-02-01:
Mulege Church, Nazareno; Missing 4-5; Scanned #7, printed 8/22; SL-02-02:
Erika (Negative #11 in Portfolio 1, Print 7); Scanned #12 10/16, printed #12
10/16, printed #12 lighter version
Kodak; Agfapan 100
36/10
[Original housing from AFC
2018/064: SL-02]
1 folder
21
Guaymas, Mexico, 1979
1979
AFC 2018/064: SL-06-01 – SL-06-05
31 black-and-white negatives (120
mm); 51 black-and-white negatives (35 mm)
SL-06-01:
Guaymas Church and boys, Mexico; Missing 4-6, Scanned #1, #5 printed both
8/22/18; SL-06-02: Boys and Santos in Guayamas Church; Missing 1, 11;
SL-06-03: Guaymas car repairman; church, crucifix on wall; Missing 1;
SL-06-04: Guaymas Church and boys; 1-8, 14-18; Missing 9-13, 19-36;
SL-06-05: Fragments (Miscellaneous)
Kodak 6043; Kodak 6057; Kodak
5063
37/1
[Original housing from AFC
2018/064: SL-06]
1 folder
21
Mazatlán, Mexico, 1979
1979
AFC 2018/064: SL-07-01 – SL-07-07
41 black-and-white negatives (120
mm)
SL-07-01:
Upward Christ, Mazatlán Cathedral, Mexico; Missing 4-6, 11-15, 16 and up,
Scanned #3 9/12/18, printed #3 9/12/18; SL-07-02: Mazatlán Church statue,
Mary; Tiny saint against wall; Missing 1-2, 9-12; SL-07-03: Mexico, Virgin
with ex voto hearts; Missing 1, 11-12; SL-07-04: Mazatlán Church/Chair;
Frames 4, 5, 6 and 11, 12, 13 (fragments); scanned #5 8/22/18, printed
8/22/18; SL-07-05: Mazatlán graveyard; Fragments of three different rolls
Kodak and Agfa; SL-07-06: Three statues in Church, Mazatlán; Scanned #1
9/12/18, printed #1 9/12/18; SL-07-07: Three statues in Church; Missing 1,
3-4, 9 and up
Agfapan 25; Ilford FP4;
Kodak
37/2
[Original housing from AFC
2018/064: SL-07]
1 folder
21
Guaymas, Mexico, 1979
1979
AFC 2018/064: SL-08-01
7 black-and-white negatives (120
mm)
Boy, Hotel de
Guayamas; Missing 8-12
Kodak 6049
37/3
[Original housing from AFC
2018/064: SL-08]
1 folder
24/3
[Baja California, Mexico],
1984
1984
Manuscripts and ephemera from Baja
Mexico
1 folder
24/4
Baja California, Mexico
notebook, 1984
1984
Journal of one thousand mile Baja trip, notes
became The Baja Story (about search for
grey whales). Notes on Hippie beach culture pages 1-5, Mexican folk life
pages 6-8. See [Q-01 and Q-02](ref_id10134) for The Baja
Story.
1 notebook
2
Hippie beach culture,
Santispac Beach, Baja, Mexico, 1984
1984
AFC 2018/064: PH0341-PH0360
20 color slides (35
mm)
341, Santispac Beach; 342, Van and decorated
palapa hut; 343, Local Mexican with oysters in shell; 344, Selling jewelry
from palapa hut; 345, Santispac Beach; 346, Couple from U.S. living in
palapa hut; 347, Selling jewelry made of shells; 348, Man from U.S. in front
of the palapa hut he lives in; 349, Bakery and restaurant; 350, Man from
U.S. inside his palapa; 351, Reading in a beached boat; 352, Family from
U.S. in front of palapa; 353, Cooking frijoles (beans); 354, Dogs fighting;
355, Man feeding pelicans; 356, Beer bottle fire pit; 357, Beach dog; 358,
Close-up of pelican; 359, Fishing boat on the bay; 360, Swing-set in the
bay's water.
3
Baja, Mexico, 1984
1984
AFC 2018/064: PH0361-PH0380
20 color slides (35
mm)
361, Decorative bus; 362, Boy, Loreto motel; 363,
Carnival sign, La Paz; 364, Mural painter working for carnival, La Paz; 365,
Boys on bikes, Loreto; 366, Taco food truck; 367, Virgin of Guadalupe shrine
in restaurant; 368, Leather shoes and huaraches for sale in market, La Paz;
369, Child and dog in doorway, Loreto; 370, Two girls selling Chiclets; 371,
Spanish wall graffiti "Contra a represion;" 372, Shoe-shine boy, La Paz;
373, Wall painting of Amazon woman killing bull, La Paz; 374, Child in
poncho with mother, La Paz; 375, Christ Santo, Mulege church; 376, La
Ardilla performing squirrel dancing with Mexican flag, La Paz; 377, Surfers,
Scammon Lagoon; 378, Man with lobster, Santispac Beach; 379, Poster with
rock star in restaurant, La Paz; 380, End of pier, La Paz.
4
Folk art/desert motels/folk
iconography, 1984-2002
1984-2002
AFC 2018/064: PH0681-PH0700
20 color slides (35
mm)
681, Hand-painted fish sign with political
adverts on taco truck, Baja; 682, Shell plaque with shark jaws and deer
head, Baja, restaurant; 683, Antique mining tool display on wall, Baja
bodega; 684, Hand-painted Mayan nationalism sign, Playa del Carmen; 685,
Desert motel and boys on bicycles, Loreto, Baja; 686, La Pinta, one of first
"new" desert motels, Baja; 687, Pillowcases on line, desert motel, Baja;
688, Man at motel with parking bumpers in sand, Loreto, Baja; 689-690,
Hand-painted whale mural, Guerrero Negro, Baja; 691, Hand-painted whale
signs and bar, Guerrero Negro, Baja; 692, Hand-painted whale mural and
store, Guerrero Negro; 693, Virgin Mary statue, Mulege Mission church, Baja;
694, Carved folk saint statue and saint paintings with coffee grinder; 695,
Mulege Mission church made of local stones, Mulege, Baja; 696, Christ
(Nazareno) statue with ex-votos on wrist, Mulege, Baja; 697, "Three Crosses
of Todos Santos," Todos Santos, Yucatan; 698, Folk retablo (1961) depicting
Christ at a deathbed, Tepoztlán; 699, Christ (Nazareno) statue with ex-votos
on wrist, Mulege, Baja; 700, Santa Rosalia/Guadalupe/Mexican flag, Mulege
Mission, Baja.
24/5
Mexico (Baja and Tijuana),
1984-1988, 2018
1984-1988
2018
1 folder
The Baja Story
by Susan Lloyd, Flying Springbok Magazine
, pages 40-53, September 1984
September 1984
About one thousand mile family bus trip to tip
of Baja California, Mexico, including whale viewing and whale folk art
motifs. Page 43 is [AFC 2018/064: PH0690](ref_id10132). Story references [AFC 2018/064:
PH0341-PH0380](ref_id10130) and [AFC 2018/064: PH0681-PH0696](ref_id10132).
AFC 2018/064: Q-01
Manuscript (with
corrections),
Baja Story,
by Susan Lloyd about her quest for the grey whale in Mexico,
1988
1988
AFC 2018/064: Q-02
Day of the Dead poster
featuring Juan Soldado image from independent artist's celebration
honoring him and other "forgotten angels" who have died. Panteón Numero
Uno (Cemetery Number One), Tijuana, Mexico, November 1-5, 2018
November 1-5, 2018
See [Portfolio 11](ref_id10139) and Lloyd's description of the
shrines to Juan Soldado in her [Mexico (Tijuana) notebook](ref_id10138), pages 6-17 and
41-43.
AFC 2018/064: Q-03
41/1
Day of the Dead, 2018
2018
Advertisement for Día de los Muertos (Day of the
Dead) at Panteón Numero Uno (Cemetery Number One) where ghost stories and
legends about the folk saint, Juan Soldado, are enacted yearly at his shrine
in the cemetery, Tijuana, Mexico
1 poster
24/7
Mexico (Tijuana) notebook,
2018
2018
Notes made at shrine of Mexican folk saint Juan
Soldado, Tijuana, Mexico, on Day of the Dead. See [Portfolio 11](ref_id10139) and [Mexico
2018-11](ref_id10154).
1 notebook
53
Portfolio 11:
Juan Soldado, Mexican Folk Saint
, 2018
2018
In 1938 a young Army
soldier stationed in Tijuana, Mexico was accused of the rape and murder of a
young girl as he took a smoke break in a cemetery near the U.S.-Mexico
border. He was apprehended only because he was near the crime scene and the
charges were never proven in a kangaroo court conducted by the Mexican
authorities. To settle the matter, the authorities allowed him the ley fugo
-- a chance to "run" -- as the federales then shot him in the back. Juan
soon became a folk hero, for the local people believed in his innocence and
that a grave injustice had occurred. People began flocking to his tomb and
shrines at Tijuana's Panteón Numero Uno (Cemetery Number One) that, through
the years, have become pilgrimage sites for immigrants trying to cross the
border into the U.S. Since Juan was an immigrant from southern Mexico and
unjustly treated, the folk identify to this day with his suffering. Many
flock to commune with him on the annual Day of the Dead when it is believed
that the dead come back to visit. In praying to Juan Soldado, pilgrims hope
that he will guide them as they ask for favors and leave petitions and
offerings at his shrines as some journey to find successful passage to the
U.S. The photographs in this portfolio were made during a Day of the Dead
celebration where the ghost of Juan Soldado appeared, as well as the Catrina
(portrayals of the rich as skeletons with pretentious hats), the Grim
Reaper, and the ghosts of the young girl Juan Soldado was accused of raping
and killing. Panteón Numero Uno, Tijuana, Mexico, November 2,
2018.
1 portfolio (14 photographs) :
black-and-white Ultrachrome archival inkjet prints ; 19 x 13 inch
[Mexico
2018-11](ref_id10154)
Print 1: A car decorated
with cobwebs and skeletons sits outside Panteón Numero Uno (Cemetery
Number One) on the Day of the Dead in Tijuana, Mexico
Print 2: Pilgrims visit
Juan Soldado's main shrine at Panteón Numero Uno (Cemetery Number One),
Day of the Dead, Tijuana, Mexico
Print 3: Pilgrims at Juan
Soldado's main shrine in Panteón Numero Uno (Cemetery Number One); wall
plaques give thanks for his help and for arriving safely at their
destinations. Day of the Dead, Tijuana, Mexico
Print 4: A female (women
represent the majority of visitors to Juan Soldado's shrine) hopes to
gain entrance to the U.S. and asks the folk saint for his help and
guidance. Panteón Numero Uno (Cemetery Number One), Day of the Dead,
Tijuana, Mexico
Print 5: A mother and her
children visit the main shrine of Juan Soldado in Panteón Numero Uno
(Cemetery Number One), Day of the Dead, Tijuana, Mexico
Print 6: A pilgrim has
left a printed prayer "to the soul of Juan Soldado" and a cigarette
offering at his upper shrine in Panteón Numero Uno (Cemetery Number One),
Day of the Dead, Tijuana, Mexico
Print 7: Memorializing
Juan Soldado's "smoke break" preceding his arrest, a pilgrim leaves a
cigarette and note of supplication at Juan's main shrine. Panteón Numero
Uno (Cemetery Number One), Day of the Dead, Tijuana, Mexico
Print 8: A migrant woman
visits the main shrine of Juan Soldado, invoking him to help her with
safe passage to the U.S. Panteón Numero Uno (Cemetery Number One), Day of
the Dead, Tijuana, Mexico
Print 9: A pilgrim's
thanksgiving at Juan Soldado's upper shrine commemorating the spot where
he was killed: "gracias little soldier Juan for miracles God has granted
me." Panteón Numero Uno (Cemetery Number One), Day of the Dead, Tijuana,
Mexico
Print 10: An actor
portraying Juan Soldado's ghost appears in Panteón Numero Uno (Cemetery
Number One) on the Day of the Dead, Tijuana, Mexico
Print 11: An actor
portraying Juan Soldado's ghost stands silently in front of Juan's main
shrine at Panteón Numero Uno (Cemetery Number One), Day of the Dead,
Tijuana, Mexico
Print 12: Actors
portraying Juan Soldado's ghost, Catrina, and the Grim Reaper in front of
Juan Soldado's main shrine, dramatizing his story for
onlookers
Print 13: Young girls
evoke the ghost of the girl that Juan Soldado was accused of raping and
killing (although the folk believe in his innocence) standing in front of
his main shrine, Panteón Numero Uno (Cemetery Number One), Day of the
Dead, Tijuana, Mexico
Print 14: A version of
the girl Juan Soldado was accused of raping and killing appears in
Panteón Numero Uno (Cemetery Number One), Day of the Dead, Tijuana,
Mexico
afc2018064_dc001
Tijuana, Mexico Day of the
Dead, October 2018
October 2018
1-3, 6-12, Shrine of folk saint Juan Soldado at
Cemetery Number One in Tijuana Mexico; 4, Old automobile decorated with
cobwebs and skeleton on Tijuana street; 5, Actor playing role of folk saint
Juan Soldado enters Cemetery Number One in Tijuana.
Mexico 2018-11
12 still image files
(jpg)
Subseries 2:
Zapatistas
21
Mexico Zapatistas, 1991
1991
AFC 2018/064: SL-17-01 – SL-17-06
177 black-and-white negatives (35
mm)
SL-17-01:
Zapatistas with Kids/Antonio Morelos - Acapulco; 2-36; SL-17-02: Ana Maria
Zapata (daughter), Great grandchildren of Zapata at cuartel; 3-34, To scan:
24, 8; SL-17-03: Commemorativa; Over exposed, 2-23; SL-17-04: Bullfight, Ana
Maria and brother; 3-36, Scanned #14; SL-17-05: Emeterio, Manuel Zapata and
family; 3-36, Scanned #29, Emeterio holding Zapata picture, #16, Manuel with
kids and angel.
Kodak 5063; Ilford
37/12
[Original housing from AFC
2018/064: SL-17]
1 folder
24/8
Mexico Zapatistas notebook,
1991
1991
Acapulco culture, interviews with families of
folk heroes Pancho Villa and Emiliano Zapata, words to Silva corrido, El Exterminio de Morelos, analysis of folk
hero stages, overview for book (became a film) on Zapata and "sleeping king"
motif.
1 notebook
24/9
Zapata (1 of 4), 1991-1999
1991-1999
1 folder
Newspaper clipping,
El Universal
, Mexico Distrito Federal. Interview with Pancho Villa's son and
Ana Maria Zapata, daughter of Emiliano Zapata, photocopy, May 2, 1991
May 2, 1991
AFC 2018/064: G-01
Letter from Manuel Zapata
inviting Susan Lloyd to visit Zapata family to make film about his
grandfather, folk hero Emiliano Zapata. Includes postmarked envelope,
June 9, 1992
June 9, 1992
AFC 2018/064: G-02
Letter from Ana Maria
Zapata, daughter of Emiliano Zapata to Susan Lloyd in support of planned
film, November 24,
1992
November 24, 1992
AFC 2018/064: G-03
Letter from Susan Lloyd
to David Maciel, Professor of History, University of New Mexico, about
Zapata film, December 14,
1992
December 14, 1992
AFC 2018/064: G-04
Letter from Susan Lloyd
to David Maciel about Zapata film, February 4, 1993
February 4, 1993
AFC 2018/064: G-05
Letter from David Maciel
to Susan Lloyd about Zapata film, February 12, 1993
February 12, 1993
AFC 2018/064: G-06
Letter from Sam Brunk,
professor of history at University of Nebraska, to Susan Lloyd about
Zapata film, April 19,
1993
April 19, 1993
AFC 2018/064: G-07
Letter from Susan Lloyd
to David Maciel, May 4,
1993
May 4, 1993
AFC 2018/064: G-08
Letter from Sam Brunk to
Susan Lloyd, June 1,
1993
June 1, 1993
AFC 2018/064: G-09
Letter from Susan Lloyd
to Dr. Ivan Trujillo, director of cinemaphotography, Universidad Nacional
Autónoma de Mexico, Mexico Distrito Federal, August 18, 1993
August 18, 1993
AFC 2018/064: G-10
Letter from Susan Lloyd
to Sam Brunk, December 1,
1993
December 1, 1993
AFC 2018/064: G-11
Article by Susan Lloyd,
The Last Zapatista,
Ashland Daily Tidings
, page 15, December 7, 1993
December 7, 1993
AFC 2018/064: G-12
Letter from Susan Lloyd
to John Womack, History Department, Harvard University, December 20, 1993
December 20, 1993
AFC 2018/064: G-13
Letter from Sam Brunk to
Susan Lloyd, December 9,
1993
December 9, 1993
AFC 2018/064: G-14
Letter from Susan Lloyd
to Dr. Ivan Trujillo, director of cinematography, Universidad Nacional
Autónoma de Mexico, Mexico Distrito Federal, January 1994
January 1994
AFC 2018/064: G-15
Letter from Susan Lloyd
to Sam Brunk, January
1994
January 1994
AFC 2018/064: G-16
Letter from John Womack,
History Department, Harvard University, to Susan Lloyd, January 31, 1994
January 31, 1994
AFC 2018/064: G-17
Letter from Sam Brunk to
Susan Lloyd, February 28,
1994
February 28, 1994
AFC 2018/064: G-18
24/10
Zapata (2 of 4), 1991-1999
1991-1999
1 folder
Letter from Susan Lloyd
to Dr. Ivan Trujillo, March
1994
March 1994
AFC 2018/064: G-19
Letter from Robert
Haskett and Stephanie Wood, both Department of History, University of
Oregon, to Susan Lloyd in support of Zapata film, March 2, 1994
March 2, 1994
AFC 2018/064: G-20
Letter from Susan Lloyd
to Jesus Silva, Mexican Embassy, Washington D.C., March 15, 1994
March 15, 1994
AFC 2018/064: G-21
Letter from Susan Lloyd
to David Maciel, March 9,
1994
March 9, 1994
AFC 2018/064: G-22
Letter from Francisco
Ochoa to Susan Lloyd about camera operator, March 17, 1994
March 17, 1994
AFC 2018/064: G-23
Letter from Gail Silva,
Film Arts Foundation, San Francisco, California, to Bishop Ruiz, about
Susan Lloyd's film, March
22, 1994
March 22, 1994
AFC 2018/064: G-24
Story by Susan Lloyd
The Last Zapatista,
Oregon Quarterly
, pages 6-7, 1994
1994
AFC 2018/064: G-25
Letter from Stephanie
Wood to Susan Lloyd, April 15, 1994
April 15, 1994
AFC 2018/064: G-26
Letter from Susan Lloyd
to Alejandra Islas about cinematography for film, May 10, 1994
May 10, 1994
AFC 2018/064: G-27
Letter from Sam Brunk to
Susan Lloyd, May 16,
1994
May 16, 1994
AFC 2018/064: G-28
Letter of support from
Sam Brunk to Susan Lloyd, June 6, 1994
June 6, 1994
AFC 2018/064: G-29
Letter from Susan Lloyd
to John Womack, July 16,
1995
July 16, 1995
AFC 2018/064: G-30
24/11
Zapata (3 of 4), 1991-1999
1991-1999
1 folder
Press release on
completed film
The Last Zapatista
, 1995
1995
[AFC
2018/064: G-02](ref_id10161) and [AFC 2018/064: G-39](ref_id10200) for description,
reviews, and awards.
AFC 2018/064: G-31
Flyer announcing film
showing
The Last Zapatista,
Meridian Gallery, San Francisco, July 1, 1995
July 1, 1995
AFC 2018/064: G-32
Notes by Susan Lloyd
about purpose and audience analysis for film presentations of
The Last Zapatista
, 1995
1995
AFC 2018/064: G-33
Letter from Geoffrey
Ashe, British author, to Susan Lloyd about Zapata myth, July 31, 1995
July 31, 1995
AFC 2018/064: G-34
Article about Emeterio
Pantaleon, the subject of Susan Lloyd's film,
The Last Zapatista,
The Mail Tribune
(Medford, Oregon), page 2A, August 9, 1995
August 9, 1995
[AFC
2018/064: SL-18-01](ref_id10243)
AFC 2018/064: G-35
News release for film,
The Last Zapatista
, September
1995
September 1995
AFC 2018/064: G-36
Flyer announcing United
States tours of film,
The Last Zapatista
, 1995
1995
AFC 2018/064: G-37
Article by Susan Lloyd,
The Winds of Zapatismo,
Oregon Quarterly
, 1996
1996
[AFC
2018/064: SL-18-05](ref_id10243) for image in article. Also see Chiapas
Zapatista images, [AFC 2018/064: SL-18-02-SL-18-08](ref_id10243).
AFC 2018/064: G-38
Distributor description
of film, including reviews
[AFC
2018/064: SL-17-05-29](ref_id10156).
AFC 2018/064: G-39
Letter of award
notification for
The Last Zapatista
, August 27,
1998
August 27, 1998
AFC 2018/064: G-40
25/1
Zapata (4 of 4), 1991-1999
1991-1999
1 folder
Newsletter
Alternativa,
published in Mexico. About Chiapas, Mexico Zapatistas, January 1996
January 1996
AFC 2018/064: G-41
Magazine,
La Guillotina,
published in Mexico about Chiapas, Mexico Zapatistas, 1994
1994
AFC 2018/064: G-42
Magazine,
La Guillotina,
published in Mexico, about Chiapas, Mexico Zapatistas, March-April,
1995
March-April, 1995
AFC 2018/064: G-43
Manuscript of prologue
and first chapter of book-in-progress,
Zapata, the Sleeping King: A Quest for Mexico's Mythic
Hero.
This treatment looks at Zapata as a folk hero and his legacy in
Mexico today, 1994
1994
AFC 2018/064: G-44
Political poster for
P.A.R.M. party candidate running for local deputy in Morelos state,
Mexico, showing his photograph with image of Zapata, illustrating
co-option and identification with folk hero, Zapata, and his ideals,
1994
1994
AFC 2018/064: G-45
50
Portfolio 8:
Emiliano Zapata: Mexican Folk Hero
, 1992-1996
1992-1996
Emiliano Zapata, born
of a peasant family in Anenecuilco, Mexico in 1879, was the southern leader
of the Mexican Revolution (1910-1920). Joining forces with Pancho Villa, he
led a movement to regain lands expropriated by colonial landowners that left
Indians throughout Mexico in subjection. When alive Zapata was a hero
because of his simple roots and his abdication of the presidency when it was
offered. Tricked and assassinated in 1919 by government troops at Chinameca
Hacienda, many throughout Mexico believed the body wasn't his. They created
a folk legend around him; some said he escaped and "went to Arabia." Some
still believe he is alive and see his white horse running in the mountains.
Or that he is hiding in a Morelos cave, waiting to come back to lead them
again and restore their lands of corn, beans, and squash. With lands still
expropriated, a Zapatista uprising in Chiapas state occurred in 1994; it was
as if their hero had returned as Mayan Indians staged a revolt in his name,
its battle cry "Viva Zapata." This portfolio, shot from 1992-1996,
illuminates how Zapata's myth lives on in Mexico. Images include generations
of the Zapata family at places associated with the Revolution, posters and
billboards with slogans, masked Mayan Indians in Chiapas state and portraits
of one of the last living revolutionaries, Emeterio Pantaleon (1896-2002),
who fought with Zapata.
1 portfolio (16 photographs) :
black-and-white Ultrachrome archival inkjet prints ; 19 x 13 inch
Print 1: Emeterio
Pantaleon holds a portrait of Emiliano Zapata at his home in
Annenecuilco, Morelos, Mexico, April 1992
April 1992
One of the last living veterans of the Mexican
Revolution (1910-1920), Emeterio Pantaleon fought with Zapata's army in
Morelos and believes Zapata didn't die in 1919 and went to Arabia. For
information about Emeterio Pantaleon see [AFC 2018/064: G-12](ref_id10171);
[AFC
2018/064: G-25](ref_id10185); [AFC 2018/064: G-31](ref_id10192); [AFC 2018/064: G-35](ref_id10196). See
negatives [AFC 2018/064: SL-17-05](ref_id10156).
Print 2: Emeterio
Pantaleon tells stories about Zapata at his home in Anenecuilco, Morelos,
Mexico, April 1992
April 1992
In his mid-nineties, Pantaleon is still
traveling horseback several miles out of town to work on his fields of
corn, beans and squash. See negatives [AFC 2018/064:
SL-17-05](ref_id10156).
Print 3: Emeterio
Pantaleon and photographer's son, Shane, heading to Pantaleon's ejido
(plot), Anenecuilco, Morelos, Mexico, April 1992
April 1992
See negatives [AFC 2018/064:
SL-18-01](ref_id10243).
Print 4: Emeterio
Pantaleon and photographer's son, Shane, heading to Pantaleon's ejido
(plot), Anenecuilco, Morelos, Mexico, April 1992
April 1992
See negatives [AFC 2018/064:
SL-18-01](ref_id10243).
Print 5: Emeterio
Pantaleon in his field wearing a Zapata picture button, Anenecuilco,
Morelos, Mexico, April
1992
April 1992
Emeterio fights to keep his land and the
ideals for which Zapata fought. See negatives [AFC 2018/064:
SL-18-01](ref_id10243).
Print 6: Emeterio
Pantaleon on horseback surveying his field, Anenecuilco, Morelos, Mexico,
April 1992
April 1992
See negatives [AFC 2018/064:
SL-18-01](ref_id10243).
Print 7: Diego and Ana
Maria Zapata, son and daughter of Emiliano Zapata, Cuautla, Morelos,
Mexico, April 1992
April 1992
Paulina Ana Maria Zapata Portillo was born in
1915. She was one of three children recognized by Emiliano Zapata, who
led his peasant army in a fight for land rights before he was killed in
an ambush on April 10, 1919. Ana Maria Zapata had worked for the Morelos
state government and served as a lawmaker in the state legislature. She
died at ninety-four in 2010. For more information about Ana Maria, see
[AFC
2018/064: G-01](ref_id10160); [AFC 2018/064: G-03](ref_id10162). See negatives [AFC 2018/064:
SL-17-05](ref_id10156).
Print 8: (Left to right)
Roberto and Jorge Zapata, great-grandchildren of Emiliano Zapata, and
their father Manuel Zapata, son of Ana Maria Zapata, Cuautla, Morelos,
Mexico, 1992
1992
The subjects are standing in front of an angel
holding a banner proclaiming the Plan de Ayala, a plan put forward by
Zapata for redistribution of land to the Mexican peasants. This was
photographed on their patio outside their home. See [AFC 2018/064: G-02](ref_id10161). See
negatives [AFC 2018/064: SL-17-02](ref_id10156).
Print 9: (Left to right)
Roberto and Jorge Zapata, great-grandchildren of Emiliano Zapata, in
doorway of Emiliano Zapata's General Headquarters, Tlatizapan de Zapata,
Morelos, Mexico, April
1992
April 1992
The General Headquarters is a building used
during the 1910-1920 Mexican Revolution. [AFC 2018/064:
SL-18-06](ref_id10243).
Print 10: Masked
Zapatistas in front of mural depicting Che Guevara, folk hero, Oventic,
Chiapas, Mexico, New Year's Day, January 1, 1996
January 1, 1996
Zapatistas gathered in Oventic to celebrate
the first anniversary of the 1994 Zapatista uprising, a movement invoking
Zapata's name to regain lands never restored sufficiently after the
1910-1920 Mexican Revolution. For more information about the first
anniversary of the Chiapas Zapatista uprising see [AFC 2018/064: G-38](ref_id10199); for
additional information about ongoing Chiapas uprising see also [AFC 2018/064:
G-41](ref_id10203); [AFC 2018/064: G-42](ref_id10204); and [AFC 2018/064: G-43](ref_id10205). See
negatives [AFC 2018/064: SL-18-06](ref_id10243).
Print 11: Masked
Zapatista at first anniversary of 1994 Zapatista uprising, Oventic,
Chiapas, Mexico, New Year's Day, January 1, 1996
January 1, 1996
See negatives [AFC 2018/064:
SL-18-06](ref_id10243).
Print 12: Masked
Zapatista family at first anniversary of 1994 uprising, Oventic, Chiapas,
Mexico, New Year's Day, January 1, 1996
January 1, 1996
See negatives [AFC 2018/064:
SL-18-02](ref_id10243).
Print 13: Auditorium set
up for first anniversary of 1994 Zapatista uprising, Oventic, Chiapas,
Mexico, New Year's Day, January 1, 1996
January 1, 1996
Banner text in photo: "Votan Zapata guardian y
corazón del pueblo para todos todo nada para nosotros" (Zapata, guardian
and heart of the pueblo). In reference to Zapata, Votan is a legendary or
mythological figure mentioned in early European accounts of the Maya
civilization). See negatives [AFC 2018/064: SL-18-05](ref_id10243).
Print 14: Zapatistas
painting mural for the first anniversary of 1994 Zapatista uprising,
Oventic, Chiapas, Mexico, December 31, 1995
December 31, 1995
See negatives [AFC 2018/064:
SL-18-06](ref_id10243).
Print 15: Satirical wall
cartoon and slogan illustrating Zapata's ideals about land ownership,
Tepoztlán, Morelos, Mexico, January 5, 1996
January 5, 1996
The political cartoon, painted as a wall
mural, illustrates developers who want to buy indigenous lands. The
balloon quotes Zapata, which translates as "the earth belongs to those
who work it." From my notes in conversation with Martin Balderrama, a
Tepoztlán resident: "The former mayor promised that in Tepoztlán he would
defend the land. But he didn't live up to his promise. He, with his
friends in the municipal government, made clandestine arrangements with
Grupo KS to accept the construction of the golf course project." See
negatives [AFC 2018/064: SL-18-03](ref_id10243).
Print 16: Zapata wall
mural, Zihuatenejo, Guerrero, Mexico, 1992
1992
See negatives [AFC 2018/064:
SL-18-08](ref_id10243).
AFC 2018/064: SR015
Interview of Emeterio
Pantaleon, veteran of 1910-1920 Mexican Revolution, 1994
1994
1 sound cassette
AFC 2018/064: MV131
Mexican folk music
(corridos) of 1910-1920 Mexican Revolution, 1994
1994
1 videocassette (VHS)
AFC 2018/064: SR017
Susan Lloyd Wisconsin Public
Radio interview about Mexican folk hero, Emiliano Zapata, 1994
1994
1 sound cassette
AFC 2018/064: SR020
Voice of Emeterio Pantaleon,
veteran of 1910-1920 Mexican Revolution, 1994
1994
1 sound cassette
AFC 2018/064: SR016
Zapatista interviews,
Morelos, Mexico, 1994
1994
1 sound cassette
25/2
[
The Last Zapatista
], 1994
1994
Manuscripts and ephemera from The Last Zapatista film creation and
showing.
1 folder
Audiovisual materials
related to the film
The Last Zapatista
(1995), 1994-1997, 2018
1994-1997
2018
The Last Zapatista is a thirty minute
documentary by Susan Lloyd about Emiliano Zapata, the leader of the
1910-1920 Mexican Revolution, and the persistent folk legends still
surrounding him in Mexico today.
AFC 2018/064: MV090-MV101
Camera original element,
January 1994
January 1994
Footage shot in Mexico by Cal Kennedy
(Medford, Oregon). Footage centered around documentation of Emeterio
Pantaleon, veteran who fought with folk hero, Zapata.
Cal Kennedy
12 videocassettes (Betacam
SP)
AFC 2018/064: MV102-MV118
Camera original element,
April 1994
April 1994
Footage shot in Mexico by Kevin Peer
(Asheville, North Carolina). Footage centered around Emeterio Pantaleon,
Morelos campesinos, anniversary commemorations of Zapata's birth and
death, President Salinas de Gortari.
Kevin Peer
17 videocassettes (Betacam
SP)
AFC 2018/064: MV135-MV154
Camera original element,
1994
1994
Footage shot in Mexico.
20 videocassettes
(Hi8)
AFC 2018/064: MV132
Copy of footage of Zapata
commemoration, 1994
1994
Zapata died on April 10, 1919 at the hands of
traitors at Chinameca Hacienda in Morelos, Mexico. The commemoration
occurs every year on that day in Cuautla, Morelos. Shot by Kevin Peer in
Beta SP.
Kevin Peer
1 videocassette
(VHS)
AFC 2018/064: MV119-MV130
Window dub of camera
original element, 1994
1994
12 videocassettes (Betacam
SP)
AFC 2018/064: MV134
Master copy, 1995
1995
1 videocassette
(U-matic)
AFC 2018/064: MV133
Sub-master copy from 3/4
inch master copy, 1997
1997
1 videocassette (Betacam
SP)
afc2018064_dc005
DVD version, 2018
2018
Made by film distributor, Berkeley Media
Berkeley, California.
VIDEO_TS/
6 moving image files (vob,
ifo)
AFC 2018/064: SR019
Susan Lloyd KSOR Radio
interview about Mexican folk hero, Emiliano Zapata, 1995
1995
1 sound cassette
24/6
Chiapas, Mexico notebook,
1995-1996
1995-1996
Log of trip to attend first anniversary of
Zapatista uprising in Oventic, Chiapas, Mexico. Mayan folklore and cosmology
(sketch), traditional clothing with Zapatista masking, arpa (traditional
harp music), Zapata legends, connection between Tepoztlán and Chiapas,
uprising in Tepoztlán over building of golf course.
1 notebook
AFC 2018/064: SR018
Susan Lloyd KCSB Radio
interview about Mexican folk hero, Emiliano Zapata, February 1996
February 1996
1 sound cassette
22
Mexico Zapatistas, 1996
1996
AFC 2018/064: SL-18-01 – SL-18-08
189 black-and-white negatives (35
mm)
SL-18-01:
Emeterio and Shane; 1-25, 11A, 15A, 19A, 23A, scanned 1/31/2019; SL-18-02:
Chiapas; 2-36, Missing 10, 11, 13; SL-18-03: Tepoztlán; 3-27; SL-18-04:
Chiapas; 2-26; SL-18-05: Chiapas, Miscellaneous Zapatistas; Missing 6A-11,
21A-26, 31A-35; SL-18-06: Chiapas, Zapatistas at rally, Zapatista wall
mural; 6A-11, 2-30A, 32-36A, To scan: #36, #6; SL-18-07: Chiapas; 1-36
complete; SL-18-08: Zapata mural, Guerrero 1992, Mexico; 13-17, To scan:
#14.
Kodak 5063; Ilford
37/13
[Original housing from AFC
2018/064: SL-18]
1 folder
AFC 2018/064: SR023
Susan Lloyd lecture at
McGill University about Mexican folk hero, Emiliano Zapata, 2001
2001
Sound only, no picture.
1 videocassette
(VHS-C)
Series 4: Ecuador and
Peru
25/3
Ecuador and Peru notebook,
1977
1977
Photographic documentation of folk art santos,
Ecuador and Peru (MFA thesis, University of Oregon). List of santos
photographed and churches. Pre-Columbian sites.
1 notebook
4
Andes bus trip/folk
markets/Inca stonework, Peru, 1977
1977
AFC 2018/064: PH0641-PH0660
20 color slides (35 mm)
641, Bus in Andes, on road between Lima and Cuzco;
642, Huancayo, Peruvian Andes; 643, Main plaza; Huancayo; 644, Tourist
bartering with Inca Indian in Huancayo market; 645, Inca vendor with
traditional weavings, Huancayo market; 646, Incas with baby on back and
carrying corn, Huancayo; 647, Textile dyes for sale in Huancayo market; 648,
Street children sleep on bench, Cuzco train stop; 649-650, Cross with folk
painting and textile wrapping, Cuzco; 651, Inca stone wall without masonry,
Hatun Rumiyoc Street, Cuzco; 652, Inca stone with twelve angles, Hatun Rumiyoc
Street, Cuzco; 653, Street photographer posing child, Cuzco; 654, Man reading
newspaper with parrots, Cuzco; 655, Indian and Inca sacred site, Sacsahuaman,
Cuzco; 656-657, Inca boy at Sacsahuaman sacred site, Cuzco; 658, Incas in hats
from different villages, Ollantaytambo; 659, Fishing on the Urubamba River,
Ollantaytambo; 660, Homes with tin roof near Machu Picchu, Agua Caliente.
4
Machu Picchu/Pisac, Peru, 1977
1977
AFC 2018/064: PH0661-PH0680
20 color slides (35 mm)
661, Inca sun dial; 662, Sun dial, Pisac; 663,
Terraced hillside and Inca women, Pisac; 664, German backpackers ascend stairs,
Ollantaytambo Incan ruins; 665, Inca group vending weavings socialize at Pisac
ruins; 666, Huayna Picchu, one of two peaks surrounding Machu Picchu; 667, Inca
fortification ruins about Pisac; 668, Ancient Inca adobe wall, Pisac; 669, Inca
stone masonry, Pisac; 670, Llamas at Machu Picchu; 671, Inca stone stairs into
inner chamber; 672, Llama with Huayna Picchu peak; 673, Irrigation system and
Inca stonework; 674, Inca terraced hillside; 675, Llamas and tourist
mini-buses, Machu Picchu entrance; 676, Inca stone housing area; 677, Inca
stone stairway; 678, Llamas at Machu Picchu; 679, Inca stone altar niche; 680,
Stone structures and Huayna Picchu peak.
21
Chan Chan, Peru, 1977
1977
AFC 2018/064: SL-04-01
4 black-and-white negatives (120
mm)
Missing 1-5, 13
and up; Negative #11 in Portfolio 1, Print 4.
Agfapan 25
36/12
[Original housing from AFC
2018/064: SL-04]
1 folder
21
Peru, 1977
1977
AFC 2018/064: SL-05-01 – SL-05-12
68 black-and-white negatives (120
mm); 18 black-and-white negatives (35 mm)
SL-05-01:
Plastic Jesus, Cuzco; Missing 4-12, Scanned #3, printed 8/22/18; SL-05-02:
Sacsahuman, Cuzco; Missing 1-5, 13-14, 18 and up; SL-05-03: Covered altar,
Cuzco; Missing 17 and up; SL-05-04: Ayacucho and Cuzco, Peru; Negative #7 in
Portfolio 1, Print 5; SL-05-05: Ayacucho; Missing 14 and up; SL-05-06: Pisac,
Peru; SL-05-07: Cuzco, Peru (Pisac); SL-05-08: Cuzco, Peru (Ollantaytambo);
SL-05-09: Peru (roofs) Cuzco; SL-05-10: Peru (Sacsahuaman); SL-05-11: Peru
(Sacsahuaman); SL-05-12: Peru (Lake Titicaca), Floating island homes.
Agfapan 25; Agfapan 100; Ilford
Pan F
36/13
[Original housing from AFC
2018/064: SL-05]
1 folder
4
Quito, Ecuador/Otavalo Market,
1978
1978
AFC 2018/064: PH0621-PH0640
20 color slides (35 mm)
621, School girls in uniforms, Quito; 622, Otavalo
Indians in traditional ponchos, Otavalo; 623, Otavalo Indian woman/street
vendor/Christo Santo, Quito; 624, Indian girl in traditional woven dress,
Otavalo market; 625, Carved folk angel, Quito church; 626, Quito street with
pedestrians, trucks, and buses; 627, School children at municipio, Quito; 628,
Vendor's child in box of weavings, Otavalo market; 629, Train from Quito to
Otavalo market; 630, Otavalo Indian girl in traditional gold beads, Otavalo
market; 631, Otavalo Indian girl in gold beads with father, Otavalo market;
632, Otavalo Indian girl with produce, Otavalo market; 633, Otavalo Indian
girls with herbs, including nettle, for sale, Otavalo market; 634, Vines and
mud from red adobe house, Otavalo; 635, Cactus growing on top of adobe house,
Otavalo; 636, Girl and tied up pig, Otavalo; 637, Indian boy in traditional hat
sits with clothing bags, Otavalo market; 638-639, Boy sells three minute phone
calls, Quito; 640, Parrots and monkeys for sale in Otavalo market.
21
Quito, Ecuador, 1978
1978
AFC 2018/064: SL-03-01 – SL-03-05
2 black-and-white negatives (120
mm); 40 black-and-white negatives (35 mm)
SL-03-01: Santo
with hat, Ecuador; Scanned #1 (long shot), printed #1 9/12/18; SL-03-02: Quito
Ecuador street scene with Santo; Scanned 4A 9/22, printed 4A 10/16.
Agfapan 25; Ilford Pan F
36/11
[Original housing from AFC
2018/064: SL-03]
1 folder
Series 5: Southwest United
States
Additional material collected by Lloyd in the Southwest United States, related to
Holy Week religious ritual in New Mexico and Arizona, can be found in [Series 7.](ref_id10382)
21
San Xavier Mission, Tucson,
Arizona, 1978
1978
AFC 2018/064: SL-01-01 – SL-01-03
18 black-and-white negatives (120
mm)
SL-01-01:
Complete; SL-01-02: San Xavier feet and photo of boy; Scanned #5 and #6
9/12/18, printed #5 and #6 9/12/18; SL-01-03: Negative #11 in Portfolio 1,
Print 13.
