Converted to EAD3 : Encoded Archival Description (EAD), Version 3 : Release: 1.1.1 : Release Date: 2019-12-16. Validating against latest version of schema.
Contact information: http://hdl.loc.gov/loc.afc/folklife.contact
Catalog Record: https://lccn.loc.gov/2004695178
Collection materials are in English and Hopi .
The following terms have been used to index the description of this collection in the LC Catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically.
The collection is organized by format into the following series: I. Sound Recordings.
The collection was donated by Diana Cohen in 1978.
No further accruals are expected.
The collection was processed by Michelle Forner in 1994. Valda Morris revised and encoded the collection finding aid in EAD in December 2012.
Duplication of the collection materials may be governed by copyright and other restrictions. Collection is open for research. To request materials, please contact the Folklife Reading Room at http://hdl.loc.gov/loc.afc/folklife.contact
Diana Cohen Hopi Religion Collection (AFC 1978/003), Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C.
The collection consists of one 90-minute audio recording of songs and discussions about different aspects of Hopi religion which was recorded by Diana Cohen in the spring of 1974 in Second Mesa, Arizona. The recording documents an informal gathering of families at the home of Ferrell Secakuku who is a songwriter, snake dancer, and owner of the Second Mesa store. In the recording, which is in both English and Hopi, Secakuku describes his experiences in kiva ceremonies, as a kachina dancer, clown, and member of the Snake clan. Also present was Perry Honanie, Sr. who served in the United States Army in World War II as a Hopi code talker.
The recording captures Secakuku demonstrating different types of chants and dance songs accompanied by drumming. He translates various phrases and explains their significance and symbolism. The explanations are not always clearly audible. In addition, an unidentified person plays banjo and sings several song fragments as well as one bird song in English. A question-and-answer session follows during which Secakuku offers an explanation also recounts some Hopi origin stories.