Ilford FP4; Ilford Pan F
36/9
[Original housing from AFC
2018/064: SL-01]
1 folder
21
Chimayó/Trampas, New Mexico,
1980
1980
AFC 2018/064: SL-09-01 – SL-09-04
23 black-and-white negatives (120
mm); 21 black-and-white negatives (35 mm)
SL-09-01:
Trampas, New Mexico, Virgin; Complete, Scanned #2 9/14, printed #2 10/17/18;
SL-09-02: Chimayó, New Mexico; Complete; SL-09-03: Chimayó Church interior with
sky, Pueblo Kiva; Complete thru 21, Need to print, Missing 1-2, 13-36, 10/16/18
scanned 5A and 6A, printed 6A 10/17/18; SL-09-04: Chimayó Church; Missing
10-36.
Ilford FP4; Kodak 6057; Kodak
Tri-X 5063
37/4
[Original housing from AFC
2018/064: SL-09]
1 folder
26/1
New Mexico (1 of 2), 1980-2004
1980-2004
1 folder
Feature by Susan Lloyd about
search for Halley's Comet in New Mexico desert. Two versions, one in
The Oregonian
(Portland, Oregon), page B1 and one in
Albuquerque Journal Magazine
, March-April,
1986
March-April, 1986
See [AFC 2018/064: PH0797-PH0798](ref_id10294).
AFC 2018/064: F-01
List of Pueblo Indian dance
schedule, 1986
1986
See [AFC 2018/064: PH0797-PH0798](ref_id10294) of San Ildefonso
Pueblo.
AFC 2018/064: F-02
Letter from Susan Lloyd to
Tom Lloyd about Santo Domingo Pueblo Indian dance that she photographed.
Postcard from Susan Lloyd to mother-in-law Claire Lloyd when Susan lived in
New Mexico with her family. Postcard without stamp or postmark was enclosed
in missing larger envelope. Also note to Claire Lloyd, written when Lloyd
was writer-in-residence at Wurlitzer Foundation, Taos, New Mexico, 1986, 2004
1986
2004
AFC 2018/064: F-03
Magazine article about
Ranchos de Taos church,
Wall Street Journal
, September 30,
1983
September 30, 1983
See [AFC 2018/064: PH0799](ref_id10294).
AFC 2018/064: F-04
Correspondence between Susan
Lloyd and artist, Robert Kostka, her former professor at the University of
Oregon and lifelong friend. His connections to New Mexico spurred Lloyd to
travel there frequently as artist-in-residence (as was Kostka) at the
Wurlitzer Foundation in Taos. Letters include observations of New Mexican
folk life such as Pueblo Indian dances, Penitente Holy Week rituals, the
landscape, and tourism's effect on folk mores of Hispanic and Indian
culture, 1980-2004
1980-2004
For more about New Mexico Holy Week religious
rituals see [Series 7, Subseries 3.](ref_id10520)
AFC 2018/064: F-05
Story by Susan Lloyd,
Westward YoHoHo,
Albuquerque Journal Magazine
about astrological folklore and mythology sighting Orion when
visiting Bandelier National Monument. Also letter from David Owens,
Albuquerque Journal
graphics editor and Susan's former student at the University of
Oregon, 1987
1987
See [AFC 2018/064: PH0781-PH0795](ref_id10294).
AFC 2018/064: F-06
26/2
New Mexico (2 of 2), 1980-2004
1980-2004
1 folder
Letters from Robert Kostka
to Susan Lloyd about Navajo relocation, April 11-May 30, 1986
April 11-May 30, 1986
See [England, New Mexico notebook](ref_id10521) for description
of trip to Tees Toh, Arizona to interview Navajos, Pueblo Indian dances,
pages 95-193.
AFC 2018/064: F-07
Manuscript by Susan Lloyd,
On Halley's Path,
about her search with her young sons for Halley's Comet in New
Mexico desert, 1986
1986
AFC 2018/064: F-08
Manuscript by Susan Lloyd,
Brothers on Good Friday,
about Good Friday crossbearers on the highway and a Penitente
ritual at a Talpa morada, New Mexico, 1986
1986
For more about New Mexico Holy Week religious
rituals see [Series 7, Subseries 3](ref_id10520).
AFC 2018/064: F-09
Manuscript by Susan Lloyd,
Sailors Have More Fun,
about Hopi and Navajo astrological folklore at Bandelier National
Monument. Also includes sky astronomical calendar, 1986
1986
See [AFC 2018/064: F-06.](ref_id10268)
AFC 2018/064: F-10
26/3
Navajo Indians (1 of 2), 1985-1986
1985-1986
1 folder
Story by Susan Lloyd about
Willie Lone Wolf Scott and the Big Mountain forced Indian relocation,
Arizona,
Lithiagraph
(Ashland, Oregon) Volume 2, Number 5, pages 4-5. Also letter from
Willie to Susan Lloyd about Big Mountain struggle against Navajo removal.
Willie was member of the American Indian Movement, well-known Navajo
activist, and died in 2002, 1985
1985
Picture published is [AFC 2018/064:
SL-22-02](ref_id10295).
AFC 2018/064: D-01
Story by Susan Lloyd about
Marilyn James and the Big Mountain forced Indian relocation, Arizona,
Lithiagraph
(Ashland, Oregon) Volume 2, Number 8, page 3, 1985
1985
Picture published is [AFC 2018/064:
SL-22-03](ref_id10295).
AFC 2018/064: D-02
Feature article by Susan
Lloyd,
The Flag at Tees Toh,
The Oregonian
(Portland, Oregon), page B1, about Cecil Miles and the Big Mountain
forced Indian relocation, Arizona, April 27, 1986
April 27, 1986
Picture published is [AFC 2018/064: SL-22-01](ref_id10295)
.
AFC 2018/064: D-03
Letter from Louise Benally,
a Navajo activist involved with the Big Mountain relocation, giving Susan
Lloyd directions to get to Big Mountain
AFC 2018/064: D-04
Two letters from Robert
Kostka about an article likely published in the
Denver Post
, and one from the editor of the newspaper. Kostka is from Taos, New
Mexico. The article was written by Susan Lloyd, possibly titled
Flag at Tees Toh,
and is similar to an article in
The Oregonian
, April 27,
1986
April 27, 1986
AFC 2018/064: D-05
Original manuscript by Susan
Lloyd,
Flag at Tees Toh,
about Navajo Cecil Miles, his World War II service, and the Big
Mountain forced Indian relocation, Arizona, 1986
1986
AFC 2018/064: D-06
Original manuscript by Susan
Lloyd,
On the Road with Marilyn James,
about meeting with Marilyn as she toured the U.S. to further the
Navajo Indian efforts to stop their relocation at Big Mountain, 1985
1985
AFC 2018/064: D-07
Letter from Marilyn James to
Susan Lloyd with contact information for officials involved in the Big
Mountain Navajo relocation dispute. Includes description of fires on the
reservation, July 10,
1985
July 10, 1985
AFC 2018/064: D-08
Letter from Willie Lone Wolf
to Susan Lloyd describing his solidarity with the Navajo elders at Big
Mountain and about his participation in the Sun Dance, July 24, 1985
July 24, 1985
AFC 2018/064: D-09
26/4
Navajo Indians (2 of 2), 1985-1986
1985-1986
1 folder
Susan Lloyd photo of Willie
Lone Wolf, outside sweat lodge with Sun Dance scars on chest, at Ashland,
Oregon "Freedom Express" encampment
See [AFC 2018/064: SL-22-02](ref_id10295).
AFC 2018/064: D-10
Newsletter from Northwest
Big Mountain Navajo Support with information about tour itineraries and film
showings about the Big Mountain Navajo relocation, Portland, Oregon, January 9, 1986
January 9, 1986
AFC 2018/064: D-11
Flyer "Apartheid," with
Arizona legislative contact information regarding the Navajo forced
relocation referred to as Public Law 93-531, 1985
1985
AFC 2018/064: D-12
Two flyers, "Big Mountain
Alert" and "Indian Wars 1985-6 in Arizona" about Big Mountain and Peabody
Coal Company efforts to procure coal underneath Navajo homes, 1985-1986
1985-1986
AFC 2018/064: D-13
Flyer about Udall/McCain
Proposal, a compromise bill to resolve Navajo relocation and land issues
between Navajo and Hopi Indians, February 27, 1986
February 27, 1986
AFC 2018/064: D-14
Letter from Susan Lloyd to
her mother, Gail Caperna, about her journey to Big Mountain, Arizona, the
Navajo relocation, experiences with peyote ceremony and World War II Navajo
veterans, March 20,
1986
March 20, 1986
AFC 2018/064: D-15
Manuscript by Susan Lloyd,
South Africa at Big Mountain,
comparing Navajo removal to South African apartheid and her
experience at a Navajo feast in Tees Toh, Arizona, 1986
1986
AFC 2018/064: D-16
Manuscript by Susan Lloyd,
Old Eyes,
about Willie Lone Wolf, Navajo activist and leader of
anti-relocation movement
See [AFC 2018/064: SL-22-02](ref_id10295) for portraits of
Willie
AFC 2018/064: D-17
26/5
[Navajo Indians], 1986
1986
Manuscripts and ephemera about Navajo Indians in the
American Southwest
1 folder
5
Anasazi pueblo dwellings/U.S.
Southwest, 1986
1986
AFC 2018/064: PH0781-PH0800
20 color slides (35 mm)
781, Navajo home, horses and Shiprock rock
formation, Farmington, New Mexico; 782, Horses and Shiprock rock formation,
Farmington, New Mexico; 783-784, White House ruins, Canyon de Chelly, Arizona;
785, Pine trees on floor of Frijoles Canyon, Bandelier National Monument, New
Mexico; 786, Adobe ruins of pueblo village, Bandelier National Monument, New
Mexico; 787-788, Ladder and cave dwellings, Bandelier National Monument, New
Mexico; 789, Cave dwellings, Bandelier National Monument, New Mexico; 790-791,
Ladder and cave dwellings, Bandelier National Monument, New Mexico; 792-794,
The Great Kiva above Frijoles Canyon, Bandelier National Monument, New Mexico;
795, The Great Kiva seen through cave opening, Bandelier National Monument, New
Mexico; 796, Tar streaks on modern adobe building, Santa Fe, New Mexico;
797-798, San Ildefonso (active) pueblo, New Mexico; 799, Rancho de Taos
(sixteenth century adobe), Taos, New Mexico; 800, Modern adobe building, Taos,
New Mexico.
22
Big Mountain Navajos, Marilyn
James, Willie Lone Wolf Scott, Cecil Miles, 1986
1986
AFC 2018/064: SL-22-01 – SL-22-03
45 black-and-white negatives (35
mm); 9 black-and-white negatives (120 mm)
SL-22-01: Frame
13 (Cecil Miles - "Flag at TeesToh"), 2-26; SL-22-02: Complete; SL-22-03: Frame
9 Marilyn James "On the Road with Marilyn James."
Kodak
38/2
[Original housing from AFC
2018/064: SL-22]
1 folder
afc2018064_dc001
Cultures of New Mexico, March 2012
March
2012
1-27, Folk mural entitled Las Tres Culturas del
Mestizo by Carlos Cervantes in Louis Montano Park on Alta Street in Santa
Fe.
New Mexico USA - 2012-03\Tres Culturas
27 still image files
(jpg)
Series 6: France and
England
Additional material collected by Lloyd in France, related to Kali folklore, can be
found in [Series
16.](ref_id10937)
25/4
England, France, Italy
notebook, 1978
1978
Notes on pages 8-10, 33-34 about French lesson and
visit to a Paris puppet shop which became Pierrots
of Paris.
1 notebook
5
Paris, France and marionette
shop, 1978
1978
AFC 2018/064: PH0817-PH0820
4 color slides (35 mm)
817, Pires Francisco stands among versions of
Pierrot, French folk marionette, in Paris puppet shop; 818, Couple with luggage
waiting for train, Gare du Nord train station; 819, Children create designs
with a chair in park near Notre Dame Cathedral; 820, Gothic cathedral of Notre
Dame.
25/5
France, 1978, 1985, 2002
1978
1985
2002
1 folder
Pierrots of Paris
original typescript by Susan Lloyd, 1985
1985
[England,
France, and Italy notebook](ref_id10694), pages 8-9 for original notes made in
Paris, 1978.
AFC 2018/064: N-01
Photos by Susan Lloyd in
article,
Pierrots...a Cameo of Paris
in
Flying Springbok
, pages 72-75, August
1985
August 1985
[AFC 2018/064:
PH0817-PH0827.](ref_id10300)
AFC 2018/064: N-02
Production photos of Paris
puppet shop used in article,
Pierrots...a Cameo of Paris
in
Flying Springbok
magazine, 1978
1978
[AFC 2018/064:
N-02](ref_id10303) and [AFC 2018/064: PH0817, PH0825, PH0826, PH0827.](ref_id10300)
Photos taken in 1978. See [England, France, and Italy notebook](ref_id10694), pages 8-9
for original notes made in Paris, 1978.
AFC 2018/064: N-03
Essay by Susan Lloyd,
Following in the Path of Patriots
in
The Sunday Oregonian
, about Lloyd's visit to Normandy Beach, June 2, 2002
June 2, 2002
AFC 2018/064: N-04
Manuscript by Susan Lloyd,
Thank You, Vets: D-Day Revisited,
about Lloyd's visit to Normandy Beach, 2002
2002
AFC 2018/064: N-05
25/6
England anti-nuclear movement
(1 of 2), 1984-1986
1984-1986
1 folder
News article about Susan
Lloyd's trip to photograph anti-nuclear protest movement,
Daily Tidings
(Ashland, Oregon), page 3. Also itinerary of trip to Britain Susan
Lloyd made with Ashland, Oregon city council members of Locally Elected
Officials for Social Responsibility, August-October, 1985
August-October, 1985
Photo is [AFC 2018/064: SL-19-10](ref_id10332).
AFC 2018/064: C-01
Correspondence from Anne
Wells. As an anti-nuclear activist, Anne had joined the women's encampment
at Greenham Common Missile Base
Wells was the subject of [AFC 2018/064: SL-19-11](ref_id10332).
See [England,
New Mexico notebook](ref_id10694) for interview notes with Anne, pages
35-45.
AFC 2018/064: C-02
Correspondence from Mona
Marshall
Marshall was the subject of [AFC 2018/064:
SL-19-03](ref_id10332).
AFC 2018/064: C-03
Correspondence from Lotte
Risbridger. As an anti-nuclear activist, Lotte had joined the women's
encampment at Greenham Common Common Missile Base and was photographed at
the base fence
Risbridger was the subject of [AFC 2018/064: SL-19-11](ref_id10332).
AFC 2018/064: C-04
25/7
England anti-nuclear movement
(2 of 2), 1984-1986
1984-1986
1 folder
Media release and statement
from Bob Sloan, subject of Susan Lloyd's photography along with his wife
Liz. He is the coordinator of the Dungeness Snowball Action
AFC 2018/064: C-05
News article about Susan
Lloyd's trip to photograph England's anti-nuclear movement,
The Mail Tribune
(Medford, Oregon), page C1, October 20, 1985
October 20, 1985
Photo reproduced on top is [AFC 2018/064: SL-19-02](ref_id10332);
below that is [AFC 2018/064: SL-19-04](ref_id10332); below that is [AFC 2018/064: SL-19-10](ref_id10332);
lower left is [AFC 2018/064: SL-19-02](ref_id10332); lower right is [AFC 2018/064:
SL-19-09](ref_id10332).
AFC 2018/064: C-06
Review of exhibit of
photographs of British anti-nuclear activists at Southern Oregon State
College,
The Mail Tribune
(Medford, Oregon), page 4B, August 17, 1986
August 17, 1986
Two photos reproduced: upper is [AFC 2018/064:
SL-19-05](ref_id10332); lower is [AFC 2018/064: SL-19-02](ref_id10332).
AFC 2018/064: C-07
Advertising flyer for
exhibit of Susan Lloyd's photographs of British anti-nuclear activists at
Southern Oregon State College Central Hall Gallery, August 1986
August 1986
Photo reproduced is from [AFC 2018/064:
SL-19-03](ref_id10332).
AFC 2018/064: C-08
Story written by Susan Lloyd
about activist at women's peace camp at Greenham Common Missile Base.
Includes photos,
Lithiagraph
(Ashland, Oregon) Volume 2, Number 12, pages 4-5, December 1985
December 1985
Photos reproduced are from [AFC 2018/064: SL-19-10](ref_id10332).
See also [AFC
2018/064: SR014](ref_id10323).
AFC 2018/064: C-09
Manuscript by Susan Lloyd,
Butterfly Mountain.
Uncertain if it was published, 1986
1986
AFC 2018/064: C-10
Original manuscript by Susan
Lloyd,
From Stonehenge to Cruise,
about her experience at the women's' peace encampment at Greenham
Missile Base and interaction with one of the Royal Air Force guards, August 1985
August 1985
AFC 2018/064: C-11
Flyer listing nuclear free
zones in Britain (includes map showing counties), August 1984
August 1984
AFC 2018/064: C-12
Original manuscript by Susan
Lloyd,
On the Beach,
about British peace activist, Anne Wells, and Anne's fears of
nuclear holocaust brought on, in part, by the U.S. buildup of cruise
missiles in England, 1986
1986
Also see [AFC 2018/064: SR014](ref_id10323).
AFC 2018/064: C-13
Letter from Susan Lloyd to
Robert Kostka, Professor, University of Southern Illinois, about her
experiences with peace activists in England and nearby Arthurian mythology
at Glastonbury, September
1986
September 1986
AFC 2018/064: C-14
AFC 2018/064: SR014
Interviews with British
anti-nuclear activists at Greenham Common Missile Base, August 1985
August
1985
1 sound cassette
25/8
Glastonbury, 1985
1985
1 folder
Contemporary information
pamphlets and booklets about folk myths at Glastonbury, England
Related to [AFC 2018/064:
PH0521-PH0560](ref_id10330).
AFC 2018/064: E-01
Contemporary periodical,
Glastonbury Communicator
, Issue 5, concerned with metaphysical aspects of Stonehenge and
Glastonbury
AFC 2018/064: E-02
Unfinished manuscript by
Susan Lloyd about her experiences at Glastonbury, England
See [England, New Mexico notebook](ref_id10368), pages 53-92 for
Susan Lloyd's journaling about Arthurian folklore at Stonehenge and
Glastonbury and her interviews and notes with Arthurian folklorists and
description of climbing Glastonbury Tor.
AFC 2018/064: E-03
Correspondence from British
author Patricia Villiers-Stuart about sacred geometry at Glastonbury and
Stonehenge
AFC 2018/064: E-04
Correspondence from American
author Robert Kostka about sacred geometry at Glastonbury and
Stonehenge
AFC 2018/064: E-05
3
Folk legends of King Arthur,
Glastonbury, England, 1985
1985
AFC 2018/064: PH0521-PH0538
18 color slides (35 mm)
521, Glastonbury, legendary site of King Arthur's
Avalon; 522, Glastonbury Tor, a Celtic mound where the Holy Grail is said to be
buried; 523, Sign at entrance to Glastonbury Tor; 524, Mazed pathway ascending
the Glastonbury Tor; 525, Stained glass window of Joseph of Arimathea with Holy
Grail, Glastonbury Abbey; 526, Mural of green dragon, Glastonbury, referencing
Arthur's Knights; 527-529, Glastonbury Abbey ruins, legendary site of King
Arthur's tomb; 530, Altar inside Glastonbury Abbey ruins; 531, Inscription on
wall "Artorius Rex" (Arthur King) in Glastonbury Abbey ruins; 532, Stone lamb
signifying Christ/Holy Grail, Glastonbury Abbey; 533-534, River Brue, where
King Arthur legendarily threw his sword; 535-536, Weatherall Hill/Thorn Tree
legendarily planted by Joseph of Arimathea; 537, Ancient tree and Glastonbury
Abbey ruins; 538, Ruins of Stonehenge.
4
Folk legends of King Arthur,
Glastonbury, England, 1985
1985
AFC 2018/064: PH0539-PH0560
22 color slides (35 mm)
539, Ley-line cutting through Glastonbury area; 540,
Glastonbury Tor with medieval St. Michael's Chapel on top; 541-547, Chalice
Well, legendary spring flowing from Grail underneath Glastonbury Tor; 548,
Susan Lloyd carrying infant son up Glastonbury Tor; 549-550, Member of women's
group knitting next to Susan Lloyd's infant son; 551-552, Playwright Kathy
Jones (produced Myth of Inanna at winter solstice); 553, Seeker of Arthurian
legends holding flowers; 554, Seeker of Arthurian legends outside church
wedding; 555, Local woman with dog on Weatherall Hill; 556, Hedgerows and cows
in Glastonbury countryside; 557, Maze path up Glastonbury Tor; 558, Glastonbury
from Weatherall Hill; 559, Medieval St. Michel's Tower on Glastonbury Tor; 560,
Glastonbury Tor showing labyrinth path.
22
England, 1985
1985
AFC 2018/064: SL-19-01 – SL-19-13
332 black-and-white negatives (35
mm); 9 black-and-white negatives (120 mm)
SL-19-01:
Fragments; 2-3, 4-8; SL-19-02: Missing Frame 11; SL-19-04: Missing 7-8, half of
14; SL-19-08: Stonehenge; Complete; SL-19-09: Complete; SL-19-10: Greenham
Common Missile Base; 3-36; SL-19-11: Anti-nuclear activists; Frame 6, 3;
SL-19-12: "Manchester" show exhibition; SL-19-13: Shadow project.
Kodak 5063
37/14
[Original housing from AFC
2018/064: SL-19]
1 folder
47
Portfolio 5:
How Britishers Are Saying No to the Bomb
, 1985
1985
As a companion to the
photographic collection, [
How One Town in Oregon is Saying No to the Bomb,
](ref_id10663) this portfolio consists of portraits of key activists in the United
Kingdom's nuclear free zone movement during the 1980s. As a photographer
documenting the movement, Susan Lloyd met and photographed many activists there
while traveling with Ashland, Oregon activists and town councilors. Although
scattered throughout England, the activists knew each other and met often. They
were average citizens producing newsletters, holding rallies, or camping at
Greenham Common Missile Base in Berkshire while calling for nuclear
disarmament. Along with How One Town is Saying No to the
Bomb, a set of the images went on tour throughout England and the
U.S. for several years afterwards.
1 portfolio (17 photographs) :
black-and-white gelatin silver prints on card mounts ; 13 x 15 inch
Print 1: Anne Wells,
Robertsbridge, East Sussex, England
See negatives [AFC 2018/064:
SL-19-11](ref_id10332).
Print 2: Lotte Risbridger,
Hastings, England
Mother, housewife, and protester, Risbridger was
photographed at Greenham Common Missile Base. Interview notes in [England; New
Mexico; Ashland, Oregon notebook](ref_id10368), page 27. See [AFC 2018/064: C-04](ref_id10311) for
letters from Lotte Risbridger. For more information about this person see
[AFC
2018/064: C-09](ref_id10317). See negatives [AFC 2018/064:
SL-19-11](ref_id10332).
Print 3: Karen Wenman,
Robertsbridge, East Sussex, England
She was a nurse with the Medical Campaign Against
Nuclear Weapons and a protester at Greenham Common Missile Base where she
was arrested. See notes in [England; New Mexico; Ashland, Oregon notebook](ref_id10368),
page 46. For more information about this person see [AFC 2018/064: C-09](ref_id10317). See
negatives [AFC
2018/064: SL-19-11](ref_id10332).
Print 4: Liz Sloan, St.
Leonards, East Sussex, England
Sloan was an anti-nuclear activist with her
husband, Bob Sloan, who was Dungeness coordinator in the Snowball Civil
Disobedience Campaign in 1986. See [AFC 2018/064: C-05](ref_id10313) for flyers, and also see
[AFC
2018/064: C-07](ref_id10315). See negatives [AFC 2018/064:
SL-19-03](ref_id10332).
Print 5: Liz Forder,
Manchester, England
Forder was the Nuclear Free Zone Unit
Coordinator, Manchester Town Hall. See [AFC 2018/064: C-08](ref_id10316) for
exhibition flyer. See negatives [AFC 2018/064: SL-19-03](ref_id10332).
Print 6: David Wenman, East
Sussex, England
Wenman was a member of Farmers for a Nuclear-Free
Future. For more information about this person see [AFC 2018/064: C-07](ref_id10315). See
negatives [AFC
2018/064: SL-19-11](ref_id10332).
Print 7: Mona Marshall,
Norwich, England
She was an anti-nuclear activist from Norwich,
England. See [AFC 2018/064: C-03](ref_id10310) for letters. See negatives [AFC 2018/064:
SL-19-13](ref_id10332).
Print 8: Norman Peake,
Norwich, England
He was photographed at the Norwich, England Peace
Centre. Member of Scientists Against Nuclear Arms and National Council
Committee for Nuclear Disarmament. See interview notes in [England; New
Mexico; Ashland, Oregon notebook,](ref_id10368) pages 15-20. See negatives [AFC 2018/064:
SL-19-13](ref_id10332).
Print 9: Tourist information
sign, Manchester, England
The man reads a sign which says "Manchester: The
Home of the British Nuclear Free Zone Movement." See negatives [AFC 2018/064:
SL-19-05](ref_id10332).
Print 10: News stand,
Manchester, England
See negatives [AFC 2018/064:
SL-19-05](ref_id10332).
Print 11: Japanese
delegation, Hiroshima Week, Manchester, England
List of delegation members (not in order of their
placement in photo): Eisuke Hasebe, Chieko Nobumasa, Mikio Omori, and Taichi
Arimitsu. Mr. Omori (elder man in photo), with leukemia, was a hibakusha
survivor of the Hiroshima bombing of 1945. See [England; New Mexico; Ashland,
Oregon notebook](ref_id10368), pages 11-12 and 21-26. For more information about
Hiroshima Week in Manchester, as well as nuclear issues in Britain
generally, see [AFC 2018/064: C-06](ref_id10314). See negatives [AFC 2018/064:
SL-19-13](ref_id10332).
Print 12: Hiroshima Week
poster, Manchester, England
See [England; New Mexico; Ashland, Oregon notebook](ref_id10368),
pages 21-26 for description of Hiroshima Week and Japanese delegation. See
negatives [AFC
2018/064: SL-19-05](ref_id10332).
Print 13: Shadow Project,
Hiroshima Week, Manchester, England
"Shadows" were painted on sidewalks to portray
shadows of victims embedded on cement during Hiroshima bombing. Photo was
published with commentary in the Mail Tribune
(Medford, Oregon) Sunday October 20, 1985. See [AFC 2018/064: C-06](ref_id10314). See
negatives [AFC
2018/064: SL-19-02](ref_id10332).
Print 14: "No More
Hiroshimas" banner, Manchester, England
See negatives [AFC 2018/064:
SL-19-05](ref_id10332).
Print 15:
War Game
film poster, St. Leonards, Sussex, England
The War Game film is about a nuclear attack on
Britain. Although it was made by the BBC, it was banned from broadcast and
still banned when this photo was taken. See negatives [AFC 2018/064:
SL-19-06](ref_id10332).
Print 16: Anti nuclear
protest posters, Manchester, England
The posters highlight the British sentiment in
the mid-1980s against the U.S. placement of nuclear cruise missiles in
England. See negatives [AFC 2018/064: SL-19-02](ref_id10332).
Print 17: Greenham Common
Missile Base Entrance, Berkshire, England
Shows the base entrance surrounded by concertina
wire with cruise missile silos in the background. For more information about
this site see [AFC 2018/064: C-09](ref_id10317). See negatives [AFC 2018/064:
SL-19-10](ref_id10332).
48
Portfolio 6:
A Manchester Dream
, 1985
1985
In 1985 I traveled to
England with Ashland, Oregon's town councilors to document the nuclear free
zone movement there. The first night in Manchester I had a disturbing dream. In
it I dreamed of people, places, objects and situations that were unfamiliar to
me and frightening in many ways. They appeared to be located in England. During
the course of the tour, whether at a nuclear bunker or missile base, or on a
city street, I recognized the very images I had seen in my dream. This was a
surreal experience. I then photographed the "real life" images and, upon
returning to the U.S., made prints from the negatives. I then wrote a text on
the prints, recounting the dream as it matched with the images. This series of
photographs, shot and printed in 1985, shows my fears of the nuclear peril
expressed through dream, actual experience, and funneled through the lens of my
camera.
1 portfolio (14 photographs) : sepia
gelatin silver prints on card mounts ; 16 x 20 inch
Print 1: Self portrait with
Shane, Hastings
[AFC 2018/064:
SL-19-06](ref_id10332)
Print 2: Shadow project,
Manchester
[AFC 2018/064:
SL-19-05](ref_id10332)
Print 3: Lotte and Polly on
beach, Hastings
[AFC 2018/064:
SL-19-07](ref_id10332)
Print 4: Civil Defense
bunker, Manchester
[AFC 2018/064:
SL-19-04](ref_id10332)
Print 5: Stonehenge,
Amesbury
[AFC 2018/064:
SL-19-08](ref_id10332)
Print 6: Shadow project,
Manchester
[AFC 2018/064:
SL-19-04](ref_id10332)
Print 7: Self portrait with
Shane, Hastings
[AFC 2018/064:
SL-19-07](ref_id10332)
Print 8: Dogfish,
Portsmouth
[AFC 2018/064:
SL-19-06](ref_id10332)
Print 9: Hasebe Eisuke,
"Hibakusha," Manchester
[AFC 2018/064:
SL-19-13](ref_id10332)
Print 10: Dogfish,
Portsmouth
[AFC 2018/064:
SL-19-06](ref_id10332)
Print 11: Couple,
Manchester
[AFC 2018/064:
SL-19-05](ref_id10332)
Print 12: USAF Greenham
Common, Newbury
[AFC 2018/064:
SL-19-10](ref_id10332)
Print 13: Self portrait with
Shane, Hastings
[AFC 2018/064:
SL-19-07](ref_id10332)
Print 14: Self portrait with
net houses, Hastings
[AFC 2018/064:
SL-19-06](ref_id10332)
25/9
[England anti-nuclear
movement], 1985-1986
1985-1986
Manuscripts and ephemera from British anti-nuclear
movement.
1 folder
25/10
England; New Mexico; Ashland,
Oregon notebook, 1985-1986
1985-1986
Interviews with British anti-nuclear activists,
Arthurian myth/legend, Glastonbury Tor pilgrimage and local mystics,
Stonehenge, Greenham Common. See [Portfolio 5](ref_id10334) and [Portfolio 6](ref_id10352); [C-01-C-14](ref_id10308)
(anti-nuclear activists). See [AFC 2018/064: PH0521-PH0560](ref_id10330) (Arthurian
folklore).
1 notebook
25/11
[France], 1985, 2002
1985
2002
Manuscripts and ephemera from France.
1 folder
25/12
France and England notebook,
2001
2001
Poem to Lloyd's sons traveling with her en-route to
London; Trafalgar Square, Imperial War Museum, Westminster (London); altar to
Mother Goddess, near Eastern folk deities (British Museum); interviews/air
travel post-911, Normandy Beach legends and folklore. See [N-04](ref_id10305) for notes about Normandy
Beach published later as Following in the Path of
Patriots. Also see Princess Diana folk shrine and graffiti (Paris)
photographed on this trip, [AFC 2018/064: PH0723-PH0726](ref_id11028).
1 notebook
afc2018064_dc001
Arenes d'Arles, France, March 2012
March
2012
1-8, 12, Arles traditional bullring where bull
fights are still held; 9-11, Poster announcing bullfights in the rejoneador
style on horseback.
France 2012-05\Arles Bull Ring
12 still image files
(jpg)
afc2018064_dc001
Aubagne Folk Music Festival,
France, March 2012
March
2012
1-160, Ghitsa Lorga and his Rumanian band entertain
at the Aubagne Festival. Ghitsa is Roma and travels between Rumania and France
as he looks for means of employment.
France 2012-05\Aubagne Festival
160 still image files
(jpg)
afc2018064_dc001
Beaches, France, March 2012
March
2012
1-3, Beach scenes, Saintes-Maries-de-la-Mer; 4, 6,
11, Nice, sunbathers at beach; 5, 7-10, 17, Nice, cell phone beach culture;
12-16, Nice, tattoos; 18-30, Provence-Alpes-Côte d'Azur, boats at
Antibes.
France 2012-05\Beaches
30 still image files
(jpg)
afc2018064_dc001
Cannes, France, March 2012
March
2012
1-10, Cannes Carlton Hotel; 11-15, Cannes beach
life; 16-21, Cannes Hall of Fame.
France 2012-05\Cannes
21 still image files
(jpg)
afc2018064_dc001
Chateau d'If, France, March 2012
March
2012
1-15, Island of If off Marseille, France where the
story of The Count of Monte Cristo was set; 16-28,
Waiting for the boat to return to Marseille from the Island of If.
France 2012-05\Myths of Chateau d'If
28 still image files
(jpg)
afc2018064_dc001
Cultural locations, France,
March 2012
March
2012
1-2, Kathak dance poster, Marseilles, France; 3-44,
Maeght Foundation, St. Paul de Vence; 45-46, Picasso Museum, Antibes,
France.
France 2012-05\Cultural Locations
46 still image files
(jpg)
afc2018064_dc001
Mary Magdalene legend, France,
March 2012
March
2012
1-12, Tomb of Mary Magdalene in St. Maximin Church
in Provence; 13-25, Statue of Virgin Mary and serpent in St. Maximin Church in
Provence; 26-29, St. Maximin Church in Provence; 30-31, Carved bas relief of
Mary Magdalene in St. Maximin Church in Provence; 32-33, Bronze statue of Mary
Magdalene in St. Maximin Church in Provence; 34-65, Cave of Mary Magdalene in
Provence where she legendarily lived out her life in contemplation; 66-69,
Countryside around Cave of Mary Magdalene in Provence.
France 2012-05\Mary Magdalene
69 still image files
(jpg)
afc2018064_dc001
Knights Templar in Provence,
France, March 2012
March
2012
1-4, 11, 13-25, Chateau St. Martin is high on a hill
overlooking St. Paul de Vence and was a former headquarters for the Knights
Templar who are associated with legends of the Holy Grail; 5-10, 12, Knights
Templar restaurant names and road signs in Vence; 26-30, Red Cross of Knights
Templar associated with Virgin Mary in Basilica of St. Maximin de Baume; 31-33,
Red Cross of Knights Templar and relief of Holy Grail associated with Virgin
Mary in Basilica of St. Maximin de Baum.
France 2012-05\Templar Folklore
33 still image files
(jpg)
afc2018064_dc001
Wine culture, France, May 2012
May
2012
1-10, Bandol sea front; 11-18, Bandol winery La
Cadierenne; 19-43, Bandol wine country in Provence.
France 2012-05\Wine Culture
43 still image files
(jpg)
afc2018064_dc001
Street culture, France, May 2012
May
2012
1, Hand of Fatima knocker on Arles door; 2-3, 5-7,
Arles outdoor café life; 4, View of Arles from bull ring; 8, Art Deco hotel
lobby in Arles; 9-12, café Van Gogh in Arles; 13, 17-18, Gypsy Kings flamenco
concert poster in Arles where the band began; 14-16, Camarque cowboy shirt shop
in Arles; 19-20, Van Gogh Pharmacy in Arles where Van Gogh lived and painted;
21-24, Hotel on Lubiane River in Vence; 25-26, Vence; 27, Lubiane River; 28-30,
Boules game in Vence; 31, 55, Vence store window; 32-36, Saint-Paul de Vence;
37-42, Hotel Lubiane; 43-50, Chapelle du Rosaire de Vence; 51-54, Vence tile
roofs; 56, Street shrine to the Virgin Mary in Vence; 57-61, Taurobole Stone
which was the site of ancient Great Mother worship during Roman times in
Provence; 62-64, Vence streets; 65-72, Antibes shoe shop.
France 2012-05\Streets
72 still image files
(jpg)
afc2018064_dc001
Abbey of Saint Victor, France,
May 2012
May
2012
1-4, Abbey of Saint Victor in Marseille preserves
the bones of St. Victor.
France 2012-05\Abbey of Saint Victor
4 still image files (jpg)
Series 7: Holy Week religious
ritual
Subseries 1:
General
40
Photos of Yaqui Holy Week,
Tucson Village, Arizona, circa 1970s
circa 1970s
15 black-and-white prints
(various sizes)
Given to Susan Caperna Lloyd by Dick Fountain in
1999.
Dick Fountain
26/11
University of Oregon exhibit
comments, 1978
1978
Comments book from first exhibition of photos of
Santos (saint statues from Latin America) which led to the beginning of the
Holy Week folk life documentation in Sicily, Spain, New Mexico, Mexico
(Tarahumara and Yaqui Indians, Taxco), Guatemala, and the Philippines.
1 notebook
27/1
Santos, 1978-1987
1978-1987
Clipping,
Images of Sorrow
review of Susan Lloyd photographic exhibition,
Artweek
, August 1979
August 1979
AFC 2018/064: R-01
Clipping,
Photographer of Religious Art to Hold Seminar
from
The Oregonian
, July 27,
1978
July 27, 1978
AFC 2018/064: R-02
Three undated clippings
on Lloyd photographic exhibits including exhibit at Valparaiso University
of santos folk saint images
AFC 2018/064: R-03
Couple View Filipino's Easter Crucifixion,
The Mail Tribune
(Medford, Oregon), May 13, 1987
May 13, 1987
AFC 2018/064: R-04
Sales receipts from
Manila for santos purchases, June 1987
June 1987
AFC 2018/064: R-05
Letters from Gloria
Kennedy to Susan Lloyd about santos research
AFC 2018/064: R-06
55
Portfolio 13:
Santos: Folk Icons of the Americas and the Philippines
, 1978-2015
1978-2015
Depictions of Catholic
saints in churches, processions, home altars, streets, graveyards, on walls
or even in junkyards are everywhere across the Spanish conquest in the
Americas and the Philippines. Originally made by trained artisans from Spain
or in schools set up in urban centers like Mexico City, these santos portray
saints, in all their guises, in sculpture and in painting: Christ as an
infant or on the cross; Mary as the Immaculate Conception or suffering
Mother; helpers of the poor such as Saint Luis Obispo or Saint Martin de
Porres. The santos came into being when friars told stories of these saints
and installed icons of them in the new, light-illuminated Baroque churches.
Gazing on them in spaces not unlike the ancient gold-filled Andean or Aztec
temples of old, the natives easily synthesized these saint-symbols of
sacrifice, repentance or supplication with their Indian religions. The
crucified Christ evoked the ancient Aztec fertility rituals and blood
sacrifice to Quetzacoatl; the Virgin Mary replaced female deities such as
Tonantzin, a "Mother of Corn" entreated for the success of traditional crops
of corn, beans, and squash. In outlying areas or locales such as New Mexico
where few imports from Spain or Mexico arrived, the folk soon began to make
the statues themselves and invent their own devotional practices. They
carved them with Indian features, painted them with darker complexions,
personalized them with native clothing, added joints to the carvings so they
would move, or hung amulets on their hands. They surrounded them with
ex-voto paintings of miraculous cures and, later, brought photographs of
loved ones to place at their feet. These saints across the Spanish
colonization still symbolize different requests for protection,
thanksgiving, or devotion: the Virgin protects the family, Saint Christopher
watches over travelers, Christ on a cross suggests how suffering can be
endured. Even children are involved: dressing a baby Jesus at home, they
carry him to the church for his blessing on Candlemas Day as folk culture,
through ritual, brings the santos alive and into daily life. Susan Lloyd
conducted research and shot the photographs in this portfolio from
1977-2015.
1 portfolio (34 photographs) :
black-and-white Ultrachrome archival inkjet prints ; 19 x 13 inch
For additional information see [AFC 2018/064:
R-01 - AFC 2018/064: R-04 ](ref_id10387)for reviews of Lloyd's santos exhibits.
See [AFC
2018/064: R-05](ref_id10391) for June 1987 receipts for santos purchases in
Manila; see [AFC
2018/064: R-06](ref_id10392) for letters from a native Filipina about
santos
Print 1: Santo of the
Virgin Mary in a home garden; eventually clothed, it is jointed which
causes it to move during special feasts and celebrations, Granada,
Nicaragua, 2015
2015
[Nicaragua
2014-02\Santos Folk Art](ref_id11088)
Print 2: Carved face of
San Luis Obispo reflecting the facial structure of Andean Indians. He
wears an indigenous bishop's hat. Santuario de San Luis, Otavalo,
Ecuador, 1979
1979
[AFC
2018/064: SL-03-01](ref_id10255)
Print 3: A Filipino
church santero cleans statues. An angel carries a chalice to catch the
blood of Christ as another saint, eventually donned with a wig, looks on.
Malolos, Bulacan, the Philippines, 1987
1987
[AFC
2018/064: PH0862](ref_id10455)
Print 4: Lucy Reyes is a
folk healer and devotee to Santo Niño, the Christ child brought to the
Philippines by Magellan. She prays to him and other santos to gain power
to heal. Kapitangan, Bulacan, the Philippines, 1987
1987
[AFC
2018/064: PH0867](ref_id10455)
Print 5: Santos depicting
Christ and the Apostles are carved by non-professionals, reflect Indian
features, and are dressed in indigenous clothing. Santiago Atitlán
church, Guatemala, 1989
1989
[AFC
2018/064: PH0865](ref_id10455)
Print 6: Street scene as
vendors gather around a santo and a woman takes donations. Quito,
Ecuador, 1978
1978
[AFC
2018/064: SL-03-02](ref_id10255)
Print 7: Santos depicting
San Luis Obispo and the Virgin Mary. Beads of Indian women adorn the
Virgin and San Luis wears an indigenous hat. Santuario de San Luis,
Otavalo, Ecuador, 1978
1978
[AFC
2018/064: SL-03-01](ref_id10255)
Print 8: The Virgin Mary
and Christ child in Mayan costume, sitting in shell-like niche. The
Virgin is dark-skinned, reflecting the faces of the indigenous santos
carvers. Santiago Atitlán church, Guatemala, 1989
1989
[AFC
2018/064: PH0864](ref_id10455)
Print 9: Santo of the
Virgin Mary in the style of New Mexican santero carvers. Trampas church,
New Mexico, 1980
1980
[AFC
2018/064: SL-09-01](ref_id10260)
Print 10: Men, women and
children carry santos of the Christ child to the church for presentation.
Feast of the Candelaria, Tepoztlán, Mexico, 1991
1991
[AFC
2018/064: SL-12-01](ref_id10595)
Print 11: Men, women and
children carry santos of the Christ child to the church for presentation.
Feast of the Candelaria, Tepoztlán, Mexico, 1991
1991
[AFC
2018/064: SL-12-01](ref_id10595)
Print 12: Procession of
baby Christ santos carried to church on the Feast of the Candelaria,
Tepoztlán, Mexico, 1991
1991
[AFC
2018/064: SL-12-01](ref_id10595)
Print 13: Kept at home
and dressed in white clothing, a boy brings his santo of the Christ child
to the church for presentation on the Candelaria feast day (February 2).
Tepoztlán, Mexico, 1991
1991
[AFC
2018/064: SL-12-01](ref_id10595)
Print 14: Townspeople
accompany a large santo of Christ through the streets, depicting his
entry into Jerusalem prior to his Passion and death. Malolos, Bulacan,
the Philippines, 1987
1987
[AFC
2018/064: PH0866](ref_id10455)
Print 15: Villagers crowd
a church to wash and oil a Christ santo, preparing it for the Passion
story enactments during Holy Week. Kapitangan, Bulacan, the Philippines,
1987
1987
[AFC
2018/064: PH0863](ref_id10455)
Print 16: The Nazareno,
depicting Christ crowned with thorns, is a symbol of the Roman soldier's
derision and abuse and displayed prominently in a church. Mulege Mission
church, Mexico, 1978
1978
[AFC
2018/064: SL-02-01](ref_id10120)
Print 17: Christ Nazareno
with crown of thorns. Mexico, 1991
1991
[AFC
2018/064: PH0860](ref_id10455)
Print 18: Santos of
Christ Nazareno, the Sorrowing Virgin, and Christ Crucified. San Fernando
Cathedral, Guaymas, Mexico, 1979
1979
[AFC
2018/064: SL-07-06](ref_id10124)
Print 19: A Christ santo
carried in procession. Although Christ traditionally carried his own
cross, the Tarahumara Indians take on this role during Holy Week rituals.
Norogachi, Chihuahua, Mexico, 2001
2001
[AFC
2018/064: PH0870](ref_id10455)
Print 20: Ex-voto amulets
dangling from a nailed hand of a Christ Crucified santo hangs in the San
Xavier Mission church, Tucson, Arizona, 1978
1978
[AFC
2018/064: SL-01-03](ref_id10258)
Print 21: During Holy
Week, children imitate the town processions by playing at being the
crucified Christ. Santiago Atitlán, Guatemala, 1989
1989
[AFC
2018/064: PH0861](ref_id10455)
Print 22: Christ
Crucified. Mazatlán Cathedral, Mexico., 1979
1979
[AFC
2018/064: SL-07-01](ref_id10124)
Print 23: Painted santo
of Christ with sampaguita flowers as village boys light candles in
background. Kapitangan, Bulacan, the Philippines, 1987
1987
[AFC
2018/064: PH0872](ref_id10455)
Print 24: A carved santo
of the Crucifixion in the rough, elongated style of New Mexico santero
carvers. It has been erected in a junkyard along a highway. Taos, New
Mexico, 2013
2013
[AFC
2018/064: PH0868](ref_id10455)
Print 25: Detail of
Christ's feet on the cross with geometric wall design. San Xavier Mission
church, Tucson, Arizona, 1978
1978
[AFC
2018/064: SL-01-02](ref_id10258)
Print 26: Crucifix with
missing Christ figure, Italy, 1983
1983
[AFC
2018/064: SL-10-02](ref_id10696)
Print 27: Crucifix with
Christ figure in storage. Cuzco, Peru church, 1977
1977
[AFC
2018/064: SL-05-01](ref_id10252)
Print 28: Photo of child
left in San Xavier Mission, Tucson, Arizona, 1978
1978
[AFC
2018/064: SL-01-02](ref_id10258)
Print 29: Photographs of
the deceased left at the feet of a church santo, 1983
1983
[AFC
2018/064: SL-10-01](ref_id10696)
Print 30: Woman, wearing
a cross, Mexico, 1978
1978
[AFC
2018/064: SL-02-02](ref_id10120)
Print 31: Immaculate
Virgin in native textile cloak and basket. Mission church interior under
renovation. Mazatlán, Mexico, 1979
1979
[AFC
2018/064: SL-07-04](ref_id10124)
Print 32: A man holds his
Christ Child, a santo dressed in native clothing with pinned portrait of
Our Lady of Guadalupe, Feast of the Candelaria, Tepoztlán, Mexico, 1991
1991
[AFC
2018/064: SL-12-01](ref_id10595)
Print 33: Boy assistant
to a santero. Mission church, Guaymas, Mexico, 1979
1979
[AFC
2018/064: SL-06-01](ref_id10122)
Print 34: Child plays at
being Christ in empty church as procession ensues outside. Monte Casino,
Italy, 1983
1983
[AFC
2018/064: SL-10-05](ref_id10696)
27/2
Reviews (film, book,
photography), 1979-1992
1979-1992
1 folder
27/3
Film festivals and
photography exhibits, 1979-2009
1979-2009
1 folder
27/4
Queries and correspondence
to magazines and journals, 1982-2008
1982-2008
1 folder
42
[Newspaper articles relating
to Susan Lloyd's work on Holy Week religious ritual], 1982-2018
1982-2018
Includes the following articles: Ted Taylor,
Ashlander's Work Examines Mystique of Easter
Week Rituals,
The Daily Tidings, February 28, 1989, page
7;
Mary Ann Campbell, Couple View Filipino's
Easter Crucifixion,
The Mail Tribune, May 13, 1987, page 1B;
Susan Lloyd, Remembering Manila,
Lithiagraph, October 1987, pages 6-7;
Carol Field, Sicily's Convergence of Ancient
Beliefs,
Review, May 10, 1992, pages 5, 9;
JoNel
Aleccia, The Meaning of Mothering,
Mail Tribune, May 10, 1992, page 1C, 3C;
David Barlett, Lloyd's photographic display shows
realities in life,
The Torch, February 15, 1982, page 9;
Trio Plans to Film Sicilian Good Friday
Ritual,
The Daily Tidings, April 18, 1987, page 3;
Laurie T. Conrad, One Woman's Rediscovery is a
Passage into Antiquity,
The Courier Times, April 9, 1992, page 12B,
9B;
Susan Lloyd, Filipino People Face
Decisions May 11,
The Mail Tribune, May 8, 1987, page 17A;
Author's Book Traces Roots, Rituals,
The Daily Tidings, May 7, 1992, page 9;
Photo Exhibit Focuses on the Spectacle of
Rituals,
Mail Tribune, March 1, 2002, page 9;
Susan
Lloyd, Holy Week in Sicily,
Ashland Daily Tidings, April 24, 2004, page
7;
Susan Lloyd, Notes of a Native
Daughter,
Siskiyou Journal, June/July 1987, page 4;
Semana Santa En Chiantla,
El Grafico, March 23, 1989, page 23;
Terrie Claflin, Images of Holy Week,
The Mail Tribune, March 19, 1989, pages 1C-2C;
Spirited Sicily,
San Francisco Examiner, April 24, 1988, pages T1-T10;
Fra Noi, Volume XXXI, April 1992;
Sarah
Lemon, Rituals of Belief,
Mail Tribune, April 1, 2018, pages C1,
C10;
Susan Lloyd, Religion, bloodshed both
part of life in the Philippines,
The Sunday Oregonian, April 19, 1987, page
B4;
Susan Lloyd, Following the
Faithful,
Albuquerque Journal Magazine, April 14, 1987,
pages 4-7;
Gail Caperna, An Interview with
Susan Lloyd,
Guide to the Arts, March 1992, pages
16-17.
1 folder
27/5
Notes from lectures on Holy
Week folk life project, 1983-1990
1983-1990
1 folder
Portfolio 16:
Holy Week Folk Rituals
, 1983-2013
1983-2013
58
Print version, 1983-2013
1983-2013
Every year at
Easter time, the commemoration of the Passion, death, and Resurrection of
Christ is celebrated across Hispanidad -- the countries of the Spanish
colonization in the sixteenth century. The friars brought these rites to
their colonies where the new religion, Catholicism, synthesized with
preexisting rituals that had been taking place in the locations for
millennia. In fact, the early Catholic Church fathers dated the first
Easter to coincide with rituals to the pre-Christian deities, Attis and
Cybele, then occurring in third century Rome. The Old World rituals
seasonally celebrated the agricultural cycle where sacrifice to the gods
were necessary to restore fertility and abundance in societies where the
cultivation of wheat, corn, and rice was paramount. Although participants
in contemporary Holy Week rituals dramatize the Passion, death, and
Resurrection of Christ, sacrifices to the old gods are not entirely
forgotten in the various communities but have been transferred to the
"new" dying and resurrecting god, Christ. In examining the Old World
fertility rituals, one becomes aware of several prescribed stages of
ritual that can also be seen in contemporary Holy Week celebrations. They
include: Fasting, Lamentation, Pilgrimage, Purification, Bloodletting,
Casting Out Scapegoats, Combat and Struggle, and Death and Resurrection.
Although tolerated, these rituals are often not sanctioned by the formal
Catholic Church. Therefore, many contemporary Holy Week rituals across
Hispania remain popular, folk rituals of the people. Susan Caperna Lloyd
shot the photographs in this portfolio (and conducted research) at nine
locations, some with repeat visits, from 1983-2013.
1 portfolio (76 photographs) :
color Ultrachrome archival inkjet prints ; 13 x 19 inch.
afc2018064_dc003
Digital version, 1983-2013
1983-2013
Digitized portfolio prints and caption
document.
76 still image files (jpg); 1
text file (txt)
Slide version, 1983-2013
1983-2013
19
Fasting, 1986-1998
1986-1998
AFC 2018/064: PH3777-PH3782
6 color slides (35
mm)
3777, Costaleros in Seville, Spain are
offered water as they fast under the one-ton platforms they carry
during Holy Week, 1998; 3778, Ricky Martinez, Santa Fe, New Mexico,
Fasting he holds a photo of his dead brother which he will carry with
a cross to Chimayó, forty miles away, 1986; 3779, Antonio fasts in a
hut during Holy Week before walking with a cross to sacred Mt. Arayat,
San Fernando, Bulacan, the Philippines, 1987; 3780, Lucy Reyes, a
Filipino healer, fasts in her bedroom before her crucifixion on Good
Friday, Kapitangan, the Philippines, 1987; 3781, A young man who will
carry his cross during Holy Week fasts in a secluded room before
beginning his pilgrimage, Bulacan, the Philippines, 1987; 3782, Hooded
penitents in Taxco, Mexico deny themselves sustenance before carrying
their cactus crosses on Good Friday, 1991.
19
Lamentation, 1987-1989, 2001
1987-1989
2001
AFC 2018/064: PH3783-PH3792
10 color slides (35
mm)
3783, During Holy Week, Tarahumara drummers
circle the church, lamenting the coming sacrifice on Good Friday,
Norogachi, Chihuahua, Mexico, 2001; 3784, A healer, dressed as Christ,
evokes tears as she attempts to heal a child during Holy Week,
Kapitangan, Bulacan, the Philippines, 1987; 3785, A woman playing the
role of Mary, Christ's mother, cries as she learns that he will be
crucified, Holy Thursday Passion Play, Marsala, Sicily, 1988; 3786,
Playing the role of Mary Magdalene, a woman cries as Christ is led to
his death, Holy Thursday Passion Play, Marsala, Sicily, 1988; 3787,
The Virgin, La Macarena, is carried in procession on Good Friday in
Seville, Spain, She has crystal tears on her cheeks, 1998; 3788, Mayan
women chant a dirge, waiting for Maximón, a puppet representing half
old god and new, to wake up, Holy Wednesday, Santiago Atitlán,
Guatemala, 1989; 3789, Mayan woman at the dirge for Maximón, Holy
Wednesday, Santiago Atitlán, Guatemala, 1989; 3790, Villagers cry as
Lucy Reyes, a healer playing the role of Christ during Holy Week,
passes by with her cross, Kapitangan, Bulacan, the Philippines, 1987;
3791, Bullroarers in the streets during Holy Week make rattling,
shrieking sounds to announce the coming sacrifice, Santiago Atitlán,
Guatemala, 1989; 3792, Unknown.
19
Pilgrimage, 1986-1989, 2001
1986-1989
2001
AFC 2018/064: PH3793-PH3800
8 color slides (35
mm)
3793, During Holy Week, the Tarahumara walk
to Norogachi where they wage mock battles between forces of good and
evil, a pre-conquest folk tradition, Chihuahua, Mexico, 2001; 3794,
Mayan villagers carry effigies of Christ during several Holy Week
processions in Panajachél, Guatemala, 1989; 3795, A pilgrim's feet, he
has walked for miles to the Chichicastenango church, Palm Sunday,
Guatemala, 1989; 3796, A Santa Fe, New Mexico pilgrim walks with his
cross during Holy Week to the Chimayó sanctuary forty miles away,
1986; 3797, Holy Week pilgrims on the road to Chimayó in the high
country north of Santa Fe, New Mexico, 1986; 3798, Cross bearers
walking on the freeway north of Santa Fe, New Mexico, head for the
Chimayó sanctuary on Good Friday, 1986; 3799, A cross bearer dressed
as Christ returns from his one hundred mile pilgrimage to Mt. Arayat,
Holy Week, Bulacan, the Philippines, 1987; 3800, Pilgrims who have
walked one hundred miles from Albuquerque, New Mexico, rest on Good
Friday at the Chimayó sanctuary, New Mexico, 1987.
19
Purification, 1983-1991
1983-1991
AFC 2018/064: PH3801-PH3813
13 color slides (35
mm)
3801, The church in Santiago Atitlán,
Guatemala, is purified with candles and incense on Good Friday, 1989;
3802, Elizabetta, outside her family's apartment, dresses in the
chaste clothing of the Madonna, a role she plays on Good Friday,
Trapani, Sicily, 1988; 3803, Elizabetta practices her role as the
Madonna in the Good Friday procession, she waits in her family's
courtyard in Trapani, Sicily, 1988; 3804, Villagers in Santiago
Atitlán, Guatemala beautify the town with wreaths during Holy Week,
1989; 3805, Children in Seville, Spain join the Holy Week processions
dressed in the white clothing of priests and nuns, 1998; 3806,
Maximón, the Mayan puppet god feted during Holy Week, is purified by
cleansing him with air deodorizer, Santiago Atitlán, Guatemala, 1989;
3807, Mayans use incense burners, carrying on a folk tradition of
their ancestors, to purify their arrival on Palm Sunday at the
Chichicastenango church, Guatemala, 1989; 3808, Taxco, Mexico
flagellantes are cleansed before carrying their cactus crosses on Good
Friday, 1991; 3809, Hooded members of the Confraternity of St. Michael
purify themselves by wearing hoods and remaining nameless, Good
Friday, Trapani, Sicily, 1983; 3810, A Taxco, Mexico flagellant wears
a hood, remaining nameless and in meditation while carrying his cactus
cross on Good Friday, 1991; 3811, Lucy Reyes reveals purity after
stripped of her garments before undergoing crucifixion on Good Friday,
Kapitangan, Bulacan, the Philippines, 1987; 3812, A hooded
confraternity assembles in the streets, hiding their identities as a
symbol of purification, Good Friday, Trapani, Sicily, 1983; 3813, A
statue of Christ is purified with oil in the local church on Holy
Thursday, Kapitangan, Bulacan, the Philippines, 1987.
19
Bloodletting, 1987-1998
1987-1998
AFC 2018/064: PH3814-PH3824
11 color slides (35
mm)
3814, Statue of Christ crucified, carved by
folk santeros (saint carvers), Malolos church, Bulacan, the
Philippines, 1987; 3815, Whips used for flagellation are soaked in oil
during a "taktak" ceremony on Good Friday morning, Kapitangan,
Bulacan, the Philippines, 1987; 3816, "Taktak" whips are consecrated
by a Filipino healer on Good Friday morning, Kapitangan, Bulacan, the
Philippines, 1987; 3817, A flagelate prostrates himself before a
Station of the Cross on Good Friday, Kapitangan, Bulacan, the
Philippines, 1987; 3818, A flagelante, carrying a cross on Good
Friday, is assisted by an actor portraying a Roman soldier,
Kapitangan, Bulacan, the Philippines, 1987; 3819, A flagelante kneels
in the streets as girls dressed in white look on, Kapitangan, Bulacan,
the Philippines, 1987; 3820, Painted blood signifies the stigmata of
saints and Christ's bloodshed, Marsala, Sicily, Holy Thursday Passion
Play, 1998; 3821, Dripping red candle wax is intentional, giving the
impression of blood, Good Friday procession , Seville, Spain, 1998;
3822, Real blood, through flagellation, on the back of a cactus
bearer, Good Friday, Taxco, Mexico, 1991; 3823, Filipino healer Lucy
Reyes is painted with the wounds of Christ, Holy Week, Kapitangan, the
Philippines, 1987; 3824, An actor playing the role of Christ wears a
mask painted to look like blood, Holy Thursday Passion Play, Marsala,
Sicily, 1988.
19
Scapegoat, 1987-1989, 1999-2001
1987-1989
1999-2001
AFC 2018/064: PH3825-PH3830
6 color slides (35
mm)
3825, An actor plays Christ, a scapegoat
who dies to expiate communal sin, Marsala, Sicily Passion Play, 1988;
3826, The Yaqui of Pascua Village burn the scapegoat, Judas, who
betrayed Christ, Good Friday, Tucson, Arizona, 1999; 3827, The
Tarahumara burn a Judas figure symbolizing the Ladino landowner who
expropriates Indian lands, Norogachi, Chihuahua, Mexico, 2001; 3828, A
man is hung on a cross in the role of scapegoat, Christ, Good Friday,
Kapitangan, the Philippines, 1987; 3829, A woman plays the role of
Mary Magdalene -- in Bible accounts, a sinner and scapegoat cast out
of the community, Marsala, Sicily Passion Play, 1988; 3830, Maximón,
the Mayan puppet deity, is paraded through the streets on Holy
Thursday, as a scapegoat he (in part) represents the traitor, Pedro de
Alvarado (Spanish conqueror), Santiago Atitlán, Guatemala,
1989.
19
Combat and struggle,
1987-1991,
1998-2001
1987-1991
1998-2001
AFC 2018/064: PH3829-PH3839
9 color slides (35
mm)
3831, Christ falls under his cross while
Mary fends off the Roman soldiers, Marsala, Sicily Passion Play, 1988;
3832, Villagers play the role of Roman soldiers on Good Friday,
Kapitangan, Bulacan, the Philippines, 1987; 3833, Lucy Reyes, a
village healer playing the role of Christ, is pushed to her
crucifixion by actors playing Roman soldiers, Good Friday, Kapitangan,
Bulacan, the Philippines, 1987; 3834, Tarahumara children participate
in the folk dances between forces of good and evil on Good Friday,
Norogachi, Chihuahua, Mexico, 2001; 3835, Portatori struggle with
their one-ton ceto depicting Christ falling under his cross, Good
Friday, Trapani, Sicily, 1988; 3836, A flagelante carries his cactus
cross and withstands the candle flame which will eventually burn his
hand, Good Friday, Taxco, Mexico, 1991; 3837, The Guardia Civil keeps
the crowd back as the carriers of the Virgin take a break, Good
Friday, Seville, Spain, 1998; 3838, Children carry their homemade ceto
in imitation of their elders, Procession of Mysteries, Good Friday,
Trapani, Sicily, 1988; 3839, Carriers of the Ceto del Popolo struggle
under the one-ton platform holding statues (misteri) depicting the
Stations of the Cross, Procession of Mysteries, Good Friday, Trapani,
Sicily, 1988.
19
Death and
resurrection, 1987-1989, 2001-2005
1987-1989
2001-2005
AFC 2018/064: PH3840-PH3845
5 color slides (35
mm)
3840, Lucy Reyes, a village healer, is
nailed to a cross on Good Friday, Kapitangan, Bulacan, the
Philippines, 1987; 3841, Nails fully penetrate the hands and feet of
Lucy Reyes, a village healer, but there are no signs of blood, Good
Friday, Kapitangan, Bulacan, the Philippines, 1987; 3842, A village
healer, Lucy Reyes, hangs on a cross for three hours on Good Friday,
she is crucified yearly to gain power to heal, Kapitangan, Bulacan,
the Philippines, 1987; 3843, The Yaqui dress the Christ statue in a
feminine skirt, a folk custom symbolizing fertility, after his Good
Friday crucifixion, Hermosillo, Mexico, 2002; 3844, Called the
empalao, young men wear embroideries made by their mothers as they are
strapped to wooden beams representing Christ carrying his cross, Good
Friday, Valverde de la Vera, Spain, 2005; 3845, After Christ's death,
Tarahumara women carry the Virgin to "reunite" with him at his
resurrection, Norogachi, Chihuahua, Mexico, 2001.
20
Death and
resurrection, 1987-1989, 2001-2005
1987-1989
2001-2005
AFC 2018/064: PH3846-PH3852
8 color slides (35
mm)
3846, Mayan men dance with a statue of the
Virgin, symbolizing fertility and the conjunction of male and female,
Holy Saturday, Santiago Atitlán, Guatemala, 1989; 3847, Yaqui Fariseos
(enemies of Christ) are converted by flowers, Holy Saturday,
Hermosillo, Mexico, 2002; 3848, Townsmen sit in front of bread
decorations, folk symbols of agriculture and fertility that the
village women have made, Easter Sunday, San Biago Platani, Sicily,
1988; 3849, Members of the CofraDía de San Juan wear newly embroidered
clothing the village women have made, Easter Sunday, Santiago Atitlán,
Guatemala, 1989; 3850, A family in Trapani, Sicily reunites on Easter
Sunday, 1988; 3851, Mayan women bring flowers to the church on Easter
Sunday, Santiago Atitlán, Guatemala, 1989; 3852, After removal of
crucifixion nails, the feet of healer, Lucy Reyes, are bloodless,
contrasting with other local Good Friday rites of male bloodletting,
Kapitangan, Bulacan, the Philippines, 1987.
38/13
[Slide logs AFC
2018/064: PH0873-PH3852]
1 folder
27/6
[Holy Week rituals], 1983-2017
1983-2017
Manuscripts and ephemera related to Holy Week
folk rituals.
1 folder
27/7
Ephemera collected at
locations where Easter time folk rituals of Holy Week are held (1 of 4),
1983-2018
1983-2018
Includes brochures, flyers, booklets, postcards,
pamphlets, posters, maps, news articles, liturgical devotions, programs, and
calendars. Locations include Trapani, Sicily, Seville, Spain, Antigua,
Guatemala, Valverde de la Vera, Spain, Durango and Bilbao, Spain, Santiago
Atitlán, Guatemala, Malolos, Bulacan, the Philippines, San Juan Pueblo, New
Mexico, Salamanca, Spain.
1 folder
27/8
Ephemera collected at
locations where Easter time folk rituals of Holy Week are held (2 of 4),
1983-2018
1983-2018
Includes brochures, flyers, booklets, postcards,
pamphlets, posters, maps, news articles, liturgical devotions, programs, and
calendars. Locations include Trapani, Sicily, Seville, Spain, Antigua,
Guatemala, Valverde de la Vera, Spain, Durango and Bilbao, Spain, Santiago
Atitlán, Guatemala, Malolos, Bulacan, the Philippines, San Juan Pueblo, New
Mexico, Salamanca, Spain.
1 folder
27/9
Ephemera collected at
locations where Easter time folk rituals of Holy Week are held (3 of 4),
1983-2018
1983-2018
Includes brochures, flyers, booklets, postcards,
pamphlets, posters, maps, news articles, liturgical devotions, programs, and
calendars. Locations include Trapani, Sicily, Seville, Spain, Antigua,
Guatemala, Valverde de la Vera, Spain, Durango and Bilbao, Spain, Santiago
Atitlán, Guatemala, Malolos, Bulacan, the Philippines, San Juan Pueblo, New
Mexico, Salamanca, Spain.
1 folder
39/1
Ephemera collected at
locations where Easter time folk rituals of Holy Week are held (4 of 4),
1983-2018
1983-2018
Includes brochures, flyers, booklets, postcards,
pamphlets, posters, maps, news articles, liturgical devotions, programs, and
calendars. Locations include Trapani, Sicily, Seville, Spain, Antigua,
Guatemala, Valverde de la Vera, Spain, Durango and Bilbao, Spain, Santiago
Atitlán, Guatemala, Malolos, Bulacan, the Philippines, San Juan Pueblo, New
Mexico, Salamanca, Spain.
1 folder
27/10
[Magazine articles featuring
Susan Lloyd's work on Holy Week religious rituals], 1984-1988
1984-1988
Includes article by Susan Caperna Lloyd, Trapani's Grand Procession in Attenzione, April 1985, pages 42-27; article by
Susan Caperna Lloyd, Sicily's Grand
Funeral in Flying Springbok, November
1984, pages 50-64; The Ecstatic Crucifixions of
Lucy, Healer of Bulacan in Shaman's
Drum, Spring 1988, pages 25-31; Rambo
in Manila in Old Oregon, Winter 1987,
pages 11-12.
1 folder
27/11
Letters and correspondence
from readers, 1985-2001
1985-2001
Letters and correspondence from readers of Susan
Lloyd's book on Holy Week rituals, No Pictures in My
Grave: A Spiritual Journey in Sicily and her film Processione: A Sicilian Easter. Also
correspondence about speaking tours about the above publications.
1 folder
39/2
Early writings on Holy Week
folk life rites, 1986-1988, 2001-2004
1986-1988
2001-2004
Shows development of books: No Pictures in My Grave (1992) and The
Crucifixion of Lucy Reyes (2017).
1 folder
28/1
Grant applications and
fellowships, 1987-2004
1987-2004
Pertaining to documentation of Holy Week rituals
with film and photography in Sicily, Spain, the Americas, and the
Philippines.
1 folder
28/2
First drafts of written
articles about Holy Week rituals, 1987, 2004
1987
2004
Articles written by Susan Lloyd.
1 folder
5
Santos, folk Catholicism,
various locations, 1987-2013
1987-2013
AFC 2018/064: PH0860-PH0872
13 color slides (35
mm)
860, Christ Nazareno with crown of thorns,
Mexico; 861, During Holy Week, children imitate the town processions by
playing at being crucified Christ, Santiago Atitlán, Guatemala; 862, A
Filipino church santero cleans statues, an angel carriers a chalice to catch
the blood of Christ as another saint, eventually donned with a wig, looks
on, Malolos, Bulacan, the Philippines; 863, Villagers crowd a church to wash
and oil a Christ santo, preparing it for the Passion story enactments during
Holy Week, Kapitangan, Bulacan, the Philippines; 864, The Virgin Mary and
Christ child in Mayan costume, sitting in shell-like niche, the Virgin is
dark-skinned, reflecting the faces of the indigenous santos carvers,
Santiago Atitlán church, Guatemala; 865, Santos depicting Christ and the
Apostles are carved by non-professionals, reflect Indian features, and are
dressed in indigenous clothing, Santiago Atitlán church, Guatemala; 866,
Townspeople accompany a large santo of Christ through the streets, depicting
his entry into Jerusalem prior to his Passion and death, Malolos, Bulacan,
the Philippines; 867, Lucy Reyes is a folk healer and devotee to Santo Niño,
the Christ child brought to the Philippines by Magellan, she prays to him
and other santos to gain power to heal, Kapitangan, Bulacan, the
Philippines; 868, A carved santo of the Crucifixion in the rough, elongated
style of New Mexico santero carvers, it has been erected in a junkyard along
a highway, Taos, New Mexico; 869, Townswomen dressed in black carry a supine
santo of the dead Christ covered in flowers, during a Good Friday procession
in Trapani, Sicily; 870, Santos depicting Christ, the Virgin Mary, and the
Apostles are carved by non-professionals, reflect Indian features, and are
dressed in indigenous clothing, Santiago Atitlán church, Guatemala; 871,
Christ on cross carried by Tarahumara Indians, Chihuahua, Mexico; 872,
Painted santo of Christ with sampaguita flowers as village boys light
candles in background, Kapitangan, Bulacan, Philippines.
28/3
Document given to Susan
Lloyd by Mayan elder at Santiago, Atitlán, Guatemala Holy Week, 1988
1988
This document is the Indian explanation of their
puppet deity, Maximón, celebrated during Holy Week.
1 folder
28/4
Andree Flageolle Ruhl
project paper, 1988
1988
Project paper on Susan Lloyd's artistic vision,
Southern Oregon University, pages 20-24.
Andree Flageolle Ruhl
1 folder
38/12
[
West Wind Review
], 1988
1988
Features photographs from Peru, Italy, and
England by Susan Lloyd.
John Lawrence
1 folder
AFC 2018/064: SR001
Slide presentation on Holy
Week, Southern Oregon University, March 1, 1989
March 1, 1989
1 sound cassette
28/5
Awards and citations, 1989-1991
1989-1991
Related to Processione: A
Sicilian Easter.
1 folder
28/6
Press releases, 1989-1995
1989-1995
Related to Processione: A
Sicilian Easter and No Pictures in My Grave:
A Spiritual Journey in Sicily.
1 folder
28/7
Presentations and lecture
flyers, tours, announcements, film and book flyers, reviews, 1989-2017
1989-2017
Related to Processione: A
Sicilian Easter and No Pictures in My Grave:
A Spiritual Journey in Sicily.
1 folder
28/8
Programs, film showings, and
readings from conferences, 1989-2018
1989-2018
Programs from the following conferences: Italian
American Historical Association, Association of Italian Canadian Writers,
Immigration and Ethnic History Society, University of Minnesota, Western
States Folklore Society.
1 folder
AFC 2018/064: MV074
Italics: The Italian American Magazine
, interview with Susan Caperna Lloyd, episode #43, April 1992
April 1992
1 videocassette (VHS)
AFC 2018/064: SR003
Jefferson Public Radio,
Claire Collins with Susan Caperna Lloyd, May 1992
May
1992
1 sound cassette
AFC 2018/064: MV088
About Books
#40 interview of Susan Lloyd by Stephen Spratt at book fair in
Portland, Oregon, 1992
1992
Discussions of Lloyd's book, No Pictures in My Grave (Mercury House, San
Francisco, 1992), about her travels to Sicily at Eastertime and its
folkloric aspects. Several PhD theses, essays and articles have been written
about Lloyd's book. They thematically analyze Lloyd's search for her
(female) identity in a male-dominated Sicilian society during which she
finds her power in the folklore of the Sicilian women she meets who are
linked to an ancient, pre-Christian past. PhD dissertation by Valentina
Seffer, Identity on the Threshold: the Myth of
Persephone in Italian American Women's Memoir, University of
Sydney, 2015; Article by Elisabetta Marino (University of Rome, Tor
Vergata), Searching for Identity: No Pictures in
My Grave: A Spiritual Journey in Sicily,, Journal of British and American Studies, Volume XXIV, 2018;
Article by Elisabetta Marino, The Black Madonna
in the Italian American Artistic Imagination,
Acta Neophilologica, 2002; PhD dissertation by
Theodora Patrona, Novels of Return: Ethnic Space
in Contemporary Greek-American and Italian-American Literature,
Aristotle University of Thessaloniki, Greece, February, 2001.
1 videocassette (VHS)
AFC 2018/064: SR005
Wisconsin Public Radio
interview, Susan Caperna Lloyd,
Descent into Darkness
, February 16,
1994
February 16, 1994
1 sound cassette
38/11
[
Gelebte Interkulturalität
PhD thesis by Eva Hassel], 2000
2000
Analysis of Susan Lloyd's book No Pictures in My Grave: A Spiritual Journey in
Sicily in context of Italian American female writers.
Eva Hassel
1 folder
28/9
Velentina Seffer PhD thesis,
2015
2015
Interview questions and answers. PhD thesis from
Valentina Seffer at the University of Melbourne about No Pictures in My Grave: A Spiritual Journey in Sicily.
Valentina Seffer
1 folder
41/6
[Ex voto paintings],
undated
undated
1 folder
AFC 2018/064: SR006
Sicily/Spain photo show tape
(music), undated
undated
1 sound cassette
38/14
[Susan Lloyd's inventory of
Holy Week notebooks]
1 folder
Subseries 2: Sicily,
Italy
28/10
Relatives, Terracina, first
Holy Week, Sicily notebook, 1983
1983
1 notebook
5
Procession of the Mysteries
(inside and outside Church of the Purgatory), Good Friday, Trapani, Sicily,
1983
1983
AFC 2018/064: PH0901-PH0935
35 color slides (35
mm)
5
Procession of the Mysteries,
Good Friday and Holy Saturday, Trapani, Sicily, 1983
1983
AFC 2018/064: PH0936-PH0958
23 color slides (35
mm)
6
Procession of the Mysteries,
Good Friday and Holy Saturday, Trapani, Sicily, 1983
1983
AFC 2018/064: PH0959-PH1176
218 color slides
(35mm)
5
Palm Sunday, Trapani,
Sicily, 1983-1988
1983-1988
AFC 2018/064: PH0873-PH0900
28 color slides (35
mm)
7
Hooded confraternities,
Procession of the Mysteries, Good Friday and Holy Saturday, Trapani, Sicily,
1983-1988
1983-1988
AFC 2018/064: PH1177-PH1193
17 color slides (35
mm)
7
Women's' confraternities and
Sorrowing Mother (Madonna L'Addolorata), Procession of the Mysteries, Good
Friday and Holy Saturday, Trapani, Sicily, 1983-1988
1983-1988
AFC 2018/064: PH1194-PH1222
29 color slides (35
mm)
7
Street scenes/portraits,
Holy Week, Trapani, Sicily, 1983-1988
1983-1988
AFC 2018/064: PH1223-PH1275
53 color slides (35
mm)
26/7
Italian/Sicilian culture and
heritage (2 of 3), 1983-2020
1983-2020
1 folder
Brochures, booklets,
itineraries, maps, postcards, and miscellaneous material pertaining to
the annual Good Friday (Holy Week) Procession of the Mysteries in
Trapani, Sicily
AFC 2018/064: ZZZ-05
26/8
Italian/Sicilian culture and
heritage (3 of 3), 1983-2020
1983-2020
1 folder
Brochures and pamphlets
pertaining to Good Friday (Holy Week) and Easter folklore rituals in San
Biago Platani (1996), Casteltermini (1993), and Erice (1988), Sicily,
1988-1996
1988-1996
AFC 2018/064: ZZZ-06
Programs/itineraries of
Susan Lloyd's Holy Week tours she led to Sicily
AFC 2018/064: ZZZ-07
Announcement of
completion of film,
Processione: A Sicilian Easter,
and distributor promotional flyer (University of California
Media, Berkeley); Film review,
Processione: A Sicilian Easter
; Mercury House promotional flyer for Lloyd's book,
No Pictures in My Grave: A Spiritual Journey in Sicily
, 1989-1992
1989-1992
AFC 2018/064: ZZZ-08
39/3
Play:
Processione
, 1984
1984
Based on Lloyd's slides and music of the
Procession of the Mysteries, Trapani, Sicily. Produced in Ashland,
Oregon.
Bill Coyne
1 folder
22
Processione
play cast promo, 1984
1984
AFC 2018/064: SL-24-01 – SL-24-02
12 black-and-white negatives
(120 mm)
Kodak
38/4
[Original housing from
AFC 2018/064: SL-24]
1 folder
40
Sanctuary of Black Madonna,
Tindari, Sicily, 1986-1991
1986-1991
15, Façade of sanctuary; 16, Statues of Black
Madonna for sale; 17, Vendor and Black Madonnas for sale; 18, Sicilian
tambourines for sale; 19, Hooded cactus bearers, Good Friday, Taxco, Mexico,
1991; 20, El posto hole of sacred dirt, Good Friday, Chimayó, New Mexico,
1986; 21, Christ santo in market, Holy Week, Bulacan, the Philippines, 1987;
22, Christ, Manila santos workshop, Holy Week, the Philippines, 1987; 23,
Santo Niño, Manila santos workshop, Holy Week, the Philippines, 1987; 24,
St. Michael, Manila santos workshop, Holy Week, the Philippines,
1987
10 black-and-white prints
(various sizes)
Photos used for publicity (some included in No Pictures in My Grave)
7
Procession of the Mysteries,
Good Friday and Holy Saturday, Trapani, Sicily, 1988
1988
AFC 2018/064: PH1276-PH1403
128 color slides (35
mm)
8
Woman (Elisabetta) preparing
for role of Veronica in Procession of the Mysteries, Holy Week, Trapani,
Sicily, 1988
1988
AFC 2018/064: PH1404-PH1459
56 color slides (35
mm)
8
Holy Thursday Passion play,
Marsala, Sicily, 1988
1988
AFC 2018/064: PH1460-PH1601
142 color slides (35
mm)
8
Easter windows, Trapani,
Sicily; bread decorations, San Biago Platani, Sicily, 1988
1988
AFC 2018/064: PH1602-PH1620
19 color slides (35
mm)
9
Easter windows, Trapani,
Sicily; bread decorations, San Biago Platani, Sicily, 1988
1988
AFC 2018/064: PH1621-PH1631
11 color slides (35
mm)
21
Trapani, Sicily, 1988
1988
AFC 2018/064: SL-13-01 – SL-13-11
254 black-and-white negatives (35
mm)
SL-13-01:
Good Friday; Complete; SL-13-02: Complete; SL-13-03: Complete; SL-13-04:
Complete; SL-13-05: Complete; SL-13-06: Incomplete 1-8; SL-13-07: 24-36;
SL-13-08: Fragments 3-7; SL-13-10: 27-35; SL-13-11: 26-36.
Kodak 5053; Kodak 5063; Kodak
5062
37/8
[Original housing from AFC
2018/064: SL-13]
1 folder
28/11
Sicily notebooks (1 of 2),
1988
1988
1 notebook
29/1
Sicily notebooks (2 of 2),
1988
1988
1 notebook
AFC 2018/064: SR007
Procession of Mysteries,
Trapani, Sicily (music), 1988
1988
1 sound cassette
AFC 2018/064: SR008
Procession of Mysteries,
Trapani, Sicily (music), 1988
1988
1 sound cassette
AFC 2018/064: SR021
Canti di Sicilia
, Rosa Balistreri, 1988
1988
1 sound cassette
40
Procession of the Mysteries,
Good Friday, Trapani, Sicily, 1988
1988
1, Madonna L'Addolorata Society devotee; 2, Girl
playing role of nun; 3, Girl playing role of grieving Madonna; 4, Girl
carrying crown of thorns; 5, Misteri statue, Christ at the Pillar; 6, Flag
bearer walking ahead of one of the Misteri; 7, Street shrine; 8, Madonna of
Trapani
8 black-and-white prints (various
sizes)
Photos used for publicity (some included in No Pictures in My Grave)
40
Bread decorations, Easter
Week, San Biago Platani, Sicily, 1988
1988
9, Bread lady; 10, Stella, bread lady; 11,
Vincenza Tuzzolino, bread lady; 12, Street scene, San Biago; 13, Woman
behind flycatcher curtain; 14, Vincenza Tuzzolino, bread lady
6 black-and-white prints (various
sizes)
Photos used for publicity (some included in No Pictures in My Grave)
38/15
[Log of Procession of
Mysteries, Trapani, Sicily photos]
1 folder
Audiovisual materials
related to the film
Processione: A Sicilian Easter
(1989), 1989,
2007, 2017
1989
2007
2017
AFC 2018/064: MV075
Master, 1989
1989
1 film reel (1
inch)
afc2018064_dc008
DVD version, 2007
2007
VIDEO_TS/
5 moving image files (ifo,
vob)
Sub-master dubbed from
master, split-channel audio, February 9, 2007
February 9, 2007
AFC 2018/064: MV073
Analog version, February 9, 2007
February 9, 2007
Excellent copy of 1"
master, Ch1 Primary, Ch2 A few nat sounds
1 videocassette (Betacam
SP)
afc2018064_dc002
Digital version, February 9, 2007
February 9, 2007
Processione From Beta Dub of 1inch 2-9-2009_ Uncompressed 4x3
Graded MASTER.mov
1 moving image file
(mov)
afc2018064_dc002
Streaming master, 2017
2017
Processione_4x3_Color Graded_480p_12k_h264 Streaming MASTER.mp4
1 moving image file
(mp4)
AFC 2018/064: MV001-MV072
Window dubs,
undated
undated
Blank tape
72 videocassettes
(Betacam)
21
Sicily, 1990
1990
AFC 2018/064: SL-16-01 – SL-16-06
166 black-and-white negatives (35
mm)
SL-16-01:
1-25, incomplete; SL-16-02: 1-32, incomplete; SL-16-03: 27-36; SL-16-04: 13,
22-36; SL-16-05: 2-35; SL-16-06: Missing 33-34.
Kodak 5063; Kodak
5062
37/11
[Original housing from AFC
2018/064: SL-16]
1 folder
29/2
Sicily notebooks, 1990
1990
2 notebooks
AFC 2018/064: MV089
Italics: The Italian American Magazine
, Episode #35, Interview about
Processione: A Sicilian Easter
, 1991
1991
1 videocassette (VHS)
AFC 2018/064: SR004
Festa Italiano interview
with Bob Mosullo and Susan Caperna Lloyd, September 19, 1992
September 19, 1992
1 sound cassette
29/3
Sicily notebook, 2018
2018
1 notebook
41/7
[Il Mondo Della Settimana
Santa photograph exhibit in Trapani, Sicily], undated
undated
1 folder
Subseries 3: New
Mexico
25/10
England; New Mexico;
Ashland, Oregon notebook, 1985-1986
1985-1986
Living in Santa Fe, New Mexico, Pueblo Deer
Dances, Halley's Comet folklore, Good Friday pilgrimage to Chimayó New
Mexico, with Navajos at peyote ceremony, interviews with World War II Navajo
veteran, Navajo activist Marilyn James.
1 notebook
21
Santa Fe, New Mexico, 1986
1986
AFC 2018/064: SL-14-01 – SL-14-03
18 black-and-white negatives (35
mm); 19 black-and-white negatives (120 mm)
SL-14-02: San
Idefonso; SL-14-03: Santa Fe Kiva
Kodak
37/9
[Original housing from AFC
2018/064: SL-14]
1 folder
9
Pilgrims walking to Chimayó
Sanctuary, Good Friday, Chimayó, New Mexico, 1986
1986
AFC 2018/064: PH1632-PH1662
31 color slides (35
mm)
Pilgrims carry crosses miles along highway and
across the desert, arriving by Good Friday at the Sanctuary of Chimayó,
north of Santa Fe, New Mexico. Some walk more than one hundred
miles.
9
Offerings brought by
pilgrims to Chimayó Sanctuary, Good Friday, Chimayó, New Mexico; Hole of
sacred dirt, Chimayó, New Mexico, 1986, 2004
1986
2004
AFC 2018/064: PH1663-PH1695
33 color slides (35
mm)
Crosses and other offerings for healing and
thanksgiving are left in the Sanctuary of Chimayó on Good Friday. Holy dirt
is then gathered from el posto (hole in vestibule) to bring home for
healing.
9
Dances of fertility by
Pueblo Indians: San Ildefonso Pueblo Deer Dance, New Mexico; Picurís Pueblo
Corn Dance, New Mexico, 1986-1990
1986-1990
AFC 2018/064: PH1725-PH1750
26 color slides (35
mm)
9
Landscapes, architecture,
and folk paintings, Sante Fe, Albuquerque, Taos, and Chimayó, New Mexico,
1986-2004
1986-2004
AFC 2018/064: PH1696-PH1724
29 color slides (35
mm)
9
Pueblo Indian Corn Dance of
fertility, Picurís, New Mexico, 1990
1990
AFC 2018/064: PH1751-PH1787
37 color slides (35
mm)
29/4
Yaquis, Tucson; Cuba;
Yaquis, Hermosillo; and New Mexico notebook, 1999-2004
1999-2004
1 notebook
9
Moradas (meeting houses) of
the Penitente Brotherhood which conducts secret rituals during Holy Week,
Taos and Talpa, New Mexico, 2004
2004
AFC 2018/064: PH1788-PH1804
17 color slides (35
mm)
afc2018064_dc001
Good Friday Pilgrimage to
Santuario de Chimayó, March
2012
March 2012
New Mexico USA - 2012-03\Pilgrimage
149 still image files
(jpg)
Subseries 4: The
Philippines
29/5
Bulacan, Philippines
notebooks (1 of 2), 1987
1987
1 notebook
29/6
Bulacan, Philippines
notebooks (2 of 2), 1987
1987
1 notebook
29/7
Tom Lloyd's notes,
Philippines, 1987
1987
Tom Lloyd
1 notebook
9
Village healer Lucy Santos
Reyes, at home ten days before her crucifixion, Paombong, Bulacan, the
Philippines, 1987
1987
AFC 2018/064: PH1805-PH1827
23 color slides (35
mm)
Village healer Lucy Santos Reyes, at home
surrounded by effigies of Santo Niño to whom she is devoted, ten days before
her annual Good Friday crucifixion. She keeps her cross, nails, and hammer
in her bedroom.
10
Barrio volunteers dress
religious statues for Holy Week rituals; church herb vendors and interior
church scenes, Paombong, Bulacan, the Philippines, 1987
1987
AFC 2018/064: PH1828-PH1845
18 color slides (35
mm)
10
Palm Sunday procession
depicting Christ's entrance into Jerusalem, Malolos, Bulacan, the
Philippines, 1987
1987
AFC 2018/064: PH1846-PH1879
34 color slides (35
mm)
10
Lucy Reyes and the Santo
Niño Society on pilgrimage to Novaliches Grotto, thirty miles from Lucy
Reyes' home, on Wednesday of Holy Week, Bulacan, the Philippines, 1987
1987
AFC 2018/064: PH1880-PH1946
67 color slides (35
mm)
10
Lucy Reyes and the Santo
Niño Society make a pilgrimage to a rice field shrine after returning from
Novaliches Grotto on Wednesday of Holy Week, Paombong, Bulacan, the
Philippines, 1987
1987
AFC 2018/064: PH1947-PH1962
15 color slides (35
mm)
10
Holy Week through Good
Friday; cross bearers walk through countryside; some will undergo
crucifixion on Good Friday, Bulacan, the Philippines, 1987
1987
AFC 2018/064: PH1963-PH1997
35 color slides (35
mm)
10
Holy Week through Good
Friday; cross bearer walk through countryside; men fast in huts; man with
family and nails used in his crucifixion; male crucifixion, San Fernando and
Kapitangan, Bulacan, the Philippines, 1987
1987
AFC 2018/064: PH1998-PH2030
33 color slides (35
mm)
11
Tak-Tak (cut-cut) ceremony
in early morning on Good Friday, Kapitangan, Bulacan, the Philippines, 1987
1987
AFC 2018/064: PH2031-PH2040
10 color slides (35
mm)
Performed to open blood flow when hooded young
men (flagellators) will then whip themselves. Whips, soaked in oil, are
consecrated by a local healer.
11
Tak-Tak (cut-cut) ceremony
in early morning on Good Friday, Kapitangan, Bulacan, the Philippines, 1987
1987
AFC 2018/064: PH2041-PH2054
14 color slides (35
mm)
Performed to open blood flow when hooded young
men (flagellators) will then whip themselves. Whips, soaked in oil, are
consecrated by a local healer.
11
Signifying namelessness,
flagellantes, assisted by friends (compadres), lash themselves in the
streets and roads on Good Friday, Kapitangan, Bulacan, the Philippines,
1987
1987
AFC 2018/064: PH2055-PH2126
72 color slides (35
mm)
11
Village healer Lucy Reyes
arrives at crucifixion site on Good Friday, is disrobed, and nailed to a
cross where she hangs for three hours, Kapitangan, Bulacan, the Philippines,
1987
1987
AFC 2018/064: PH2127-PH2184
58 color slides (35
mm)
12
Local women, following the
tradition begun by Lucy Reyes, are tied to crosses (although not nailed) on
Good Friday, Kapitangan, Bulacan, the Philippines, 1987
1987
AFC 2018/064: PH2185-PH2258
74 color slides (35
mm)
12
Church scenes on Easter
Sunday, Malolos, Bulacan, the Philippines, 1987
1987
AFC 2018/064: PH2259-PH2301
43 color slides (35
mm)
12
Effigies of Santo Niño,
patron saint of the Philippines, originally brought to the islands by
Magellan; Holy Thursday Passion Play, Kapitangan; Easter Sunday Encuentro,
Malolos, the Philippines, 1987
1987
AFC 2018/064: PH2302-PH2332
31 color slides (35
mm)
12
Manila scenes, political
posters (shortly after the fall of Ferdinand Marcos); Holy Week, Manila, the
Philippines, 1987
1987
AFC 2018/064: PH2333-PH2370
38 color slides (35
mm)
12
Portraits, Holy Week,
Bulacan, the Philippines, 1987
1987
AFC 2018/064: PH2371-PH2414
44 color slides (35
mm)
21
Manila, Philippines, 1987
1987
AFC 2018/064: SL-11-01 – SL-11-02
54 black-and-white negatives (35
mm)
SL-11-01:
Philippines Santos; 1-26; Need to print Sto. Niño 25 or 26; 12-36, 2-3;
SL-11-02: 3-30.
Kodak PX 5062; Kodak
5063
37/6
[Original housing from AFC
2018/064: SL-11]
1 folder
29/8
Philippines, 1987-1988
1987-1988
1 folder
Manuscript by Susan
Lloyd,
Remembering Manila,
about Good Friday folk rituals and related political upheaval in
the Philippines.
See [AFC 2018/064: SL-11-01-SL-11-02](ref_id10552)
AFC 2018/064: S-01
Original manuscript by
Susan Lloyd,
Death in the Philippines,
about collective folk religiosity in the Philippines, Good
Friday.
See [AFC 2018/064: SL-11-01-SL-11-02](ref_id10552)
AFC 2018/064: S-02
Manuscript by Susan
Lloyd,
Notes on a Death,
about collective folk religiosity in the Philippines, Good
Friday.
See [AFC 2018/064: SL-11-01-SL-11-02](ref_id10552)
AFC 2018/064: S-03
Original manuscript,
Halo Halo,
by Susan Lloyd about rise of "people power" in the Philippines
and "mix-mix" nature of that society which Lloyd observed while
documenting Holy Week rituals there.
See [AFC 2018/064: SL-11-01-SL-11- 02](ref_id10552)
AFC 2018/064: S-04
Newspaper article by
Susan Lloyd,
Remembering Manila,
Lithiagraph
, pages 6-7, about Holy Week in the Philippines, October 1987
October 1987
AFC 2018/064: S-05
Article by Susan Lloyd,
The Ecstatic Crucifixions of Lucy, Healer of Bulacan,
Shaman's Drum
magazine, pages 25-31. About folk healer in the Philippines who
is nailed to a cross on Good Friday, a vow she had taken annually for
fifteen years
AFC 2018/064: S-06
29/9
Book proposal
The Day They Crucified Lucy Santos Reyes
, 2012
2012
Title later changed to The
Crucifixion of Lucy Reyes.
1 folder
29/10
[Book proposal,
The Crucifixion of Lucy Reyes
], 2012
2012
1 folder
30/1
[Pre-print,
The Crucifixion of Lucy Reyes
], 2017
2017
1 folder
Subseries 5:
Guatemala
30/2
Guatemala notebooks (1 of
2), 1989
1989
1 notebook
30/3
Guatemala notebooks (2 of
2), 1989
1989
2 notebooks
12
Palm Sunday,
Chichicastenango Church/Mayan devotees with incensarios, Guatemala, 1989
1989
AFC 2018/064: PH2415-PH2465
51 color slides (35
mm)
13
Palm Sunday,
Chichicastenango Church/Mayan devotees with incensarios, Guatemala, 1989
1989
AFC 2018/064: PH2466-PH2479
14 color slides (35
mm)
13
Stelae at Tikal
archeological site depicting ancient Mayan sacrifice and incensarios, Tikal,
Guatemala, 1989
1989
AFC 2018/064: PH2480-PH2504
25 color slides (35
mm)
13
Decorations of fertility,
Holy Week, Santiago, Atitlán, Guatemala, 1989
1989
AFC 2018/064: PH2505-PH2526
22 color slides (35
mm)
13
Maximón, Mayan puppet-deity
(half old god and new) and devotees at Confraternity of Santa Cruz, Tuesday
of Holy Week, Santiago Atitlán, Guatemala, 1989
1989
AFC 2018/064: PH2527-PH2549
23 color slides (35
mm)
13
Procession of bullroarers as
Maximón is carried by a Mayan brujo to municipal building then to his
private capilla (chapel), Holy Wednesday, Santiago, Atitlán, Guatemala,
1989
1989
AFC 2018/064: PH2550-PH2607
58 color slides (35
mm)
13
Maximón in his capilla, Holy
Wednesday through Good Friday, Santiago Atitlán, Guatemala, 1989
1989
AFC 2018/064: PH2608-PH2627
20 color slides (35
mm)
13
Holy Thursday feast with
townspeople bringing food to outdoor table, reenacting the Last Supper,
Santiago Atitlán, Guatemala, 1989
1989
AFC 2018/064: PH2628-PH2644
17 color slides (35
mm)
13
Church scenes, Good Friday,
Santiago Atitlán, Guatemala, 1989
1989
AFC 2018/064: PH2645-PH2660
16 color slides (35
mm)
14
Church scenes, Good Friday,
Santiago Atitlán, Guatemala, 1989
1989
AFC 2018/064: PH2661-PH2680
20 color slides (35
mm)
14
Cross raising in church,
Good Friday, Santiago Atitlán, Guatemala, 1989
1989
AFC 2018/064: PH2681-PH2699
19 color slides (35
mm)
14
Good Friday procession and
burial of child in cemetery, Santiago Atitlán, Guatemala, 1989
1989
AFC 2018/064: PH2700-PH2769
70 color slides (35
mm)
14
Procession of Virgin, Good
Friday, and dancing with Virgin on Holy Saturday, Santiago Atitlán,
Guatemala, 1989
1989
AFC 2018/064: PH2770-PH2799
30 color slides (35
mm)
14
Portraits of children and
villagers, Holy Week, Santiago Atitlán and Sololá, Guatemala, 1989
1989
AFC 2018/064: PH2800-PH2833
34 color slides (35
mm)
14
Holy Week carpets made with
dyed sawdust over which statues are carried on Good Friday, Antigua,
Guatemala; procession/church steps, Good Friday, Santiago Atitlán,
Guatemala, 1989
1989
AFC 2018/064: PH2834-PH2857
24 color slides (35
mm)
15
Good Friday procession,
Sololá, Guatemala, 1989
1989
AFC 2018/064: PH2858-PH2874
17 color slides (35
mm)
15
Holy Week offerings to Mayan
pre-Christian deity, Pascual Abaj, Santiago Atitlán, Guatemala, 1989
1989
AFC 2018/064: PH2875-PH2908
34 color slides (35
mm)
15
Portraits and town views,
Holy Week, Sololá and Santiago Atitlán, Guatemala, 1989
1989
AFC 2018/064: PH2909-PH2937
29 color slides (35
mm)
15
Scenic views, Holy Week,
Santiago Atitlán, Guatemala, 1989
1989
AFC 2018/064: PH2938-PH2956
19 color slides (35
mm)
Subseries 6: Mexico
15
Carnival (last day of
revelry before Lenten season begins), Tepoztlán, Mexico, 1991
1991
AFC 2018/064: PH2957-PH2993
37 color slides (35
mm)
15
Lenten pilgrimage to Chalma
church and Devil Dancers, Chalma, Mexico, 1991
1991
AFC 2018/064: PH2994-PH3042
49 color slides (35
mm)
15
Palm Sunday, Tepoztlán,
Mexico, 1991
1991
AFC 2018/064: PH3043-PH3076
34 color slides (35
mm)
16
Cactus bearing flagellantes,
Good Friday, Taxco, Mexico, 1991
1991
AFC 2018/064: PH3077-PH3199
123 color slides (35
mm)
16
Procession of Mary meeting
Christ with cross and Veronica with cloth to wipe Christ's face, Good
Friday, Taxco, Mexico, 1991
1991
AFC 2018/064: PH3200-PH3242
43 color slides (35
mm)
16
Women's Procession of
Silence, Good Friday, Taxco, Mexico, 1991
1991
AFC 2018/064: PH3243-PH3268
26 color slides (35
mm)
16
Miscellaneous processions
and town views, Good Friday, Taxco, Mexico, 1991
1991
AFC 2018/064: PH3269-PH3282
14 color slides (35
mm)
17
Miscellaneous processions
and town views, Good Friday, Taxco, Mexico, 1991
1991
AFC 2018/064: PH3283-PH3305
23 color slides (35
mm)
21
Tepoztlán/Taxco, Mexico,
1991
1991
AFC 2018/064: SL-12-01 – SL-12-09
245 black-and-white negatives (35
mm)
SL-12-01:
Tepoztlán, Mexico Candelaria; Scanned (8/22/18) 36, 4A, 14A, 12A, 22, 21;
Printed (8/22/18) 36, 4A, 14A, 22, 21; SL-12-02: Missing 28-32; SL-12-03:
Taxco, Mexico, Good Friday; 3-32; SL-12-04: Complete; SL-12-05: Complete;
SL-12-06: 17-21, 25-35; SL-12-07: Tepoztlán Carnival; 2-11; SL-12-08:
Tepoztlán Carnival; 11-36; SL-12-09: Tepoztlán, Candelaria.
Kodak 5052; Kodak 5063; Kodak
5062; Ilford.
37/7
[Original housing from AFC
2018/064: SL-12]
1 folder
30/4
Tarahumara, Norogachi,
Mexico notebook, 2001
2001
1 notebook
18
Tarahumara Indian plaza and
church, Copper Canyon views, Holy Week, Norogachi, Mexico, 2001
2001
AFC 2018/064: PH3658-PH3670
13 color slides (35
mm)
18
The Tarahumara portray
fariseos (enemies of Christ) and soldados (soldiers of Christ), dancing in
mock combat, Good Friday, Norogachi, Mexico, 2001
2001
AFC 2018/064: PH3671-PH3705
35 color slides (35
mm)
19
The Tarahumara portray
fariseos (enemies of Christ) and soldados (soldiers of Christ), dancing in
mock combat, Good Friday, Norogachi, Mexico, 2001
2001
AFC 2018/064: PH3706-PH3742
37 color slides (35
mm)
19
Tarahumara Way of the Cross
procession and burning of Judas, symbol of oppressive Ladino landowner, Good
Friday, Norogachi, Mexico, 2001
2001
AFC 2018/064: PH3743-PH3776
34 color slides (35
mm)
30/5
Sketches and observations
made by Gail Caperna, Susan Lloyd's mother, Potam, Yaqui Village, Mexico,
2002
2002
Gail Caperna
1 notebook
18
Yaqui Indians portray
chapayekas (enemies of Christ along with fariseos) and soldados (soldiers of
Christ) in mock battles, Good Friday, Hermosillo, Mexico, 2002
2002
AFC 2018/064: PH3510-PH3538
29 color slides (35
mm)
18
Yaqui Indians portray
soldados, burning a Judas figure and swords of the fariseos on Holy
Saturday, Hermosillo, Mexico, 2002
2002
AFC 2018/064: PH3539-PH3570
32 color slides (35
mm)
18
Yaqui Indians portray
soldados, "converting" the fariseos with flowers, Holy Saturday, Hermosillo,
Mexico, 2002
2002
AFC 2018/064: PH3571-PH3594
24 color slides (35
mm)
18
The Yaquis ramada of the
Virgin and resurrected Christ; plaza, crowd scenes, children's groups, Holy
Saturday, Hermosillo, Mexico, 2002
2002
AFC 2018/064: PH3595-PH3621
27 color slides (35
mm)
18
A Yaqui Deer Dancer, appears
after the fariseos conversion, dancing with musicians in his ramada, Holy
Saturday, Hermosillo, Mexico, 2002
2002
AFC 2018/064: PH3622-PH3657
36 color slides (35
mm)
Subseries 7: Spain
AFC 2018/064: SR022
Marchas Procesionales en Sevilla
, 1994
1994
1 sound cassette
17
Costaleros, carriers of
pasos (platforms) which hold statues depicting Christ, Mary, and figures in
Passion story, Good Friday, Seville, Spain, 1998
1998
AFC 2018/064: PH3306-PH3337
32 color slides (35
mm)
17
Hooded confraternities
(nazarenos) accompany pasos carried in numerous processions, Good Friday,
Seville, Spain, 1998
1998
AFC 2018/064: PH3338-PH3399
62 color slides (35
mm)
17
Procession of the Virgin, La
Macarena, Good Friday, Seville, Spain, 1998
1998
AFC 2018/064: PH3400-PH3434
35 color slides (35
mm)
17
Street scenes, Columbus tomb
and Holy Week window displays, Seville, Spain, 1998
1998
AFC 2018/064: PH3435-PH3462
28 color slides (35
mm)
21
Seville, Spain, 1998
1998
AFC 2018/064: SL-15-01 – SL-15-03
79 black-and-white negatives (35
mm)
SL-15-01:
Missing 1-3; SL-15-02: 15-18, 22-36; SL-15-03: Complete.
Ilford HP5
37/10
[Original housing from AFC
2018/064: SL-15]
1 folder
17
Young men (los empalaos),
wearing their mother's embroideries and tied to crossbeams emulating
Christ's cross, process through the streets on Good Friday, Valverde de la
Vera, Spain, 2005
2005
AFC 2018/064: PH3463-PH3495
33 color slides (35
mm)
18
Young men (los empalaos),
wearing their mother's embroideries and tied to crossbeams emulating
Christ's cross, process through the streets on Good Friday, Valverde de la
Vera, Spain, 2005
2005
AFC 2018/064: PH3496-PH3509
14 color slides (35
mm)
Series 8: Oregon
Subseries 1:
General
5
Pendleton, Oregon Round-Up,
1978
1978
AFC 2018/064: PH0801-PH0816
16 slides (35mm)
801, Indians socialize next to three American
Quarter Horses; 802, Rodeo contestants wait by the fence; 803, Indian girls
peer through the fence; 804, American Quarter Horses waiting for roping
competition; 805, "Miss Rodeo Wyoming" among crowd outside Let R Buck bar
room; 806, American Quarter Horses wait for competition; 807, Rodeo
contestant number four hundred and sixteen watches Indian parade inside
ring; 808, Indians in parade on Pendleton Street; 809, Indian boy in parade
on Pendleton Street; 810-811, Indians in parade on Pendleton Street; 812,
Crowd watches Pendleton Round-Up; 813, Waiting Quarter Horses; 814, Indian
girls peer over fence; 815, Men in cowboy hats watch the Pendleton Round-Up;
816, Painting of Amos Pond/dedication to the American Cowboy outside
arena.
30/6
Modoc Indians, 1978-1988
1978-1988
1 folder
Manuscript by Susan
Lloyd,
Spirits of Captain Jack,
about 1872-1873 Modoc War in Oregon/California and folk legend
Captain Jack, the Modoc leader, 1988
1988
AFC 2018/064: P-01
Lava Beds Underground
with map showing location #12 of solstice pictograph
AFC 2018/064: P-02
Letter to Susan Lloyd
from Mary Benteron, Lava Beds Park Ranger, with flyers on Modoc culture,
folklore, medicinal plants, and the Modoc wars, September 13, 1988
September 13, 1988
AFC 2018/064: P-03
Park Service brochure
showing folk legend Captain Jack's stronghold, shamanic medicine flag and
dance ring locations. Brochure by Lava Beds Natural History Association,
1978
1978
AFC 2018/064: P-04
Lava Beds National
Monument Bird Field Checklist; also brochure with map and reproduced
engravings from
Illustrated London News
, 1872-1873, showing Modoc War battleground
AFC 2018/064: P-05
Klamath Basin National
Wildlife Refuge in California and Oregon, a brochure showing seasonal
wildlife highlights. Also Lloyd photo of Tule Lake and geese, June 1983
June 1983
AFC 2018/064: P-06
Manuscript by Susan
Lloyd,
Spirits of Captain Jack,
describing descent into Modoc cave to find solstice pictographs.
The pictograph depicts the sun, horizon lines, and natural indentation in
the rock. The sun is in negative, its outline formed by lichen growing
around where original paint was, 1400 AD, 1988
1988
AFC 2018/064: P-07
25/10
England; New Mexico;
Ashland, Oregon notebook, 1985-1986
1985-1986
1 notebook
30/7
Oregon folk life (1 of 3),
1985-1991
1985-1991
1 folder
Manuscript by Susan
Lloyd,
The Wild Fish,
about salmon fishing culture on Rogue River in southern Oregon,
1985
1985
AFC 2018/064: Z-01
Guest column by Susan
Lloyd,
When the Wild Fish Run on the Rogue,
in
Ashland Daily Tidings
, February 15,
1986
February 15, 1986
AFC 2018/064: Z-02
Article by Susan Lloyd,
The Wild Fish,
in
Lithiagraph
, Volume 2, Number 11, about salmon fishing culture on the Rogue
River in southern Oregon, November 1985
November 1985
AFC 2018/064: Z-03
Guest opinion by Susan
Lloyd,
Wild Fish Return -- To Spawn and Die in the Rogue River,
in
The Oregonian
, about salmon fishing culture on the Rogue River in southern
Oregon, 1985
1985
AFC 2018/064: Z-04
Article by Susan Lloyd,
Return of the Salmon,
in
Siskiyou Country
, Number 23, pages 24-26, about salmon fishing culture on the
Rogue River in southern Oregon, April-May 1986
April-May 1986
AFC 2018/064: Z-05
Article by Susan Lloyd,
The Wild Fish,
in the
Flying Springbok
, pages 76-79, about salmon fishing culture on the Rogue River in
southern Oregon, 1987
1987
AFC 2018/064: Z-06
Manuscript by Susan
Lloyd,
Part-Time Hobo,
about her experiences freight-hopping in the southern Oregon
mountains, looking for the legendary "golden spike," and related hobo
folk legends, 1986
1986
AFC 2018/064: Z-07
30/8
Oregon folk life (2 of 3),
1985-1991
1985-1991
1 folder
Essay by Susan Lloyd,
In Snow, Remember Romance of the Rails,
in
The Oregonian
, page E11. About freight hopping, looking for the "golden
spike," and related hobo folk legends, December 25, 1986
December 25, 1986
AFC 2018/064: Z-08
Essay by Susan Lloyd,
Part-Time Hobo
(edited by publisher), in
Siskiyou Journal
, Number 27, about her experiences freight hopping and related
hobo folk culture, December 1986-January 1987
December 1986-January 1987
AFC 2018/064: Z-09
Manuscript by Susan
Lloyd,
A Saturday in Portland,
about memories of childhood haunts versus post-modern
architectural changes in Portland, Oregon, 1986
1986
AFC 2018/064: Z-10
Manuscript by Susan
Lloyd,
Labor Day Blues,
about end-of-summer holiday, Labor Day, and attendant societal
expectations, 1986
1986
AFC 2018/064: Z-11
Opinion piece by Susan
Lloyd,
Those Labor Day Blues,
in
Ashland Daily Tidings
, page 4. About end-of-summer holiday, Labor Day, and attendant
societal expectations, September 5, 1987
September 5, 1987
AFC 2018/064: Z-12
Essay by Susan Lloyd,
Big Mama: Notes of a Native Daughter
in
Siskiyou Journal
, Number 28, about Lloyd's neighborhood cat problem in Ashland,
Oregon, February-March 1987
February-March 1987
AFC 2018/064: Z-13
Manuscript by Susan
Lloyd,
The Sacred Place,
about mythic life cycle of migrating Oregon Chinook salmon and
relationship to her students' quests in the study of photography at the
University of Oregon, 1987
1987
AFC 2018/064: Z-14
Essay by Susan Lloyd,
Notes of a Native Daughter,
in
Siskiyou Journal
, Number 29, page 4. About mythic life cycle of migrating Oregon
Chinook salmon and relationship to her students' quests in the study of
photography at the University of Oregon, April-May 1987
April-May 1987
AFC 2018/064: Z-15
Manuscript by Susan
Lloyd,
Career Education in Yreka,
about carnival folklore and a feud between two "carnies" and a
resultant homicide, 1988
1988
AFC 2018/064: Z-16
31/1
Oregon folk life (3 of 3),
1985-1991
1985-1991
1 folder
Article by Susan Lloyd,
Career Education in Yreka: The People vs. Derrick
Wallace,
in
Siskiyou Journal
, Number 32, pages 14-16, about carnival worker folklore and a
feud between two "carnies" and a resultant homicide, December 1987-January
1988
December 1987-January 1988
AFC 2018/064: Z-17
Manuscript by Susan
Lloyd,
Video Fever,
about the renting of VHS movies and growing societal addiction
to watching movies at home which predated Netflix thirty years later,
1989
1989
AFC 2018/064: Z-18
Essay by Susan Lloyd,
Video Madness,
in
Rogue Valley Magazine
, page 14, and in
Siskiyou Journal
, Number 32, pages 14-16, February-March 1989
February-March 1989
AFC 2018/064: Z-19
Manuscript by Susan
Lloyd,
Looking for Christmas,
about search for the "perfect" Christmas, 1990
1990
AFC 2018/064: Z-20
Essay by Susan Lloyd,
Looking for Christmas,
in
Rogue Valley Magazine
, page 16, about search for the "perfect" Christmas, December 1990-January
1991
December 1990-January 1991
AFC 2018/064: Z-21
Map made for Susan Lloyd
by old-timer and owner of Craft Rock Shop in Lakeview, Oregon. It shows
the route to get from Lakeview to the Hart Mountain Wildlife refuge and
the area in the Rabbit Hills where the legendary "plush diamonds" are
found. Also a letter of inquiry from Susan Lloyd to
Oregon Magazine
for an article on the plush diamonds
AFC 2018/064: Z-22
39/4
Ashland During Coronavirus:
A Snapshot Journal, March-June 2020
March-June 2020
57
Portfolio 15:
Ashland During Coronavirus: A Snapshot Journal
, 2020
2020
These photographs were
taken with an iPhone (cell phone) during two months of quarantine during the
beginning of the Coronavirus pandemic. Lloyd went jogging, often at night,
in her home town of Ashland, Oregon. She photographed Ashland's response to
the virus and wrote stories directly on the photographs about her
experiences and ideas the photographs evoked in her. She saw the town's
response, as a tightly-knit small community, to be a form of folk life.
1 portfolio (18 photographs) :
color prints with original writing above and below with 2 prints on 1 card
mount ; 17 x 12 inch
afc2018064_dc001
Coronavirus, Ashland,
Oregon, 2020
2020
Coronavirus Ashland OR 2020
20 still image files
(jpg)
Subseries 2: Anti-nuclear
movement
22
Ashland anti-nuclear, 1982-1983
1982-1983
AFC 2018/064: SL-21-01 – SL-21-07
127 black-and-white negatives (35
mm)
SL-21-01:
Complete; SL-21-02: 30-35; SL-21-03: Complete 9-20, first strip lost;
SL-21-04: Complete 2-20; SL-21-05: 2-27; SL-21-06: Complete, odd strip from
roll; SL-21-07: Complete.
Kodak
38/1
[Original housing from AFC
2018/064: SL-21]
1 folder
22
Ashland anti-nuclear
activists, 1982-1983
1982-1983
AFC 2018/064: SL-23-01 – SL-23-19
61 black-and-white negatives (120
mm)
SL-23-01:
John and Dot Fisher Smith; Frame 3; SL-23-02: Lloyd Family; Frame 6;
SL-23-03: Marjory Kellogg: Frame 7; SL-23-04: Don Skinner; Frame 10;
SL-23-05: David Kirkpatrick; Frame 6; SL-23-06: Patt Colwell; Frame 6;
SL-23-07: John and Shannon Stahmer; Frame 12; SL-23-08: Philip Davidson,
Oregon Shakespeare Festival; Frame 5; SL-23-09: Philip Arnold; Frame 5;
SL-23-10: Wis Nelson; Frame 8 and Frame 12; SL-23-11: Father Robert Kruger;
SL-23-12: Michael Leberer aka O'Rourke; Frame 6; SL-23-13: Penny
Youngfeather; Frame 12; SL-23-14: Activist group; SL-23-15: "Peace" Kids for
news advertisement; Frame 8; SL-23-16: Michael Touchette; Frame 6; SL-23-17:
Mike and Annie Paup; SL-23-18: Andre Carpenter; Frame 11; SL-23-19: Marilyn
Lenihan.
Kodak
38/3
[Original housing from AFC
2018/064: SL-23]
1 folder
46
Portfolio 4:
How One Town in Oregon is Saying No to the Bomb
, 1982-1983
1982-1983
In 1982, citizen
activists in Ashland, Oregon wanted to declare their town a nuclear free
zone, following the example of the first nuclear free zones in Great
Britain. The individuals spearheading the ballot measure for Ashland's
ordinance ranged from housewives, nurses, and doctors to farmers, priests
and students. First they conducted candlelight vigils, conducted meetings,
and made eight hundred tapes about the nuclear peril to send to U.S.
Congresswomen and Congressmen's wives. This was followed by a forty-three
mile march north to protest at Litton Industries in Grants Pass, Oregon,
manufacturer of guidance systems for cruise missiles. These efforts led to
the passage of Ballot Measure 56. Other towns in the U.S. followed suit to
pass nuclear free-zone ordinances in their towns and cities. Ashland town
councilors then visited Great Britain to collaborate with anti-nuclear
activists there. This portfolio, consisting of portraits and accompanying
statements made by the activists, resulted in exhibitions, publications and
presentations in the U.S. and Great Britain. It documents the key activists
in Ashland's nuclear free-zone movement.
1 portfolio (14 photographs) :
black-and-white gelatin silver prints; 8 x 10 inch
Print 1: John and Dot
Fisher-Smith
(John) architect and planner; (Dot) initiator
of Ashland Affinity Group for Creative Non-Violence. Participants in
Livermore and Trident peace blockades. (John): "The kind of thinking that
comes from engaging in nuclear power and nuclear weaponry results in
setting 'acceptable' casualty levels such as the loss of twenty million
Americans in a 'winnable' nuclear exchange, or the loss of, say, the
state of Pennsylvania in an unfortunate power plant accident. People
become ciphers in a giant computerized, intellectual chess game where the
players have forgotten the meaning of the magic of life." (Dot): "What's
required in these times is confrontation all along the way. I care enough
about this issue to take risks. I'm putting my body behind my words. It's
saying no to things you don't like. If I'm saying no to Trident
submarine, it's quite clear I'm saying yes to life."
[AFC
2018/064: SL-23-01](ref_id10661)
Print 2: Susan and Tom
Lloyd
Susan and Tom Lloyd, (Susan) photographer,
(Tom) attorney for blockaders at Litton Industries. "My chronicle of
Ashland's confrontation with the nuclear issue started as a
photo-commentary...as it progressed, I realized my concerns went beyond
what I viewed in my lens and had learned through hours of dialogue with
the movement leaders. I realized this issue affected all mankind, and my
most intense concern has been for the future of my child. Will he miss
the opportunity of really experiencing childhood, growing up with fear of
the bomb? What a weight for him to bear...if indeed, he has the chance to
"grow up" at all. I must continue to do something, no matter how small:
to live honestly, to question, to make a stand."
[AFC
2018/064: SL-23-02](ref_id10661)
Print 3: Don
Skinner
Don Skinner, initiator of Measure 56,
(Ashland's Nuclear Free Zone Ordinance). "Measure 56 provided an
excellent opportunity for activity at the community level. I think the
major benefit of passing the ordinance is that it doesn't depend on
permission from Congress or action by President Reagan. It doesn't rely
on some mega-corporation to provide us with a grant-in-aid, or ask the
authorities and specialists to reach some nebulous agreement in the face
of obviously compelling evidence. We just went ahead and did something,
and now other communities are doing something too."
[AFC
2018/064: SL-23-04](ref_id10661)
Print 4: Dr. David
Kirkpatrick
Dr. David Kirkpatrick, physician and
psychiatrist, member of Southern Oregon chapter of Physicians for Social
Responsibility. "We don't know what effect the threat of holocaust has on
our children--we do know, psychologically and medically, that children do
not have the defenses to deal with the nuclear issue that adults do. As
such, they are more vulnerable. Newest research evidence from Boston
psychiatrists shows that schoolchildren are growing up with a sense of
hopelessness, despair, and depression about their future, believing they
will have none. Who is to say whether this response of our children is
less appropriate than the utter apathy of the greatest majority of
American people who have a tunnel vision, comfort-zone existence? My
greatest fear is of the middle-of the-roaders, the do-nothings...As
Edmund Burke said: 'All that's required for evil to succeed is for good
men to do nothing.'"
[AFC
2018/064: SL-23-05](ref_id10661)
Print 5: Patt
Colwell
Patt Colwell, member of CALS (Citizen Action
for a Lasting Security), organizer for Measure 56. "Must we assume we
have to have nuclear weapons? One of the members of the opposition said
as a reason for not voting for Measure 56, 'My gosh, if every community
in the country passed such an ordinance, then there would be no place
left to store or manufacture nuclear weapons', and we said, 'That's
precisely the point!"
[AFC
2018/064: SL-23-06](ref_id10661)
Print 6: John and Shannon
Stahmer
John and Shannon Stahmer, peace educators and
war tax resistance organizers. (John) founder of Peace House, Ashland.
(Shannon): "Once I was asked during a television interview on war tax
resistance, 'Why is your approach so 'anti' everything?' Truly, it took
me by surprise, because though I am resistant and unyielding in my stance
to not participate in making nuclear weapons, my actions are motivated by
a deep sense of love and connectedness to all living things." (John): "I
was studying for the ministry when I got involved-I was studying
spirituality and became aware of the spirituality of social justice. I
began to see what was going on in the arms race as a moral issue. Now I
feel very strongly that this is a life and death issue. Peace education
has become my ministry."
[AFC
2018/064: SL-23-07](ref_id10661)
Print 7: Philip
Davidson
Philip Davidson, actor, Oregon Shakespearean
Festival; participant in Peace in the Park. "If, as Shakespeare said, I
am 'holding the mirror up to nature' as an actor, it is my function as a
human being to say, look, we're in grave danger...we must all pool our
energies and act."
[AFC
2018/064: SL-23-08](ref_id10661)
Print 8: Philip
Arnold
Philip Arnold, attorney for Measure 56:
"Twenty years ago, it would have been difficult to conceive of a
terrorist using a nuclear weapon...Now, I think I can. Twenty years ago,
it would have been less likely that a nuclear accident due to human error
would cause massive destruction...Now, it seems quite possible. Twenty
years ago, it was difficult to contemplate a nuclear war between India
and Pakistan...Today, it's conceivable. And our government wants to
increase our nuclear arsenal? Doesn't this increase the danger? With the
passage of the free zone ordinance in Ashland, we have some hope. Like a
lot of laws, our ordinance has both legal and symbolic value.
Symbolically, it's important to remember that laws foster new customs and
attitudes. With a resultant change of attitude, the free zone concept
becomes an acceptable approach for other people to take."
[AFC
2018/064: SL-23-09](ref_id10661)
Print 9: Father Robert
Kruger
Father Robert Kruger, Sacred Heart Parish
(Medford), member of Pax Christi: "Pastors have always spoken on moral
issues, but these days the moral thinking of the church is running
counter to the political thinking of the country. People have been taught
the 'just war' theory which says that the citizen follows the direction
of the government, unless he is certain the government is wrong. Have
there been examples in past history when the church spoke out against the
government?...Well, they should have in Nazi Germany, and
didn't."
[AFC
2018/064: SL-23-10](ref_id10661)
Print 10: Michael
Leberer
Michael Leberer, actor and director,
co-producer of the Nuclear Free Show: Live! "The expectations of
patriarchy in our society and the expressions within those expectations
are so militaristic and oppressive. Historically, I have a feeling it's
reach its peak and may destroy the world. To get involved in the peace
movement meant I had to figure out what I was doing first, which I did
through theater and writing...and I found that there's a thing about
theater; it just won't let you lie to yourself too long." (Note: In June
2019 his name was changed to Michael O'Rourke).
[AFC
2018/064: SL-23-11](ref_id10661)
Print 11: Penelope
Youngfeather
Penelope Youngfeather, organizer of
Candlelight Procession an Silent Vigil for Nuclear Disarmament, Ashland.
"The idea for the vigil really started when I was discussing with three
friends a book by Jim Wallis, A Call to Conversion, in which he was
talking about the fact that the U.S. had a choice in 1945 after the
bombings of Hiroshima and Nagasaki: to either ask forgiveness or to
justify what they had done by building up the atomic arsenal. It's
obvious which course the U.S. took. In realizing this awful truth, I felt
the urge to go out to the central plaza of Ashland, drop onto my knees,
and publicly ask for forgiveness."
[AFC
2018/064: SL-23-12](ref_id10661)
Print 12: Michael
Touchette
Michael Touchette, businessman. I was outraged
when I read recently that during the Vietnam war, Westmoreland almost
used nuclear weapons at Khe Sahn. As a Marine, I was there, in a foxhole.
Not knowing this at the time, I now realize how expendable an item I had
been. In Vietnam, victories were not counted by land possessions or
gains, standards set in the past. Instead, the military applied the
degrading principle of 'body count.' If the U.S. forces killed six
thousand enemy and 'only' lost one thousand in a battle, the U.S. could
claim a victory. Can you imagine the body count Westmoreland would have
had with the use of nuclear weapons at Khe Sahn? I wonder what would have
been an acceptable loss of those of us in the foxholes to insure a U. S.
'Victory'?"
[AFC
2018/064: SL-23-13](ref_id10661)
Print 13: Michael and
Annie Paup
Michael and Annie Paup, organizers of Peace in
the Park; (Annie) member of CALS (Citizen Action for a Lasting Security).
(Annie): "Anyone who has a missile in their backyard knows they aren't
safe. That's the beauty of the nuclear free zone. When you have to own
this weapon and put it in your own city or state, it makes you think
twice - do I really want to be a target? If President Reagan wants the
MX, have him put it on his ranch in California."
[AFC
2018/064: SL-23-14](ref_id10661)
Print 14: Marilyn
Lenihan
Marilyn Lenihan, nurse and director, Ashland
Community Health Center. Spokesperson for Measure 56 (Ashland's
Nuclear-Free Zone Ordnance): "Nuclear proliferation is the number one
health threat to our community and to every community in the world.
Prevention is always the best cure."
[AFC
2018/064: SL-23-15](ref_id10661)
31/2
Oregon anti-nuclear movement
(1 of 2), 1982-1985
1982-1985
1 folder
Published version of
How One Town in Oregon is Saying No to the Bomb,
in
Northwest Review
, Volume 22, Number 3, Susan Lloyd's photo documentary of
Ashland, Oregon peace activists who helped make Ashland a nuclear-free
zone. Includes letters from editor, John Witte, 1984
1984
AFC 2018/064: B-01
Letter from Don Skinner.
A peace activist, he was the initiator of Measure 56 which made Ashland,
Oregon one of the first nuclear-free zones in the U.S.
Skinner was the subject of [AFC 2018/064: SL-23-04](ref_id10661).
AFC 2018/064: B-02
Publication of photograph
of Ashland, Oregon community activist group taken by Susan
Lloyd
See [AFC 2018/064: SL-23-14](ref_id10661).
AFC 2018/064: B-03
General local
publications:
Nuclear Reactions,
Peace and Justice Awareness Day,
and
Clear Actions
pertaining to the Ashland, Oregon peace activist
movement
AFC 2018/064: B-04
Show announcement,
letters from galleries, news articles about Susan Lloyd's exhibit,
How One Town is Saying No to the Bomb,
which toured the U.S. and Europe
AFC 2018/064: B-05
31/3
Oregon anti-nuclear movement
(2 of 2), 1982-1985
1982-1985
1 folder
Letter from English
gallery forwarding review. Includes flyer identifying exhibit. View of
How One Town is Saying No to the Bomb.
Includes flyer from exhibit
AFC 2018/064: B-06
News story interview
about exhibit at On The Wall,
The Mail Tribune
(Medford, Oregon), page 4B
AFC 2018/064: B-07
Original first draft for
How One Town is Saying No to the Bomb
to accompany exhibition. Final version included in ultimate
exhibitions and publications, 1982
1982
AFC 2018/064: B-08
Reviews of
How One Town is Saying No to the Bomb,
Valparaiso University and exhibit at the University of Oregon,
Eugene Register Guard. Also exhibition schedule, press release and artist
statement, 1984-1985
1984-1985
AFC 2018/064: B-09
Schedule of U.S.-wide
anti-nuclear activists' protest at National Test Site, Nevada
AFC 2018/064: B-10
List of nuclear-free
zones in the U.S. and campaigns underway; nuclear-free zones in the
world
AFC 2018/064: B-11
AFC 2018/064: SR013
Ashland, Oregon women
activists talk about nuclear war, 1984
1984
1 sound cassette
31/4
[Oregon anti-nuclear
movement], 1984-1987
1984-1987
Manuscripts and ephemera related to Oregon
anti-nuclear movement.
1 folder
Series 9: Italian heritage and
Italy
Additional material collected by Lloyd in Italy, related to Holy Week religious
ritual, can be found in [Series 7.](ref_id10382)
25/4
England, France, Italy
notebook, 1978
1978
1 notebook
4
Italy, 1978-1988
1978-1988
AFC 2018/064: PH0701-PH0720
20 color slides (35 mm)
701, Legless man with dog in costume, Rome; 702,
Plastic shower curtain in window, Trapani, Sicily; 703, Black mourning clothes
hanging from window, Trapani, Sicily; 704, Folk marionettes depicting
Crusaders, Trapani, Sicily; 705, "Martini" chairs and pigeons in plaza, Rome;
706, Couple dining with poodle, Rome; 707, Men relaxing in plaza; 708, Men
outside traditional bar, Trapani, Sicily; 709, Italian wedding/boat to Island
of Capri; 710, Pisa Tower and Carnival flowers, Pisa; 711, Antique Appian Way
sign, Terracina; 712, Children playing soccer, Trapani, Sicily; 713, Roma
Termini train station, Rome; 714, Porta Bagaglio (porters) in Roma Termini
train station, Rome; 715, Soccer team members in train window, Roma Termini
train station, Rome; 716, Traditional Arab-influenced fishing boats, Trapani,
Sicily; 717, Gondolier chats with tourist as gondola is tied up, Venice; 718,
Italian train scene in compartment; 719, On top of Tower of Pisa; 720, Sicilian
girl on stairs of Old Town, Trapnai, Sicily.
21
Italy, 1983
1983
AFC 2018/064: SL-10-01 – SL-10-06
40 black-and-white negatives (120
mm)
SL-10-01:
Rosario's bedroom, "ex-votos" (photos), funeral notices; Missing 4-6, 9/12/18
scanned #8, 9/12/18 printed #8; SL-10-02: Hanging arm/church floor; Missing 1-4
(blank film), #05 scanned 8/22/2018, printed 8/22/2018; SL-10-03: Hanging
arm/church; Frames 9-12 only; SL-10-04: Mosaic and angel; SL-10-05: Monte
Cassino, Italy; Missing 7-12, scanned #5 (9/14/18), printed #5; SL-10-06:
Italy/Sicily/Ex voto; Missing 7.
Kodak 6049; Ilford FP4
37/5
[Original housing from AFC
2018/064: SL-10]
1 folder
26/6
Italian/Sicilian culture and
heritage (1 of 3), 1983-2020
1983-2020
1 folder
Analysis of Susan Lloyd's
study of the folk cult of the Sicilian Black Madonna,
Searching for Identity: No Pictures in My Grave: A Spiritual
Journey in Sicily,
by Elisabetta Marino, University of Rome,
British and American Studies
, XXIII, pages 97-104, 2018
2018
AFC 2018/064: ZZZ-01
Analysis of Susan Lloyd's
study of the folk cult of the Sicilian Black Madonna,
Ancestral Mothers, Feminine Icons, and Black Madonnas in the Works
of Susan Caperna Lloyd
by Elisabetta Marino, University of Rome,
TestoeSenso
, pages 1-12. Includes program from conference,
Eye-Centricity and the Visual Cultures of Italy and Its
Diaspora,
John D. Calandra Italian American Institute, New York, in which
Marino gave a paper about Susan's work, based on the analysis in her essay,
2019
2019
AFC 2018/064: ZZZ-02
Analysis of Susan Lloyd's
study of the folk cult of the Sicilian Black Madonna,
The Black Madonna in the Italian American Artistic
Imagination
by Elisabetta Marino, University of Rome,
Acta Neophilogica
, 50 (1-2), pages 37-56, 2017
2017
AFC 2018/064: ZZZ-03
Creative non-fiction piece
by Susan Lloyd,
Angela,
in
VIA
(Calandra Institute, New York), Volume 30, Number 2, pages 61-66,
about Italian folk culture surrounding death of her young sister. Also
program of fifty-second annual Italian American Studies Association
conference in Houston, Texas, where Lloyd first read
Angela
AFC 2018/064: ZZZ-04
26/9
Italian heritage and
The Baggage
film, 2000-2008
2000-2008
1 folder
Italian Canadian academic
conference programs in which Susan Lloyd's film,
The Baggage,
was shown. The film is a family memoir and addresses issues of
ethnicity and belonging
AFC 2018/064: Y-01
Film script for Susan
Lloyd's 2001 film,
The Baggage
, which was originally titled
An Imperfect Family.
The film is a memoir using old family photographs and film footage.
Centering on the tragic death of her sister, the film addresses issues of
ethnicity, immigration, and belonging in Susan Lloyd's Italian American
family
AFC 2018/064: Y-02
Film script of Susan Lloyd's
film,
The Baggage,
published in
Sweet Lemons
. This Canadian journal was edited by Venera Fazio and featured
writings on Sicilian and Italian immigrant experiences in the U.S. and
Canada, July 1, 2004
July 1, 2004
AFC 2018/064: Y-03
Photocopy of letter from
Susan Lloyd to Vincenza Scarpaci in Eugene, Oregon. Vincenza was a
consultant on Susan's film,
The Baggage.
In the letter Susan writes about the reaction to her film at an
academic conference on Race, Ethnicity and Migration at the University of
Minnesota, November 19,
2000
November 19, 2000
AFC 2018/064: Y-04
Flyer from rough cut of
Susan Lloyd's film,
The Baggage,
about Italian American immigration. University of Minnesota, November 18, 2000
November 18, 2000
AFC 2018/064: Y-05
Flyer from screening of
Susan Lloyd's film,
The Baggage,
in forum called
Family Stories, Italian American Style,
at Southern Oregon University, November 19, 2001
November 19, 2001
AFC 2018/064: Y-06
Final flyer used to promote
Susan Lloyd's film,
The Baggage,
including press release
AFC 2018/064: Y-07
Malafemmina Film Festival
program with screening of Susan Lloyd's film,
The Baggage,
and Lloyd biography, New York University, New York, May 17-20,
2001
May 17-20, 2001
AFC 2018/064: Y-08
Amazzoni e Sirene (Amazons
and Sirens) twenty third International Women's' Film Festival program
featuring Susan Lloyd's film,
The Baggage,
Florence, Italy, October 17-22, 2001
October 17-22, 2001
AFC 2018/064: Y-09
Pesaro, Italy International
Film Festival programs featuring Susan Lloyd's film,
The Baggage
, June 26-July 2,
2007
June 26-July 2, 2007
AFC 2018/064: Y-10
New Italian American Cinema
festival program featuring Susan Lloyd's film,
The Baggage,
Calandra Institute, New York, September 24-27, 2008
September 24-27, 2008
AFC 2018/064: Y-11
Audiovisual materials related
to the film
The Baggage
(2001), 1965, 1990-2001, 2019
1965
1990-2001
2019
AFC 2018/064: MV081
Copy of 8mm film element,
1965
1965
Family movies: Rogue River fishing, Crater Lake
(Southern Oregon); Susan Lloyd's father, Ron Caperna, with salmon; sister
Shawn Caperna in pool, young brother, Gary Caperna. Footage taken by Amelia
Caperna Vorhies when she accompanied her parents, Carolina and Antonio
Caperna, to visit her brother, Ron Caperna (Susan Lloyd's father), in
Oregon. They came by train from New Jersey.
1 videocassette (VHS)
AFC 2018/064: MV082
Copy of 8mm film element,
1965
1965
Family movies: World's Fair, Yellowstone National
Park, 1965. Footage made when Italian grandparents of Susan Lloyd, Antonio
and Carolina Caperna, came by train from New Jersey to Oregon to visit
family.
1 videocassette (VHS)
AFC 2018/064: MV083
Copy of 8mm film element,
1965
1965
Family movies: Grandparents' visit to Southern
Oregon. Footage made when Italian grandparents of Susan Lloyd, Antonio and
Carolina Caperna, came by train from New Jersey to Oregon to visit family
and toured Rogue Valley Country Club in Medford where their son, Ron
Caperna, was a gold professional. Ron had grown up in New Jersey as a poor
immigrant and learned to play golf by caddying at a New Jersey golf course
where, according to legend, the prejudiced caddies repeatedly threw him into
Muskenetkong River.
1 videocassette (VHS)
AFC 2018/064: MV079
Camera original element,
January 1990
January 1990
Christmas Parade of Lights on boats, Lake Mead,
Nevada. Shawn Owens' daughter, Holly Owens, and boyfriend going to wedding
in Las Vegas area. Shawn, sister of Susan Lloyd, was subject of Susan's 2001
film, The Baggage.
1 videocassette
(VHS-C)
AFC 2018/064: MV076
Camera original element,
1990
1990
Shawn Owens' Palladian-style house, Boulder City,
Nevada. Shawn, sister of Susan Lloyd, was subject of Susan's 2001 film,
The Baggage. Shawn built luxury homes on the
shore of Lake Mead, Nevada.
1 videocassette
(VHS-C)
AFC 2018/064: MV077
Camera original element,
1990
1990
Gail Caperna and Shawn Owens posing, Las Vegas,
Nevada. Shawn, sister of Susan Lloyd, was subject of Susan's 2001 film,
The Baggage. Gail Caperna, Shawn's mother,
was visiting and the family was on their way to a Tom Jones
concert.
1 videocassette
(VHS-C)
AFC 2018/064: MV078
Camera original element,
1990
1990
Christmas at Shawn Owens' home, Las Vegas,
Nevada. Shawn, sister of Susan Lloyd, was subject of Susan's 2001 film,
The Baggage.
1 videocassette
(VHS-C)
AFC 2018/064: MV080
Camera original element,
1992
1992
Shawn Owens' home on Lucerne Street, Lake Mead,
Boulder City, Nevada. Shawn, sister of Susan Lloyd, was subject of Susan's
2001 film, The Baggage. She built luxury houses
on the shore of Lake Mead, Nevada.
1 videocassette
(VHS-C)
AFC 2018/064: MV084
Copy of 8mm film element,
2000
2000
Ron Caperna, Hearthstone Alzheimer's ward,
Medford, Oregon. Ron Caperna went into an Alzheimer's ward in 1998 and was
filmed as he viewed old family photos and tried to remember his dead
daughter, Shawn Owens.
1 videocassette (VHS)
AFC 2018/064: MV085
Final edited film master,
2001
2001
The Baggage (31:09) by Susan Lloyd. Using old
family movie footage and photos, the film tells the story of Susan Lloyd's
Italian American family and the tragic death of her sister. Edited by Bill
Holdeman (Medford, Oregon).
Bill Holdeman
1 videocassette
(MiniDV)
AFC 2018/064: MV086
Submaster for projection at
foreign film festivals, 2001
2001
The Baggage (31:09) by Susan Lloyd, edited by
Bill Holdeman. This sub-master was made for projection at film festivals in
Florence (2001) and Pesaro (2007) Italy. See [Y-01 to Y-11](ref_id10704).
1 videocassette (Betacam
SP)
afc2018064_dc004
DVD version, 2019
2019
The Baggage (31:09) by Susan Lloyd. Using old
family movie footage and photos, the film tells the story of Susan Lloyd's
Italian American family and the tragic death of her sister. Edited by Bill
Holdeman (Medford, Oregon).
VIDEO_TS/
5 moving image files (vob,
ifo)
26/10
[
The Baggage
], 2007
2007
Manuscripts and ephemera related to Susan Lloyd's
film The Baggage
1 folder
Series 10: South
Africa
AFC 2018/064: SR009
Recording at Lebowa Rain Queen
Modjadji Reserve, Lebowa, South Africa, November 1984
November 1984
1 sound cassette
1
South Africa, 1984
1984
AFC 2018/064: PH0001-PH0020a
21 color slides (35 mm)
1, Elephant, Kruger Park; 2, South Africa young
Xhosa boy, Wild Coast, Transkei Homeland; 3, Young Xhosa girl, Wild Coast,
Transkei Homeland; 4, Black mother and baby, Johannesburg; 5, Xhosa children,
Wild Coast, Transkei Homeland; 6-7; Zulu folk wood carvers, Swaziland; 8, Zulu
folk carvings, Swaziland; 9, Black boy/Zulu painting, Johannesburg flea market;
10, Surfer, Strand Beach, Cape Town; 11, Afrikaner on his folk topiary tree,
Johannesburg; 12, Life mask of African tribes, Johannesburg; 13, Non-white
shop, Johannesburg; 14, Zulu boy with jewelry, Swaziland; 15, Street scene,
Johannesburg; 16, Whites only sign, Johannesburg; 17, Zulu stick dancing boys,
Swaziland; 18, Black Santa Claus, Umtata, Transkei Homeland; 19, Street
cleaners, Johannesburg; 20, Sky Lloyd with Xhosa children, Transkei Homeland;
20a, Building, Johannesburg.
1
South African women, 1984
1984
AFC 2018/064: PH0021-PH0040
20 color slides (35 mm)
21, Black maid with Susan Lloyd's baby,
Johannesburg; 22, Janitress, Johannesburg mall; 23, Zulu woman wearing
beadwork, Swaziland; 24, Black woman, Johannesburg street; 25, Bernadette
Mosala, Director of Council of Churches, Johannesburg; 26, Lucy Mvubelo,
Secretary-General of the National Clothing Workers Union, Johannesburg; 27, Sue
Williamson, artist, Cape Town; 28, Natalie Knight, playwright, Johannesburg;
29, Maureen Puput, tea girl, Johannesburg; 30, Helen Joseph, first under house
arrest, Johannesburg; 31, Johannesburg street scene; 32, Barbara Coetzee,
unemployed, Johannesburg Black suburb; 33, Woman with baby on back Johannesburg
street; 34, Denise Baker, Johannesburg Black school; 35, Black nanny with white
children, Cape Town; 36, Black women, Johannesburg suburb; 37, Zulu women,
Swaziland; 38, Xhosa woman/foil folk art, crossroads camp, Cape Town; 39,
Parking lot scene, Cape Town; 40, Woman on Johannesburg street.
1
South Africa Modjadji Rain
Queen and Reserve, 1984
1984
AFC 2018/064: PH0041-PH0080
40 color slides (35 mm)
41, Entrance to Modjadji Reserve, Lebowa, South
Africa; 42-43, Children of Rain Queen's wives; 44, The Modjadji cycad forest;
45, Rainmaking stick, Modjadji Reserve; 46, Mokope Modjadji V; 47, Petitioner
to Mokope Modjadji; 48-50, Cycad nursery, Modjadji Reserve; 51, Modjadji's
wives and Shane Lloyd (Susan Lloyd's son); 52, Mokope Modjadji in rondavel
doorway; 53, Cycad cone and seeds, Modjadji nursery; 54, Cycad seeds, Modjadji
nursery; 55, Drying cycad seeds, Modjadji nursery; 56, Mokope Modjadji with
photographer's son; 57, Display at Modjadji nursery; 58-60, Rain Queen Mokope
Modjadji in isolation; 61-64, Cycad forest; 65-68, Children of Rain Queen's
wives; 69-75, Modjadji nursery; 76-80, Extracting cycad seed from
cone.
1
South Africa, 1984
1984
AFC 2018/064: PH0081-PH0100
20 color slides (35 mm)
81, Johannesburg skyscraper; 82, Johannesburg street
scene; 83, Ice cream vendor and children, Cape Town; 84, Black woman and child
in surf, Transkei Wild coast; 85, Black child, Crossroads camp, Cape Town; 86,
Flea market and nuclear plants, Johannesburg; 87, Black-only segregated beach,
Durban; 88, White jogger on Black-only segregated beach, Durban; 89,
Unconscious man roadside, Swaziland; 90, Assisting unconscious man roadside,
Swaziland; 91, Johannesburg street scene; 92, Waiting for a bus, Johannesburg;
93, Warning sign for servants, Johannesburg; 94, Man reading newspaper,
Johannesburg; 95, Swazi fried chicken sign, Johannesburg; 96, Afrikaans news
stand, Johannesburg; 97, Xhosa children, Transkei Homeland; 98, Acacia tree,
Transvaal; 99, Ant hill, Transvaal; 100; Farm and mountains, Northern
Transvaal.
23
South Africa, 1984
1984
AFC 2018/064: SL-30-01
21 black-and-white negatives (35
mm)
Complete.
Kodak
38/10
[Original housing from
SL-30]
1 folder
31/5
South Africa notebooks (1 of
2), 1984
1984
Miscellaneous jottings, Rain Queen Modjadji nursery
history. Sites visited in South Africa, Black print shop worker (Maureen Paput)
interview notes, Afrikaner foods, Cape Town artist-activist Sue Williamson
interview, miscellaneous names/addresses. Impressions of first arrival in South
Africa, Johannesburg Black culture, experiences with Afrikaner family
hospitality, Swaziland, street music, interview with Black hotel chef.
3 notebooks
31/6
South Africa notebooks (2 of
2), 1984
1984
Interviews with women activists, Swaziland, Transkei
Homeland hike, Sue Williamson, Crossroads, Rain Queen.
1 notebook
49
Portfolio 7:
The Modjadji, Rain Queen of Lebowa
, 1984
1984
A matriarchal line known
as the Modjadji has ruled Lebowa province in northeastern South Africa for five
hundred years. Once a woman inherits the throne from a predecessor, she becomes
a Modjadji for life and must remain in the Royal kraal, never leaving. Her
handmaidens live in the kraal with her and their children; mating with nobles,
they are her symbolic children. In annual autumn ceremonies, the Modjadji
officiates over rain making dances and ritual performances. She also reigns
over the sacred cycad tree forest in the Modjadji Reserve near her kraal. On
site is an active nursery where the cycad seeds are cultivated; folk belief
associates these red seeds with the Modjadji's powers of fertility. Susan Lloyd
visited Mokope Modjadji V, the fifth Rain Queen, with her five-month old son,
Shane Lloyd. Mokope lived in seclusion in the Royal Kraal in Khetihakone
Village, Lebowa, South Africa, and allowed her to also photograph the cycad
forest and cycad plants and seeds in the nursery. It was rare, at the time, for
an outsider to secure permission to meet and photograph the Modjadji. Susan
Lloyd brought Mokope a U.S. flag as a gift. Mokope insisted that she be
photographed with her son and the flag. The photographs in this portfolio were
made during Susan Lloyd's visit with Mokope Modjadji V.
1 portfolio (12 photographs) : color
Ultrachrome archival inkjet prints ; 19 x 13 inch
Print 1: Cycad nursery,
Modjadji Reserve, Lebowa, South Africa
[AFC 2018/064:
PH0050](ref_id10733)
Print 2: Children of Rain
Queen's wives, Lebowa, South Africa
[AFC 2018/064:
PH0042](ref_id10733)
Print 3: Rain Queen Mokope
Modjadji in isolation, Lebowa, South Africa
[AFC 2018/064:
PH0060](ref_id10733)
Print 4: Petitioner to
Mokope Modjadji, Lebowa, South Africa
[AFC 2018/064:
PH0047](ref_id10733)
Print 5: Modjadji Royal
Kraal fence, Lebowa, South Africa
[AFC 2018/064:
PH0045](ref_id10733)
Print 6: Cycad cone &
seeds, Modjadji nursery, Lebowa, South Africa
[AFC 2018/064:
PH0053](ref_id10733)
Print 7: Cycad seeds,
Modjadji nursery, Lebowa, South Africa
[AFC 2018/064:
PH0054](ref_id10733)
Print 8: Sprouting cycad
seeds, Modjadji nursery, Lebowa, South Africa
[AFC 2018/064:
PH0055](ref_id10733)
Print 9: Modjadji nursery,
Lebowa, South Africa
[AFC 2018/064:
PH0074](ref_id10733)
Print 10: Cycad forest,
Modjadji Reserve, Lebowa, South Africa
[AFC 2018/064:
PH0061](ref_id10733)
Print 11: Rain Queen Mokope
Modjadji in isolation, Lebowa, South Africa
[AFC 2018/064:
PH0058](ref_id10733)
Print 12: Mokope Modjadji V
and photographer's son, South Africa
[AFC 2018/064:
PH0056](ref_id10733)
31/7
South Africa (1 of 5), 1984-1987
1984-1987
1 folder
Correspondence with
publisher, including announcement of travel writing award for travel to
South Africa from the U.S., sponsored by
Flying Springbok
magazine. The award was won by Susan Lloyd and paid for the
airplane tickets and expenses for her trip while in South Africa
AFC 2018/064: A-01
Response by Susan Lloyd
initially declining the
Flying Springbok
magazine travel writing award which included a trip to South
Africa. Her son, Shane Lloyd, was only four months old. A last minute
decision by Lloyd resulted in her taking the trip with Shane
AFC 2018/064: A-02
First visual impressions of
Susan Lloyd after landing at Cape Verde Islands en route to Johannesburg.
Handwritten notes
See [South Africa notebooks (2 of 2)](ref_id10738).
AFC 2018/064: A-03
Johannesburg bus
schedule
AFC 2018/064: A-04
List of museums in
Johannesburg. Includes the Africana Museum (now known as Museum Africa or
MuseuMAfricA) in Newtown, Johannesburg, South Africa
See [AFC 2018/064: PH0012](ref_id10731).
AFC 2018/064: A-05
Receipts: Entry ticket to
independent kingdom of Swaziland. Also Nhlangano Casino Royale where Susan
Lloyd researched and photographed Zulu traditional textiles and beadwork.
Postcard from Tom Lloyd (joining Lloyd in South Africa with their older son,
Sky Lloyd) sent to his parents in Oregon. Depiction of Zulu witch-doctor on
postcard
See [AFC 2018/064: PH0023, PH0037](ref_id10732). Also Zulu Stick
Dancing see [AFC
2018/064: PH0017](ref_id10731). Zulu woodcarving see [AFC 2018/064:
PH0006-PH0008](ref_id10731).
AFC 2018/064: A-06
Business card of Dr. Lucy
Mvubelo, General Secretary, National Union of Clothing Workers in South
Africa
See [AFC 2018/064: PH0026](ref_id10732). See [AFC 2018/064: A-19](ref_id10773) for
further information on Lucy, one of the subjects of Susan Lloyd's lectures
on prominent South African women.
AFC 2018/064: A-07
Photocopy of map showing
Kruger National Park, an area Susan Lloyd photographed
AFC 2018/064: A-08
Newspaper clipping
referencing segregated beaches in Durban where a proposal was being
considered for a non-segregated beach for international hotel guests. Also
hotel receipt for Kudu Lodge, Kaapmuiden, where Lloyd stayed on way to
Durban beach to takes photographs
See [AFC 2018/064: PH0087-PH0088](ref_id10734).
AFC 2018/064: A-09
31/8
South Africa (2 of 5), 1984-1987
1984-1987
1 folder
Brochure promoting a
segregated white-only beach. While this particular site was not
photographed, the brochure is an example of the kinds of facilities in South
Africa at the time
AFC 2018/064: A-10
Hotel receipt for Kruger
National Park stay
AFC 2018/064: A-11
Newspaper article by Susan
Lloyd about Natalie Knight, playwright (Johannesburg) and discussing
Knight's play,
There's No Sugar Left,
illustrating cultural differences between Blacks and Europeans in
South Africa. Article published in
The Oregonian
, page B5
See [AFC 2018/064: PH0028](ref_id10732) (Natalie). See also [AFC 2018/064:
PH0021](ref_id10732) (maid carrying Susan Lloyd's baby on her back in traditional
style).
AFC 2018/064: A-12
Magazine article about Susan
Lloyd's hike on the Transkei published in
Flying Springbok
, pages 86-95, 127
See [AFC 2018/064: PH0002, PH0003, PH0005, PH0018,
PH0020, PH0084, PH0097](ref_id10731).
AFC 2018/064: A-13
Newspaper article published
in
Lithiagraph
(Ashland, Oregon), Volume 2, Number 9, about Susan Lloyd visit to
squatter camp Crossroads with Cape Town activist-artist Sue Williamson, to
find folk art foil pictures made by camp women
Slides of Sue Williamson with print of Winnie
Mandela [AFC
2018/064: PH0027](ref_id10732); Xhosa woman in squatter camp [AFC 2018/064:
PH0038](ref_id10732).
AFC 2018/064: A-14
Papers pertaining to lecture
by Susan Lloyd about South African women and the Cape Town artist, Sue
Williamson, who tells their story. Includes flyer for event, newspaper
review of talk, and Susan's cue cards transcribed from Susan's South African
notebooks
See [South Africa notebooks (1 of 2) and South Africa
notebooks (2 of 2)](ref_id10737). See also letter from Sue Williamson to Susan
Lloyd [AFC
2018/064: A-20](ref_id10774). See [AFC 2018/064: PH0025 (Bernadette Mosala), PH0026
(Lucy Mvubelo), PH0027 (Sue Williamson), PH0028 (Natalie Knight), PH0029
(Maureen Paput), PH0030 (Helen Joseph)](ref_id10732) and notes on cue cards about
each woman. Also see [AFC 2018/064: A-19](ref_id10773) for Mvubelo
quote.
AFC 2018/064: A-15
31/9
South Africa (3 of 5), 1984-1987
1984-1987
1 folder
Newspaper article by Susan
Lloyd in the
Chicago Tribune
about a street musician in Johannesburg who blew on a bottle,
having no professional instrument, and her interaction with a threatening
policeman. Also first typed draft of story written in Johannesburg and
subsequent manuscript edited upon return to the U.S. Also original black and
white photograph by Lloyd of the street musician, December 11, 1985
December 11, 1985
AFC 2018/064: A-16
Letter by Peter Swinney
commenting on article written by Susan Lloyd,
Americans on the Wild Side,
referencing Transkei Wild Coast hike
AFC 2018/064: A-17
Correspondence between Susan
Lloyd writing from South Africa to her husband at home in Ashland,
Oregon
AFC 2018/064: A-18
Newspaper article,
Sojourner for Truth,
interview with Susan Lloyd about her trip to South Africa,
Lithiagraph
(Ashland, Oregon), Volume 2, Number 4, pages 4-5, 1985
1985
See [AFC 2018/064: PH0051-0052](ref_id10733).
AFC 2018/064: A-19
Letter from Sue Williamson,
of Cape Town, to Susan Lloyd. Sue includes translations, from Xhosa to
English, of sayings on the foil folk art pictures Susan Lloyd had
photographed at the Crossroads squatter camp, Cape Town, November 18, 1985
November 18, 1985
See also [AFC 2018/064: A-14 and AFC 2018/064: A-15](ref_id10767).
AFC 2018/064: A-20
Letter from Sue Williamson,
of Cape Town, to Susan Lloyd
AFC 2018/064: A-21
Original manuscript of
article published in
Flying Springbok
See [AFC 2018/064: A-13](ref_id10766).
AFC 2018/064: A-22
31/10
South Africa (4 of 5), 1984-1987
1984-1987
1 folder
Typed notes by Susan Lloyd
of impressions and interviews while in South Africa
AFC 2018/064: A-23
Original manuscript by Susan
Lloyd,
Some South African Women,
about experiences with several South African Black
women
AFC 2018/064: A-24
Xerox of article from
The Argus
, Cape Town, South Africa, about issues at Crossroads squatter
camp
AFC 2018/064: A-25
Original manuscript by Susan
Lloyd,
Komamas of Crossroads,
about Black women at Crossroads squatter camp and the folk art foil
pictures with which they decorate their huts. Also telegram from Sue
Williamson with translation of folk art foil picture, 1986
1986
Also see [AFC 2018/064: PH0027](ref_id10732), portrait of Sue
Williamson, Susan Lloyd's escort through Crossroads squatter camp to explain
foil folk art and [AFC 2018/064: PH0038](ref_id10732) for portrait of woman
with foil picture at Crossroads.
AFC 2018/064: A-26
Original manuscript by Susan
Lloyd,
A Few South Africans,
about South African artist-activist Sue Williamson and booklet
about Williamson's touring exhibition. Also press release on Williamson,
1984
1984
See [AFC 2018/064: PH0027](ref_id10732) for Williamson portrait
by Susan Lloyd.
AFC 2018/064: A-27
Original manuscript by Susan
Lloyd,
The Camp,
about Lloyd's visit to Crossroads squatter camp with
artist-activist Sue Williamson and search for folk art foil pictures made by
the camp women
AFC 2018/064: A-28
Story idea by Susan about
the Modjadji Rain Queen of Lebowa, South Africa, who Lloyd
visited
See [Portfolio 7](ref_id10739) as well as [AFC 2018/064:
PH0041-PH0080](ref_id10733).
AFC 2018/064: A-29
Flyers and news articles
about squatter camp history in Cape Town area. Needing to leave homelands
such as Transkei for work, Black men created the camps; eventually the
families came along and created a folk lifestyle with community centers. The
women decorated their squatter huts with unique foil pictures with religious
sayings on them. The government objected to the camps and instigated
demolitions which rendered the families homeless
AFC 2018/064: A-30
31/11
South Africa (5 of 5), 1984-1987
1984-1987
1 folder
Typed notes from Susan
Lloyd's interviews about South African social and political issues with
(some prominent) South African women, both Black and white: Lucy Mvubelo,
Helen Joseph, Bernadette Mosala, Barbara Coetzee, Joanna Baker, Natalie
Knight, Maureen Puput, Lulu Grobbelaar, Sue Williamson, about social and
political issues in South Africa
See [AFC 2018/064: PH0025-PH0030, PH0032](ref_id10732).
AFC 2018/064: A-31
Letter from
Woman of Power Magazine
requesting story material about South Africa from Susan
Lloyd
AFC 2018/064: A-32
A
Cape Times
Xeroxed article about Crossroads and a booklet about a forced
removal of Crossroads residents to Khayelitsha
AFC 2018/064: A-33
Songs from Crossroads
, by the Crossroads Children (Noxolo School Choir), 1979
1979
AFC 2018/064: SR024
1 sound disc (7 in.)
Letter from Cape Town
artist-activist, Sue Williamson, to Susan Lloyd with biographical
information and report on current situation at Crossroads and threats of
demolition and relocation
AFC 2018/064: A-34
AFC 2018/064: SR011
Susan Lloyd KSOR Radio
interview about experiences in South Africa, June 1985
June
1985
1 sound cassette
AFC 2018/064: SR010
Susan Lloyd breakfast
discussion on experiences in South Africa, Ashland, Oregon, 1985
1985
1 sound cassette
AFC 2018/064: SR012
Susan Lloyd lecture at Southern
Oregon University on South Africa, 1985
1985
1 sound cassette
32/1
[South Africa], 1985-1986
1985-1986
Manuscripts and ephemera related to South
Africa.
1 folder
Series 11: Japan
3
Narita Temple, Honshu, Japan,
1987
1987
AFC 2018/064: PH0413-PH0420
8 color slides (35 mm)
413, Hand-washing cleansing station at Narita Temple
entrance; 414, Site of Goma fire ritual; 415, Burial ground within Narita
Temple complex; 416, Detail of grave marker at Narita Temple burial ground;
417, Entrance to Issaiky-do Hall; 418, Entrance to Bell Tower; 419, Bucket
offering site; 420, Guardian dog (Komainu) at Narita Temple shrine.
3
Ishite-ji Temple/Jizo folk
worship, eighty-eight sacred places, Shikoku, Japan, 1991
1991
AFC 2018/064: PH0381-PH0400
20 color slides (35 mm)
381, Pilgrim (henro) sign to Ishite-ji Temple; 382,
Entrance to Ishite-ji Temple; 383-384, Pilgrims approaching Ishite-ji Temple;
385, Markers with image of Jizo, guardian of dead children; 386, Woman praying
to Jizo, adorned with her dead child's red bib; 387, Stone Jizo markers adorned
with bibs that parents have brought; 388, Entrance to Ishite-ji Temple;
389-391, Stone Jizo markers adorned with bibs that parents have brought; 392,
Pilgrim on way to Ishite-Ji Temple; 393, Pilgrims leaving Ishite-ji Temple;
394-397, Stone Jizo marker adorned with bibs that parents have brought; 398,
Susan Lloyd photographing pilgrim with film crew; 399, Pilgrims at Ishite-ji
Temple; 400, Pilgrims entering Ishite-Ji Temple.
22
Japan, 1991
1991
AFC 2018/064: SL-20-01 – SL-20-05
121 black-and-white negatives (35
mm)
SL-20-01:
Shikoku Pilgrimage; 4-23, 34-36; SL-20-02: Shikoku Pilgrimage; 2-21, 27-31;
SL-20-03: Rock gardens; Missing frame 22; SL-20-04: Shikoku Pilgrimage;
SL-20-05: Shikoku Pilgrimage.
Kodak
37/15
[Original housing from AFC
2018/064: SL-20]
1 folder
AFC 2018/064: MV087
News feature, Susan Lloyd and
Joanne Hershfield, Shikoku, Japan, 1991
1991
Documentation by Japanese TV station of Lloyd,
Hershfield and crew at Ishiteji Temple, Shikoku, Japan while filming Between Two Worlds: A Japanese Pilgrimage
(co-produced and co-directed by Lloyd and Hershfield although Hershfield holds
copyright to film). See [O-01 to O-03](ref_id10823) for film flyer and information about
Shikoku. See [Portfolio 9](ref_id10804), [AFC 2018/064: PH0381-PH0400](ref_id10798) for images of
Ishiteji Temple.
1 videocassette (VHS)
3
Yashima-Ji Temple/Jizo folk
worship, eighty eight sacred places, Shikoku Japan, 1991
1991
AFC 2018/064: PH0401-PH0412
12 color slides (35 mm)
401-405, Pilgrims (henro) entering Yashima-ji
Temple; 406, Kannon statue; 407, Pilgrims at temple with picture of dead
husband; 408, Pilgrims entering Yashima-ji Temple; 409, Pilgrims leaving
Yashima-ji Temple; 410-412, Jizo, guardian of dead children, adorned with
bibs.
32/2
Shikoku, Japan notebook, 1991
1991
1 folder
51
Portfolio 9:
Jizo, Japanese Folk Protector of Children and Travelers
, 1991
1991
Jizo Bosatsu is one of
the most beloved Japanese Buddhist divinities. Found as a statue in graveyards,
at temples, or along roadsides, he protects children who have died before their
parents and also the stillborn, miscarried, or aborted. In Japanese mythology,
these children are unable to cross the Sanzu River while journeying to the
afterlife. Since they are young or even unborn, they have not been able to
accumulate good deeds. By using his robes to hide these souls from demons, Jizo
saves them from eternally piling stones, as penance, on the river's bank. It is
a folk custom for grieving parents to put tiny clothing, robes and bibs on Jizo
statues, or leave him toys, in the hope that he will help and protect their
lost ones. Jizo also protects "travelers" of any kind, as the children are.
Photographs in this portfolio were made at Ishite-ji and Yashima-ji temples,
two of the Eighty-eight Sacred Places of Kobo Daishi, a Shingon Buddhist monk
who set up a pilgrimage route around Shikoku Island one thousand two hundred
years ago. Pilgrims still follow the route, although some visit the temples by
taxi. "To make the journey" is called ohenro and pilgrims are referred to as
henro. They wear conical-shaped hats (sugegasa), white garments (hakue)
signifying purity and innocence, and carry pilgrims' staffs. Shikoku Island,
Japan, May, 1991.
1 portfolio (17 photographs) : color
Ultrachrome archival inkjet prints ; 13 x 19 inch
Print 1: Pilgrims (henro)
entering Yashima-ji Temple, Shikoku, Japan
[AFC 2018/064:
PH0408](ref_id10802)
Print 2: Pilgrims (henro) at
Yashima-ji Temple with pictures of dead husband, Shikoku, Japan
[AFC 2018/064:
PH0407](ref_id10802)
Print 3: Jizo, guardian of
dead children, adorned with bibs at Yashima-ji Temple, Shikoku,
Japan
[AFC 2018/064:
PH0411](ref_id10802)
Print 4: Jizo, guardian of
dead children, adorned with bibs at Yashima-ji Temple, Shikoku,
Japan
[AFC 2018/064:
PH0412](ref_id10802)
Print 5: Kannon statue at
Yashima-ji Temple, Shikoku, Japan
[AFC 2018/064:
PH0406](ref_id10802)
Print 6: Pilgrims (henro)
approaching Ishite-ji Temple, Shikoku, Japan
[AFC 2018/064:
PH0383](ref_id10798)
Print 7: Entrance to
Ishite-ji Temple, Shikoku, Japan
[AFC 2018/064:
PH0382](ref_id10798)
Print 8: Stone Jizo markers
adorned with bibs that parents of dead children have brought, Ishite-ji
Temple, Shikoku, Japan
[AFC 2018/064:
PH0387](ref_id10798)
Print 9: Stone Jizo markers
adorned with bibs that parents of dead children have brought, Ishite-ji
Temple, Shikoku, Japan
[AFC 2018/064:
PH0397](ref_id10798)
Print 10: Stone Jizo markers
adorned with bibs that parents of dead children have brought, Ishite-ji
Temple, Shikoku, Japan
[AFC 2018/064:
PH0394](ref_id10798)
Print 11: Stone Jizo markers
adorned with bibs that parents of dead children have brought, Ishite-ji
Temple, Shikoku, Japan
[AFC 2018/064:
PH0385](ref_id10798)
Print 12: Stone Jizo markers
adorned with bibs that parents of dead children have brought, Ishite-ji
Temple, Shikoku, Japan
[AFC 2018/064:
PH0390](ref_id10798)
Print 13: Stone Jizo markers
adorned with bibs that parents of dead children have brought, Ishite-ji
Temple, Shikoku, Japan
[AFC 2018/064:
PH0391](ref_id10798)
Print 14: Stone Jizo marker
adorned with dead child's bibs and toys, Ishite-ji Temple, Shikoku,
Japan
[AFC 2018/064:
PH0395](ref_id10798)
Print 15: Woman praying to
Jizo, adorned with her dead child's red bib, Ishite-ji Temple, Shikoku,
Japan
[AFC 2018/064:
PH0386](ref_id10798)
Print 16: Susan Lloyd
photographing pilgrim with film crew at Ishite-ji Temple, Shikoku,
Japan
[AFC 2018/064:
PH0398](ref_id10798)
Print 17: Pilgrim (henro)
sign to Ishitegi-ji Temple, Shikoku, Japan
[AFC 2018/064:
PH0381](ref_id10798)
32/3
Japan (Shikoku), 1991-1994
1991-1994
1 folder
Letter from Oliver Statler,
author of
Japanese Inn
, to Susan Lloyd about her making film of the pilgrimage to the
eighty-eight sacred temples of Kobo Daishi Shikoku, Japan. Possibilities of
finding henro (pilgrims) to interview and issues of lodging at the temples
are discussed
AFC 2018/064: O-01
Stamp on Japanese newsprint
that pilgrims receive upon visiting the eighty eight sacred temples of Kobo
Daishi on Shikoku Island
AFC 2018/064: O-02
Two general pilgrimage
guides to the eighty-eight sacred temples of Shikoku, Japan; individual
brochure from Yashima-ji Temple, one of the temples photographed by
Lloyd
AFC 2018/064: O-03
Berkeley Media (distributor)
flyer for the film,
Between Two Worlds: a Japanese Pilgrimage
AFC 2018/064: O-04
afc2018064_dc007
Between Two Worlds: A Japanese Pilgrimage
DVD version, 1992
1992
Documentary of folk pilgrimage to Eighty-Eight
Sacred Places of Kobo Daishi on Shikoku Island, Japan. Co-produced and directed
by Susan Lloyd and Joanne Hershfield.
Joanne Hershfield
VIDEO_TS/
5 moving image files (ifo,
vob)
Series 12: Basque
culture
1 folder
32/4
Basque Studies Program
newsletter, 1968-1974
1968-1974
Newsletters for the Basque Studies Program at the
University of Nevada, Reno.
1 folder
32/5
Basque Studies Program
newsletter, 1975-1980
1975-1980
Newsletters for the Basque Studies Program at the
University of Nevada, Reno.
1 folder
32/6
Basque Studies Program
newsletter, 1981-1986
1981-1986
Newsletters for the Basque Studies Program at the
University of Nevada, Reno.
1 folder
32/7
Basque Studies Program
newsletter, 1987-1991
1987-1991
Newsletters for the Basque Studies Program at the
University of Nevada, Reno.
1 folder
32/8
Basque Studies Program
newsletter, 1992-1999
1992-1999
Newsletters for the Basque Studies Program at the
University of Nevada, Reno.
1 folder
32/9
Basque culture (1 of 2), 1989-1997
1989-1997
Susan Lloyd article,
Vanishing Breed,
in
The Denver Post
(
Empire Sunday
magazine newspaper supplement), pages 10-11, 20-21, about the
Basque folk culture and the annual Elko, Nevada Basque Festival, August 10, 1997
August 10, 1997
Portrait on page 10 is [AFC 2018/064: PH0103](ref_id10851);
spread page 10-11, is [AFC 2018/064: PH0107](ref_id10851); page 11 dancer is [AFC 2018/064:
PH0110](ref_id10851); page 21 weight lifter is [AFC 2018/064: PH0104](ref_id10851); page
20, Wine Dance is [AFC 2018/064: PH0140](ref_id10851).
AFC 2018/064: M-01
Map of Elko, Nevada,
contemporary map
AFC 2018/064: M-02
Flyer advertising
thirty-third National Basque Festival in Elko, Nevada, July 5-7,
1996
July 5-7, 1996
AFC 2018/064: M-03
Notes by Susan Lloyd made at
Elko Basque Festival. Interviews with Domingo Aguirre; John Anchustegui;
Felix Fernandez; Pedro Burusco; Miguel Leonis; Henry Viscarret; and Pete
Barinaga. Also interview with Pete Borda at the Minden Stock Yards in
Minden, Nevada
See [AFC 2018/064: PH0103](ref_id10851) (Domingo Aguirre) and
[AFC
2018/064: PH0101-PH0140](ref_id10851) of Elko Festival.
AFC 2018/064: M-04
Notes by Susan Lloyd made at
Elko Basque Festival, July
6, 1996
July 6, 1996
See [Portfolio 10](ref_id10852) and [AFC 2018/064:
PH0101-PH0140](ref_id10851).
AFC 2018/064: M-05
Manuscript by Susan Lloyd,
The Last Basque,
about Basque folk culture, 1997
1997
AFC 2018/064: M-06
Schedule of Basque festivals
in the U.S., 1996
1996
AFC 2018/064: M-07
33/1
Basque culture (2 of 2), 1989-1997
1989-1997
1 folder
Newspaper clipping of
article by Susan Lloyd in the
Denver Post
about Isidoro Martinez, missing sheepherder. He was later reported
dead, August 10, 1997
August 10, 1997
AFC 2018/064: M-08
Program of the thirty-third
National Basque Festival in Elko, Nevada, July 5-7, 1996
July 5-7, 1996
See [Portfolio 10](ref_id10852) and [AFC 2018/064:
PH0101-PH0140](ref_id10851).
AFC 2018/064: M-09
Menu with local history of
the Star Hotel, a Basque restaurant in Elko, Nevada, 1996
1996
AFC 2018/064: M-10
Interview transcript of Pete
Borda at his home in Minden, Nevada. (Susan Lloyd did not participate in
this interview and the name of the person who did is now lost), December 1, 1989
December 1, 1989
AFC 2018/064: M-11
Borda family history,
photocopy, 1993
1993
AFC 2018/064: M-12
Film synopsis for proposed
Susan Lloyd film about Basque sheepherders. Film was cancelled because of
the death of main character, Pete Borda, who was run over and killed by a
truckload of his own sheep. Pete Borda obituary published in
Reno Gazette
, page 12, September
10, 1996
September 10, 1996
AFC 2018/064: M-13
23
Basque Festival, Nevada, 1996
1996
AFC 2018/064: SL-28-01
34 black-and-white negatives (35
mm)
Ilford
38/8
[Original housing from AFC
2018/064: SL-28]
1 folder
1
Elko, Nevada Basque Festival,
1996
1996
AFC 2018/064: PH0101-PH0140
40 color slides (35 mm)
101, Elko, Nevada landscape; 102, Brokel-dantza hoop
dance; 103, Domingo Aguirre, sheep herder; 104, Basque weight-lifting
competition (six hundred pound steel block); 105, Jota dancers; 106, Child in
traditional Basque clothing; 107, Flock of Pete Borda's sheep, Minden, Nevada;
108, Basque boy drinking from bota bag; 109, Young Basque jota dancer; 110,
Brokel-dantza hoop dance; 111, Basque father and son; 112, Young Basque boys
with bota bags; 113, Basque man distributing wine; 114, Young Basque boy in
traditional dress; 115, Man in "Basque and Proud of It" shirt; 116, Christine
and Miguel Saralegi, champion woodchoppers from Spain; 117, Basque Wine Dance;
118, Flock of Pete Borda's sheep, Minden, Nevada; 119, Christine Saralegi, wood
chopping champion; 120, Sheepherders' trailer; 121, Basque picnic sign;
122-125, Basque brokel-dantza hoop dance; 126, Man in "Basque and Proud of It"
shirt; 127, Man with Basque bread; 128, Domingo Aguirre, sheep herder; 129,
Basque boy with bota bag; 130, Basque father and son; 131, Basque father and
daughter; 132-133, Basque wood chopping; 134-135, Christine Saralegi, wood
chopping champion; 136, Miguel Saralegi, wood chopping champion; 137-138,
Basque wood chopping competition; 139, Basque weight-lifting six hundred pound
block; 140, Basque Wine Dance.
52
Portfolio 10:
Basque Folk Festival
, 1996
1996
The photographs in this
portfolio were made in July, 1996 during the annual Elko, Nevada Basque
Festival. Participants and attendees at the festival came from Nevada, the
surrounding western states and the Pyrenees in Spain from where many western
U.S. Basque originated. The Basque, besides possessing one of the world's
oldest languages, pride themselves in skills such as woodcutting, world-class
weight lifting, sheepherding, folk dancing, and games such as jai lai and
bertsolari, a verse competition. They brought these skills with them when many
migrated to the U.S. western states in the 1920s to work in the sheep industry.
So that the skills wouldn't be forgotten, the Basque perform traditional dances
and stage wood chopping and weightlifting competitions at festivals that are
also held in the old country, a tradition since the 19th century. Although few
Basque in the U.S. are sheepherders anymore, participants in the festivals,
ranging from California to Colorado, show off their herd dogs and Basque
families come to hear stories from the old-timers.
1 portfolio (12 photographs) : color
Ultrachrome archival inkjet prints ; 13 x 19 inch
Print 1: Flock of Pete
Borda's sheep, Minden, Nevada
[AFC 2018/064:
PH0118](ref_id10851)
Print 2: Domingo Aguirre,
sheepherder, Elko, Nevada Basque Festival
[AFC 2018/064:
PH0103](ref_id10851)
Print 3: Basque boy with
bota bag, Elko, Nevada Basque Festival
[AFC 2018/064:
PH0129](ref_id10851)
Print 4: Basque man
distributing wine, Elko, Nevada Basque Festival
[AFC 2018/064:
PH0113](ref_id10851)
Print 5: Young Basque jota
dancer, Elko, Nevada Basque Festival
[AFC 2018/064:
PH0109](ref_id10851)
Print 6: Man in "Basque and
Proud of It" shirt, Elko, Nevada Basque Festival
[AFC 2018/064:
PH0126](ref_id10851)
Print 7: Christine Saralegi
(from Navarra, Spain), wood chopping champion, Elko, Nevada, Basque
Festival
[AFC 2018/064:
PH0119](ref_id10851)
Print 8: Weight-lifting six
hundred pound steel block, Elko, Nevada Basque Festival
[AFC 2018/064:
PH0104](ref_id10851)
Print 9: Brokel-dantza hoop
dance, Elko, Nevada Basque Festival
[AFC 2018/064:
PH0110](ref_id10851)
Print 10: Brokel-dantza hoop
dance, Elko Nevada, Basque Festival, Elko
[AFC 2018/064:
PH0102](ref_id10851)
Print 11: Young Basque boys
with bota bags, Elko, Nevada Basque Festival
[AFC 2018/064:
PH0112](ref_id10851)
Print 12: Sheepherders'
trailer on the outskirts of Elko, Nevada. Elko, Nevada Basque
Festival
[AFC 2018/064:
PH0120](ref_id10851)
33/2
[Basque culture], 1997
1997
Manuscripts and ephemera related to Basque culture
in Nevada.
1 folder
33/3
Basque country, Spain notebook,
March 1998
March
1998
Research notes for film on Basque folk culture: San
Sebastian, Gernika, Pamplona bull runners, bertsolari verse competition,
Gernika legends, Chillida's sculpture, sheepherder countryside and
culture.
1 notebook
21
Seville, Spain, 1998
1998
AFC 2018/064: SL-15-04
41 black-and-white negatives (35
mm)
Spain
(Basque)
Kodak
Series 13: Cuba
2
Legacy of Che Guevara, folk
hero, Cuba, 1998
1998
AFC 2018/064: PH0281-PH0320
40 color slides (35 mm)
281-282, Santiago, Cuban southern coast; 283, Fort
Santiago; 284, Santiago Harbor; 285-286, Sierra Maestra range, cradle of Cuban
Revolution; 287, Depiction of Che Guevara on horseback, Santa Clara Memorial;
288, Sierra Maestra range; 289, "Ever Onward Until Victory," Che Guevara
billboard; 290, Farmer in cart on road in Santiago; 291-292, Veterans of Cuban
Revolution and Congo, Santiago; 293-295, Che Guevara mausoleum, Santa Clara;
296-298, Cuban Revolution mural, Santa Clara Memorial; 299, Santa Clara Hotel,
Cuban Revolution battle site, Santa Clara; 300, Veteran of Cuban Revolution,
Santa Clara; 301, "Queremos que sean como el Che" sign, Santa Clara; 302,
Sculpture of Guevara/Cienfuegos, Museum of Revolution, Havana; 303, Display in
Museum of Revolution, Havana; 304, Graffiti about imperialism and Yankees,
Havana; 305, Forty second anniversary of Revolution sign; 306, Perfume and Che
Guevara postcards for sale, Havana; 307, Che Guevara display, Santa Clara; 308,
Folk hero Antonio Maceo sign; 309, Plaza of the Revolution, Che Guevara
installation, Havana; 310-311, Che Guevara mosaic; 312, T-shirt "Havana to
Harlem Same Struggle," Havana; 313, Veterans of Cuban Revolution, Santiago;
314, Portrait of Che Guevara, Havana restaurant; 315, Truckload of Cuban
Police, Santiago; 316, Sign "Hasta la victoria siempre," Santiago; 317, Che
Guevara billboard, Matanzas; 318, Museum of the Revolution exhibit, 26 de Julio
tank, Havana; 319, Farmer on horseback with machete, Santiago; 320, Sign
"Revolucion victoriosa en el nuevo milenio," Havana.
2
Cuba, 1998
1998
AFC 2018/064: PH0321-PH0340
20 color slides (35 mm)
321-322, Havana harbor; 323, Embargo reduced variety
of merchandise, Havana; 324, Dilapidated hospital waiting room, Santiago; 325,
Hospital patient in bed; 326, Blood dispensary in hospital; 327-331, Unrestored
vintage cars in Havana; 332, Farmer on horse-drawn cart, Santiago; 333,
Afro-Cuban child in pinafore, Havana; 334, Cuban baseball team members,
Santiago; 335, Portrait of a Cuban girl in garden, Havana; 336, Burning sugar
cane; 337, Cuban architecture, Santa Clara; 338, School children, central Cuba;
339, Children walking home carrying their shoes, rural Cuba; 340, Street scene,
Havana.
54
Portfolio 12:
Legacy of Che Guevara, Folk Hero
, 1998
1998
Ernesto "Che" Guevara,
born in Argentina and trained as a doctor, was a revolutionary hero who co-led
the Cuban Revolution (July 26, 1953-January 1, 1959) with Fidel Castro.
Beginning in the Sierra Maestra, they led their rag-tag army out of the
mountains, took the city of Santa Clara and entered Havana victoriously,
overthrowing the Batista government. The new socialist government of Fidel and
Che was a dream experiment. The Cubans, the majority of whom were peasants and
disenfranchised by years of oppressive governments, embraced the Revolution.
Che, who led another uprising in the Congo and a failed revolution in Bolivia
where he died in 1967, became a folk hero over the ensuing decades. For many
years his body was not found, giving rise to a belief by some that he did not
die. Others cited the brave way in which he faced his captors in Vallegrande
when he was shot at age forty-one. His portrait became an iconic image still
seen throughout Cuba and Argentina today. The photographs in this portfolio
were taken in 1998 when combatants who fought with him still wore his iconic
beret or displayed photographs of him in their homes; schoolchildren walked
home barefoot from school to save shoe leather and follow Che's example;
billboards throughout Cuba declared: "We want to be like Che." Guevara follows
the model of the folk hero who dies before one's time. The folk are then left
with the hope that he can "return" and the dream restored-that the ideals of
the Revolution will endure.
1 portfolio (10 photographs) ; color
Ultrachrome archival inkjet prints ; 19 x 13 inch
Print 1: Santiago and Sierra
Maestra range, Cuban southern coast
[AFC 2018/064:
PH0282](ref_id10869)
Print 2: Veteran of Cuban
Revolution, Santa Clara, Cuba
[AFC 2018/064:
PH0300](ref_id10869)
Print 3: Che Guevara
billboard ("In His Example"). Matanzas, Cuba
[AFC 2018/064:
PH0317](ref_id10869)
Print 4: Veterans of Cuban
Revolution & Congo, Santiago, Cuba
[AFC 2018/064:
PH0291](ref_id10869)
Print 5: T-shirt "Havana to
Harlem Same Struggle," referencing Fidel Castro's 1959 visit to the U.S.
Havana, Cuba
[AFC 2018/064:
PH0312](ref_id10869)
Print 6: "Ever Onward Until
Victory," Che Guevara billboard, Cuba
[AFC 2018/064:
PH0289](ref_id10869)
Print 7: Portrait of Che
Guevara, Havana restaurant, Cuba
[AFC 2018/064:
PH0314](ref_id10869)
Print 8: "Queremos que sean
como el Che" (We want them to be like Che) sign at Guevara memorial, Santa
Clara, Cuba
[AFC 2018/064:
PH0301](ref_id10869)
Print 9: Eduardo Labrada,
Veteran of Cuban Revolution, Manzanillo, Cuba
[AFC 2018/064:
PH0292](ref_id10869)
Print 10: School children
walking home carrying their shoes, rural Cuba
[AFC 2018/064:
PH0339](ref_id10870)
34/1
Cuba, 1998-2001
1998-2001
1 folder
Interview with doctor at
Santiago, Cuba hospital. Also letter from Cuban friend, Yoander, expressing
appreciation for Lloyd's interest in Cuba and its iconic heroes. Also photos
of Susan Lloyd wearing beret popularized by Che Guevara and singing
Guantanamera
at Havana restaurant. Other photograph of Lloyd in front of Che
Guevara painting, April
1998
April 1998
See [AFC 2018/064: PH0324-PH0326](ref_id10870).
AFC 2018/064: H-01
Newspaper interview with
Susan Lloyd about Cuba,
The Mail Tribune
(Medford, Oregon), August 17, 2001
August 17, 2001
See [AFC 2018/064: PH0281-PH0340](ref_id10870).
AFC 2018/064: H-02
29/4
Yaquis, Tucson; Cuba; Yaquis,
Hermosillo; and New Mexico notebook, 1999-2004
1999-2004
1 notebook
Series 14: Afghanistan
afc2018064_dc001
Bamiyan Buddhas, September 2005
September 2005
1-6, Two sixth century monumental Buddhas stood in
niches in Bamiyan as Afghanistan was a thriving Buddhist center until the
seventh century Islamic invasion. In 2001, the Taliban blew them up but with
Chinese help the Buddhas were recreated in 2015 by holographic light
projection.
Afghanistan 2005-09\Bamiyan
6 still image files (jpg)
afc2018064_dc001
Women in burqa, September 2005
September 2005
1-26, Women in burqas on Kabul streets. The blue
coverings were mandatory under Taliban rule but traditionally many women prefer
wearing them for protection from stares or to inversely look at whatever they
want to without being observed.
Afghanistan 2005-09\Burqa
26 still image files
(jpg)
afc2018064_dc001
Afghan countryside, September 2005
September 2005
1-3, 51, 55-62, Donkeys carry hay on road to Lake
Bandi Amir; 4, 15-17, 20, 22-24, 52-54, 68-75, 78-80, Relics such as tanks and
trucks from the Soviet-Afghan War are scattered throughout the countryside;
5-9, 11, 13-14, 18-19, 21, 33-34, 44, 65, North central Afghanistan landscape;
10, Harvesting fields; 12, 25, Harvesting with oxen; 26-27, Autumn harvest
fields; 28, 31, 35, 37-39, 41, 82, Traditional Pakistani decorated truck near
Jalalabad; 29, Woman in burqa on country road; 30, 40, Kuchi nomads on the road
near Kabul; 32, 36, Road from Kabul to Jalalabad; 42-43, ISAF forces on road to
Jalalabad; 45, Boy at roadside inn; 46, Susan Lloyd's traveling companions;
47-48, Feed barn in north central Afghanistan; 49-50, Woman with hands
decorated with henna; 63-64, Hazara woman at Lake Bandi Amir; 66-67, ISAF
forces near Bamiyan; 76-77, Door detail; 81, Road to Jalalabad.
Afghanistan 2005-09\Countryside
82 still image files
(jpg)
afc2018064_dc001
Parliamentary elections, September 2005
September 2005
1, 4-12, 16, 22-25, 30-31, 34-37, 43, 45-47, 61-65,
68-69, 72-87, 89, 91-92, 96-108, Election voting center; 2-3, 15, 17-19, 26,
28-29, 33, 38-42, 44, 48-51, 53-54, 56-60, 67, Election campaigning and
posters; 13-14, 32, Elections; 20-21, 27, 70-71, 88, 93-95, Afghan police
safeguarding elections; 52, Najibullah Sedeqe was the guide for the Global
Exchange group visiting Kabul to help monitor the 2005 Parliamentary elections;
55, Election poster; 66, Parliamentary elections; 90, Najibullah Sedeqe voting
at election voting center.
Afghanistan 2005-09\Elections
108 still image files
(jpg)
afc2018064_dc001
Food culture, September 2005
September 2005
1, Spices in Kabul market shop; 2, Street kabobs;
3-9, 15-16, Eating traditionally upon mats rolled out on the floor; 10, Soviet
tea samovar in Kabul; 11-13, Naan bread baking; 14, Teapots awaiting customers
in countryside inn; 17-20, Kitchen in countryside.
Afghanistan 2005-09\Food Culture
20 still image files
(jpg)
afc2018064_dc001
Hazaras, September 2005
September 2005
1-4, Hazara woman holding photo of deceased husband
killed in the 2001 U.S. aerial bombing. Her name is Arafa and she lives with
her three children in her destroyed house awaiting government aid. After the
bombing she found her husband's body rolled up in a carpet; 5-6, Hazara boy in
Kabul. Since the Shia Hazara live in predominately Sunni Afghanistan they face
cultural and economic discrimination as well as religious persecution; 7-14,
Susan Lloyd with Hazara man wounded in Taliban bomb attack during 2005
Parliamentary elections.
Afghanistan 2005-09\Hazaras
14 still image files
(jpg)
afc2018064_dc001
Hospitals, September 2005
September 2005
1-6, Artificial limbs are made for land mine victims
at the Kabul Red Cross land mine hospital; 7, Foot of Afghan National Army
victim of bomb attack during 2005 Parliamentary elections, at Sardar Mohammad
Dawood Khan Hospital; 8-14, 24-25, Afghan National Army victim of bomb attack
during 2005 Parliamentary elections, at Sardar Mohammad Dawood Khan Hospital;
15-22, 28-29, Blinded and captured member of Taliban treated in Kabul hospital.
Doctors didn't know his name and said he had no shoes even though he would soon
be released; 23, Fellow soldiers visit Afghan National Army victims of bomb
attacks during 2005 Parliamentary elections; 26-27, Hospital nurse.
Afghanistan 2005-09\Hospitals
29 still image files
(jpg)
afc2018064_dc001
Kuchi nomads, September 2005
September 2005
1-7, Kuchi nomad children. The Kuchis live in
temporary tent camps with their sheep and do not participate in Afghanistan's
politics.
Afghanistan 2005-09\Kuchi Nomads
7 still image files (jpg)
afc2018064_dc001
Legacy of folk hero Massoud,
September 2005
September 2005
1-4, Posters of Massoud; 5, 10-21, 25-26, 39, 69,
73-74, Images large and small of Ahmed Shah Massoud are everywhere in
Afghanistan. Massoud led the Tajiks to successfully defeat the Soviets and was
instrumental in defeating the Taliban until he was assassinated in 2001; 6-9,
Fahim Dashti, Kabul weekly newspaper editor wounded by bombing blast which
killed Massoud; 22, 24, 32, 40-42, Tawakal Khan, he was Massoud's bodyguard and
was blinded in the bomb attack when Massoud was killed; 23, 30-31, Tawal Khan
and Habib Wafa, they are Tajiks. Tawakal was Massoud's bodyguard when he was
killed and Tawakal was blinded. Habib is his friend and a Kabul journalist;
26-29, The tomb of Massoud near his home in the Panjshir in 2005. At this time
a three story Islamic tower in stone was beginning to be built around it;
33-36, 46-48, 55-56, 65, 75, Everyone in the Panjshir considers themselves a
mujahid which is a guerilla fighter in an Islamic country. Under the leadership
of Massoud the Tajik mujahideen fought against the Taliban but not as
jihadists; 37-38, 49-50, 57-60, Relics captured by Massoud's forces during the
Soviet-Afghan War dot the Panjshir Valley; 43-45, Massoud's home in the
Panjshir; 51-54, Susan Lloyd interviews Tawakal Khan on tank captured by
Massoud's forces in the Panjshir during the Soviet-Afghan War; 61-64, The shoes
of Massoud which are kept where he left them on the floor of the backseat of
his Cygnus SUV; 66-68, Prayer rug and rifle belonging to Massoud. They are kept
where Massoud left them in the back of his Cygnus and are watched over by the
mujahideen; 70-72, 76-78, Massoud's Cygnus SUV in the Panjshir. The mujahideen
guard it and Massoud's personal effects which are inside; 79-80, Mountains of
the Panjshir which was Massoud's home and where he is buried; 81, Entrance to
the Panjshir Valley and billboard of Massoud.
Afghanistan 2005-09\Massoud
81 still image files
(jpg)
afc2018064_dc001
Kabul school life, September 2005
September 2005
1, 6, 39-50, 54-56, Afghans for Tomorrow backpack
and supplies delivery to a Kabul school. Donated by Southeast Denver Rotary
Club; 2-5, 7-14, 17-23, 26, 28-30, 33-38, 51-53, 58, School children; 15-16,
24-25, School lessons; 27, 57, School teacher; 31, School bulletin board; 32,
Heart prayer to Allah in Arabic calligraphy.
Afghanistan 2005-09\Schools
58 still image files
(jpg)
afc2018064_dc001
Kabul street scenes, September 2005
September 2005
1-3, Shoe shine boy; 4, Army equipment for sale; 5,
Kabul police officer in his tent on street; 6, Boy with traditional kite string
spool; 7-9, 11-12, 15, 17, Kabul street portrait; 10, Afghan dog; 13, Shop
sign; 14, Street photographer's portable darkroom; 16, Backyard of Global
Exchange guest house; 18, International Security Assistance Force guards site
of bomb attack; 19-20, Antique shop; 21, International Hotel; 22-24, Injured
woman covered in traditional robe; 25-26, Taking down Pashtun shop
sign.
Afghanistan 2005-09\Streets
26 still image files
(jpg)
33/4
Afghanistan (1 of 2), 2005
2005
1 folder
Voice of the Mujahadeen
newspaper about folk hero Ahmad Shah Massoud, an Afghan Tajik who
led forces to defeat the Russians in the Soviet-Russian War. He was killed
in a bomb attack by al-Qaeda operatives and became mythic, his photo
everywhere in Afghanistan. Published in English in Kabul,
Afghanistan
See [AFC 2018/064: PH0241-PH0260](ref_id10919) for images of
Massoud, his gravesite, and the Tajiks in the Panjshir Valley.
AFC 2018/064: J-01
Miscellaneous newspapers
covering Parliamentary elections in Afghanistan
AFC 2018/064: J-02
Global Exchange itinerary.
This is the host group that Susan Lloyd travelled with in
Afghanistan
AFC 2018/064: J-03
33/5
Afghanistan (2 of 2), 2005
2005
1 folder
Press credentials for Susan
Lloyd observing polling in Kabul during Parliamentary elections in
Afghanistan
AFC 2018/064: J-04
Receipt for guest for twelve
days at Afghans For Tomorrow Guest House, Kabul, Afghanistan, September 27, 2005
September 27, 2005
AFC 2018/064: J-05
Newspaper article by Susan
Lloyd
Blinded in a Forgotten War
with photo,
Ashland Daily Tidings
, page A8
See [AFC 2018/064: PH0141-PH0280](ref_id10913).
AFC 2018/064: J-06
Newspaper article by Susan
Lloyd
In Afghanistan with an Ashland Marine
with photo,
Ashland Daily Tidings
, October 10,
2005
October 10, 2005
See [AFC 2018/064: PH0141-PH0280](ref_id10913).
AFC 2018/064: J-07
Newspaper article,
How Do You Say 'Please Don't Shoot Me,' in Pashtun?
in the
Mail Tribune
, about Susan Lloyd's forthcoming trip to Afghanistan, September 16, 2005
September 16, 2005
AFC 2018/064: J-08
33/6
[Afghanistan], 2005
2005
1 folder
33/7
Afghan book notes, 2005
2005
Mainly notes made in Kabul about possible
book/memoir about Afghanistan. Lloyd's son was there and she came over as a
reporter and toured the country at a dangerous time post-9-11.
1 notebook
33/8
Afghanistan notebooks (1 of 3),
2005
2005
Notes about digital camera used in Afghanistan,
sending articles digitally to U.S. news outlets and laptop issues, data from
rocket attacks after parliamentary elections, Kabul "to do" list, flight
itineraries, Pakistan Daily Times articles on
parliamentary elections, notes from Masuda Jalala conversation, Ministry of
Women's' Affairs, Kabul. Notes made about Panshir Valley and Tajiks, Ramadan,
wounded Taliban, notes with Ministry of Defense, U.S. intelligence agent, Gul
Chan notes.
2 notebooks
33/9
Afghanistan notebooks (2 of 3),
2005
2005
Notes, interviews Afghanistan.
2 notebooks
33/10
Afghanistan notebooks (3 of 3),
2005
2005
Notes, interviews Afghanistan.
1 notebook
1
Hazara civilian bombing
survivors in Kabul, Afghanistan, 2005
2005
AFC 2018/064: PH0141-PH0168
28 color slides (35 mm)
141-144, Arafa with photos of dead husband and son,
killed when her house was bombed; 145-148, Father and daughter waiting for tea;
149-160, Saheb Dad family living in bomb damaged house; 161-168, Family outside
bombed house.
2
Hazara civilian bombing
survivors in Kabul, Afghanistan, 2005
2005
AFC 2018/064: PH0169-PH0180
12 color slides (35 mm)
169-175, Women cooking outside bombed houses; 176,
Boy in bombed out doorway; 177-180, Green flags mark graves of bombing
victims.
2
Buddhas of Bamiyan dynamited
and destroyed by the Taliban, Afghanistan, 2005
2005
AFC 2018/064: PH0181-PH0200
20 color slides (35 mm)
181, View of cliffs and valley; 182, Road along
Bamiyan, Afghanistan cliffs; 183, Detail of bombed bazaar; 184, Women on road
alongside cliffs; 185, UNESCO sign in front of destroyed Buddha niche; 186-187,
United Nations excavators at main Buddha niche; 188-189, Caves on Bamiyan
Valley cliff wall; 190, Niche of obliterated Buddha; 191, Stairway inside the
cliff wall leading to monasteries and sanctuaries; 192, Niches with graffiti,
inner sanctuary inside cliff wall; 193, Inner sanctuary with restoration
equipment; 194, Graffiti in inner sanctuary; 195, View of Bamiyan Valley from
within bombed Buddha niche; 196, View of ground below from within bombed Buddha
niche; 197, View of Bamiyan Valley from within bombed Buddha niche; 198-199,
Restoration workers; 200, Donkey and local guides overlooking Bamiyan
Valley.
2
Kuchi nomad encampment near
Kabul, Afghanistan, 2005
2005
AFC 2018/064: PH0201-PH0216
16 color slides (35 mm)
201-204, Feeding camels; 205-206, Folk art textiles
decorate camels; 207-210, In-ground cooking and boiling water for tea; 211-213,
Children in Kuchi encampment; 214-216, Children with decorated sheep in Kuchi
encampment.
2
Internally displaced persons'
camp, Kabul, Afghanistan, 2005
2005
AFC 2018/064: PH0217-PH0220
4 color slides (35 mm)
217, Internally displaced persons mothers and
family; 218-220, Children in internally displaced persons camp.
2
Afghanistan land-mine victims
at Red Cross Center, Kabul, 2005
2005
AFC 2018/064: PH0221-PH0240
20 color slides (35 mm)
221-231, Doctor fitting limb to victim; 232-236,
Patients waiting for doctors; 237-239, Three-year old boy walking on artificial
legs for first time; 240, Teen walking on artificial legs.
2
Ahmad Shah Massoud, Tajik folk
hero, Panjshir, Afghanistan, 2005
2005
AFC 2018/064: PH0241-PH0260
20 color slides (35 mm)
241, Portrait of Massoud over gateway to Panjshir
Valley; 242-243, Panjshir mountain landscape; 244, Site of Massoud's tomb; 245,
Susan Lloyd interviews Tawakal Khan Mujahid, body guard of Massoud; 246,
Tawakal Khan, bodyguard of Massoud; 247, Tajik men having tea; 248, Tajik
Mujahideen holding book about Massoud; 249, Tajik Mujahideen; 250, Driving
through a Panjshir village; 251, Mujahideen and journalist in front of Massoud
home in Panjshir Valley; 252, Mujahideen in front of Massoud home in Panjshir
Valley; 253, Detail of Massoud compound; 254, Susan Lloyd seated at Massoud
home; 255, Panjshir Valley landscape; 256, Islamic mosque; 257-258, Highway
billboard of Massoud outside Kabul; 259, Soviet tanks on Shomali Plain
destroyed by Massoud forces during 1979 war; 260, Panjshir Valley at dusk.
2
Afghanistan, 2005
2005
AFC 2018/064: PH0261-PH0280
20 color slides (35 mm)
261, Hazara couple, Kabul; 262, Hazara children,
Kabul; 263, Taekwondo, Kabul; 264, Woman on road, Bamiyan Valley; 265,
Decorated truck, Jalalabad; 266-267, Afghan girl's feet and sandals, Panjshir
Valley; 268, Hazara children, Kabul; 269-271, Tajik girl, Panjshir Valley; 272,
Tajik boys and goat, Panjshir Valley; 273-275, Afghan boys and father with bird
cage, Kabul; 276, Afghan bird cage, Kabul; 277, Afghan cooking pots, Bamiyan
Valley; 278, Afghan boys on soccer field, Kabul; 279, Hands of Hazara woman
holding baby, Kabul; 280, Hazara children, Kabul.
Series 15: Turkey
afc2018064_dc001
Ankara, October 2006
October
2006
1, Equestrian statue of Kemal Ataturk who was the
founder of modern Turkey; 2-3, Mausoleum of Kemal Ataturk who was the founder
of modern Turkey; 4, Statue group at mausoleum of Kemal Ataturk who was the
founder of modern Turkey; 5-7, Ankara mosque; 8, Ankara market with traditional
feminine headscarves. They are controversial and banned in the workplace to
counter conservatism while other societal factions fight to wear them; 9-20,
Roman statues at Ankara Museum of Anatolian Civilizations.
Turkey 2006-10\Ankara
20 still image files
(jpg)
afc2018064_dc001
Cappadocia, October 2006
October
2006
1, 4-27, The Cappadocia region contains cave homes
and rock cut churches and monasteries built from 300-1200 A.D.; 2-3, Turkish
cooking pots.
Turkey 2006-10\Cappadocia
27 still image files
(jpg)
afc2018064_dc001
Catal Huyuk, October 2006
October
2006
1-2, 7, Habitation at Neolithic site of Catal Huyuk;
3-5, Geometric ochre wall painting in habitation at Catal Huyuk which
flourished as a shared society; 6, Rafters of habitation at Catal Huyuk with
hanging dried herbs; 8, Excavation site at Catal Huyuk.
Turkey 2006-10\Catal Huyuk
8 still image files (jpg)
afc2018064_dc001
Gallipoli, October 2006
October
2006
1, 3, Gallipoli battle site; 2, Susan Lloyd at Anzac
Beach; 4-5, 8, Anzac Beach; 6, Tombstone of New Zealand Mounted Rifles trooper
at Gallipoli cemetery; 7, Tombstone of Light Horse Brigade trooper at Gallipoli
cemetery; 9, Busload of Turkish military recruits at Anzac Beach; 10, Gallipoli
cemetery; 11-12, Trenches at Gallipoli battlefield; 13, Partial remains of
ancient Troy; 14-15, A ferry approaches the Hellespont where the Aegean Sea
meets the Sea of Marmara. Legend says that Leander swam across the strait each
night to visit Hero who was a priestess of Aphrodite; 16, Ataturk mural on
hillside near Kannakale.
Turkey 2006-10\Gallipoli
16 still image files
(jpg)
afc2018064_dc001
Harran, October 2006
October
2006
1-8, 11-12, 43, Astronomical tower in Harran
legendarily built by Nimrod. Harran attracted Gnostic and Hermetic traditions
and was a flourishing center by the second millennium BC; 9-10, 13-42, 44-46,
Beehive houses of mud and brick were built three hundred years ago to ward off
the sun and provide insulation during winter. They were eventually abandoned
for more modern houses but some families have moved back to restore them to
keep the tradition alive.
Turkey 2006-10\Harran
46 still image files
(jpg)
afc2018064_dc001
Mardin, October 2006
October
2006
1, 6, Aramaic script in Mor Hananyo Syriac Monastery
outside Mardin. It was built in 493 AD on a Temple to the Sun and continues to
use Aramaic as its liturgical tongue which was the language of Jesus; 2,
Curtain with folk painting of the Virgin Mary in Mor Hananyo Syriac Monastery
outside Mardin; 3-4, Folk painting of crucified Christ in Mor Hananyo Syriac
Monastery outside Mardin; 5, 14, Susan Lloyd's husband, Tom Lloyd, with
caretaker of Mor Hananyo Syriac Monastery outside Mardin; 7-8, Ancient female
and pre-Christian folkloric symbol of cockleshell in niche of Mor Hananyo
Syriac Monastery outside Mardin; 9-10, Student of Aramaic at Mor Hananyo Syriac
Monastery outside Mardin; 11, Stairway with pulpit at Mor Hananyo Syriac
Monastery outside Mardin; 12, Folklore symbols of stars and waves on bannister
at Mor Hananyo Syriac Monastery outside Mardin; 13, Detail of stairway and
pulpit substructure of Mor Hananyo Syriac Monastery outside Mardin; 15-18,
20-22, Shatana family mansion in Ottoman Empire style in Mardin; 19, Detail of
Islamic stucco work on portal of Shatana family mansion in Ottoman Empire style
in Mardin; 23-24, Shoes left at entrance to Mardin mosque; 25-28, Traditional
shawarma or doner kebab stand in Mardin with proprietor and Turkish flag; 29,
Man hoisting Turkish flag on Ottoman building balcony in Mardin; 30, Inhabitant
of Mardin in traditional dimije trousers with yellow rubber boots and kufi
cap.
Turkey 2006-10\Mardin
30 still image files
(jpg)
afc2018064_dc001
Muslim culture and
architecture, October 2006
October
2006
1-5, Byzantine columns in Hagia Sofia in Istanbul.
It was completed in 537 AD as the first Christian cathedral and was the largest
in the world for one thousand years. It was converted into an Islamic mosque
under the Ottomans in the sixteenth century but is now a museum; 6-7, The Blue
Mosque is a functioning historic mosque built by Sultan Ahmet in the
seventeenth century. It has six spires and holds ten thousand Muslim devotees;
8, Harem toilet at Topkapi Palace which was built in the fifteenth century as
the main residence and administrative headquarters of the Ottoman sultans; 9,
Tile work detail in Topkapi Palace; 10, Brazier and seating area in Topkapi
Palace; 11, Tom Lloyd (husband of Susan Lloyd) in front of harem quarters in
Topkapi Palace; 12, Topkapi Palace; 13-18, The Mevlana Museum in Konya is the
mausoleum for poet Jalal Rumi who was a thirteenth century Persian Sufi mystic
and founder of a monastic tradition of whirling dervishes. The oversized
turbans in the mausoleum signify the spiritual authority of Sufi teachers; 19,
Woman outside Rumi mausoleum; 20-21, Prayer rugs in curtained-off area for
women in Konya mosque; 22, Prayer books in separate area for women in Konya
mosque; 23, Prayer beads in curtained off area for women in Konya mosque; 24,
Mihrab in Konya mosque which shows worshipers the direction toward Mecca in
which to pray; 25-27, Sehidiye Mosque minaret; 28-34, Zynciriye Mosque dome
overlooking Syria. An Islamic dome represents the vault of heaven; 35, Man with
prayer beads.
Turkey 2006-10\Muslim Culture and Architecture
35 still image files
(jpg)
afc2018064_dc001
Sanliurfa, October 2006
October
2006
1-4, 9, 13-17, Baliki Gol in Sanliurfa is also known
as the Pool of Abraham; 5-8, 10-12, Pilgrims visit Baliki Gol in Sanliurfa
which is also known as the Pool of Abraham. Folk belief says that the pool was
formed when the prophet Abraham was cast into a funeral pyre with the flames
and wood transforming into a sacred lake and sacred carp.
Turkey 2006-10\Pool of Abraham
17 still image files
(jpg)
afc2018064_dc001
Travel and street culture,
October 2006
October
2006
1-11, 13-19, Ferry through the Dardanelles to
Gallipoli Peninsula; 12, Turkish coffee on ferry through the Dardanelles to
Gallipoli Peninsula; 20, Fanciful directional signs outside Australian
restaurant on Gallipoli Peninsula; 21, Bus to Ankara; 22, Bags of wool and
sheepskins at Ankara market; 23, Poster showing scrappy Turkish fighters at
Battle of Kanakkale also known as the Gallipoli Battle where seventy six
thousand Turkish soldiers died during World War I; 24, Traditional Turkish
lahmacun which consists of a spiced lamb mixture on long flat bread; 25, Bus
from Ankara to Diyarbakir; 26, Turkish woman sitting on Diyarbakir street; 27,
Detail of ancient wall surrounding northern Kurdish capitol of Diyarbakir; 28,
Kurdish woman on ancient wall surrounding northern Kurdish capitol of
Diyarbakir in southeastern Turkey; 29, Susan Lloyd on ancient wall surrounding
northern Kurdish capitol of Diyarbakir in southeastern Turkey; 30, View into
Iraq from Diyarbakir in southeastern Turkey; 31, Turkish folk dancing in Mardin
restaurant; 32, Mardin patio overlooking Syria; 33-34, View of Syria from
Mardin; 35-36, Muslim Brotherhood poster; 37, Kurdish father and son; 38-39,
Kurdish boy; 40, Bus to Diyarbakir; 41, Dates and raisins for sale in Sanliurfa
market; 42-43, Man in traditional Turkish pants at bus stop; 44-45, 47, Turkish
men at bus stop; 46, Folk sculpture of watermelon in Diyarbakir which is
watermelon capitol of Turkey; 48, Turkish man at bus stop in traditional
Sanliurfa lavender-colored scarf; 49-51, Man at bus stop selling British wool
jackets; 52-56, Turkish males on bus from Sanliurfa to Harran; 57-61, Sanliurfa
restaurant table setting with flatwear wrapped in pink paper; 62-64, 71, Men in
Sanliurfa wear traditional lavender head scarves; 65-66, Tailor in Sanliurfa
market; 67-68, Traditional Turkish wooden stools in Sanliurfa market; 69-70,
72, Sanliurfa market; 73, Chilies in Sanliurfa market.
Turkey 2006-10\Travel and Street Culture
73 still image files
(jpg)
34/10
Turkey, 2006
2006
1 folder
Maps:
Gallipoli/Harran/Dyabakir
AFC 2018/064: X-01
Turkey bus
tickets
AFC 2018/064: X-02
Entrance tickets: Mardin
(monastery)/Topkapi (Istanbul)/Cappadoccia/ Hagia Sofia (Istanbul)/Anatolian
Civilizations Museum (Ankara)/Troy (Gallipoli Peninsula)
AFC 2018/064: X-03
34/11
Turkey notebook, 2006
2006
Notes about bus trip across Turkey including
descriptions of Christian ninth century rock-cut churches and frescoes (some
destroyed by Muslim invasion) and still-inhabited cave dwellings in
Cappadoccia, Ramadan rituals, folk culture of Whirling Dervishes (Rumi),
beehive homes at Harran, Mardin, Dyabakir, Neolithic Catal Hyuk, food and
nargyle (water pipe) culture and women's' scarf-wearing in a secularized
country.
1 notebook
Series 16: Kali
folklore
34/7
India, 1960, 2014-2016
1960
2014-2016
1 folder
Original manuscript by Susan
Lloyd,
Kali Puja at Babu Ghat, Kolkata,
which narrates the rituals to the Hindu deity, Kali, she documented
at a ghat in Kolkata where thousands of statues of her are immersed in the
Ganges River
AFC 2018/064: T-01
Magazine article by Susan
Lloyd,
Discovering Divinity in Dissolution,
in
Hinduism Today
, pages 54-59, about yearly folk ritual to Hindu deity, Kali, in
Kolkata, India, July -
September 2016
July - September 2016
See [India 2014-11\Kali and Shiva
Worship](ref_id11001).
AFC 2018/064: T-02
Booklet by M. K. Gandhi
about need for folk village occupations (particularly weaving) in India, and
dangers of mechanization
See [India 2014-11\Ashram of Gandhi](ref_id11010).
AFC 2018/064: T-03
41/2
St. Sara Kali legend, 1980
1980
French reproduction from nineteenth century etching
illustrating legends and holy sites associated with Roma patron saint, St. Sara
Kali, in Saintes Maries de la Mer, France.
1 folder
34/8
Roma culture, 2005, 2013-2014
2005
2013-2014
1 folder
Program from Aubagne,
France, folk music festival. Ghitsa Llorga played here with his Rumanian
band, Vagabontu, June 8-9, 2013
June 8-9, 2013
See [Portfolio 14, Print 46](ref_id10996) for portrait of Ghitsa
and [France
2012-05\Sara la Kali Festival](ref_id10948).
AFC 2018/064: U-01
Ontario, Canada, festival to
Roma Saint Sara Kali
See [Canada 2014-05](ref_id11002).
AFC 2018/064: U-02
Article by Susan Lloyd
Pilgrimage to St. Sara Kali,
about annual Roma folk pilgrimage to Southern France to immerse St.
Sara Kali, a folk Catholic deity, into the sea
See [St. Sara Kali legend](ref_id10999) for French illustration
of myths and holy sites related to St. Sara Kali.
AFC 2018/064: U-03
afc2018064_dc001
St. Sara Kali Festival, March 2012
March
2012
1-27, Camarque bull jumping, Saint Sara la Kali
Festival in Saintes Maries de la Mer, France.
France 2012-05\Camargue Bull Jumping
27 still image files
(jpg)
afc2018064_dc001
St. Sara Kali Festival, May 2012
May
2012
1, 415-416, Church of St. Michael and sacred tree;
2-3, 215-228, 231-239, Saint Sara la Kali is bid farewell in St. Michael's
Church as she prepares to journey to the Mediterranean Sea for her annual
immersion; 4-5, 240-248, 251-275, Saint Sara la Kali is carried to the
Mediterranean Sea at her annual festival in Saintes Maries de la Mer France; 6,
Horsemen on Camarque horses guard Saint Sara la Kali as she is brought to the
Mediterranean Sea during her annual festival in Saintes Maries de la Mer
France; 7, Roma pilgrims enter the Mediterranean Sea with Saint Sara la Kali at
her annual festival in Saintes Maries de la Mer France; 8, Flamenco guitarist
plays and sings as he accompanies Saint Sara la Kali into the Mediterranean Sea
during her annual festival in Saintes Maries de la Mer France; 9, Lola Hyat
from Marseille dances with the Ghitsa Lorga band from Rumania; 10, 81-91,
308-314, 316, 318-325, 327, 333-338, 381-384, 388-403, 407-410, Spontaneous
flamenco dancing in the streets at the annual festival to Saint Sara la Kali
festival in Saintes Maries de la Mer France; 11, Flamenco dancers in the
Mediterranean Sea as Saint Sara la Kali is immersed in the water at her annual
festival in Saintes Maries de la Mer France; 12, 182-214, Saint Sara la Kali
lives in the crypt of St. Michael's Church where Roma pilgrims visit and dress
her in numerous veils before she is carried in procession to the sea; 13-27,
Annually on May 24th Roma make a pilgrimage to Saintes Maries de la Mer in
France. Many congregate in trailer groups to have barbecues and play music as
they fete their patron Saint Sara la Kali; 28-30, 315, The Two Mary's who
accompanied Saint Sara la Kali are depicted in their boat which legendarily
arrived on the coast of France shortly after the death of Christ; 31-36,
Representations of Saint Sara la Kali fill the walls of the St. Michael Church
in Saintes Maries de la Mer in France; 37-38, 52-53, 56-58, Roma come from
throughout France and Europe to attend the Saint Sara la Kali festival in
Saintes Maries de la Mer France; 39-51, 55, Well known musician La Negrita
sings at the Saint Sara la Kali Festival in Saintes Maries de la Mer in France.
La Negrita's birth name is Sylvie Zigler and she is half-Roma and
half-Manouche. She uses her celebrity to advocate for Roma rights; 54, Church
of St. Michael in Saintes Maries de la Mer in France. Saint Sara la Kali is
kept in the crypt but is not recognized as an official Catholic saint; 59-67,
Roma musicians fill the street cafés and restaurants at the annual Saint Sara
la Kali festival in Saintes Maries de la Mer in France; 68-80, 92-97, 135-161,
175-179, Flamenco musicians fill the street cafés and restaurants at the annual
Saint Sara la Kali festival in Saintes Maries de la Mer in France; 98, 120-121,
162, 164-166, 180-181, 229-230, 317, 326, 328-329, 339, 404-406, 414, St. Sara
la Kali festival in Saintes Maries de la Mer France; 99-100, Roma pilgrims take
a break at the Saint Sara la Kali Festival in Saintes Maries de la Mer France;
101-103, Statues of black Saint Sara Kali; 104-119, 122-132, Ghitsa Lorga band
from Rumania and dancer Lola Hyat; 133-134, 163, Poster announcing Saint Sara
la Kali Festival; 167-174, Children learn to play flamenco guitar very young.
The masters of flamenco guitar are the gitanos and live in Spain; 249-250,
Camarque horses with Masonic symbols on their saddles guard Saint Sara la Kali
as she is processed to the Mediterranean Sea; 276-289, Camarque horses with
tridents evoking Poseidon guard Saint Sara la Kali as she is brought to the
Mediterranean Sea; 290-305, Roma pilgrims play flamenco and dance in the
Mediterranean Sea; 306-307; Fortune teller's wagon; 330-332, 340-355, 361-362,
Famed flamenco guitarist Manitas la Plata (in sunglasses) makes an appearance
at the Saint Sara la Kali Festival; 356-360, Pilgrims at the annual Saint Sara
la Kali Festival; 363-365, 411-413, Gitano children from Spain come to the
festival wearing flamenco dress; 366-380, Roma pilgrims listening to flamenco
celebrate in a local café; 385-387, Historical poster of Sara la Kali
festival.
France 2012-05\Sara la Kali Festival
416 still image files
(jpg)
afc2018064_dc001
St. Sara la Kali Festival,
May 2012
May
2012
1-46, The Virgin's Fair closes the Saint Sara la
Kali Festival at the bull ring in Saintes Maries de la Mer. The fair consists
of exhibition riding skills on Camargue horses with contests and games
including horsemen who grab bouquets from finely dressed ladies as they ride
by.
France 2012-05\Virgins Faire
46 still image files
(jpg)
56
Portfolio 14:
The Two Kalis: Saintes de la Mer, France and Kolkata, India
, 2013-2014
2013-2014
Every year on May
twenty-fourth, thousands of Roma come to southern France to carry their dark
saint, Sara Kali, to the sea. This pilgrimage reenacts the folk belief that
Mary Magdalene, sailing with companions from the Holy Land, stopped in Egypt
where she found Sara and traveled with her to France. Some also believe black
Sara was the daughter of Christ and Mary Magdalene, sailing with her mother
from the Holy Land to bring Christianity to France. Her origins are shrouded in
mystery. But by all accounts, she comes from the East. She is not an official
Catholic saint, instead belonging to folk tradition. Sara Kali's roots go
further--to India, from where the Roma departed one thousand years ago.
Ultimately her connection may be to the Hindu goddess, Kali, her namesake also
feted annually and signifying death, time, and motherly love. Both Kalis
represent darkness and mystery. Although the Roma Sara Kali is kept in a crypt
and the Indian Kali in the temple's hidden inner sanctuary, the water is their
true home. In India, this is Shakti, the feminine, epitomized in Kolkata where
thousands of Kali statues are lowered into the Ganges. Unlike in France, these
Kalis are destroyed; some remnants drift to share, a lesson in impermanence. In
France, Sara Kali is immersed in the Mediterranean Sea then returned to the
church. Perhaps the difference is that, in France, the Roma protect and hold
onto their saint in a culture widely dispersed. In India, she is thousands of
years old and, although impermanent, there will always be many Kalis there.
Although thousands of miles apart and separated by years of Roma wandering, the
stages of both rituals are uniquely similar: Preparation, Devotion, Departure,
Procession, Immersion, Return, and Celebration. Both rituals follow
cross-cultural patterns of water immersion--a symbol of wholeness and
rebirth--in the simulacra of sacred deities. Susan Lloyd shot the photographs
in this portfolio (and conducted research) during 2013 and 2014.
1 portfolio (47 photographs) :
black-and-white Ultrachrome archival inkjet prints ; 19 x 13 inch
[France
2012-05\Sara la Kali Festival](ref_id10948) and [India 2014-11\Kali and Shiva
Worship](ref_id11001)
Print 1: Roma Saint Sara
Kali. Saintes Maries de la Mer, France
Print 2: Indian Goddess,
Kali. Kolkata, India
Print 3: Church of Saint
Michael. St. Sara Kali, not recognized as an official saint, is kept in the
crypt. Saintes Maries de la Mer, France
Print 4: Dakshineswar
Temple, Kali's principal abode in a hidden, inner sanctuary. Kolkata,
India
Print 5: Preparation: Roma
pilgrims adorn Sara Kali with crown and fifty seven capes. Saintes Maries de
la Mer, France
Print 6: Preparation: Roma
pilgrims adorn Sara Kali with crown and fifty seven capes. Saintes Maries de
la Mer, France
Print 7: Preparation:
Artisans construct thousands of Kalis with mud from the Ganges River.
Kumartuli workshop, Kolkata, India
Print 8: Preparation:
Artisans construct thousands of Kalis with mud from the Ganges River.
Kumartuli workshop, Kolkata, India
Print 9: Devotion: Roma
pilgrims honor Sara Kali with candles in Church of St. Michael. Saintes
Maries de la Mer, France
Print 10: Devotion: Hindu
pilgrims honor Kali with fire and incense at temples and shrines. Kolkata,
India
Print 11: Devotion: Hindu
pilgrims honor Kali with fire and incense at temples and shrines. Kolkata,
India
Print 12: Devotion: Roma
pilgrims at Church of St. Michael devotion to Sara Kali. Saintes Maries de
la Mer, France
Print 13: Devotion: Hindu
pilgrims at a temple devotion to Kali. Kolkata, India
Print 14: Departure: Roma
pilgrims embrace Sara Kali as she leaves the Church of St. Michael. Saintes
Maries de la Mer, France
Print 15: Departure: Roma
pilgrims embrace Sara Kali as she leaves the Church of St. Michael. Saintes
Maries de la Mer, France
Print 16: Departure: Kali is
transported by truck to Babu Ghat on the Ganges River. Kolkata,
India
Print 17: Procession: Sara
Kali is carried in procession to the Mediterranean Sea. Saintes Maries de la
Mer, France
Print 18: Procession: Kali
is carried by porters to the Ganges River. Kolkata, India
Print 19: Procession: Kali
is carried by porters to the Ganges River. Kolkata, India
Print 20: Procession: Kali
is carried by porters to the Ganges River. Kolkata, India
Print 21: Immersion: Sara
Kali arrives at the sea. Saintes Maries de la Mer, France
Print 22: Immersion:
Horsemen with tridents -- symbols of Kali's consort, Shiva--protect Sara
Kali. Saintes Maries de la Mer, France
Print 23: Immersion: Roma
pilgrims enter the sea, bearing crosses and flowers. Saintes Maries de la
Mer, France
Print 24: Immersion:
Horsemen with tridents -- symbols of Kali's consort, Shiva -- protect Sara
Kali. Saintes Maries de la Mer, France
Print 25: Immersion: Roma
pilgrims dance flamenco in the sea. Saintes Maries de la Mer,
France
Print 26: Immersion: Roma
flamenco guitarist in the sea. Saintes Maries de la Mer, France
Print 27: Immersion: The
largest statue of Kali is lowered into the water. Kolkata, India
Print 28: Immersion:
Gigantic statues of Kali are brought to the water's edge. Kolkata,
India
Print 29: Immersion: Kali
sinks into the Ganges. Kolkata, India
Print 30: Immersion: Kali
sinks into the Ganges. Kolkata, India
Print 31: Return: Remnants
of Kali, in the river and on the shore, become the mud to construct next
year's Kalis. Kolkata, India
Print 32: Return: Sara Kali
is not destroyed but is returned to the church crypt. Saintes Maries de la
Mer, France
Print 33: Return: Sara Kali
returned to her crypt in the Church of St. Michael. Saintes Maries de la
Mer, France
Print 34: Return: Remnants
of Kali, in the river and on the shore, become the mud to construct next
year's Kalis. Kolkata, India
Print 35: Celebration: Roma
pilgrims dance flamenco on the streets. Saintes Maries de la Mer,
France
Print 36: Celebration: Roma
pilgrims dance flamenco on the streets. Saintes Maries de la Mer,
France
Print 37: Celebration: Hindu
pilgrims dance around Kali. Kolkata, India
Print 38: Celebration: Hindu
pilgrims dance around Kali. Kolkata, India
Print 39: Celebration: Roma
pilgrims, listening to flamenco, celebrate in a local café. Saintes Maries
de la Mer, France
Print 40: Celebration: Roma
pilgrims, listening to flamenco, celebrate in a local café. Saintes Maries
de la Mer, France
Print 41: Celebration: Young
Roma children play flamenco guitar in the local cafés. Saintes Maries de la
Mer, France
Print 42: Celebration: Some
Kalis remain in pandals, the local shrines where food is offered to
passers-by. Kolkata, India
Print 43: Celebration: In
celebration, flamenco song ensues in the local cafés. Saintes Maries de la
Mer, France
Print 44: Celebration: A
group of women celebrate with a simple meal. Kolkata, India
Print 45: Celebration: A
Hindu pilgrim dances as the last Kali is lowered into the Ganges. Kolkata,
India
Print 46: Roma musician and
dancer. Saintes Maries de la Mer, France
Print 47: Hindu Brahmin with
trident. Kolkata, India
34/9
[The Two Kalis], 2013-2014
2013-2014
Manuscripts and ephemera related to Kali
folklore.
1 folder
41/3
St. Sara Kali legend, May 24, 2014
May
24, 2014
Advertisement for festival to St. Sara Kali, Roma
patron saint, in Hamilton, Ontario, Canada.
1 folder
afc2018064_dc001
Kolkata Dakshineswar Temple,
November 2014
November 2014
1, Stall selling religious iconography outside
Dakshineswar Temple in Kolkata. The temple is dedicated to the Hindu deity Kali
and was also the abode of the Hindu spiritual teacher Ramakrishna; 2, Susan
Lloyd and husband with Shoran who is a wandering aesthetic; 3-4, The hands of
Shoran. He is a wandering aesthetic; 5, Dakshineswar Temple; 6-9, Entrance
doors to Dakshineswar Temple; 10, The daily feeding of the poor which is a
traditional custom at Dakshineswar Temple; 11, Dakshineswar Temple courtyard
with Shiva lingams which represent regeneration and fertility; 12, Statues of
Sarada Devi at Dakshineswar Temple. She was the wife of Ramakrishna; 13-17,
Dakshineswar Temple ghat; 18, Sacred banyon tree at Dakshineswar Temple. It is
a folkloric custom to wrap a sacred tree which embodies a deity with threads
and garlands; 19, Pilgrims outside Dakshineswar Temple in Kolkata.
India 2014-11\Dakshineswar Temple
19 still image files
(jpg)
afc2018064_dc001
Kali Puja Festival in Kolkata,
November 2014
November 2014
1-3, 5-73, 76-79, 81-377, A festival of offering
called a puja is held in Kolkata annually in October. Thousands of statues of
the Hindu deity Kali are made in a workshop then transported to the Ganges
River where they are immersed in the water; 4, A statue of Kali is transported
to the Ganges River; 74-75, Devotion: Hindu pilgrims at a temple devotion to
Kali; 80, Hindu pilgrims honor Kali with fire and incense at temples and
shrines.
India 2014-11\Kali and Shiva Worship
377 still image files
(jpg)
afc2018064_dc001
Canada Folk Festival, 2014
2014
1-94, Hamilton, Ontario, Canada, Sara la Kali
Festival, The Odyssey of Saint Sara la Kali.
Canada 2014-05
94 still image files
(jpg)
Series 17: India
Additional material collected by Lloyd in India, related to Kali folklore, can be
found in [Series
16.](ref_id10937)
afc2018064_dc001
Agra Fort, November 2014
November 2014
1-20, Architectural detail of Agra Fort in Agra
which was the seat of the Mughal Empire until the capitol moved to New Delhi in
1638.
India 2014-11\Agra Fort
20 still image files
(jpg)
afc2018064_dc001
Jaipur Amber Palace, November 2014
November 2014
1-7, 21-30, 33-37, Elephant rides at Amber Palace
outside Jaipur; 8-10, 39-43, Hall of Private Audience at Amber Palace outside
Jaipur; 11-12, The great wall surrounding Jal Mahal Palace is the third largest
wall in the world; 13, 19-20, 46-47, Jal Mahal Palace on Sagar Lake near
Jaipur. It was built in the 1799 in Rajput style by Maharaja Sawai Pratap Singh
and hosted royal duck shooting parties but now the bottom floors are underwater
and the palace is closed to the public; 14, 17-18, Walls of Amber Palace; 15,
44, Gardens of Amber Palace near Jaipur; 16, 45, Woman in traditional sari in
Amber Palace gardens; 31, Plaque at Siladevi Temple at Amber Palace outside
Jaipur. It commemorates how in the sixteenth century Maharaja Man Singh brought
a stone image of the Hindu deity Kali from the sea near Kolkata to Jaipur. Kali
brought the Maharaja victory in battle and then became known in Jaipur as Shila
Devi; 32, Plaque explaining the Hall of Public Audience at Amber Palace; 38,
Royal garden retreat on pond at Amber Palace.
India 2014-11\Amber Palace
47 still image files
(jpg)
afc2018064_dc001
Diu, Gujarat, November 2014
November 2014
1-3, 7, 10-11, 43-47, 50, 77, 81-82, Diu Fort on the
island of Diu. It was built by the Portuguese in the sixteenth century when
they colonized this area on the west coast of India; 4, Susan Lloyd at Diu
Fort; 5-6, 8-9, 12-14, 48, Visitors at Diu Fort; 15-18, Wandering cow; 19,
Police Complaint Authority sign; 20-22, 51-52, 55-57, Women carry rocks to and
from construction sites using traditional carrying rings on their heads; 23,
87-90, Untitled; 24, 27-28, 67, Saint Thomas Church; 25, Diu Museum sign; 26,
Sculpted snake on bottle in Diu Museum; 29-34, 38-40, Diu architecture; 35, 70,
83-86, Goats on the street; 36, Setting sun over Indian Ocean from Diu beach;
37, 78, Cobra sign of Shiva on Diu Hindu temple; 41-42, Diu Fort wall detail
with cloth washing room sign; 49, 79-80, Bas relief of St. James on horseback
at Diu Fort; 53, Diu traditional fishing boat at anchor; 54, 64, Workers
repairing traditional fishing boat; 58-62, Traditional Diu fishing boats at low
tide; 63, Traditional Diu fishing boat and fishermen at low tide; 65, Ekta
Travels bus ticket sign; 66, Saint Thomas Church inner stairway; 68, Ancient
Hotel Santo Tomas sign and entrance; 69, Diu architectural fence; 71, Statue of
Portuguese explorer Nuno da Cunho in Diu park; 72-74, Cows in busy Diu street;
75-76, 91-93, Clam diggers on Diu Island.
India 2014-11\Diu
93 still image files
(jpg)
afc2018064_dc001
Diu Santos, November 2014
November 2014
1-2, Stone bas relief of Catholic saint at Diu Fort.
The tradition of folk art santos saint statues was brought to Diu in Gujarat by
the Catholic Portuguese colonizers in the eighteenth century; 3-4, Carved
statue of Virgin Mary and Child in Santo Tomas Church. The statues were often
carved by Indian carvers and resembled ancient Hindu statuary art; 5, Carved
and painted statue of Virgin Mary with Indian facial characteristics in Santo
Tomas Church; 6, Stone relief fragment of St. Michael in Santo Tomas Church; 7,
11, Saint statue with clothing fragment in Santo Tomas Church; 8, Carved saint
statue (designed to be dressed in wig and clothing) in Santo Tomas Church; 9,
Carved santo of St. Thomas in Santo Tomas Church; 10, Carved statue of Virgin
Mary standing on moon and carved snake on bottle in Santo Tomas
Church.
India 2014-11\Diu Santos
11 still image files
(jpg)
afc2018064_dc001
Varanasi Fire Ceremony, November 2014
November 2014
1-36, Fire ceremony called Aarti at Dasawahmeda Ghat
in Varanasi. Fire is a link between this world and the spirit world in this
daily purification at dusk which is offered to the Ganges River and the Hindu
Lord Shiva.
India 2014-11\Fire Ceremony
36 still image files
(jpg)
afc2018064_dc001
Jaipur Galtaji Monkey Temple,
November 2014
November 2014
1, Phallic Shiva tower at Galtaji Temple. It is
known as the Monkey Temple because of the presence of rhesus macaques and is a
Hindu pilgrimage site outside Jaipur founded by aesthetics belonging to the
Ramanuja sect of Hinduism; 2, 9, 33-35, 38-50, 52-58, 63-64, 77-82, 97, 99-100,
Monkeys abound at Galtaji Temple; 3-4, 6, 8, 60-61, 83-89, 92, 98, Wandering
cow at Galtaji Temple; 5, Pilgrims at Galtaji Temple; 7, 28, Galtaji Temple
detail; 10-12, Galtaji Temple detail of mural depicting Rajput history; 13, 15,
19-23, 67-68, 94, Statue of Hanuman at Galtaji Temple. Hanuman is the Hindu
monkey god; 14, Vendor with flower offerings at Galtaji temple; 16, 30-31,
36-37, 91, Galtaji temple view; 17-18, Niche inscriptions at Galtaji temple;
24, Altar to Hindu deity Hanuman at Galtaji Temple; 25, 29, 70-72, 75, Brahmin
at Galtaji Temple; 26-27, 74, Statue of Hindu deity Ganesh at Galtaji Temple;
32, Galtaji Temple sacred waters; 51, Motorcycle pilgrims at Galtaji Temple;
59, Street scene below Galtaji Temple; 62, 90, Modern painting of monkey at
Galtaji Temple; 65-66, 93, Shiva trident on floor of Galtaji Temple interior;
73, 95-96, Susan Lloyd's husband, Tom Lloyd, with Brahmin at Galtaji Temple;
76, Galtaji temple bas relief.
India 2014-11\Galtaji Temple
100 still image files
(jpg)
afc2018064_dc001
Ghandi Ashram in Ahmedabad,
November 2014
November 2014
1-27, Ghandi's ashram in Ahmedabad displays his
history when he lived there but it still operates as an ashram and sponsors the
production of traditional khadi spun cotton.
India 2014-11\Ashram of Ghandi
27 still image files
(jpg)
afc2018064_dc001
Gulabo Sapera, November 2014
November 2014
1-15, 42-47, Gulabo Sapera dances at the birthday
party of her daughter. Gulabo is a snake dancer and national treasure of India
from the low-caste Kalibeliya people of western Rajasthan; 16-20, Susan Lloyd
with Indian snake dancer Gulabo Sapera; 21-41, Gulabo Sapera at home in Jaipur;
48-51, Poster of Gulabo Sapera advertising her performance at 2014 Pushkar
Camel Fair in Rajasthan; 52-68, Gulabo Sapera dancing at 2014 Pushkar Camel
Fair in Rajasthan; 69, Gulabo Sapera comes on stage to dance at 2014 Pushkar
Camel Fair; 70, Poster of Gulabo Sapera.
India 2014-11\Gulabo Sapera
70 still image files
(jpg)
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Dancing with Gulabo Sapera,
Jaipur, India, 2014
2014
Susan Lloyd and Lola Hyat (Marseille, France) dance
with India's national treasure, Gulabo Sapera. Gulabo is a renowned snake
dancer of the Sapera snake charming class in India. She is from Jaipur,
Rajasthan, and Lloyd studied dance with her in her Jaipur studio where this
footage was shot.
afc2018064_dc006
2 moving image files
(mov)
afc2018064_dc001
Darjeeling, India, November 2014
November 2014
1-2, 18-22, 34-35, 38, 40-43, 53-56, 63-66, View of
Mount Kangchenjunga from Darjeeling. Kangchenjunga is the third highest peak in
the world at 28.1k feet in elevation; 3, 24-33, Monkeys on Observatory Hill in
Darjeeling; 4, 6, 11, 13, Shiva trident at Mahakal Temple in Darjeeling. It is
a Hindu temple where both a Hindu priest and Buddhist lama perform religious
ritual and offer prayers. It was built in 1782 and dedicated to Lord Shiva; 5,
Monkey at Mahakal Temple in Darjeeling; 7, 9, Offerings being made at Mahakal
Temple in Darjeeling; 8, Mahakal Temple in Darjeeling; 10, Buddhist monk Lama
Tenzing at Mahakal Temple in Darjeeling; 12, View across Darjeeling valley from
Mahakal Temple; 14, Statue of devotee on rooftop praying toward Mahakal Temple;
15-17, Monument to Sherpa Tenzing Norgay at Himalayan Mountaineering Institute.
Tenzing Norgay successfully climbed Mount Everest with Edmund Hillary; 23, 47,
Dogs resting on Darjeeling street; 36-37, Gandhi quote on sign on Observatory
Hill in Darjeeling: Live today as if you are to die tomorrow; 39, 44-45, View
of foothills around Kangchenjunga around Darjeeling; 46, Nepali woman on
Observatory Hill in Darjeeling; 48m Chinese restaurant in Darjeeling; 49-50,
Harrods Darjeeling tea estate; 51-52, Ganesh statue in roadside garden; 57-60,
Buddhist monk Lama Tenzing from Mahakal Temple visits Susan Lloyd to show her
the original Tibetan Book of the Dead kept in his monastery in
Darjeeling.
India 2014-11\Himalayas
66 still image files
(jpg)
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Kolkata Pareshnath Jain Temple,
November 2014
November 2014
1-3, 6-7, Entrance deity at Jain temple built by art
connoisseur Ray Badridas Bahadur in 1867 in honor of the tenth Jain avatar Sri
Sital Nath Ji; 4-5, 9-10, Jain temple; 8, Courtyard at Jain temple; 11-18,
Caretaker at Jain temple.
India 2014-11\Jain
18 still image files
(jpg)
afc2018064_dc001
Museums, November 2014
November 2014
1-3, Kolkata State Archeological Museum. Stone
sculpture of Hindu deity Chamunda who is a form of the deity Kali, 1000 CE; 4,
6, 8, Kolkata State Archeological Museum. Stone sculpture of Hindu warrior
deity Durga; 5, Kolkata State Archeological Museum. Stone sculpture of Hindu
deity Parvati, 1000 CE; 7, Kolkata State Archeological Museum. Stone sculpture
of Hindu deity Shiva; 9, Kolkata State Archeological Museum. Stone sculpture of
Parvati is lotus position, 1000 CE; 10, Kolkata State Archeological Museum.
Detail of stone sculpture of Kali stepping on Shiva; 11-12, Tourists on steps
of Victoria Memorial Museum; 13, Albert hall Museum entrance; 14-16, Albert
Hall Museum. Bronze casting of Hindu deity Shiva with entwined cobras; 17,
Albert Hall Museum. Bas relief of Hindu deity Chamunda; 18, Albert Hall Museum.
Description of Chamunda on museum wall; 19-20, 22; Albert Hall Museum.
Sandstone door jamb depicting coiled snakes and Hindu deities, tenth or
eleventh century CE; 21, Albert Hall Museum. Wall plaque describing sandstone
door jamb; 23, Albert Hall Museum. Ivory statue of Shiva with the Ganges River
flowing from his hair locks, 1200 CE; 24, Albert Hall Museum. Rajasthani
traditional clothing display.
India 2014-11\Jaipur Museums
24 still image files
(jpg)
afc2018064_dc001
Shiva worship, November 2014
November 2014
378-391, Diu Fort Shiva altar; 392-394, Shiva and
cobra symbols on Diu building in Gujarat; 395, Shiva trident at Galtaji Monkey
Temple in Jaipur; 396, Painting of Hindu monkey god Hanuman attempting to save
Rama's kidnapped wife Sita; 397, Altar at Galtaji Temple; 398-400, 408-410,
421-435, Graphics of Hindu deity Shiva on Varanasi ghats; 401-403, Sacred cows
resting on Varanasi ghats; 404-407, Brahmin holding Shiva trident on Varanasi
ghat; 411, Painting of Kali dancing on Shiva phallic symbol at Varanasi ghat;
412, 436-442, Altar to Hindu deity Kali at home and office of folk astrologer
Dr. Srinivasan N. Shastry in Varanasi; 413, Detail of foot of Kali dancing on
Shiva; 414, Altar to Hindu deity Shiva in Varanasi; 415-420, Phallic symbols of
Hindu deity Shiva including cobra and trident on temple building in Diu
Gujarat.
India 2014-11\Kali and Shiva Worship
64 still image files
(jpg)
afc2018064_dc001
Indian laundry, November 2014
November 2014
1-28, 30-32, Laundry on ghats on the Ganges in
Varanasi. In India laundry is often washed in the rivers and dried on the
banks; 29, Cows on the banks of the Ganges.
India 2014-11\Laundry
32 still image files
(jpg)
afc2018064_dc001
Rajasthan Pushkar Camel Fair,
November 2014
November 2014
1-4, 172-173, 186-187, Children at the Pushkar Camel
Fair dress as Hindu deities such as Shiva. The nearby Pushkar Lake was
legendarily made from a fallen Shiva teardrop; 5, Pushkar Camel Fair shoppers
at the market; 6-15, 75-84, 86-106, 110-120, 169-171, Marwari horses are a rare
breed associated with folklore and legends of the Maharajas and are brought to
the Pushkar Camel Fair for breeding and for sale. With inward turning ears they
have acute hearing and were warrior horses of the Maharaja; 16-36, 44-51,
61-69, 85, Herders bring camels and other livestock to barter and trade at the
Pushkar Camel Fair; 37-43, Dancing Marwari horse competition; 52-60, Snake
Charmer Sindhi Nath. He and his family camp at the Pushkar Camel Fair and are
related to famed snake dancer Gulabo Sapera. His family is of the low caste
Kalibeliya snake charmers although India has outlawed snake charming. This
means the Kalibeliya would become sedentary and many endeavor to continue
capturing cobras and their snake charming traditions; 70-74, 107-109, Longest
mustache competition at annual Pushkar Camel Fair; 121-143, 174, 180-185,
Pushkar Camel Fair folk dance; 144-147, Susan Lloyd with Sindi Nath snake
charmer family; 148-153, 166, 168, Adornments on women of Sindi Nath family;
154-165, 167, Sindi Nath snake charmer family. They are Kalbeliya nomads of the
low snake charmer class. They are experts with finding cobras and charming
them; 175-179, Aarti ritual at Pushkar Camel Fair.
India 2014-11\Pushkar Fair
187 still image files
(jpg)
afc2018064_dc001
New Delhi Red Fort, November 2014
November 2014
1-13, The Red Fort in New Delhi became the capital
of the Moghul Empire when it moved from Agra in the eighteenth century and
contained the legendary Kohinoor Diamond.
India 2014-11\Red Fort
13 still image files
(jpg)
afc2018064_dc001
River folklore, November 2014
November 2014
1-2, Bathing at Dakshineswar Ghat in Kolkata; 3-6,
Bathing at Babu Ghat in Kolkata; 7-10, Hooghly River fishing culture; 12-15,
293-294, Pushkar Lake in Rajasthan is a pilgrimage site and believed to have
been formed from the teardrop of the Hindu deity Shiva; 16-20, 22, 29-32,
34-41, 67-69, 90-91, 93, 119-120, 164-165, 179-190, 207-209, 215, 290-292,
301-305, 310-311, 313-329, 347-348, Boat traffic on the Ganges at Varanasi.
Pilgrims come from afar to the sacred river to receive blessings from the
waters as fishermen ply the river and transport goods; 21, 23-28, 33, 42-65,
72-88, 94-118, 121-163, 191-206, 210-211, 216-224, 226-228, 296-300, 306-309,
312, Pilgrims come from afar to the sacred waters of the Ganges at Varanasi to
bathe and meditate. Some come to cremate family members and throw ashes into
the river as others collect the water in puja pots to bring home to use for
healing; 66, Sunset on Ganges River at Varanasi; 70-71, Meditating at a
Varanasi ghat on the Ganges River; 89, Yoga Centre advertisement at Marsarovar
Ghat on Ganges River in Varanasi; 92, Washing laundry in the Ganges River at
Varanasi; 166-167, 170-171, 174-175, 330-346, Manikarnika cremation ghat in
Varanasi; 168-169, 172-173, Wood used for cremations at Manikarnika ghat in
Varanasi; 176-177, Cremation at Marnikarnika ghat at Varanasi on the Ganges;
178, Ruined boat on Varanasi ghat; 212-214, 282-289, Pilgrims float flowers in
the sacred waters of the Ganges at Varanasi; 225, Susan Lloyd with women at
Varanasi ghat; 229-281, A Hindu Brahmin in Varanasi conducts a puja ceremony
for Susan Lloyd to help guide the souls of her dead family members into the
afterlife; 295, Dasawamedha Ghat in Varanasi.
India 2014-11\River Folklore
348 still image files
(jpg)
afc2018064_dc001
Sapera snake charmers, November 2014
November 2014
1-57, Snake charmer and cobra on streets of
Jaipur.
India 2014-11\Snake Charmers
57 still image files
(jpg)
afc2018064_dc001
Street life, November 2014
November 2014
1-6, 10, Jaipur tabla drummer; 7-9, Jaipur rooftops;
11-13, 32, 54-56, 71-72, 76, 88-90, 114, 136-137, 152-158, 170-174, 179-187,
195-205, 241-242, Saris and textiles; 14, 194, Pigs sleeping on Jaipur street;
15-17, Pigeons on rooftop; 18-20, 126, 142, 148, 150, 175-178, Rajasthan male
dress; 21, 80, 115, 118, 122, 125, 147, 149, 151, 169, 218, 230-231, 239, 273,
291, People and places of India; 22, 28-29, 245-253, Jaipur Pink Palace
architectural detail in Moghul style; 23-27, Jaipur street photography; 30,
Susan Lloyd in Rajasthani dress; 31, 33, Jaipur motorcycles; 34-35, Kolkata
sleeping dogs; 36, 81-82, Shoes left at Kolkata pandal during Kali Puja; 37-46,
Kolkata (Bengali) male dress; 47-48, 64-70, 73-75, Devotees at street shrine
during Kali Puja; 49-53, Street shrine at Kali Puja in Kolkata; 57, Kolkata
drummer; 58-61, Gathering on Kolkata street to pay homage at shrine to Hindu
deity Kali; 62-63, Woman in sari and bicycle; 77, Child in Kolkata street; 78,
Women in saris; 79, Brahmin at street temple to Hindu deity Kali; 83-84,
Building draped with lights during Kali Puja in Kolkata; 85-87, Puja ceremony
in private home conducted by Brahmin during Kali Puja in Kolkata; 91-94,
Communal meal in apartment building basement during Kali Puja in Kolkata;
95-96, Gypsy store sign on Kolkata street; 97-98, Sleeping Brahmins at Babu
Ghat in Kolkata; 99-112, 145-146, 159-164, 207-208, 254-266, 269-272, 274-276,
278-283, In India cows are considered sacred and roam freely through the
streets and public spaces; 113, 116-117, 119-121, 123-124, 127-131, 165-168,
192-193, 243, Pilgrims come to Pushkar Lake to meditate and bathe at the
various ghats during the Pushkar Camel Fair. Folk legend says the lake was
formed by the fallen tear of the Hindu deity Shiva; 132, Horse grazing
alongside Pushkar Lake in Rajasthan; 133, Shiva trident at Pushkar Lake; 134,
244, Holy man at Pushkar Lake; 135, Brahmin at Pushkar Lake; 138-140, Holy man
in contemplation by Pushkar Lake; 141, Hindu beads; 143, Rajasthan male attire
and woman in sari at Pushkar Lake; 144, Women in saris at Dakshineswar Temple
in Kolkata; 188-191, Monks carrying tin pails around Pushkar Lake; 206,
Bicyclists and camels in the bazaar during the Pushkar Camel Fair in Rajasthan;
209-210, Camels walk through the bazaar during the Pushkar Camel Fair; 211-217,
Aarti Fire Ceremony at Pushkar Lake ghat during Pushkar Camel Fair; 219-220,
Wood for cremation at Varanasi ghat; 221, Puppies at Manikarnika Ghat in
Varanasi; 222, 285-290, Brahmin at Manikarnika Ghat; 223-225, Kedar Ghat in
Varanasi; 226-228, A Dom of the lowest caste and his child in Varanasi. The Dom
are the people who cremate the dead; 229, A dog resting on the steps of a ghat
in Varanasi; 232-233, The main marketplace in Agra; 234-237, Hotel Vimal
Heritage in Moghul style; 238, Susan Lloyd at the Hotel Vimal Heritage; 240,
Indian mujahideen wanted poster in train station; 267-268, Cord for sale in
Agra market; 277, View from train window of couple with sleeping cot; 284,
Puppies in bed of rags at Manikarnika Ghat; 292-295, A Brahmin conducts a
healing puja ceremony at a Varanasi ghat; 296-300, Folk astrologer Dr.
Srinivasan N. Shastry at home in Varanasi.
India 2014-11\Streets
300 still image files
(jpg)
afc2018064_dc001
Agra, Taj Mahal, November 2014
November 2014
1-89, The Taj Mahal is an ivory marble mausoleum
built by the Moghul emperor Shah Jahan in the 17th century to house the remains
of his dead wife.
India 2014-11\Taj Mahal
89 still image files
(jpg)
afc2018064_dc001
Northern India train travel,
November 2014
November 2014
1-4, 8-19, 28-31, Train passengers and sleeping
accommodations; 5-7, 20-22, 27, Country folk waiting by the tracks; 23-24, 26,
Hennaed feet of woman on train to Varanasi; 25, Woman in red sari on train to
Varanasi; 32, Train station wanted poster of drug criminals.
India 2014-11\Travel
32 still image files
(jpg)
Series 18: Other folk life
projects
Subseries 1: Posters and
signs
5
Political posters, graffiti,
and signs, 1977-1998
1977-1998
AFC 2018/064: PH0741-PH0760
20 color slides (35
mm)
741, Sidewalk chalk memorial to musician Robin
Caston, Station Barbara, California; 742, Mexican boy in U.S. flag t-shirt,
Guaymas, Mexico; 743, Demonstrators with posters against Marcos
sequestration, Manila, Philippines; 744, Man in "People Power" t-shirt,
Manila, Philippines; 745, Root growing on peeling tree graphic on wall,
Rome, Italy; 746, "For English" peeling poster, London, England; 747,
Defaced political poster (Teodora Valdez) on wall, Yautepec, Mexico; 748,
"Boy" Herrera political poster on wall, Manila, Philippines; 749, Peeling
music concert poster on wall, Rome, Italy; 750, Ice cream sign and pigeons,
London, England; 751, Antique Appian Way sign, Terracina, Italy; 752,
People's Power Coalition political posters on wall, Manila, Philippines;
753, Trading Post exterior and painted Navajo cornfield scene, Arizona; 754,
"Abajo la oligarquia" Che Guevara sign on wall, Havana, Cuba; 755, Peeling
posters on wall, Fiesta Republicana, London, England; 756, National
Democratic Front wall poster, Manila, Philippines; 757, Man smoking and
newspaper article about New Peoples Army, Manila, Philippines; 758,
Political poster referring to "Philippine Guerilla," Manila, Philippines;
759, Ramon Revilla poster advert, Kapitan Pablo, Manila, Philippines; 760,
National Democratic Front poster on wall, Manila, Philippines.
4
Billboards, posters, and
signs, 1978-2003
1978-2003
AFC 2018/064: PH0721-PH0735
15 color slides (35
mm)
721, Anarchist Book Fair sign, St. Andrews,
Scotland; 722, "At any time" parking sign, St. Andrews, Scotland; 723,
Princess Diana graffiti and flowers, Flamme de la Liberte, Paris, France;
724, Princess Diana graffiti about Angola land mines, Flamme de la Liberte,
Paris, France; 725, Princess Diana tribute from Ireland, Flamme de la
Liberte, Paris, France; 726, Princess Diana graffiti about Angola land
mines, Flamme de la Liberte, Paris, Francis; 727, Collections mail box, St.
Andrews, Scotland; 728, "Mind Your Head" subway sign, London, England; 729,
Nene bird crossing sign near Kilauea Volcano, Hawaii; 730, Warren
Brown/"Swan" matches poster, Hastings, England; 731, "Three minute maximum"
phone call table, Quito, Ecuador; 732, Group of Black men and recliner
billboard with white woman, Johannesburg, South Africa; 733, Defaced
Evangelical minister poster, Nyssa, Oregon; 734, Percy Sledge and Mine Dance
adverts, Johannesburg, South Africa; 735, News stand, Johannesburg, South
Africa.
5
Billboards, posters, and
signs, 1978-2003
1978-2003
AFC 2018/064: PH0736-PH0740
5 color slides (35 mm)
736, Wet paint sign (in French), Paris, France;
737, "Stilla" decongestant sign on door, Trapani, Sicily; 738, Lottery
advertisement, Swaziland, South Africa; 739, Sidewalk chalk memorial to
musician Robin Caston, Station Barbara, California; 740, Gender specific job
board, Johannesburg, South Africa.
Subseries 2: United
States
23
Louisiana Cajuns, 1990
1990
AFC 2018/064: SL-32-01
29 black-and-white negatives (35
mm)
Kodak 5052
33/11
Cajun music, 1997
1997
1 folder
23
Key West - ninety miles to
Cuba, 1992
1992
AFC 2018/064: SL-31-01
27 black-and-white negatives (35
mm)
Kodak 5053
23
Hawaii, 1996
1996
AFC 2018/064: SL-29-01
36 black-and-white negatives (35
mm)
Ilford
38/9
[Original housing from AFC
2018/064: SL-29, AFC 2018/064: SL-31, and AFC 2018/064: SL-32]
afc2018064_dc001
Amish culture, Pennsylvania,
October 2013
October 2013
1-4, 6-7, Tobacco drying in Amish shed in
Lancaster county; 5, Amish home with laundry drying on front porch in
accordance with their belief in non-mechanization and do not use washing
machines; 8-10, Amish horses and buggies dominate the roads in Lancaster
County Pennsylvania; 11-15, 17-19, 21-26, Amish corn fields are neat and
well-kept; 16, 20, Amish clothes are washed by hand instead of by machine
and are hung outside to dry; 27-28, Amish girl on bicycle.
Pennsylvania 2013-10\Amish
28 still image files
(jpg)
afc2018064_dc001
Dobbin House, Pennsylvania,
October 2013
October 2013
1-15, Legendary haunted Dobbin House and site of
Underground Railroad.
Pennsylvania 2013-10\Dobbin House
15 still image files
(jpg)
afc2018064_dc001
Pennsylvania dog show, October 2013
October 2013
1-9, 11-93, Jim Rau dog show; 10, Dog brush with
etching of dog and inscription.
Pennsylvania 2013-10\Dog Show
93 still image files
(jpg)
afc2018064_dc001
Gettysburg National
Battlefield, Pennsylvania, October 2013
October 2013
1-3, Mills House where Abraham Lincoln
legendarily stayed the night before his Gettysburg Address; 4-5, General Lee
Monument overlooking Pickett's Charge; 6, California Regiment Monument; 7,
12-14, Pickett's Charge battlefield; 8-11, Virginia Regiment monument;
15-16, Pickett's Charge overlook with The Angle; 17-18, General George Meade
monument; 19, New York Infantry monument; 20, General Meade's Headquarters;
21-26, 28, 31, 34-38, Civil War Reenactors in area of Little Round Top
battle site; 27, View below Little Round Top battle site; 29-30, Little
Round Top battle site; 32-33, 39-41,Bronze statue of Union General Warren on
Little Round Top; 42-43, Monument to Union Colonel Patrick O'Rorke killed at
Little Round Top July 2, 1863; 44-46, Legendary terrain of Little Round Top
battle site; 47-56, Graves of the Unknown at Gettysburg Cemetery; 57-58,
Peach Orchard battle site; 59-60, fifteenth New York Battery monument;
61-66, 72, New Jersey Infantry Monument; 67-71, Pennsylvania bar outside
Gettysburg.
Pennsylvania 2013-10\Gettysburg
72 still image files
(jpg)
Subseries 3: Canada
Additional material collected by Lloyd in Canada, related to Kali folklore, can
be found in [Series
16.](ref_id10937)
5
City views, Montreal,
Canada, 1997
1997
AFC 2018/064: PH0777-PH0780
4 color slides (35 mm)
777, Couple of Mont Royale viewpoint overlooking
Montreal; 778, Line of tourist at Mont Royale viewpoint overlooking
Montreal; 779, Gothic Revival church and post-modern skyscraper; 780,
Baroque dome and skyscrapers.
5
Carnaval de Quebec, Quebec
City, Canada, 2001
2001
AFC 2018/064: PH0761-PH0776
16 color slides (35
mm)
761, Ice sculpture of Quebecois fur trader with
snowshoes; 762, Jester and animal ice sculptures near Ice Hotel; 763,
Parliament plaza with canvas covered trees in ice; 764, Ice sculpture of
Indian head among tall buildings; 765, Man selling caribou meat at outdoor
kiosk; 766-767, Family outside their truck on icy street with dog and sled;
768, Mural under Pont de Ciel bridge; 769, Susan Lloyd and family at
entrance to Ice Hotel; 770, Susan Lloyd's family inside Ice Hotel; 771, Ice
chandelier inside Ice Hotel; 772, Susan Lloyd's family under ice chandelier
in Ice Hotel; 773, Susan Lloyd's son in ice chair, Ice Hotel; 774, Hotel
Palace Royale; 775, Folk mural of Mohawk steel worker on girder; 776, Statue
of St. Anne de Beaupre in basilica.
Subseries 4: Panama
3
Feast of Virgen del Carmen,
Taboga Island, Panama, July
16, 1999
July 16, 1999
AFC 2018/064: PH0421-PH0460
40 color slides (35
mm)
421, State of Virgen del Carmen; 422, Produce for
Taboga Island, being unloaded from ship; 423, Fishing trawlers off Taboga
Island and ships entering Panama Canal; 424, Fishing trawler off Taboga
Island; 425, Memorial to Paul Gauguin who painted on Taboga Island; 426,
Iglesia San Pedro, second oldest church in hemisphere; 427, Statue of Virgen
del Carmen in Iglesia San Pedro; 428, Folk procession of Virgen del Carmen;
429, Feast day flowers surround street shrine to Virgen del Carmen; 430-431,
Men paint siren on boat for Virgen del Carmen feast; 432-434, Men painting
boats on beach for Virgen del Carmen feast; 435, Traditional Tabogan fishing
boats on beach; 436, Man painting images of sun on boat for Virgen del
Carmen feast; 437, Statue of Virgen del Carmen in Iglesia San Pedro;
438-439, Townspeople prepare Virgen del Carmen for feast day in Iglesia San
Pedro; 440, Statue of Virgen del Carmen in Iglesia San Pedro; 441-442,
Decorated festival boats with canal-bound ships in background; 443-448,
Statue of Virgen del Carmen on boat to bless fishing fleet; 449-455, Boats
race in Taboga harbor with statues of Virgen del Carmen aboard; 456,
Tabogans celebrate Virgen del Carmen with traditional instruments; 457,
Boats of Taboga Island; 458, Fishermen at rest on Taboga Island; 459, Panama
city skyline; 460, Virgen del Carmen in Iglesia San Pedro.
34/2
Toboga Island, 1999
1999
1 folder
Notes by Susan Lloyd,
Panama Taboga Island
AFC 2018/064: K-01
Tourist brochure about
Taboga
AFC 2018/064: K-02
34/3
Panama Canal, 1999
1999
1 folder
Article by Susan Lloyd,
End of a Journey Through Panama Canal,
San Francisco Chronicle
, page A27, December 15, 1999
December 15, 1999
AFC 2018/064: L-01
Susan Lloyd notes about
Kuna Indians of San Blas islands and their folk art molas, July 1999
July 1999
AFC 2018/064: L-02
Manuscript of
End of a Journey Through Panama Canal,
San Francisco Chronicle
, page A27, December 15, 1999
December 15, 1999
AFC 2018/064: L-03
34/4
[Panama Canal], 1999
1999
Manuscripts and ephemera related to the Panama
Canal.
1 folder
3
Panama Canal trip to seek
San Blas Island folk molas, 1999
1999
AFC 2018/064: PH0461-PH0480
20 color slides (35
mm)
461, Panama City skyline at Pacific entrance to
Panama Canal; 462, Susan Lloyd's family as line handlers on sailboat Trivial
Pursuit in Panama Canal; 463, Container ship in Panama Canal; 464, Gatun
locks in Panama Canal; 465, Sailboat Trivial Pursuit transiting through
Panama Canal; 466, Sailboat Trivial Pursuit in lock; 467, Throwing bumpers
to protect sailboat Trivial Pursuit in lock; 468, Sailboat Trivial Pursuit
and ship in Panama Canal; 469, Susan Lloyd's sons, Sky and Shane, on
sailboat Trivial Pursuit; 470, Susan Lloyd's family taking break between
locks on Panama Canal; 471, Sailboat Trivial Pursuit approaching Caribbean
confluence with Panama Canal; 472, Boat dock and Cuna Indian cayugas, Carti,
San Blas Islands; 473, Cayuga approaching Carti, one of the four hundred San
Blas Islands; 474, Traditional molas, Cuna cut work textiles on Carti
Island; 475, Bungalow with mola and kerosene lamp on table, Carti Island;
476, Cayuga trip to Dog Island; 477, Dog Island; 478, Traditional mola with
butterfly motif; 479, Traditional mola with evangelical cross motif; 480,
Cuna Indian on Carti Island.
Subseries 5:
Thailand
34/5
Thailand and Cambodia
notebook, 2000
2000
Bangkok Buddhist monk pilgrims, pagoda
architecture, Hindu Ramakien, funeral carriages, guesthouses; Ko Samui, Ko
Phagan "Full Moon" celebration, Kanchanburri Death Railway, train to Chang
Mai, elephant camp. Cambodia Angkor Wat, shrines to destroyed Buddhas, Thai
traditional life.
1 notebook
4
Angkor Wat/folk offerings to
destroyed Buddhas, Cambodia, 2000
2000
AFC 2018/064: PH0561-PH0580
20 color slides (35
mm)
561, Main temple symbolizing Mt. Meru, viewed
from Angkor Wat site entrance; 562, Damaged Buddha with flowers, robe, and
protective umbrella; 563-564, Buddhist teenage monks in their orange robes;
565, Pedestal originally supporting vandalized Buddha; 566, Susan Lloyd's
son with tourist at main Angkor Wat temple; 567, Phallic stone dating from
Hindu period; 568, Statue base showing only vandalized feet; 569, Incense
sticks at site of vandalized Buddhas; 570, Incense stick offerings to
vandalized Buddha, new Buddha statues behind; 571, New Buddhas and offerings
in front of vandalized Buddha; 572, Offerings to intact Buddha; 573, Incense
offerings to vandalized Buddha adorned with orange robe; 574, Incense
offerings to vandalized Buddhas; 575, Miniature earthen Mt. Merus and other
offerings to intact Buddha; 576, Destroyed Buddha without head in pile of
stones; 577, Maintenance worker with handmade broom; 578, Phallic stone
dating from Hindu period; 579, Destroyed Buddhas, without heads, clothed in
orange Buddhist robes; 580, Stone lions at site entrance of Angkor Wat.
4
Buddhist monk temple
pilgrimage, Bangkok, Thailand, 2000
2000
AFC 2018/064: PH0581-PH0600
20 color slides (35
mm)
581-582, Entrance to Grand Palace, home of the
Temple of the Emerald Buddha; 583-584, Buddhist teenage monks in their
orange robes entering Grand Palace; 585-586, Buddhist teenage monks climbing
stairs to the Temple of the Emerald Buddha; 587, Shoe removal before
entering Temple of the Emerald Buddha; 588, Hermit statue at Wat Phra Kaew,
Temple of the Emerald Buddha; 589, Street vendors with caged birds and feed,
Emerald Buddha Temple; 590, Side view of Temple of the Emerald Buddha inside
the Grand Palace; 591-592, Reclining Buddha inside Temple of the Reclining
Buddha, Wat Pho; 593, Mythical demons guard the Golden Stupa, Grand Palace;
594, Teenage monks leaving the Temple of the Emerald Buddha; 595, Monk in
orange robe at Grand Palace; 596-597, Teenage monks studying the Ramakien,
Thai version of the Hindu Ramayana; 598, A monk and a youth read newspapers,
Grand Palace; 599, Monk reading a newspaper, Grand Palace; 600, Entrance to
Grand Palace, home of the Temple of the Emerald Buddha.
4
Traditional life, Thailand,
2000
2000
AFC 2018/064: PH0601-PH0620
20 color slides (35
mm)
601, Reclining Buddha with money offering and
Thai boat candelabra, Bangkok; 602, Buddha statue protected by metal awning,
with offering, Bangkok; 603, Emaciated Buddha with money offering in hand at
shrine in Bangkok; 604, Vandalized Buddhas on brick wall, Bangkok; 605,
Decorated Buddhas, one without a head, on brick wall, Bangkok; 606,
Emaciated Buddha and bottle of oil on brick wall, Bangkok; 607, Covered gold
Buddha in Bangkok temple; 608, Bronze Buddha in Bangkok temple; 609-610,
Spirit house where food is placed to appease bad spirits, Bangkok; 611,
Spirit house on Chao Phraya River, Bangkok; 612, Laundry drying on line at
dwelling on Chao Phraya River, Bangkok; 613, Exterior of hut with flip-flop
sandals and drying laundry, Bangkok; 614-615, Traditional fishing boats, Ko
Samui Island, Gulf of Thailand; 616, Thai massage sign and beach vendor with
carrying pole, Ko Samui Island; 617, Rice field, northern Thailand; 618,
Serpent staircase at the temple of Wat Doi Suthep, Chiang Mai; 619, Mahout
lashing basket onto elephant near Chiang Mai; 620, Hmong woman with
textiles, northern Thailand.
Subseries 6: Greece and
Crete
34/6
Greece and Crete notebook,
2003
2003
Greek diet, greens, hike across Crete on E4
trail, Samaria Gorge folk Orthodox chapels, Hortiero Plaza and archeological
museum (Hania), Eleusis Demeter Stone.
1 notebook
3
Greek Orthodox country
churches and folk icons, Crete, 2003
2003
AFC 2018/064: PH0481-PH0500
20 color slides (35
mm)
481, Coastline of southern Crete; 482, Church on
rocky hillside, southern Crete; 483-484, Agios Pavlos, Byzantine church,
south coast of Chania prefecture; 485, Icons in Agios Pavlos church;
486-487, Church of Agia Irini near Sougia; 488, Metal ex-voto offerings of
thanksgiving hang in Cretan church; 489, Agios Antonios church, in rock
wall, Roumeli; 490, Tiny church near Loutro; 491, Agios Nikolaos church in
remote Samaria Gorge; 492, Icons in Agios Nikolaos church in remote Samaria
Gorge; 493, Money offerings on stone pedestal, Agios Nikolaos, Samaria
Gorge; 494, Icon of Black Virgin and Child, Agios Nikolaos, Samaria Gorge;
495, Altar stone with offerings, Agios Nikolaos, Samaria Gorge; 496, Icon of
Virgin and Child, Agios Nikolaos, Samaria Gorge; 497, Icon of Black Virgin
and Child with oil bottles, Agios Nikolaos, Samaria Gorge; 498, Icons of
Virgin and Child with ex-votos of healing, Agios Nikolaos, Samaria Gorge;
499, Entrance to rustic church, Samaria Gorge; 500, Samaria Gorge.
3
Food and fertility, Greece,
2003
2003
AFC 2018/064: PH0501-PH0520
20 color slides (35
mm)
501, Goat with bell around neck, Crete; 502-506,
Radikia for sale, hortiero greens-growers plaza, Hania, Crete; 507, Minoan
sarcophagus with marine fertility symbols, Hania Archaeological Museum,
Crete; 508, Sheep ready for milking, Crete; 509, Grape vines growing on
building exterior, Hania, Crete; 510, Cup bearers fresco, Palace of King
Minos, Knossos, Crete; 511, Ancient statue of Dionysus, God of Wine,
Eleusis, Greece; 512, Ancient bas-relief of breast forms, Eleusis, Greece;
513, Feta cheese, bread, and wine meal, Crete; 514, Herd of sheep, Crete;
515, Ancient fertility jug with multiple breasts, Greece; 516, Prickly pear
cactus, eaten as fruit, Crete; 517, Minoan sarcophagus with horn fertility
symbols, Hania Archaeological Museum, Crete; 518, Olives and wine jug at a
country home, Crete; 519, Bas-relief of wheat and inscription of Appius
Claudius Pulcher, Eleusis, Greece; 520, Ancient statue of Demeter, Goddess
of Wheat, Eleusis, Greece.
Subseries 7: Argentina and
Uruguay
afc2018064_dc001
Montevideo, Uruguay, February 2010
February 2010
1, Italian vendor at Montevideo flea market; 3-7,
Traditional Italian products at Montevideo street market. Italians
immigrated to Uruguay from 1875 to 1890 and now represent forty five percent
of the population. Their traditional culture is kept alive especially in the
markets with food products such as eggplant and freshly made pasta; 8, Blind
accordion player at Montevideo street market; 9-13, Carnival figure in Museo
de Carnival in Montevideo which has the longest eighty day Carnival season
in the world; 14, Traditional steak dinner remnants in Montevideo
restaurant; 15, Traditional mate tea gourd and thermos for hot water; 16-18,
Montevideo street graffiti; 19, Airbrushed nude painting on Carnival bus;
20, Sleeping on the street; 21, Carnival wall mural depicting dancers
including a gaucho in traditional clothing; 22-27, Carnival concert with
comparsas groups drumming and singing candomble music. Carnival was first
begun in Montevideo by enslaved Blacks who were allowed to don gaudy clothes
after a harvest and sing and dance outside the city walls; 28, A concertgoer
after the Candombe performances for Carnival; 29, Street tablado drummers
during Carnival time; 30, Salvo Palace in Montevideo; 31, Leather mate cases
with emblem of folk hero Che Guevera.
Uruguay 2010-02
31 still image files
(jpg)
afc2018064_dc001
Buenos Aires, March 2010
March 2010
1-4, Plaza de Mayo graffiti to the disappeared;
5, Woman waiting for taxi; 6, Dog walker; 7, Argentine leather shoes in
window; 8-9, One hundred peso banknote depicting Julio Argentino Roca who
was the eighth president of Argentina. It is on a restaurant table with
remnants of wine and traditional salad after a meal; 10-11, Equestrian
statue of folkloric hero Garibaldi (1807-1882) who was known as the Hero of
Two Worlds after fighting for liberation in Italy and Argentina. The statue
was made in 1904 by Italian sculptor Eugenio Mascagni and is a replica of
one in Brescia in Italy. It was erected on Plaza Italia in the Palermo
barrio and donated by the Italian community of Buenos Aires; 12-15, Susan
Lloyd has a Tango lesson in Buenos Aires; 16-20, Tango dancers in Buenos
Aires show off their skills and give lessons to tourists; 21, Statue of
living folk legend Diego Maradona (1961-) in flatiron Gamanita Havana
building in Barrio Palermo. maradona is the controversial retired Argentine
soccer player who is considered to be the greatest soccer player of all
time; 22, Poster depicting a disappeared girl; 23, Traditional whole roasted
pig.
Argentina 2010-03\Buenos Aires
23 still image files
(jpg)
afc2018064_dc001
Folk legend Evita Peron,
March 2010
March 2010
1, Poster of folk legend Evita Peron depicting
her as the heroine of the workers, Evita Peron Museum in Buenos Aires; 2,
The many hats of folk legend Evita Peron at the Evita Peron Museum in Buenos
Aires; 3, Folk legend Evita Peron is often portrayed as the Virgin Mary
because of her reputation of being a compassionate mother to the poor. She
called them the shirtless ones; 4, Life casting of folk legend Evita Peron
at Eva Peron Museum in Buenos Aires. The nose was smashed by dissenters; 5,
Iconic photo of folk legend Evita Peron when she told the Argentine nation
that she had cancer, Evita Peron Museum in Buenos Aires; 6-7, The tomb of
folk legend Evita Peron, Buenos Aires.
Argentina 2010-03\Evita Peron Folklore
7 still image files
(jpg)
afc2018064_dc001
Iguazu Falls, March 2010
March 2010
1-2, 5, 8, Susan Lloyd's husband, Tom Lloyd, at
Iguazu Falls; 3-4, 7, Susan and Tom at Iguazu Falls; 6, Susan Lloyd at
Iguazu Falls; 9-10, Mate drinking on train to Iguazu Falls; 11-15, Above the
falls.
Argentina 2010-03\Iguazu Falls
15 still image files
(jpg)
afc2018064_dc001
Vendimia Harvest Festival,
March 2010
March 2010
1-231, Vendimia Harvest Festival, Mendoza,
Argentina.
Argentina 2010-03\Mendoza Harvest Festival
231 still image files
(jpg)
afc2018064_dc001
Mendoza Italian Culture,
March 2010
March 2010
1-11, Italian traditional wine culture in
Argentina, Festa in Piazza, Vendimia Harvest Festival, Mendoza; 12-30, Plaza
Italia in Mendoza is a monument paying tribute to the Italian immigrants in
the 1880s who began the wine industry in western Argentina.
Argentina 2010-03\Mendoza Italian Culture
30 still image files
(jpg)
afc2018064_dc001
Wine culture, March 2010
March 2010
1-7, 10-13, 15, Traditional wine making
equipment. The wine industry was begun in western Argentina by Italian
immigrants in the nineteenth century. In the Mendoza area there are now many
vineyard and tasting rooms. Active Italian family-run operations use
traditional irrigation methods to grow the Malbec grape; 8-9, The Rutini
family was the first to bring the Malbec grape to Argentina to begin the
wine industry in western Argentina in the late 1880s. Many other Italian
immigrants followed suit and in the Mendoza area there are now many
vineyards and tasting rooms; 14, Bicycling through Mendoza wine country;
16-18, 57-58, 61-66, 90-97, Wine tasting at Mendoza vineyards; 19-21, 24-25,
28, 35-36, 68-69, Cavagnaro family home on their vineyard. Julian Cavagnaro
runs the Mendoza Italian family wine business singlehandedly and lives
surrounded by mementos of the past including notes to himself and
intellectual reading material; 22-23, 26-27, 29-34, 38-41, 43-56, Julian
Cavagnaro singlehandedly runs his family's wine growing operation in
Mendoza; 37, Julian Cavagnaro and his mother; 42, 72-74, 76-78, 80, Malbec
grapes on Cavagnaro family vineyard; 59-60, 67, 70-71, 81-83, Italian
traditional wine culture in Argentina; 75, Cavagnaro family vineyard; 79,
Water canal in Cavagnaro family vineyard; 84, Victorian roof of Cavagnaro
family home on their vineyard; 85-89, Vina Maria vineyard entrance sign;
98-99, Mother of Julian Cavagnaro at the Vina Maria family
vineyard.
Argentina 2010-03\Mendoza Wine Culture
99 still image files
(jpg)
afc2018064_dc001
Santos folk art, March 2010
March 2010
1-8, The tradition of carving Catholic saint
statues was brought to Argentina by the Spanish conquerors in the
seventeenth and eighteenth centuries.
Argentina 2010-03\Santos Folk Art
8 still image files
(jpg)
Subseries 8: Hungary,
Switzerland, and Austria
afc2018064_dc001
Zurich, Switzerland
Christmas Fair, December
2010
December 2010
1, Zurich in the snow; 2, 4, Zurich street; 3,
Zurich street with decorated trees; 5-6, Zurich beauty shop window
poster.
Switzerland 2010-12
6 still image files
(jpg)
afc2018064_dc001
Vienna, Austria, December 2010
December 2010
1, Susan Lloyd on train from Budapest to Vienna;
2-3, Secession Building; 4, 8-16, 18, 22, St. Stephens Cathedral; 5, Cabaret
Fledermanus; 6-7, café Hawelka; 17, 19-21, Traditional Vienna horse drawn
carriage; 23-28, Gothic sculpture of emaciated Christ on exterior of St.
Stephens Cathedral; 29-56, Vienna Secession. Art and architecture; 57-60,
Underground beer hall; 61-64, Subway; 65-68, café Hawelka harkens back to
the hippie past and has been frequented by poets and musicians as well as
politicians. The coffee houses of Vienna are listed as an Intangible
Cultural Heritage by UNESCO; 69-71, 84-86, Snow covered pomegranates in the
Naschmarkt which is an open air market selling food and other products from
around the world; 72-83, Majolikahaus apartment building designed in 1898 by
Otto Wagner who was a member of the Vienna Secession art movement. Floral
designs on ceramic tiles are inspired by folk art and the Art Nouveau
aesthetic and adorn the outside of the building; 89, Bank of Austria
Secession period building; 90-92, Christmas advertising; 93-98, The Vienna
Secession Building designed by Joseph Maria Olbrich in 1897. The Vienna
Secession was an art movement which opposed the art academies and espoused a
modern total art encompassing painting and sculpture as well as architecture
and folk art; 99-125, Vienna State Opera House; 126-131, Vienna snow
scenes.
Vienna 2010-12
131 still image files
(jpg)
afc2018064_dc001
Budapest, Hungary art and
architecture, December
2010
December 2010
1, Parliament building; 2, View of Parliament
building across Danube River; 3-4, Matthias Church with folk motif tile
roof; 5-6, Equestrian statue of St. Stephen outside Matthia Church on Castle
Hill. Stephen was the first king of Hungary (1000-1038); 7-13, Matthis
Church Budapest Castle. The Budapest Secession (1890-1910) during the Art
Nouveau period incorporated geometric motifs and folk art elements in art
and architecture; 14-15, The Chain Bridge over the Danube River separating
Buda from Pest; 16-25, The Budapest Secession (1890-1910) during the Art
Nouveau period incorporated geometric motifs and folk art elements in art
and architecture; 26, Hotel Danubius Astoria; 27-50, Hotel Gellert and
Thermal Spa; 51-54, Postal Savings Bank (1899-1901) designed by Odon
Lechner; 55, National Museum with banners announcing Gustav Klimt and Botero
exhibits; 56-62, Kossuth Lajos Street from Hotel Danubius Astoria window;
63-72, 74, Museum of Applied Art; 73, Odon Lechner statue outside Museum of
Applied Art.
Budapest 2010-12\Architecture
74 still image files
(jpg)
afc2018064_dc001
Budapest, Hungary
traditional bathing spas, December 2010
December 2010
1-23, Szechenyi Thermal Bath is one of several
popular public bath houses in Budapest. The Budapest bathing culture was
begun under the Ottoman occupation in Hungary from 1542 to 1699. Szechenyi
dates from the late 1900s but some original bath houses remain in the city.
It has been a long-standing traditional for Hungarians to take the waters
daily.
Budapest 2010-12\Bathing Spas
23 still image files
(jpg)
afc2018064_dc001
Music culture in Hungary,
December 2010
December 2010
1, 3-5, The Hungarian State Opera House is a
Neo-Renaissance building in central Budapest which was designed by Miklos
Ybl and modeled after the Vienna Opera House. It was built in 1875 and
opened in 1884; 2, 8-9, Production of Handel's Xerxes; 6, Intermission for
Handel's Xerxes at the Hungarian State Opera House; 7, A box in the
Hungarian State Opera House.
Budapest 2010-12\Music Culture
9 still image files
(jpg)
afc2018064_dc001
Budapest, Hungary street
culture, December 2010
December 2010
1-3, 27, Memorial of shoes lines the Danube,
representing the Jewish people who were shot by the Nazis during World War
II and fell into the river; 4, View of Danube River with traditional barge
and Parliament buildings in background; 5-7, 46, Streets decorated with
lights for Christmas; 8, Poster advertising Hungarian candy; 9-10, 22-24,
Traditional food at Christmas Fair; 11, Traditional food at Christmas Fair
with recipe for Langallo; 12, Folk art felt hats at Christmas Fair; 13-15,
Traditional Hungarian music at Christmas Festival; 16-20, Men dressed as
elves at annual Christmas Fair; 21, Street musicians at Christmas Fair; 25,
Roma entertainers at underground club; 26, View from Astoria Hotel; 28,
Christmas Festival offers traditional foods and folk arts; 29-41, Central
Market Hall is an open market built in Neo-Gothic style in 1897. Traditional
food products are sold here by regular vendors in booths and decorations
abound during the Christmas season; 42, Dog of street musician wrapped in
blanket; 43, Coffee service; 44-45, Zolnay porcelain at Budapest's Applied
Arts Museum. Zolnay porcelain originated in Pest and came of age during the
Art Nouveau period at the end of the nineteenth century.
Budapest 2010-12\Street Culture
46 still image files
(jpg)
Subseries 9: Morocco and
Spain
Additional material collected by Lloyd in Spain, related to Holy Week religious
ritual, can be found in [Series 7.](ref_id10382)
afc2018064_dc001
Cultures of Morocco, May 2011
May
2011
1-4, Ferry to Tangier on Straits of Gibraltar; 5,
8, 42-45, Tangier Islamic architectures; 6, Tangier Islamic architecture.
The building houses the first property outside the United States which also
became the first U.S. embassy in 1821; 7, Susan Lloyd on balcony overlooking
Tangier and part of the medina; 9-13, 32-41, Inside Tangier medina; 14-18,
20-26, 30-31, Tangier street culture; 19, Tangier portrait studio window
displaying ethnic portraits; 27-29, Miami Beach Restaurant on Tangier
beach.
Morocco 2011-11
45 still image files
(jpg)
afc2018064_dc001
Architecture of Spain, December 2011
December 2011
1-2, 73-74, 78-79, The Alhambra was built in the
ninth century as a palace and fortress complex incorporating Islamic design
then rebuilt in the thirteenth century by the Emirate of Granada; 3-52, La
Pedrada (meaning The Quarry because of its rough-hewn nature) is an
apartment building and the last civic creation by architect Antonio Gaudi in
Barcelona between 1906 and 1912. He used forms from nature and folk art in
his fantastical buildings; 53-71, La Sagrada Familia (The Sacred Family)
combines Art Nouveau and Gothic styles in a basilica of fantastic design by
Antonio Gaudi. He worked on it until his death in 1926 and it is still under
construction and a World Heritage UNESCO site; 72, The home of writer Garcia
Lorca who legitimized flamenco and gypsy (Roma) culture in his poetry and
music. He was murdered in the Spanish Civil War in 1938; 75, View of the
Albaicin Arab Quarter from the Alhambra in Granada; 76, Detail of barrio
quarter in the Alhambra; 77, View of Granada from the Alhambra; 80-112,
Detail of intricate stalactite plaster and stucco design as well as tile
work incorporated in the Alhambra.
Spain 2011-12\Architecture
112 still image files
(jpg)
afc2018064_dc001
Spanish Flamenco dance,
December 2011
December 2011
1-8, Flamenco star Jose Galvan with young student
outside his studio in Seville; 9, Young flamenco dancer, student of Jose
Galvan, Seville; 10, Jose Galvan in his studio in Seville; 11-15, Flamenco
club in Grenada; 16-48, Venta El Gallo flamenco club, Sacromonte, Granada;
49-51, Carmen de las Cuevas flamenco school, Granada.
Spain 2011-12\Flamenco
51 still image files
(jpg)
afc2018064_dc001
Salobreno, Spain, December 2011
December 2011
1, Sun bather on Salobreno beach; 2, Fishing on
Salobreno Beach; 3, Dog on Salobreno Beach; 4, Sunset on Salobreno Beach;
5-7, Home decorated on outside walls with blue and white Talavera folk
pottery which was influenced by Ming Dynasty imports; 8, Salobreno sits atop
rock mound overlooking Mediterranean Sea; 9-12, tenth century Moorish castle
overlooking Mediterranean Sea; 13, Restaurant sign with wrought-iron folk
depiction of Don Quixote on horse.
Spain 2011-12\Salobreno
13 still image files
(jpg)
Subseries 10:
Nicaragua
afc2018064_dc001
Jaripeo bull riding, February 2014
February 2014
1-39, Jaripeo is a form of bull riding practiced
mainly in Central and Southern Mexico that developed in the sixteenth
century by Spaniards.
Nicaragua 2014-02\Bull Riding
39 still image files
(jpg)
afc2018064_dc001
Lake Nicaragua, February 2014
February 2014
1-3, Boy displays mounted shark teeth from fresh
water Lake Nicaragua; 4-13, Boat trip on Lake Nicaragua; 14-15, Banyon tree
on lake shore; 16, Family on Lake Nicaragua shore; 17-19, Trip on vintage
boat to Ometepe Island on Lake Nicaragua; 20-33, Finca Santo Domingo in
traditional rustic style on Ometepe Island on Lake Nicaragua; 34-36, Natural
spring on Ometepe Island on Lake Nicaragua; 37-44, Villagers on foothills of
Concepcion Volcano on Ometepe Island on Lake Nicaragua.
Nicaragua 2014-02\Lake Nicaragua
44 still image files
(jpg)
afc2018064_dc001
Sandinista folklore, February 2014
February 2014
1-7, FSLN Gallery of photos of missing or
murdered in Contra War; 8, 98, Nicaraguan Sandinista; 9-19, Museum of
Legends and Traditions in Leon Nicaragua; 20-21, Statue of young Sandinista
at Museum of Legends and Traditions in leon Nicaragua; 22, Marker honoring
fallen Sandinistas Edgard Alvarez at Museum of Legends and Traditions in
Leon Nicaragua; 23-24, Legend of the Tamarind Tree recognizing indigenous
resistance in Leon Nicaragua; 25-56, Museum of the Revolution in Leon
Nicaragua; 57-61, Skateboarders and mural of the Sandinista Revolution;
62-65, Wall mural in Leon Nicaragua to the Martyrs of the Revolution and
folk hero Sandino; 66, Portraits of folk heroes Che Guevara and Sandino in
Nicaragua restaurant; 67, Wall mural portrait of folk hero Sandino in Leon
Nicaragua; 68-73, Leon wall mural depicting Nicaraguan Revolution and
folklore; 74-77, Mural in Leon Nicaragua basketball court depicting
Sandinista Revolution; 78, Magazine newsstand in Leon Nicaragua featuring
folk heroes Che Guevara and Daniel Ortego and others such as Cesar Chavez
and Yaseer Arafat; 79-82, 89-92, Matagalpa cemetery contains the graves of
the fallen FSLN and was a stronghold of the Sandinista Revolution; 83-88,
Brother of a fallen Sandinista visiting Matagalpa cemetery which contains
the graves of the fallen FSLN. Matagalpa was a stronghold to the Sandinista
Revolution; 95-96, Che Guevara and Sandino mural in café on Lake Nicaragua;
97, Daniel Ortega poster in Leon.
Nicaragua 2014-02\Sandanista Folk Legacy
98 still image files
(jpg)
afc2018064_dc001
Santos folk art, February 2014
February 2014
1-57, Antique santos folk art saint statues in
Nicaragua.
Nicaragua 2014-02\Santos Folk Art
57 still image files
(jpg)
afc2018064_dc001
Street culture of Leon,
February 2014
February 2014
1-2, Lion monument dedicated to Ruben Dario in
front of Leon Nicaragua cathedral. Dario is famed poet of Nicaragua; 3, Man
in red shirt against brightly painted wall in folk art colors of pink and
blue; 4, 1920 antique typewriter in Leon Nicaragua hotel; 5, Female
Sandinista on barber shop sign in Leon Nicaragua; 6-10, Scantily clad
mannequins on Leon Nicaragua street; 11, View from Leon Cathedral of distant
Nicaraguan volcanoes; 12, Shell display at surf camp on Pacific coast
outside Leon; 13-14, Surfer sleeping in surf camp west of Leon on the
Pacific Ocean; 15, Woman sleeping at Leon bus station.
Nicaragua 2014-02\Streets of Leon
15 still image files
(jpg)
34/12
Nicaragua, 2014
2014
1 folder
Pamphlet reprint of folk
hero Augusto Sandino's February 1931 manifesto,
Light and Truth
by CO-Press, Berkeley, California. Also June 2, 1928 Sandino
interview by Max Grillo. Also maps of Ometepe Island and pamphlet about
Finca Santo Domingo
AFC 2018/064: W-01
35/1
Nicaragua notebook, 2014
2014
Notes surrounding an exploration of Sandino folk
culture in Leon, Nicaragua, including side trips to Granada and Ometepe
Island.
1 notebook
59
Optical media
Optical discs that originally housed digital files
from [afc2018064_dc004](ref_id10727), [afc2018064_dc005](ref_id10239), [afc2018064_dc006](ref_id11012), [afc2018064_dc007](ref_id10827), and [afc2018064_dc008](ref_id10509).
6 video discs (DVD)
Bibliography
Published works in this collection
Balistreri, Rosa.
Canti di Sicilia.
PDR RLPK 10018, 1988, sound cassette.
Banda de Música.
Marchas Procescionales en Sevilla.
Musivox, 1994, sound cassette.
Crossroads Children.
Songs from Crossroads.
Butterfly BT 1843, 1979, sound disc.
[Hassel, Eva.
Gelebte Interkulturalität: Weibliches Schreiben im Italo/Amerikanischen
Kontext.
Würzburg, Germany: Königshausen & Neumann, 2000.]
Lawrence, John W., editor.
West Wind Review: A Contemporary Journal of Literature 7
(Spring 1998).
Other related publications
[Fazio, Venera
and Delia De Santis, editors.
Sweet Lemons: Writings with a Sicilian Accent.
New York: Legas, 2004.]
[Lloyd, Susan.
No Pictures in My Grave: A Spiritual Journey in Sicily.
San Francisco: Mercury House, 1992.]
[Marino,
Elisabetta.
Ancestral Mothers, Feminine Icons, and Black Madonnas in the Works of Susan
Caperna Lloyd.
TestoeSenso
(2019): 1-12.]
[Marino, Elisabetta.
The Black Madonna in the Italian American Artistic Imagination.
Acta Neophilologica 50,
no. 1-2 (2017): 37-56.]
[Marino, Elisabetta.
Searching for Identity: No Pictures in My Grave: A Spiritual Journey in
Sicily.
Journal of British and American Studies 24
(2018): 97-103.]
[Patrona,
Theodora.
Novels of Return: Ethnic Space in Contemporary Greek-American and
Italian-American Literature.
PhD dissertation, Aristotle University of Thessaloniki, Greece, February
2001.]
[Seffer, Valentina.
Identity on the Threshold: The Myth of Persephone in Italian American
Women's Memoir.
PhD dissertation, University of Sydney, Australia, 2015.]